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By William Shakespeare Aaron Posner and Teller
51st Season • 483rd Production SEGERSTROM STAGE / AUGUST 29 - SEPTEMBER 28, 2014 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents THE TEMPEST by William Shakespeare songs by Tom Waits and Kathleen Brennan choreographer, Matt Kent, Pilobolus Daniel Conway Paloma Young Christopher Akerlind Charles Coes AND Darron L West SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Johnny Thompson Thom Rubino Kenny Wollesen MAGIC DESIGN MAGIC ENGINEERING AND CONSTRUCTION INSTRUMENT DESIGN AND WOLLESONICS Miche Braden Joshua Marchesi Katie Ailinger* MUSIC DIRECTION PRODUCTION MANAGER STAGE MANAGER adapted and directed by Aaron Posner and Teller Jean and Tim Weiss Joan and Andy Fimiano Honorary Producers Honorary Producers Corporate Associate Producer THE TEMPEST is presented in association with the American Repertory Theater at Harvard University and The Smith Center, Las Vegas. The Tempest • SOUTH COAST REPERTORY • P1 CAST OF CHARACTERS Prospero, a magician, a father and the true Duke of Milan ............................ Tom Nelis* Miranda, his daughter .......................................................................... Charlotte Graham* Ariel, his spirit servant .................................................................................... Nate Dendy* Caliban, his adopted slave .............................. Zachary Eisenstat*, Manelich Minniefee* Antonio, Prospero’s brother, the usurping Duke of Milan ......................... Louis Butelli* Gonzala, -
November 2016
The Bijou Film Board is a student-run UI org dedicated FilmScene Staff The to American independent, foreign and classic cinema. The Joe Tiefenthaler, Executive Director Bijou assists FilmScene with programming and operations. Andy Brodie, Program Director Andrew Sherburne, Associate Director PictureShow Free Mondays! UI students FREE at the late showing of new release films. Emily Salmonson, Dir. of Operations Family and Children’s Series Ross Meyer, Head Projectionist and Facilities Manager presented by AFTER HOURS A late-night OPEN SCREEN Aaron Holmgren, Shift Supervisor series of cult classics and fan Kate Markham, Operations Assistant favorites. Saturdays at 11pm. The winter return of our ongoing series of big-screen Dec. 4, 7pm // Free admission Dominick Schults, Projection and classics old and new—for movie lovers of all ages! Facilities Assistant FilmScene and the Bijou invite student Abby Thomas, Marketing Assistant Tickets FREE for kids, $5 for adults! Winter films play and community filmmakers to share Saturday at 10am and Thursday at 3:30pm. Wendy DeCora, Britt Fowler, Emma SAT, 11/5 SAT, their work on the big screen. Enter your submission now and get the details: Husar, Ben Johnson, Sara Lettieri, KUBO & THE TWO STRINGS www.icfilmscene.org/open-screen Carol McCarthy, Brad Pollpeter (2016) Dir. Travis Knight. A young THE NEON DEMON (2016) Spencer Williams, Theater Staff boy channels his parents powers. Dir. Nicolas Winding Refn. An HORIZONS STAMP YOUR PASSPORT Nov. 26 & Dec. 1 aspiring LA model has her Cara Anthony, Felipe Disarz, for a five film cinematic world tour. One UI Tyler Hudson, Jack Tieszen, (1990) Dir. -
Film Studies (FILM) 1
Film Studies (FILM) 1 FILM 252 - History of Documentary Film (4 Hours) FILM STUDIES (FILM) This course critically explores the major aesthetic and intellectual movements and filmmakers in the non-fiction, documentary tradition. FILM 210 - Introduction to Film (4 Hours) The non-fiction classification is indeed a wide one—encompassing An introduction to the study of film that teaches the critical tools educational, experimental formalist filmmaking and the rhetorical necessary for the analysis and interpretation of the medium. Students documentary—but also a rich and unique one, pre-dating the commercial will learn to analyze cinematography, mise-en-scene, editing, sound, and narrative cinema by nearly a decade. In 1894 the Lumiere brothers narration while being exposed to the various perspectives of film criticism in France empowered their camera with a mission to observe and and theory. Through frequent sequence analyses from sample films and record reality, further