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Japan Week in Bhutan 2019
FEATURE FILM - CRAYON SHIN CHAN–BRAVO! SAMURAI BATTLE 2002 / 95min / Dir: Keiichi HARA One morning, Shinnosuke and his parents have the exact same JAPAN WEEK IN BHUTAN dream. While Shin Chan becomes entranced with the “pretty lady” from that dream, his dog Shiro, also seems to have had the same September - October 2019 dream and begins digging a hole in the yard. Shin Chan discovers a wooden box in the hole. There’s a letter inside written in his own handwriting that says he’s in the second year of the Tensho era (1574). Even though he has no recollection of the letter, while standing at the bottom of the hole, he unwittingly travels through ©2002/Usui Yoshito. / Futabasha・ time to an unfamiliar place. SHIN-EI Animation・TV Asahi Corporation. JLPT (Japanese Language Proficiency Test) Seminar In December this year, JLPT will be conducted in Bhutan (Thimphu) for the first time. To commemorate this occasion, Japan Foundation will hold a JLPT seminar, explaining the purpose, usage, and countermeasures of the exam. All are welcome ! Mononoke – Animation program on BBS TV 2 from 1st October 2019 (Tue) at 5:00pm “Mononoke” is a Japanese horror taste animation which consists of 5 story- arcs, 12 episodes (25 min. each) in total. In feudal Japan, evil spirits known as mononoke plague both households and the countryside, leaving a trail of fear in their wake. One mysterious person has the power to slay the mononoke where they stand; he is known only as the Medicine Seller, and he vanquishes the spirits using the power of his Exorcism Sword. -
Et Les Fantômes © Hiroko Reijo, Asami, KODANSHA / WAKAOKAMI Project Project / WAKAOKAMI Asami, KODANSHA Reijo, © Hiroko
OKKOet les fantômes © Hiroko Reijo, Asami, KODANSHA / WAKAOKAMI Project Project / WAKAOKAMI Asami, KODANSHA Reijo, © Hiroko Un film de Kitarô Kôsaka Directeur de l’animation sur LE VENT SE LÈVE présente SYNOPSIS Seki Oriko, dite OKKO, est une petite fille formidable et pleine de vie. Sa grand-mère qui tient l’auberge familiale la destine à prendre le relais. Entre l’école et son travail à l’auberge aux côtés de sa mamie, la jeune Okko apprend à grandir, aidée par OKKO d’étranges rencontres de fantômes et autres créatures mystérieuses ! et les fantômes INTRODUCTION Adapté d’un livre pour enfants très populaire qui s’est vendu au Japon à plus de Un film de Kitarô Kôsaka 3 millions d’exemplaires, OKKO ET LES FANTÔMES est le premier long métrage Directeur de l’animation sur LE VENT SE LÈVE réalisé par Kitarô Kôsaka, ancien collaborateur de Hayao Miyazaki au sein du Studio Ghibli. Une adaptation du livre a d’abord été publiée en manga dans le magazine « shojo » Nakayoshi des éditions Kodansha. Dessinée par Eiko Ouchi, la série compte 7 tomes sortis entre 2006 et 2012 (inédite en France). SORTIE LE 12 SEPTEMBRE Enfin, en parallèle au long métrage, une série TV animée, produite par le studio Madhouse, est réalisée par une équipe distincte de celle du film en proposant une approche différente de l’oeuvre originale. La série est à découvrir en ce moment sur Manga One, disponible dans l’offre JAPON - DURÉE : 95 MIN Pickle TV d’Orange. LES PERSONNAGES Oriko Seki, alias Okko : Âgée de 12 ans, elle est en dernière année d’école primaire. -
FREE ANIME FILM SHOWING the Remarkable Life and Works of Japanese Artist and Ukiyo-E Painter Katsushika Hokusai, As Seen from the Eyes of His Daughter, O-Ei
FREE ANIME FILM SHOWING The remarkable life and works of Japanese artist and ukiyo-e painter Katsushika Hokusai, as seen from the eyes of his daughter, O-Ei. An opportunity to discover how life was in Tokyo back in 1814 during the Edo period. WEDNESDAY 30 NOVEMBER 2016 19:00 FREE ENTRANCE RESERVATION REQUIRED: CINÉ UTOPIA 16, avenue de la Faïencerie [email protected] - 46 41 51 43 L-1510 Luxembourg (Limpertsberg) 93 min Japan 2015 in Japanese with English subtitles A SUMPTOUS, SENSUOUS ANIMATED WORK OF ART! - Los Angeles Times GORGEOUS! A SMALL POETIC WONDER! - The Hollywood Reporter CRITICS’ PICK! EXTRAORDINARY! ENCHANTING! THOUGHT PROVOKING! - New York Times The Japanese Embassy in Luxembourg organizes a free anime film showing of « MISS HOKUSAI » From award-winning director Keiichi Hara (Colorful) and Japanese powerhouse