DOCSLIB.ORG

LIFF 2016 Catalogue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
LIFF 2016 Catalogue Leeds International Film Festival NOV 3 - 17, 2016 INTRODUCTION INTRODUCTION LIFF is as much about exploring the city of Leeds as about discovering films from around the world. For our 30th anniversary year, Leeds International Film Festival we’re presenting over 300 events in a record 30 venues citywide, taking the LIFF experience into cinemas, music halls, churches, community venues, pubs, bars, clubs, museums, colleges, Millennium Square, Kirkgate Market, Leeds Station, and even onto boats. In partnership with Bruntwood, we’ve also commissioned a virtual reality short starring the city itself: Welcome to Leeds, a City in Bloom NOV 3 - 17, 2016 takes you on a 360° tour of new and historic sites in the company of poetry from Leeds Young Authors. We’ve collaborated with so many more organisations and individuals based in the city to produce LIFF30, including with Leeds Inspired and four artists on the creation of our anniversary posters that appear on this page. LIFF30 is an epic celebration of Leeds and film, and a huge thank you to everyone who has made it possible. LIFF30 POSTERS CONTENTS commissioned by Leeds Inspired Official Selection 11 Opening & Closing Films 12 Programme 13 Cinema Versa 31 Underground Voices 32 Music on Film 41 Forum 45 Fanomenon 51 Fanathons: Day of the Dead, Night of the Dead, Animation Day 52 Fanorama 58 Mountain Film 67 Retros 67 Fanomenon Short FIlms: Dark Owl International Fantasy 70 Short Film Award, Dead Shorts Competition, Future Shock: Sci-Fi Shorts Panorama Retrospectives 75 Andrzej Zulawski 76 Hal Ashby 77 Jiri Trnka’s Czech Histories 79 New Wave Women 80 Build Norwegian Comedies 81 Silent Film Classics 84 Soundtracks 86 Short Film City 99 BOX OFFICE: 0113 376 0318 30th LEEDS Juries 100 Competitions: Louis Le Prince International Short Film 102 Competition, World Animation Award, British Short Film Competition, Yorkshire Short Film Competition, Screendance Competition, Short Film Audience Award, INTERNATIONAL Leeds International Music Video Award Documentary Shorts Panorama: Nine Moving Stories 122 Teat-Beat of Sex + X-Rated Shorts 124 World Animation Panorama: VAF New Talents 2016 126 Three Minute Quickies 128 Family Short Films at Kirkgate Market 131 FILM FESTIVAL Young European Creations on Tour #4 132 Bruntwood Virtual Reality Booth at Leeds Station 133 Leeds Big Screen on Millennium Square 134 Artist Film 136 Index 138 Louisa Foley @leedsfilmfest #LIFF30 leedsfilm.com Graham Pilling Biserka Stringer-Horne 3 4 PARTNERS Supporting Partners Leading Partners Presented by PARTNERS Centre for World Cinemas World for Centre School of Modern Languages andCultures Languages School ofModern Leading Funders FILM FESTIVAL BOX OFFICE: 0113 376 0318 INTERNATIONAL INTERNATIONAL 30th LEEDS leedsfilm.com @leedsfilmfest #LIFF30 TEAM TEAM Chris Fell Director Sylvia Barber Venues & Volunteers Supervisor Alex King Programme Manager Mosa Mpetha Venues & Volunteers Supervisor Nick Jones Communications Manager Colm McAuliffe Short Film City Programmer Molly Cowderoy Programme Coordinator, Short Film City Manager Rebecca Hill Short Film City Programmer Caroline Döring Film Festival Coordinator, Guest & Industry Manager Laura Ager Short Film City Programmer