developed by Robert Flaherty in the US and Dziga the application of different critical approaches, students will learn to Vertov in the USSR in the 1920s. Grounded in a tradition of realism as approach the film medium as an art. opposed to fantasy, the documentary film is endowed with the ability to FILM 215 - Australian Film (4 Hours) challenge and illuminate social issues while capturing real people, places A close study of Australian “New Wave” Cinema, considering a wide range and events. Screenings, lectures, assigned readings; paper required. of post-1970 feature films as cultural artifacts. Among the directors Recommendations: FILM 210, FILM 243, or FILM 253. studied are Bruce Beresford, Peter Weir, Simon Wincer, Gillian Armstrong, FILM 253 - History of American Independent Film (4 Hours) and Jane Campion. -
Lundi 14 Novembre
ÉDITO Alain Rousset, Président du Festival 2015 et 2016 resteront deux années à part pour notre festival. En novembre dernier, suite aux attentats perpétrés avant la 26° édition, nous avons pris la décision de reporter notre manifestation. Ne pas céder sur nos principes : à savoir qu’un lieu de culture, de savoir et de dialogue comme le Festival ne saurait s’éteindre face à la peur. Ainsi, après « Un si Proche-Orient, » c’est le thème « Culture et liberté » qui s’impose comme une réponse fédératrice et constructive au climat anxiogène. Comme un lien emblématique entre les deux éditions de 2016, c’est Chahdortt Djavann, femme de conviction, écrivain française d’origine iranienne, qui nous parlera de culture au pluriel et de liberté à partir de son expérience singulière. Et nous sommes fiers de présenter le film posthume d’Andrezj Wajda qui dans « Afterimage » revient sur les persécutions subies par les artistes de l’autre côté du rideau de fer. De Khomeyni aux djihadistes, de Staline à Hitler, les régimes totalitaires n’ont eu de cesse d’anéantir la culture ou de l’instrumentaliser. Car l’expression artistique est une forme de liberté qui peut remettre en cause un pouvoir politique, religieux ou économique. Le premier enjeu de cette édition est de raconter et d’expliquer comment les artistes, les écrivains ont participé à l’Histoire. Comment, grâce à leur indépendance, à leur génie, ils ont pu éclairer, enchanter leur époque, briser les conformismes. Quelles ont été leurs géniales intuitions, leurs héroïques résistances ou leurs compromissions, leurs aveuglements. Le second enjeu est de montrer comment la culture peut rassembler, éveiller, émerveiller. -
The Last Samurai. Transcultural Motifs in Jim Jarmusch's Ghost
Adam Uryniak Jagiellonian University in Kraków, Poland The Last Samurai. Transcultural Motifs in Jim Jarmusch’s Ghost Dog: The Way of the Samurai Abstract Ghost Dog: Way of the Samurai by - tions of USA, Europe and Japan. Jarmusch’s work can be example of contemporary culture trend named by Wolfgang WelschaJim Jarmusch transculturality. is a film combining According tocinematic his theory tradi the identity of the man is dependent on foreign elements absorbed by the culture in which he lives. Two main inspirations for the director are samurai tradition and bushido code origins of these elements, Jarmush is able to construct a coherent, multi-level narra- tive,on one at thehand, same and time tradition maintaining of gangster distance film ontowards the other. American Despite traditions. the culturally Referencing distant works by transgressive directors (J. P. Melville, Seijun Suzuki) Jarmusch becomes the spokesperson for the genre evolution and its often far-fetched influences. Ghost Dog combines the tradition of American gangster cinema and Japanese samurai (1999) is a collage of various film motifs and traditions. Jarmusch films. The shape of the plot refers to the Blaxploitation cinema, andyakuza direct moviesinspiration, by Seijun expressed Suzuki. by Allspecific this isquotations, spiced up arewith the references gloomy crime to Japanese novels literatureby Jean-Pierre and zen Melville, philosophy. as well In as an brutal interview and withblack Janusz humour-filled Wróblewski di- rector commented on his actions: 138 Adam Uryniak I mix styles up in order to get distance. Not in order to ridicule the hero. And why does the gangster style dominate? I will answer indirectly.. -