Production I.G (creators of Ghost in the Shell) comes a remarkable story of the daughter behind one of history’s most famous artists. As all of Edo flocks to see the work of the revered painter Hokusai, his daughter O-Ei toils diligently inside his studio. Her masterful portraits, dragons and erotic sketches – sold under the name of her father – are coveted by upper crust Lords and journeyman print makers alike. Shy and reserved in public, in the studio O-Ei is as brash and uninhibited as her father, smoking a pipe while sketching drawings that would make contemporary Japanese ladies blush. But despite this fiercely independent spirit, O-Ei struggles under the domineering influence of her father and is ridiculed for lacking the life experience that she is attempting to portray in her art. -
Print 2021.1.5 Updated
BIOGRAPHY Ryo Kase Ryo Kase was born on November 9, 1974 in Kanagawa, Japan. Shortly after birth his family moved to Washington, United States, where he spent most of his childhood. Kase began his acting career in 2000 and gained his first starring role in Kazuyoshi Kumakiri’s Antenna (2004). He then went on to work with several internationally renowned Japanese film directors, including Takashi Kitano, Hirokazu Koreeda and Kiyoshi Kurosawa. His first appearance in an International film was Clint Eastwood’s Letters from Iwo Jima (2006). He continued to appear in several high-profile international films including Gus Van Sant’s Restless (2011), Abbas Kiarostami’s Like Someone in Love (2012), Hong Sang-soo’s Hill of Freedom (2014), Martin Scorsese’s Silence (2017) and Bel canto (2018). He is a recipient of multiple awards, including a nomination for Japan Academy Award, Blue Ribbon Award, Hochi Film Award and Asian Film Award. 5.January.2021 FILMOGRAPHY <MOVIE> 2020 MINAMATA Andrew Levitas The Works and Days C.W. Winter, Anders Edström (of Tayoko Shiojiri in the Shiotani Basin) 2019 TO THE ENDS OF THE EARTH Kiyoshi Kurosawa 2018 Bel Canto Dir. Paul Weitz LYING TO MOM (aka The Suzuki Family’s Lie.) Dir. Katsumi Nojiri Mori, The Artist’s Habitat Dir. Shuichi Okita 2017 Moonlight Shimo Ochiai Dir. Tasuku Emoto March comes in like a lion Dir. Keishi Otomo SILENCE Dir. Martin Scorsese 2016 Azumi Haruko wa Yukue Fumei Dir. Daigo Matsui 2015 FOUJITA Dir. Kohei Oguri Our Little Sister Dir. Hirokazu Koreeda 2014 Hill of Freedom Dir. Hong Sang-Soo My Hawaiian Discovery Dir. -
Uma Perspectiva Musicológica Sobre a Formação Da Categoria Ciberpunk Na Música Para Audiovisuais – Entre 1982 E 2017
Uma perspectiva musicológica sobre a formação da categoria ciberpunk na música para audiovisuais – entre 1982 e 2017 André Filipe Cecília Malhado Dissertação de Mestrado em Ciências Musicais Área de especialização em Musicologia Histórica Setembro de 2019 I Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ciências Musicais – Área de especialização em Musicologia Histórica, realizada sob a orientação científica da Professora Doutora Paula Gomes Ribeiro. II Às duas mulheres da minha vida que permanecem no ciberespaço do meu pensamento: Sara e Maria de Lourdes E aos dois homens da minha vida com quem conecto no meu quotidiano: Joaquim e Ricardo III Agradecimentos Mesmo tratando-se de um estudo de musicologia histórica, é preciso destacar que o meu objecto, problemática, e uma componente muito substancial do método foram direccionados para a sociologia. Por essa razão, o tema desta dissertação só foi possível porque o fenómeno social da música ciberpunk resulta do esforço colectivo dos participantes dentro da cultura, e é para eles que direciono o meu primeiro grande agradecimento. Sinto-me grato a todos os fãs do ciberpunk por manterem viva esta cultura, e por construírem à qual também pertenço, e espero, enquanto aca-fã, ter sido capaz de fazer jus à sua importância e aos discursos dos seus intervenientes. Um enorme “obrigado” à Professora Paula Gomes Ribeiro pela sua orientação, e por me ter fornecido perspectivas, ideias, conselhos, contrapontos teóricos, ajuda na resolução de contradições, e pelos seus olhos de revisora-falcão que não deixam escapar nada! Como é evidente, o seu contributo ultrapassa em muito os meandros desta investigação, pois não posso esquecer tudo aquilo que me ensinou desde o primeiro ano da Licenciatura. -