Jamie Cross Production Manager Robb Barham Short Film City Programmer Martin Grund Design Manager Andy Wood Short Film City Programmer Lucile Bourliard Print Traffic Manager Gitta Wigro Short Film City Programmer Gage Oxley Youth Engagement Coordinator David Maguire Fanomenon Short Film Programmer PROGRAMMING Official Selection Alex King, Chris Fell, Molly Cowderoy Short Film City Molly Cowderoy, Colm McAuliffe, Rebecca Hill, Retrospectives Alex King, Chris Fell Sylvia Barber, Caroline Döring, Laura Ager, Robb Fanomenon Martin Grund, Chris Fell, David Maguire Barham, Andy Wood, Gitta Wigro Cinema Versa Alex King, Molly Cowderoy, Nick Jones DESIGN Lead Designer Lee Goater LIFF30/Leeds Inspired Build, Louisa Foley, Graham Pilling, Biserka Additional Design Martin Grund, Martin Pinder, Alex Finney Poster Artists Stringer-Horne LEEDS CITY CENTRE BOX OFFICE STAFF BRUNTWOOD VIRTUAL REALITY BOOTH COORDINATORS Shirley Shortall, Helen Richmond, Margaret Rooke, Ashley Sagar Alice Duggan, Natasha Fell, Charlotte Imlah VENUE COORDINATORS RUNNERS Laura Ager, Liz Ainge, Laura Beddows, Georgina Booth, Hollie Bryan, Ruth Clemens, Molly Hewitt, Marte Blyseth Marsden, Katie Ward, Kirstie Alexandra Dorisca, Matt Goodband, Evelyn Griffiths, Tom Kendall, Gage Watson, Lauren Woodfin Oxley, Nick Randles, Vicki Wildbore, Sarah Wilson VENUE ASSISTANTS Hibah Zareen Ahmed, Matthew Albrighton, Daoud Al-Janabi, Celia Ashman, Robb Barham, Lucy Barnes, Sue Barnes, Christopher Bartlett, Megan Beattie, James Berman, Hayley Blackburn, James Blackie, Jorja Ellie Bolton, Charlotte Booth, Declan Bracewell, Christian Brayford, Michael Brough, Pete Cann, Wylie Caton, Tracy Chen, Gong Chenchen, Marion Collishaw, Emily Coyne, Sophie Crewe, Luka Delic, Alison Devine, Georgia Dowell, Sam Drury, Jacob Farr, Charlotte Field, Meg Firth, Joseph Gaskell, Rhys Gillard, Ellie Goodwin, Thomas Gregson, Milly Gribben, John Grieve, Maria Carlotta Grimaldi, Karolina Grygorowicz, Colin Hall, Lucy Hallimond, Megan Hampton, Jasmine Harrop, Bethany Hazard, Thomas Hodgson, Alex Holmes, Alexandra Howell, Charlotte Hudson, Peter BOX OFFICE: 0113 376 0318 30th LEEDS Hughes, Dominic Conneely Hughes, David Hurdon, Bilal Hussain, Joseph Jackson, Helena Johnson, Oriel Kenny, Ursula Klingel, Summer Knight, Alex Kupse, Lai Kwan, Ying Li, Weiping Lin, Louise Lontton, Azhar Mahmood, Usma Mahmood, Jenny Mahon, Natalie Marsh, Daniel Marsh, Christopher Martin, Kieran Martin-Rushworth, John McAndrew, Sam McCall, Kate McCall, Simon McGarry, Sean McMahon, Bobby Mills-Thomas, Georgia Milner, Jeffrey Moeller, Jadzia Emily Moss, Hannah Myers, Thi Thao Anh Nguyen, Bich Nguyen, George Nuth, Jacqui Ong, Devlin Orton, Sarah Parkin, Emily Patterson, Kate Perou, Dominic Preston, Gio Prete, Daniel Reddington, Nicol Reynolds, Lou Ross, Alistair Ryder, Marta Saccavino, Mariana Rios Sanchez, Laura Sawyer, Lucy Mae Seymour, INTERNATIONAL Kae Sinclair, Elly Sinclair, Steven Smith, Alice Smith, Ella Statham, Zachary Stones, Ligita Sukyte, Caroline Thomas, Kerrie Thomson, Eve Tindall, Zeynep Uludag, Phil Urmson, Dan Van Heeswyk, Shufei Wang, Charlotte Ward, Sophie Warwick, Stephen Webber, Anna Whitelaw, Chloe Williams, Katie Wilson DIGITAL CONTENT Digital Manager: Sally Molineaux for Molineaux Productions with Diana Davis, Libby Molineaux and Jacob Thornton Volunteer