Germanic Surname Lexikon
Germanic Surname Lexikon Most Popular German Last Names with English Meanings German for Beginners: Contents - Free online German course Introduction German Vocabulary: English-German Glossaries For each Germanic surname in this databank we have provided the English Free Online Translation To or From German meaning, which may or may not be a surname in English. This is not a list of German for Beginners: equivalent names, but rather a sampling of English translations of German names. Das Abc German for Beginners: In many cases, there may be several possible origins or translations for a Lektion 1 surname. The translation shown for a surname may not be the only possibility. Some names are derived from Old German and may have a different meaning from What's Hot that in modern German. Name research is not always an exact science. German Word of the Day - 25. August German Glossary of Abbreviations: OHG (Old High German) Words to Avoid - T German Words to Avoid - Glossary Warning German Glossary of Germanic Last Names (A-K) Words to Avoid - With English Meanings Feindbilder German Words to Avoid - Nachname Last Name English Meaning A Special Glossary Close Ad A Dictionary of German Aachen/Aix-la-Chapelle Names Aachen/Achen (German city) Hans Bahlow, Edda ... Best Price $16.95 Abend/Abendroth evening/dusk or Buy New $19.90 Abt abbott Privacy Information Ackerman(n) farmer Adler eagle Amsel blackbird B Finding Your German Ancestors Bach brook Kevan M Hansen Best Price $4.40 Bachmeier farmer by the brook or Buy New $9.13 Bader/Baader bath, spa keeper Privacy Information Baecker/Becker baker Baer/Bar bear Barth beard Bauer farmer, peasant In Search of Your German Roots. -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
Last Name First Name Middle Name Taken Test Registered License
As of 12:00 am on Thursday, December 14, 2017 Last Name First Name Middle Name Taken Test Registered License Richter Sara May Yes Yes Silver Matthew A Yes Yes Griffiths Stacy M Yes Yes Archer Haylee Nichole Yes Yes Begay Delores A Yes Yes Gray Heather E Yes Yes Pearson Brianna Lee Yes Yes Conlon Tyler Scott Yes Yes Ma Shuang Yes Yes Ott Briana Nichole Yes Yes Liang Guopeng No Yes Jung Chang Gyo Yes Yes Carns Katie M Yes Yes Brooks Alana Marie Yes Yes Richardson Andrew Yes Yes Livingston Derek B Yes Yes Benson Brightstar Yes Yes Gowanlock Michael Yes Yes Denny Racheal N No Yes Crane Beverly A No Yes Paramo Saucedo Jovanny Yes Yes Bringham Darren R Yes Yes Torresdal Jack D Yes Yes Chenoweth Gregory Lee Yes Yes Bolton Isabella Yes Yes Miller Austin W Yes Yes Enriquez Jennifer Benise Yes Yes Jeplawy Joann Rose Yes Yes Harward Callie Ruth Yes Yes Saing Jasmine D Yes Yes Valasin Christopher N Yes Yes Roegge Alissa Beth Yes Yes Tiffany Briana Jekel Yes Yes Davis Hannah Marie Yes Yes Smith Amelia LesBeth Yes Yes Petersen Cameron M Yes Yes Chaplin Jeremiah Whittier Yes Yes Sabo Samantha Yes Yes Gipson Lindsey A Yes Yes Bath-Rosenfeld Robyn J Yes Yes Delgado Alonso No Yes Lackey Rick Howard Yes Yes Brockbank Taci Ann Yes Yes Thompson Kaitlyn Elizabeth No Yes Clarke Joshua Isaiah Yes Yes Montano Gabriel Alonzo Yes Yes England Kyle N Yes Yes Wiman Charlotte Louise Yes Yes Segay Marcinda L Yes Yes Wheeler Benjamin Harold Yes Yes George Robert N Yes Yes Wong Ann Jade Yes Yes Soder Adrienne B Yes Yes Bailey Lydia Noel Yes Yes Linner Tyler Dane Yes Yes -
Surnames in Bureau of Catholic Indian
RAYNOR MEMORIAL LIBRARIES Montana (MT): Boxes 13-19 (4,928 entries from 11 of 11 schools) New Mexico (NM): Boxes 19-22 (1,603 entries from 6 of 8 schools) North Dakota (ND): Boxes 22-23 (521 entries from 4 of 4 schools) Oklahoma (OK): Boxes 23-26 (3,061 entries from 19 of 20 schools) Oregon (OR): Box 26 (90 entries from 2 of - schools) South Dakota (SD): Boxes 26-29 (2,917 entries from Bureau of Catholic Indian Missions Records 4 of 4 schools) Series 2-1 School Records Washington (WA): Boxes 30-31 (1,251 entries from 5 of - schools) SURNAME MASTER INDEX Wisconsin (WI): Boxes 31-37 (2,365 entries from 8 Over 25,000 surname entries from the BCIM series 2-1 school of 8 schools) attendance records in 15 states, 1890s-1970s Wyoming (WY): Boxes 37-38 (361 entries from 1 of Last updated April 1, 