REDLINE Partners ABOUT the FILM
Premiere at The 62nd Locarno International Film Festival © 2009 Katsuhito Ishii, GASTONIA, MADHOUSE / REDLINE Partners ABOUT THE FILM DIRECTOR: PRODUCTION YEAR: Takeshi KOIKE (Animatrix “World Record”) 2009 SCREENPLAY: WORLD PREMIERE: Katsuhito ISHII The 62nd Film Festival Locarno (“Shark Skin Man & Peach Hip Girl”, “Party 7”, etc.) Yoji ENOKIDO (“Neon Genesis Evangelion”, “Aim for the Top GunBuster2”) LENGTH: Yoshiki SAKURAI 101min (“Ghost in the Shell: Stand Alone Complex”) COLORS: ORIGINAL STORY: Color Katsuhito ISHII FORMAT: MUSIC: Digital Cinema / High Definition James SHIMOJI (“Party 7”, “Survive Style 5+”) SCREEN RATIO 1:1.85, SOUND 5.1ch (6 channel) SOUND: Noriyuki SAKAMOTO ANIMATION: MADHOUSE (“The Girl Who Leapt Through Time”, “Paprika”) © 2009 Katsuhito Ishii, GASTONIA, MADHOUSE / REDLINE Partners INTRODUCTION Katsuhito Ishii, the creative wizard, has teamed up with sprited animator Takeshi Koike as director, for the animation epic “REDLINE”. After 5 years of production, “REDLINE” will finally emerge in its entirety. “REDLINE” will be world premiered as part of Piazza Grande programming of Locarno International Film Festival. The world’s most enormous, finest open-air cinema Piazza Grande holds up to 10,000 audience. As a representative of Japanese animations, “REDLINE” will proudly demonstrate the potential and new possibilities of 2D animation, amidst the current prominence of 3D animation. In this year’s Locarno International Film Festival, the great retrospective event for Japanese established animations, entitled “MANGA IMPACT” will take place as well. “REDLINE” will be released theatrically Spring 2010 in Japan. © 2009 Katsuhito Ishii, GASTONIA, MADHOUSE / REDLINE Partners SYNOPSIS The toughest and the most destructive underground car race in the universe, REDLINE, has just begun! JP is a reckless driver oblivious to speed limits, and Sonoshee, one of his competitors with whom JP is secretly in love with, is a hot girl determined to do whatever it takes to stand on the winner’s podium. -
Wolf Children
PRESENTS WOLF CHILDREN A MAMORU HOSODA FILM Running time: 117 minutes Certificate: TBC Opens at UK cinemas on 25th October Press Contacts Elle McAtamney – [email protected] For hi-res images/production notes and more, go to – www.fetch.fm To the children, a movie like a delightful, fun fairy tale… To the youth, to make raising children, which they have yet to experience, seem full of surprises and wonder… And to the parents, to let them reminisce about their children’s growth… I am striving to make an invigorating movie that satisfies the principles of entertainment. Mamoru Hosoda Director, screenwriter, author of original story INTRODUCTION The long-awaited new film by Director Mamoru Hosoda! Yet another movie that enthralls people of all generations!! In “The Girl Who Leapt Through Time” (2006), he depicted the radiance of youth in flashing moments of life. In “SUMMER WARS” (2009), he told a story about a miracle, of how the bond between people saved Earth’s crisis, and the film swept awards domestic and abroad. Mamoru Hosoda has become the most noted animation director in the world. Why do his works appeal to people of all generations? His stories are not about the extraordinary, and they are not about superheroes. Set in towns that could really exist, the main characters are surrounded by ordinary people and are troubled by slightly unique circumstances, which they struggle to overcome. Based on well-thought-out scenarios, these real-to-life stories are made into dynamic animation. That’s why the main characters seem so familiar to us and draw our sympathy, and we get excited watching how they fare. -
Digital Cinema and the Legacy of George Lucas