Assistants: Oliver Asadi, Hannah Broadbent, Camila Castaneda, Lucy Dalton, James Dyer, Tom Fallis, Thea Flindall, Bryony Jameson, Sophena FILM FESTIVAL Khan, Viola Luo, Sam McMahon, Laura Myers, Artjoms Novickis, Celestine Ratsch-Rivera, Niki Stavrianou, Abi Timmins, Tom Uncomely, Effy Varley, Char Wetherhill @leedsfilmfest #LIFF30 leedsfilm.com 5 MAIN VENUES Leeds Town Hall: Victoria Hall & Albert Room Opened in 1858, the city’s favourite landmark building has two VENUES venues at LIFF30. The biggest films of LIFF30 and many all-time classics are presented in the stunning orchestral concert venue Victoria Hall, featuring a giant screen and digital cinema system with 7.1 surround sound. In the more intimate Albert Room, there is a fascinating series of documentaries and events with special guests. Leeds Town Hall, The Headrow, Leeds LS1 3AD Hyde Park Picture House The ‘cosiest cinema in Leeds’, the much-loved Hyde Park Picture House has been part of LIFF from the very start in 1987. The LIFF30 selection at the Hyde Park is the largest of any venue, featuring an incredible variety of exclusive previews, special retrospective films (many of them screening on 35mm), short film competitions, an all- night horror marathon, and live events. 73 Brudenell Rd, Leeds LS6 1JD Vue in The Light FILM FESTIVAL Formerly the Leeds Ster Century Cinema when The Light opened in 2001, the Vue features 14 screens over three levels. For LIFF30, we are using the larger Screen 5 and almost the whole selection BOX OFFICE: 0113 376 0318 this year is exclusive previews of acclaimed new films from INTERNATIONAL INTERNATIONAL Europe, Africa, the Middle East, Japan and the USA. The Light, 22 The Headrow, Leeds LS1 8TL 30th LEEDS Everyman leedsfilm.com The Trinity Centre opened in 2013 and with it the luxurious @leedsfilmfest #LIFF30 boutique cinema Everyman. For the LIFF30 selection in Screen 4 at Everyman there is a wonderful mix of exclusive previews from Europe, South America, and the Far East, alongside documentaries, retrospectives of individual filmmakers, and the Louis le Prince International Short Film Competition. Trinity Leeds, Albion St, Leeds LS1 5AY 6 SATELLITE VENUES VENUES The Adelphi Kirkgate Market Millennium 1–3 Hunslet 28-34 George St, Square Road, Leeds, Leeds Calverley Street, LS10 1JQ LS2 7HY Leeds LS1 1UR Armley Mills Leeds Industrial Left Bank North Bar Museum, Canal Cardigan Rd, 24 New Briggate, Road, Leeds, LS12 Leeds LS6 1LJ Leeds LS1 6NU 2QF The Oakwood Belgrave Music Leeds City Cinema Hall Museum Roundhay 1-1A Cross Millennium Square, Parochial Hall, Belgrave St, Leeds LS2 8BH 5 Fitzroy Drive LS8 Leeds LS2 8JP 4AB Brudenell Leeds College Otley Social Club of Music Courthouse 33 Queen’s Rd, 3 Quarry Hill, Courthouse Street, Leeds LS6 1NY Leeds LS2 7PD Otley, LS21 3AN Chapel FM Leeds College Phil Taylor BOX OFFICE: 0113 376 0318 30th LEEDS York Road, Leeds of Art Cinema LS14 6JB Blenheim Walk, The University of Leeds LS2 9AQ Leeds, Leeds LS2 9JT INTERNATIONAL INTERNATIONAL City Varieties
Load more

Recommended publications
  • The Origins of the Magical Girl Genre Note: This First Chapter Is an Almost