2015 1 school) INTRODUCTION|A|B|C|D|E|F|G|H|I|J|K|L|M|N|O|P|Q|R|S|T|U| Tribes/ Ethnic Groups V|W|X|Y|Z Library of Congress subject headings supplemented by terms from Ethnologue (an online global language database) plus “Unidentified” and “Non-Native.” INTRODUCTION This alphabetized list of surnames includes all Achomawi (5 entries); used for = Pitt River; related spelling vartiations, the tribes/ethnicities noted, the states broad term also used = California where the schools were located, and box numbers of the Acoma (16 entries); related broad term also used = original records. Each entry provides a distinct surname Pueblo variation with one associated tribe/ethnicity, state, and box Apache (464 entries) number, which is repeated as needed for surname Arapaho (281 entries); used for = Arapahoe combinations with multiple spelling variations, ethnic Arikara (18 entries) associations and/or box numbers. -
FOIA Request Log - Law
FOIA Request Log - Law REQUESTOR ORGANIZATION NAME Robert Willey Self Douglas Lemon Self Renee McManus Self Renee McManus Self David Gordon Sidley Austin LLP Donald Vance Self Renee McManus Self Victor Crown Self Victor Crown Self Kathryn D. A'Hearn Michaels & May P.C. Wendy Kozak Self Victor Crown Self David P. Lichtman Whitfield McGann & Ketterman Daniel E. Ciesla Self Page 1 of 1143 09/29/2021 FOIA Request Log - Law DESCRIPTION OF REQUEST Copy of agreement between the City of Chicago and CTI Collections. Police Department address and phone numbers for named police officers Elevator inspection Status on Elevator inspection Documents relating to Aqua Parking Facility 1) Any and all records pertaining to settlements and judgments resulting from civil lawsuits, involving members of Chicago Police Department, or the Mayor listed as a defendant between January 1, 2009 to January 1, 2010; and 2) Any and all records pertaining to the above mentioned records detailing to whom the electronic fund transfers, checks, money orders, cash payment judgments and/or settlements were made to. Include names and addresses to whom these judgments and/or settlements payments were remitted to and receipts. Seeking information regarding property. Where are the city permits posted by the building entrance, permits for violations and people working in the building? What court cases by the city have been filed for this property? Copies of all letters sent to Mr. Crown in 2009 Copy of "proof of service" for eight City employees Any and all documents regarding the former Acme Barrel Company site (Acme site). Including demolitions and proposed remediation of the site. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
The New Meatways and Sustainability
Minna Kanerva The New Meatways and Sustainability Political Science | Volume 105 This open access publication has been enabled by the support of POLLUX (Fach- informationsdienst Politikwissenschaft) and a collaborative network of academic libraries for the promotion of the Open Access transformation in the Social Sciences and Humanities (transcript Open Li- brary Politikwissenschaft 2020) This publication is compliant with the “Recommendations on quality standards for the open access provision of books”, Nationaler Open Access Kontaktpunkt 2018 (https://pub.uni-bielefeld.de/record/2932189) Universitätsbibliothek Bayreuth | Landesbibliothek | Universitätsbibliothek Universitätsbibliothek der Humboldt- Kassel | Universitäts- und Stadtbibliothek Universität zu Berlin | Staatsbibliothek Köln | Universität Konstanz, Kommuni- zu Berlin | Universitätsbibliothek FU kations-, Informations-, Medienzentrum Berlin | Universitätsbibliothek Bielefeld | Universitätsbibliothek Koblenz-Landau | (University of Bielefeld) | Universitäts- Universitätsbibliothek Leipzig | Zentral- u. bibliothek der Ruhr-Universität Bochum Hochschulbibliothek Luzern | Universitäts- | Universitäts- und Landesbibliothek | bibliothek Mainz | Universitätsbibliothek Sächsische Landesbibliothek - Staats- und Marburg | Ludwig-Maximilians-Universität Universitätsbibliothek Dresden | Universi- München Universitätsbibliothek | Max tätsbibliothek Duisburg-Essen | Univer- Planck Digital Library | Universitäts- und sitäts- u. Landesbibliothek Düsseldorf | Landesbibliothek Münster | Universitäts-