DOCTOR OF PHILOSOPHY Digital cinema and the legacy of George Lucas Willis, Daniel Award date: 2021 Awarding institution: Queen's University Belfast Link to publication Terms of use All those accessing thesis content in Queen’s University Belfast Research Portal are subject to the following terms and conditions of use • Copyright is subject to the Copyright, Designs and Patent Act 1988, or as modified by any successor legislation • Copyright and moral rights for thesis content are retained by the author and/or other copyright owners • A copy of a thesis may be downloaded for personal non-commercial research/study without the need for permission or charge • Distribution or reproduction of thesis content in any format is not permitted without the permission of the copyright holder • When citing this work, full bibliographic details should be supplied, including the author, title, awarding institution and date of thesis Take down policy A thesis can be removed from the Research Portal if there has been a breach of copyright, or a similarly robust reason. If you believe this document breaches copyright, or there is sufficient cause to take down, please contact us, citing details. Email: [email protected] Supplementary materials Where possible, we endeavour to provide supplementary materials to theses. This may include video, audio and other types of files. We endeavour to capture all content and upload as part of the Pure record for each thesis. Note, it may not be possible in all instances to convert analogue formats to usable digital formats for some supplementary materials. We exercise best efforts on our behalf and, in such instances, encourage the individual to consult the physical thesis for further information. -
30Th Tokyo International Film Festival Unveils Full Lineup
PRESS RELEASE September 26, 2017 c 30th Tokyo International Film Festival Unveils Full Lineup The Tokyo International Film Festival (TIFF) today announced the lineups in all sections, as well as the jury members, and highlights of this year’s 30th anniversary edition. At a press conference at Roppongi Academyhills in Tokyo, Festival Director Takeo HISAMATSU, presiding over his first TIFF, delivered opening remarks and emphasized the festival’s vision for the future. The Opening, Special Opening Presentation and Closing Films were introduced. TIFF’s programing directors then took the stage to introduce the lineup for each section of the 30th edition. In the Competition section, 15 films* were selected from among 1,538 titles from 88 countries and regions. Guests ©2017 TIFF from the two titles representing Japan, director Takahisa ZEZE and actresses Ayano MORIGUCHI, Kokone SASAKI and Aina YAMADA, from The Lowlife, and director Akiko OOKU from Tremble All You Want, were welcomed on the stage and made remarks (see next page for more). *The full Competition section lineup is attached to this press release. This year’s International Competition Jury members were also announced. Oscar-winning actor and filmmaker Tommy Lee JONES will serve as Jury President, working with French director Martin PROVOST, Iranian filmmaker Reza MIRKARIMI, Chinese actress-director Zhao WEI, and Japanese actor Masatoshi NAGASE. *More information on the Competition Jury President is attached to this press release. Please refer to TIFF’s official website for information on the jury members of other sections. Marking the 100th anniversary of Japanese animation this year, renowned director Keiichi HARA chosen in honor of his exceptional body of work for The World of Keiichi Hara in the Animation Focus section, greeted the audience after the retrospective lineup was announced. -
Rewiring the Text
Rewiring the Text: Adaptation and Translation in the Digital Heterogossia. Richard Berger. A thesis in partial fulfilment of the requirements of Bournemouth University for the degree of Philosophy Doctorate. March 2005. Bournemouth University. Rewiring the Text: Abstract. This dissertation is concerned with adaptation, in the context of new emerging digital media platforms. The project proposes that new media has allowed for the creation of a universal digital heteroglossia; a heteroglossia that contains the plurality of the unstable utterances of cinema, radio, television, the web and computer games. This has allowed for the process of adaptation to become more instantaneous in the simultaneous deployment of narratives across the digital heteroglossia. Therefore, the process of adaptation is far more dialogical, with previous variants of narratives being ‘rewired’ and gaining an ‘afterlife’ through adaptation, and through the creation of new variants and versions. The Internet has allowed for adaptation to move into a participatory mode, where fanfic writers fill in ‘gaps’ left by the creators of televisual and filmic texts. Videogames, based