    The origins of the magical girl genre Note: this first chapter is an almost verbatim copy of the excellent introduction from the BESM: Sailor Moon Role-Playing Game and Resource Book by Mark C. MacKinnon et al. I took the liberty of changing a few names according to official translations and contemporary transliterations. It focuses on the traditional magical girls “for girls”, and ignores very very early works like Go Nagai's Cutie Honey, which essentially created a market more oriented towards the male audience; we shall deal with such things in the next chapter. Once upon a time, an American live-action sitcom called Bewitched, came to the Land of the Rising Sun... The magical girl genre has a rather long and important history in Japan. The magical girls of manga and Japanese animation (or anime) are a rather unique group of characters. They defy easy classification, and yet contain elements from many of the best loved fairy tales and children's stories throughout the world. Many countries have imported these stories for their children to enjoy (most notably France, Italy and Spain) but the traditional format of this particular genre of manga and anime still remains mostly unknown to much of the English-speaking world. The very first magical girl seen on television was created about fifty years ago. Mahoutsukai Sally (or “Sally the Witch”) began airing on Japanese television in 1966, in black and white. The first season of the show proved to be so popular that it was renewed for a second year, moving into the era of color television in 1967.
    [Show full text]
  • Press Kit BFM2019.Pdf
    This press kit has been drawn up for the presentation press conference of 37th edition of Bergamo Film Meeting Friday March 1, 2019 | 10.30 AM Milan | ANTEO Palazzo del Cinema Sala Rubino - Piazza XXV Aprile, 8 Bergamo Film Meeting Onlus Press Office Ada Tullo +39 035 363087 +39 349 2674900 [email protected] [email protected] Domestic Press Office Studio Sottocorno Lorena Borghi +39 348 5834403 [email protected] [email protected] Foreign Press Office Gloria Zerbinati +39 338 1200517 [email protected] [email protected] BERGAMO FILM MEETING International Film Festival 37th edition, March 9 - 17, 2019 OPENING Bergamo, Friday March 8, 2019 8.30 PM | Ex-Chiesa di Sant’Agostino – P.le Sant’Agostino JEFF MILLS PLAYS METROPOLIS BERGAMO FILM MEETING International Film Festival th 37 edition, March 9 - 17, 2019 9 screening days more than 180 films among feature films, docs and short-films 2 exhibitions, 2 workshop, 3 masterclass 3 meeting in Milan and 1 in Brescia, 1 screening in Verona, 1 in Brescia and 1 in Bologna 1 sci-fi marathon 9 comics daily striP, 1 reading, 3 live painting special events, proposals for schools and younger audience and many other activities Guests confirmed Alessandro Baronciani, Pilar Benitez, Hans Berg, Richard Billingham, Rhys Byfield, María Antón Cabot, Roberto Chiesi, Jessica Cioffi (LoPutyn), Rafael Cobos, Nathalie Djurberg, José Pablo Estrada Torrescano, Luca Ferri, Primo Giroldini, KarPo Godina, Bent Hamer, Sofia Haugan, Jamie Jones, Martti Kaartinen, Maria Lafi, Jean-Pierre Léaud, Hadrian Marcu, Tancredi Militano, Jeff Mills, Christine Moderbache, Benjamín Naishtat, Maria Rita Parsi, Vahidin Prelich, Messaline Raverdy, Petr ŠPrincl, Vlastimir Sudar, Simone Tempia, Pasquale Todisco (Squaz), Stefano Togni (SerT), Roberto Villa, Mariusz Wilczyński SUMMARY COMPETITION EXHIBITION CLOSE UP SECTION EUROPE, NOW! Bent Hamer Alberto Rodriguez Boys and Girls.
