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Équinoxe Screenwriters' Workshop / Palais Schwarzenberg, Vienna 31 25. éQuinoxe Screenwriters’ Workshop / 31. October – 06. November 2005 Palais Schwarzenberg, Vienna ADVISORS THE SELECTED WRITERS THE SELECTED SCRIPTS DIE AUSGEWÄHLTEN DIE AUSGEWÄHLTEN AUTOREN DREHBÜCHER Dev BENEGAL (India) Lois AINSLIE (Great Britain) A Far Better Thing Yves DESCHAMPS (France) Andrea Maria DUSL (Austria) Channel 8 Florian FLICKER (Austria) Peter HOWEY (Great Britain) Czech Made James V. HART (USA) Oliver KEIDEL (Germany) Dr. Alemán Hannah HOLLINGER (Germany) Paul KIEFFER (Luxembourg) Arabian Nights David KEATING (Ireland) Jean-Louis LAVAL (France) Reclaimed Justice Danny KRAUSZ (Austria) Piotrek MULARUK (Poland) Yuma Susan B. LANDAU (USA) Gabriele NEUDECKER (Austria) ...Then I Started Killing God Marcia NASATIR (USA) Dominique STANDAERT (Belgium) Wonderful Eric PLESKOW (Austria / USA) Hans WEINGARTNER (Austria) Code 82 Lorenzo SEMPLE (USA) Martin SHERMAN (Great Britain) 2 25. éQuinoxe Screenwriters‘ Workshop / 31. October - 06. November 2005 Palais Schwarzenberg, Vienna: TABLE OF CONTENTS / INHALT Foreword 4 The Selected Writers 30 - 31 Lois AINSLIE (Great Britain) – A FAR BETTER THING 32 The Story of éQuinoxe / To Be Continued 5 Andrea Maria DUSL (Austria) – CHANNEL 8 33 Peter HOWEY (Great Britain) – CZECH MADE 34 Interview with Noëlle Deschamps 8 Oliver KEIDEL (Germany) – DR. ALEMÁN 35 Paul KIEFFER (Luxembourg) – ARABIAN NIGHTS 36 From Script to Screen: 1993 – 2005 12 Jean Louis LAVAL (France) – RECLAIMED JUSTICE 37 Piotrek MULARUK (Poland) – YUMA 38 25. éQuinoxe Screenwriters‘ Workshop Gabriele NEUDECKER (Austria) – ... TEHN I STARTED KILLING GOD 39 The Advisors 16 Dominique STANDAERT (Belgium) – WONDERFUL 40 Dev BENEGAL (India) 17 Hans WEINGARTNER (Austria) – CODE 82 41 Yves DESCHAMPS (France) 18 Florian FLICKER (Austria) 19 Special Sessions / Media Lawyer Dr. Stefan Rüll 42 Jim HART (USA) 20 Master Classes / Documentary Filmmakers 44 Hannah HOLLINGER (Germany) 21 David KEATING (Ireland) 22 The Global éQuinoxe Network: The Correspondents 46 Danny KRAUSZ (Austria) 23 Susan B. LANDAU (USA) 24 éQuinoxe Germany e.V. 50 Marcia NASATIR (USA) 25 Erich PLESKOW (Austria ) 26 Financial Partners & Sponsors 52 Lorenzo SEMPLE (USA) 27 Martin SHERMAN (Great Britain) 28 Epilogue 60 Masthead 61 Contents 3 Above all, I would like to thank our workshop advisors Dev Benegal, Yves Deschamps, Florian Flicker, Jim Hart, Hannah Hollinger, David Keating, Danny Krausz, Susan B. Landau, Marcia Nasatir, Eric Pleskow, Lorenzo Semple Jr. , Martin Sherman, and all of whom devote an enormous amount of time, knowledge, energy and spirit to spend a week working with filmmakers for no remuneration. The desire to communicate with filmmakers internationally, their heartening welcome for creative exchange – writer to writer – is their single stimulus. Without these exceptional individuals there would not be the long, successful history to the éQuinoxe workshops. This continues to inspire éQuinoxe Germany‘s members to promote the program which brings our German-speaking filmmakers into this arena. It is with great pleasure that we celebrateForeword the 25. éQuinoxe Screenwriters‘ Workshop in Vienna. On behalf of éQuinoxe Germany, I would like to express my utmost gratitude and thanks to our financial partners and sponsors who made our possible. In particular, Roland Teichmann from the Austrian Film Institute, without whom the workshop wouldéQuinoxe not haveScreenwritersʻ come to fruition;Workshop Dr. Peter- Focus Zawrel Austria of the Vienna Film Fund, responsible for bringing us to Vienna, an idea genie; Gerlinde Seitner from MEDIA Desk Austria for her abounding initiative, and the German Ministry for Ellen Winn Wendl Culture and Media‘s Dr. Scharnhoop and Christine Goldhahn, all of whom have Chairman, éQuinoxe Germany e.V. contributed enormous creative and emotional support to making our aspirations for this workshop possible. For their exceptional esprit and generosity, we thank our sponsors Just Publicity’s Anke Zindler and Gaby Just’s Just Pure. This Focus Austria week will provide an international forum for filmmakers to experience first-hand Austria‘s film culture and Vienna. An afternoon walk in Harry Lime‘s Vienna led by historian Dr. Brigitte Timmerman, a visit to Stadtkino to screen Michael Glawogger‘s award-winning documentary MEGACITIES, an evening at the Galerie & Werkstatt NUU, where documentary film producer Johannes Rosenberger will reign as culinary chef preparing dinner from restored old Viennese recipes, a visit to Schloss Belvedere to view the rich art history of Klimt and Schiele, followed by Master Classes in Producing and Screenwriting in association with the Vienna Film Fund, Film Academy and Film Museum will provide the opportunities for a cross-cultural exchange. And, for the first time, two Austrians will serve as advisors and three Austrian screenwriters together with international colleagues will spend a week of storytelling in the gardens of Palais Schwarzenberg as their backdrop. 