on pre-existing or co-existing texts, mean that players can experience moments of supreme and non-permanent adaptation themselves. This thesis suggests that this participation has democratised adaptation, and has fundamentally altered the nature of ‘traditional’ adaptation. The thesis concludes that, due to a digital heteroglossia, ‘traditional’ adaptation will decline, as the process becomes more plural and instantaneous. With previous variants of narratives being summoned back into life - due to adaptation, remaking and refashioning - it is increasingly unlikely that ‘fidelity’ strategies of adaptation will continue to be the dominant discourse, as all variants of narratives begin to exist in a dialogical plurality with one another; a mutual exchange of fluctuating source and target texts, cross-referenced through intertextuality and assembling a collage of influences. -
AU Cinéma Le 29 Août
Après La Traversée du Temps et Summer Wars Le nouveau film deMAMORU HOSODA AU CINÉMA LE 29 AOÛT Director / Screenplay / Original Story: Mamoru Hosoda Screenplay: Satoko Okudera Character Design: Yoshiyuki Sadamoto Animation Director: Takaaki Yamashita Art Director: Hiroshi Ohno Production: NTV, STUDIO CHIZU, MADHOUSE, KADOKAWA SHOTEN CO., LTD, VAP, D.N. dreampartners, YTV, TOHO, dentsu / STV • MMT • SDT • CTV • HTV • FBS © 2012 “WOLF CHILDREN” FILM PARTNERS STUDIO CHIZU Film WWW.ENFANTSLOUPS-LEFILM.FR KAZÉ présente Un film du STUDIO CHIZU Réalisé par Mamoru Hosoda (La Traversée du Temps, Summer Wars) Sur une idée originale de Mamoru Hosoda Scénario de Satoko Okudera Chara Design de Yoshiyuki Sadamoto Un film distribué par EuroZoom Au cinéma le 29 août 2012 Durée : 1h57 www.enfantsloups-lefilm.fr Distribution EuroZoom : Hélène Vasdeboncoeur [email protected] 01 42 93 73 55 Presse Aurélie Lebrun – [email protected] 01 44 08 77 55 / 06 88 70 11 14 Partenariats & Marketing Sylvie Brevignon – [email protected] 01 44 08 77 70 © 2012 «WOLF CHILDREN» FILM PARTNERS SYNOPSIS Hana et ses deux enfants, Ame et Yuki, vivent discrètement dans un coin tranquille de la ville. Leur vie est simple et joyeuse, mais ils cachent un secret : leur père est un homme-loup. Quand celui-ci disparaît brutalement, Hana décide de quitter la ville pour élever ses enfants à l’abri des regards. Ils emménagent dans un village proche d’une forêt luxuriante… INTRODUCTION Dans La Traversée du Temps, En quelques années seulement, Mamoru Hosoda aborde le thème Mamoru Hosoda est devenu un de l’adolescence à travers le réalisateur incontournable et ses récit initiatique d’une jeune fille films sont attendus avec impatience insouciante découvrant le pouvoir en Europe comme au Japon. -
Miss Hokusai
PRESENTS Miss Hokusai Opens in UK cinemas on 5th February 2016 Directed by Keiichi Hara | Screenplay by Miho Maruo Running time: 90 minutes Press contact: Elle McAtamney – [email protected] OVERVIEW Katsushika Hokusai is probably one of the most internationally known Japanese artists. His woodblock print series entitled Thirty-Six Views of Mount Fuji, and The Wave off Kanagawa in particular, are so iconic that can be seen reproduced on t-shirts and coffee mugs in gift shops all around the world. However, perhaps with the exception of a very restricted circle of scholars, very few are aware of the fact that Hokusai had a very talented daughter, named O-Ei, who assisted him until his death. It may therefore come as a surprise that many works commonly ascribed to master Hokusai are in fact very likely to be the result of a father-daughter collaboration, if not entirely done by O-Ei, and were signed by Hokusai simply because his name had greater appeal on the market. Contemporary accounts, mainly from pupils, seem to confirm that Hokusai excelled her father when it came to the portrayal of beautiful women (bijinga), a staple in Japanese art. This was fully recognized by Hokusai himself, and the two shared roles in the creative process. As of today, O-Ei remains one of the most fascinating mysteries in Japanese art, with less than a dozen of works commonly attributed to her, yet all featuring rare artistic talent and acute sensitivity. The unique and free-living character of O-Ei is at the centre of Miss Hokusai, the new animated feature film by Annecy-winning director Keiichi Hara.