    [Show full text]
  • The Cutting Edge of French Cinema
    BACKWASH: THE CUTTING EDGE OF FRENCH CINEMA J’IRAI AU PARADIS CAR L’ENFER EST ICI , Xavier Durringer ( France, 1997 ) MA 6T VA CRACK-ER , Jean-Francois Richet ( France, 1997 ) LE PETIT VOLEUR , Érick Zonca ( France, 1998 ) L’HUMANITÉ , Bruno Dumont ( France, 1999 ) POLA X , Leos Carax ( France, 1999 ) RESSOURCES HUMAINES (Human Resources), Laurent Cantet ( France, 1999 ) À MA SOEUR! , Catherine Breillat ( France-Italy, 2000 ) PARIA , Nicolas Klotz ( France, 2000 ) SAINT-CYR , Patricia Mazuy ( France-Belgium, 2000 ) SELON MATTHIEU , Xavier Beauvois ( France, 2000 ) SOUS LE SABLE , François Ozon ( France-Belgium-Italy-Japan, 2000 ) ÊTRE ET AVOIR , Nicolas Philibert ( France, 2001 ) IRRÉVERSIBLE (Irreversible), Gaspar Noé ( France, 2001 ) LA CHATTE À DEUX TÊTES , Jacques Nolot ( France, 2001 ) LA VIE NOUVELLE , Philippe Grandrieux ( France, 2001 ) LE PACTE DES LOUPS , Christophe Gans ( France, 2001 ) LE STADE DE WIMBLEDON , Mathieu Amalric ( France, 2001 ) ROBERTO SUCCO , Cédric Kahn ( France-Switzerland, 2001 ) TROUBLE EVERY DAY , Claire Denis ( France-Japan, 2001 ) DANS MA PEAU , Marina De Van ( France, 2002 ) UN HOMME, UN VRAI , Jean-Marie Larrieu, Arnaud Larrieu ( France, 2002 ) CLEAN , Olivier Assayas ( France-UK-Canada, 2003 ) INNOCENCE , Lucile Hadzihalilovic ( France-UK-Belgium, 2003 ) L’ESQUIVE , Abdellatif Kechiche ( France, 2003 ) LE CONVOYEUR , Nicolas Boukhrief ( France, 2003 ) LES CORPS IMPATIENTS , Xavier Giannoli ( France, 2003 ) ROIS ET REINE , Arnaud Desplechin ( France-Belgium, 2003 ) TIRESIA , Bertrand Bonello ( France, 2003 ) DE BATTRE MON COEUR S’EST ARRÊTÉ (The Beat That My Heart Skipped), Jacques Audiard ( France, 2004 ) LES REVENANTS , Robin Campillo ( France, 2004 ) LES ANGES EXTERMINATEURS , Jean-Claude Brisseau ( France, 2005 ) VOICI VENU LE TEMPS , Alain Guiraudie ( France, 2005 ) À L’INTERIEUR , Alexandre Bustillo, Julien Maury ( France, 2006 ) AVIDA , Benoît Delépine, Gustave Kervern ( France, 2006 ) LES CHANSONS D’AMOUR , Christophe Honoré ( France, 2006 ) 24 MESURES , Jalil Lespert ( France-Canada, 2007 ) L’HISTOIRE DE RICHARD O.