4 25. éQuinoxe Screenwriters‘ Workshop / 31. October - 06. November 2005 Palais Schwarzenberg, Vienna: THE STORY OF GESCHICHTE VON ÉQUINOXE/TO BE CONTINUED ÉQUINOXE/TO BE CONTINUED THE ORGANIZATION DIE ORGANISATION Founded in August of 2003, éQuinoxe/To Be Continued is a non-profit organization éQuinoxe/To Be Continued, gegründet im August 2003, ist die neue internationale which conducts writing workshops for screenwriters. éQuinoxe/To Be Continued Version der 1993 gegründeten Association éQuinoxe. Die Hauptarbeit besteht in der is the new international version of Association éQuinoxe, which was formed in Organisation von internationalen Workshops für Drehbuchautoren in verschiedenen Paris in 1993. Ländern. A dialogue between participating screenwriters and film professionals, these Die Workshops sind lebendige Dialoge zwischen den teilnehmenden workshops are designed to give an international profile and resonance to selected Drehbuchautoren und Filmschaffenden aus aller Welt. Sie wurden ins Leben gerufen, projects, allowing them to reach a variety of audiences in a more direct way. They um ausgewählten Drehbuchprojekten internationale Resonanz zu ermöglichen und take place twice a year in different countries. auf direkterem Wege ein möglichst breites Publikum für sie zu begeistern. THE FOUNDING MEMBERS DIE GRÜNDUNGSMITGLIEDER The founding members of éQuinoxe/To Be Continued were formerly associated Die Gründungsmitglieder von éQuinoxe/To Be Continued waren vorher der with éQuinoxe, either as screenwriters or guest advisors in the workshops, or as Association éQuinoxe verbunden, entweder als Drehbuchautoren, als Advisors bei representatives of former sponsors or financial partners. den Workshops, als frühere Sponsoren oder als Förderer. President – Jean-Julien BARONNET (France) Vorsitzender/Präsident: Jean-Julien BARONNET (Frankreich) Vice-President - Noëlle DESCHAMPS (France) Vizepräsidentin: Noëlle DESCHAMPS (Frankreich) Treasurer - Edouard SALUSTRO (France) Schatzmeister: Edouard SALUSTRO (Frankreich) Santiago AMIGORENA, screenwriter/producer (Argentina) Santiago AMIGORENA, Drehbuchautor/Produzent (Argentinien) Simon BEAUFOY, screenwriter (Great-Britain) Simon BEAUFOY, Drehbuchautor (Großbritannien) Antoine DE CAUNES, screenwriter/director/actor (France) Antoine DE CAUNES, Autor/Regisseur/Schauspieler (Frankreich) Jim HART, screenwriter/producer (USA) Jim HART, Drehbuchautor/Produzent (USA) Pierre JOLIVET, screenwriter/director (France) Pierre JOLIVET, Drehbuchautor/Regisseur (Frankreich) Susan B. LANDAU, producer (USA) Susan B. LANDAU, Produzentin (USA) Daniel LANGLOIS, president of Ex-Centris/founder of 357c (Canada) Daniel LANGLOIS, Präsident von Ex-Centris/founder of 357c (Kanada) Dominique MARCHAND, interim director of 357c (Canada) Dominique MARCHAND, interim director, 357c (Kanada) Frank PIERSON, screenwriter/director/producer (USA) Frank PIERSON, Drehbuchautor/Regisseur/Produzent (USA) Sydney POLLACK, screenwriter/director/producer (USA) Sydney POLLACK, Drehbuchautor/Regisseur/Produzent (USA) Michael RADFORD, screenwriter/director (Great-Britain) Michael RADFORD, Drehbuchautor/Regisseur (Großbritannien) Jaco VAN DORMAEL, screenwriter/director (Belgium) Jaco VAN DORMAEL, Drehbuchautor/Regisseur (Belgien) Elsa ZYLBERSTEIN, actress (France) Elsa ZYLBERSTEIN, Schauspielerin (Frankreich) History 5 THE WORKSHOP FORMULA DIE SCREENWRITERS’ WORKSHOPS Twice a year, during one intensive week of work, exchanges and reflections, 10 Bei den einwöchigen éQuinoxe Workshops treffen 10 bis 12 ausgewählte to 12 selected screenwriters will meet with 10 to 12 professional advisors on an Drehbuchautoren in Einzelgesprächen auf 10 bis 12 Advisors, um über die aktuellen individual basis. The aim of these personalized consultations is to consolidate the Drehbücher der Autoren zu diskutieren. Das Ziel der intensiven Gespräche ist es, strong points of the scripts and correct the weaknesses, to propose new avenues die Stärken der Drehbücher herauszuarbeiten und die Schwächen zu korrigieren, of development and structure, and above all to increase the chances of these neue Herangehensweisen an Struktur und Plot zu erörtern, und die Chance der projects being produced. Projekte auf ihre Realisation zu erhöhen. SELECTION OF THE ADVISORS AUSWAHL DER ADVISORS The script advisors are chosen from among the world’s renowned film Die Advisors kommen aus aller Welt und sind sämtlich selbst anerkannte professionals: authors, directors, producers, editors, actors, and sometimes all of Filmemacher – Autoren, Regisseure, Produzenten, Cutter, Schauspieler, und
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