    [Show full text]
  • Le-Vent-Tourne-Dossier-De-Presse-Francais.Pdf
    ARP Sélection présente un film de Bettina Oberli Durée : 1h27 Distribution Presse ARP Sélection Florence Narozny 13, rue Jean Mermoz assistée de Clarisse André 75008 Paris 6 place de la Madeleine 75008 Paris Tél : 01 56 69 26 00 01 40 13 98 09 Fax : 01 45 63 83 37 [email protected] www.arpselection.com www.lecinemaquejaime.com Synopsis Pauline, une jeune paysanne, élève ses bêtes dans le respect de la nature. L’arrivée de Samuel, venu installer une éolienne, va bouleverser son couple, ses valeurs. Entretien avec Bettina Oberli Réalisatrice Vous êtes très connue dans les pays de langue allemande, inconnue ici. Quels sont les chemins qui vous ont conduit à la réalisation ? C’est vrai que j’ai travaillé dans des zones germanophones jusqu’à présent. Il existe un fossé entre la culture des régions de langue française et celles dans lesquelles on parle allemand – je remarque ça même en Suisse, entre Suisse-Allemands et Romands. On lit d’autres livres, on écoute d’autres musiques et souvent, on regarde d’autres films. J’ai depuis toujours ressenti ce besoin, ce moteur qui me pousse à créer quelque chose, un univers. À travers le cinéma, je peux comprendre la vie dans sa complexité, la penser ou la ressentir différemment, en faire une abstraction. J’ai grandi entre l’île de Samoa, dans le Pacifique, et les Alpes Suisses, bien loin d’un lieu où le cinéma était considéré comme une activité possible. Je n’avais aucune connaissance de ce monde, mais j’aimais voir des films.
    [Show full text]
  • My Bloody Valentine's Loveless David R
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63
    [Show full text]
  • Graphic No Vels & Comics
    GRAPHIC NOVELS & COMICS SPRING 2020 TITLE Description FRONT COVER X-Men, Vol. 1 The X-Men find themselves in a whole new world of possibility…and things have never been better! Mastermind Jonathan Hickman and superstar artist Leinil Francis Yu reveal the saga of Cyclops and his hand-picked squad of mutant powerhouses. Collects #1-6. 9781302919818 | $17.99 PB Marvel Fallen Angels, Vol. 1 Psylocke finds herself in the new world of Mutantkind, unsure of her place in it. But when a face from her past returns only to be killed, she seeks vengeance. Collects Fallen Angels (2019) #1-6. 9781302919900 | $17.99 PB Marvel Wolverine: The Daughter of Wolverine Wolverine stars in a story that stretches across the decades beginning in the 1940s. Who is the young woman he’s fated to meet over and over again? Collects material from Marvel Comics Presents (2019) #1-9. 9781302918361 | $15.99 PB Marvel 4 Graphic Novels & Comics X-Force, Vol. 1 X-Force is the CIA of the mutant world—half intelligence branch, half special ops. In a perfect world, there would be no need for an X-Force. We’re not there…yet. Collects #1-6. 9781302919887 | $17.99 PB Marvel New Mutants, Vol. 1 The classic New Mutants (Sunspot, Wolfsbane, Mirage, Karma, Magik, and Cypher) join a few new friends (Chamber, Mondo) to seek out their missing member and go on a mission alongside the Starjammers! Collects #1-6. 9781302919924 | $17.99 PB Marvel Excalibur, Vol. 1 It’s a new era for mutantkind as a new Captain Britain holds the amulet, fighting for her Kingdom of Avalon with her Excalibur at her side—Rogue, Gambit, Rictor, Jubilee…and Apocalypse.
    [Show full text]
  • 12 Big Names from World Cinema in Conversation with Marrakech Audiences
    The 18th edition of the Marrakech International Film Festival runs from 29 November to 7 December 2019 12 BIG NAMES FROM WORLD CINEMA IN CONVERSATION WITH MARRAKECH AUDIENCES Rabat, 14 November 2019. The “Conversation with” section is one of the highlights of the Marrakech International Film Festival and returns during the 18th edition for some fascinating exchanges with some of those who create the magic of cinema around the world. As its name suggests, “Conversation with” is a forum for free-flowing discussion with some of the great names in international filmmaking. These sessions are free and open to all: industry professionals, journalists, and the general public. During last year’s festival, the launch of this new section was a huge hit with Moroccan and internatiojnal film lovers. More than 3,000 people attended seven conversations with some legendary names of the big screen, offering some intense moments with artists, who generously shared their vision and their cinematic techniques and delivered some dazzling demonstrations and fascinating anecdotes to an audience of cinephiles. After the success of the previous edition, the Festival is recreating the experience and expanding from seven to 11 conversations at this year’s event. Once again, some of the biggest names in international filmmaking have confirmed their participation at this major FIFM event. They include US director, actor, producer, and all-around legend Robert Redford, along with Academy Award-winning French actor Marion Cotillard. Multi-award-winning Palestinian director Elia Suleiman will also be in attendance, along with independent British producer Jeremy Thomas (The Last Emperor, Only Lovers Left Alive) and celebrated US actor Harvey Keitel, star of some of the biggest hits in cinema history including Thelma and Louise, The Piano, and Pulp Fiction.
    [Show full text]
  • Horaires Des Projections Screening Times
    HORAIRES DES PROJECTIONS SCREENING TIMES LE POCKET GUIDE 2016 A ÉTÉ PUBLIÉ AVEC DES INFORMATIONS REÇUES JUSQU'AU 29/04/2016 THE POCKET GUIDE 2016 HAS BEEN EDITED WITH INFORMATION RECEIVED UP UNTIL 29/04/2016 Toutes les projections du Marché sont accessibles sur présentation du badge Marché du Film ou invitation délivrée par le Service Projections. Les projections dans les salles Lumière, Debussy, Buñuel, Salle du Soixantième, Théâtre Croisette et Miramar sont accessibles sur présentation du badge Marché ou Festival. Access to Marché du Film screenings is upon presentation of the Marché badge or an invitation given by the Marché Screening Department. Access to screenings taking place in Lumière, Debussy, Buñuel, Salle du Soixantième, Théâtre Croisette and Miramar is upon presentation of either a Marché or Festival badge. CO: Official Competition • HC: Out of Competition • CC: Cannes Classics • CR: Un Certain Regard • BLUE TITLE : Film screened for the first time at a market QR: Directors Fortnight • SC: Semaine de la critique • press: Press allowed • invite only: By invitation only • priority only: Priority badges only SUNDAY 15 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 08:30 (125’) CO 15:30 (158’) CO 19:30 (125’) CO 22:30 (116’) HC LUMIÈRE FROM THE LAND OF THE MOON AMERICAN HONEY FROM THE LAND OF THE MOON THE NICE GUYS TICKET REQUIRED Nicole Garcia Andrea Arnold Nicole Garcia Shane Black 2 294 seats STUDIOCANAL PROTAGONIST PICTURES STUDIOCANAL BLOOM 11:30 (145’) CO 14:30 (162’) CO 17:30 (120’) HC 19:45 (106’) HC SALLE AGASSI, THE
    [Show full text]
  • A Blue Cat on the Galactic Railroad: Anime and Cosmic Subjectivity
    PAUL ROQUET A Blue Cat on the Galactic Railroad: Anime and Cosmic Subjectivity L OOKING UP AT THE STARS does not demand much in the way of movement: the muscles in the back of the neck contract, the head lifts. But in this simple turn from the interpersonal realm of the Earth’s surface to the expansive spread of the night sky, subjectivity undergoes a quietly radical transformation. Social identity falls away as the human body gazes into the light and darkness of its own distant past. To turn to the stars is to locate the material substrate of the self within the vast expanse of the cosmos. In the 1985 adaptation of Miyazawa Kenji’s classic Japanese children’s tale Night on the Galactic Railroad by anime studio Group TAC, this turn to look up at the Milky Way comes to serve as an alternate horizon of self- discovery for a young boy who feels ostracized at school and has difficulty making friends. The film experiments with the emergent anime aesthetics of limited animation, sound, and character design, reworking these styles for a larger cultural turn away from social identities toward what I will call cosmic subjectivity, a form of self-understanding drawn not through social frames, but by reflecting the self against the backdrop of the larger galaxy. The film’s primary audience consisted of school-age children born in the 1970s, the first generation to come of age in Japan’s post-1960s con- sumer society. Many would have first encountered Miyazawa’s Night on the Galactic Railroad (Ginga tetsudo¯ no yoru; also known by the Esperanto title Neokto de la Galaksia Fervojo) as assigned reading in elementary school.
    [Show full text]
  • Belladonna of Sadness : Grivoiserie Artistique]
    Document generated on 09/28/2021 3:56 p.m. Séquences : la revue de cinéma Belladonna of Sadness Grivoiserie artistique Jean-Marie Lanlo André Forcier. Embrasse-moi comme tu m’aimes Number 304, October 2016 URI: https://id.erudit.org/iderudit/83855ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Lanlo, J.-M. (2016). Review of [Belladonna of Sadness : grivoiserie artistique]. Séquences : la revue de cinéma, (304), 16–17. Tous droits réservés © La revue Séquences Inc., 2016 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 16 | LES FILMS – GROS PLAN Belladonna of Sadness Grivoiserie artistique En 1973, Eiichi Yamamoto réalisait Belladonna of Sadness, troisième et dernier « animerama » d’un cycle érotique mis en chantier par Mushi Production. Après Les mille et une nuits et Cléopâtre, les producteurs nous proposaient alors une adaptation très personnelle et très 70 de La sorcière de Jules Michelet. Belladonna of Sadness était depuis peu accessible, mais nous avons maintenant la possibilité de revoir ce film visuellement splendide dans une belle copie restaurée. Si tout n’y est pas parfait, ses qualités visuelles en font malgré tout une œuvre incontournable ! JEAN-MARIE LANLO ès les années 60, et surtout dans les années 70, le sexe tour à tour Alfons Mucha, Aubrey Beardsley, Gustav Klimt, voire est très présent au cinéma, que ce soit aux États-Unis, en Egon Schiele.
    [Show full text]
  • Presentación De Powerpoint
    XXIV SALÓN DEL MANGA DE BARCELONA El XXIV Salón del Manga de Barcelona se celebra este año del 1 al 4 de noviembre de 2018 en los Pabellones 1, 2, 2.1, 3.1, 4, 5 y Plaza Univers de Fira Barcelona Montjuïc, donde ocupará aproximadamente unos 75.000 metros cuadrados. El certamen organizado por FICOMIC ofrecerá numerosas actividades culturales, así como exposiciones, conferencias, firmas de autores, talleres, además de la participación de destacados autores de manga. Este año dispondremos de más actividades participativas que nunca. Queremos que el Salón del Manga de Barcelona no sea sólo la gran fiesta de la cultura japonesa, sino también un gran festival en la que la parte principal sea el público. Otro de los cambios de esta edición estará relacionado con el espacio de gastronomía japonesa. Por las mañanas tendremos clases de cocina japonesa abiertas a la participación del público y por la tarde los show cookings. Nuevos espacios, nuevas actividades y mucho más manga y cultura japonesa que nunca. Pensando en los más pequeños y sus familias estrenamos el espacio Manga Kids, un espacio lúdico y familiar en donde se podrá aprender técnicas de dibujo, guión y diseño, leer mangas, jugar, hacer tu propio manga, entre otras divertidas actividades para realizar en familia. Una edición en la que tendremos grandes invitados relacionados con el manga, el anime, la música y la cultura japones en general. Nombres como el d’Akira Himekawa (The Legend of Zelda: Twilight princess), Daisuke Hagiwara (HORIMI YA), Eiki Eiki y Taishi Zaou (Love Stage!!), Elsa Brants (Sálvame, Pythie), Masaki Satô (Dragon Ball Z), Nagabe (El jefe es una onee), Paru Itagaki (Beastars), Tatsuo Unemi, Takashi Hatsushiba, Emika Kamieda, Nana Kitade, The Samurai Sword Artists Kamui,… participarán en el veterano certamen.
    [Show full text]
  • Contemporary Film Music
    Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made.
    [Show full text]