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Animes E Desenhos Ordem Alfabetica Código Valor .Hack Legend of The
Planilha1 Animes e Desenhos Ordem Alfabetica Código Valor .Hack Legend of the Twilight Dublado P7-02 R$ 7,00 .hack//ROOTS P7-01 R$ 13,00 .hack//Sign P4-15 R$ 13,00 101 Dálmatas Dublado P4-14 R$ 28,00 11 Eyes P3-06 R$ 7,00 18IF P7-30 R$ 7,00 2x2 Shinobuden P2-27 R$ 7,00 30-Sai no Hoken Taiiku P4-04 R$ 7,00 5-Toubun no Hanayome G8 R$ 7,00 801 TTS Airbats P1-27 R$ 7,00 91 Days p7-20 R$ 7,00 Filmes .Hack G.U. Trilogy Filme P7-09 R$ 7,00 5 Centímetros por Segundo Filme P7-14 R$ 7,00 Letra A Código Valor A Arca Do Zé Colméia Dublado P5-32 R$ 7,00 A Channel P6-05 R$ 7,00 A Coisa Dublado P1-05 R$ 13,00 A Corrida Maluca Dublado P3-03 R$ 20,00 A Formiga e o Tamanduá Dublado P3-11 R$ 7,00 A Lenda de Ellcia Dublado P1-04 R$ 7,00 A Lenda do Zorro Dublado P4-21 R$ 7,00 A Tale Of Melodies P4-11 R$ 7,00 A.D. Police P2-16 R$ 7,00 Abarenbou Kishi!! Matsutarou P5-08 R$ 13,00 Absolute Duo P1-25 R$ 7,00 ACCA: 13-ku Kansatsu-ka P7-19 R$ 7,00 Accel World P5-11 R$ 13,00 Acchi Kocchi P7-18 R$ 7,00 Action Heroine Cheer Fruits P7-30 R$ 7,00 Active Raid Kidou Kyoushuushitsu p7-20 R$ 7,00 Afro Samurai Dublado P6-06 R$ 7,00 After War Gundam X P7-13 R$ 28,00 Agatha Christie no Meitantei P5-26 R$ 20,00 Agente 009-1 Dublado P4-19 R$ 7,00 Agente Aika P4-19 R$ 7,00 Ah! Megami-Sama P5-14/P6-10 R$ 28,00 Ah! Megami-Sama - Mini-Goddess P3-16 R$ 7,00 Aho Girl P8-16 R$ 7,00 Ai Mai Mi P7-15 R$ 7,00 Ai No Kusabi P4-13 R$ 7,00 Ai Tenchi Muyo P7-30 R$ 13,00 Página 1 Planilha1 Ai Yori Aoshi P6-16 R$ 20,00 AIKA R-16 Virgin Mission P6-07 R$ 7,00 AiKa Zero P6-07 R$ 7,00 Air Gear P5-25 -
07 — 08.2012 (2.25 Mb )
JulAgo Julio Do01 Urban TV 2012 Soundays. 12 Transmissions 2012. Festival de cine y música Xposure Don Letts Chirie Vegas Lu02 Ma03 Mi04 Ju05 Vi06 Sá07 Do08 Apertura Ebb & flow. A Onda Ciclo de cine y debate: Inéditos 2012 Cine de Verano. Soundays en Cultura Traz, O Vento Leva Exclusión social y Anime en la terraza La Terraza Medio Ambiente Un vídeo de Gabriel Mascaro desgarro Apertura Genius Party Beyond, Eyvind Kang & Jessika Educación Poesía, de Lee Chang Proto Anime Cut de Mahiro Maeda y Kenney Solidaridad Ciclo de cine y debate: Dong otros Para niños y jóvenes Solidaridad social. Cine de verano. Genérico ¿Una utopía? Anime en La Terraza Le Havre, de Aki Ghost in the Shell 2.0 aurismäki Lu09 Ma10 Mi11 Ju12 Vi13 Sá14 Do15 Ciclo de cine y debate: Reapertura de la Ciclo de cine y debate: Urban TV 2012 Cine de Verano. Soundays en Exclusión social y exposición Ciudades Exclusión social. Fecha límite Anime en la terraza La Terraza aislamiento habitables ciudades Personas sin hogar inscripciones La chica que saltaba a Concierto de Lars y una chica de de futuro convalecientes través del tiempo, de The Necks verdad, de Graig La muerte del señor Cine de verano. Mamoru Hosada Gillespie Lazarescu, de Cristi Anime en La Terraza Puiu Paprika, de Satoshi Kon Lu16 Ma17 Mi18 Ju19 Vi20 Sá21 Do22 Ciclo de cine y debate: Ciclo de cine y debate: Cine de verano. Cine de verano. Soundays en Exclusión social y Exclusión social y Anime en La Terraza Anime en La Terraza La Terraza autoestima alcoholismo Redline, de Takeshi Evangelion: 1.0 You DJ Set de Lumpen Buscando a Eric, de Redención, de Paddy Koike Are (Not) Alone, de Nobleman Ken Loach Considine Hideaki Anno Lu23 Ma24 Mi25 Ju26 Vi27 Sá28 Do29 Ciclo de cine y debate El niño de la bicicleta, Ciclo de cine y debate: Cine de verano. -
Press Release
Contact: Kristyn Souder Communications Director Email: [email protected] Phone: (267)536-9566 PRESS RELEASE Zenkaikon Convention to Bring Anime and Science Fiction Fans to Lancaster in March Hatboro, PA – January 21, 2013: On March 22-24, 2013, Zenkaikon will hold its seventh annual convention in a new location at the Lancaster County Convention Center in Lancaster, Pennsylvania. The convention expects to welcome over two thousand fans of Japanese animation (anime), comics (manga), gaming, and science fiction to downtown Lancaster for the weekend-long event. Zenkaikon had typically been held in the Valley Forge area of Pennsylvania. However, with the conversion of the Valley Forge Convention Center to a casino and the continued growth of the event, Zenkaikon moved its convention to Lancaster. Many convention attendees don costumes of their favorite characters to attend the annual convention. Planned convention events include a variety of educational panels and workshops hosted by volunteers and guests; anime and live action screenings; a costume and skit competition (the "Masquerade"); a hall costume contest; performances by musical guests; a live action role play ("LARP") event; video game tournaments and tabletop gaming; a formal ball and informal dances; and an exhibit hall of anime-themed merchandise and handmade creations from artists. A number of Guests of Honor have already been announced for Zenkaikon 2013. John de Lancie, best known for his roles on Star Trek and Stargate SG-1, and more recently known for his role as Discord on My Little Pony: Friendship is Magic, will be hosting panels and meeting attendees. Prolific voice and live action actor Richard Epcar (Ghost in the Shell, The Legend of Korra, Kingdom Hearts) and actress Ellyn Stern (Robotech, Gundam Unicorn, Bleach) will also be participating in a variety of programming. -
Copy of Anime Licensing Information
Title Owner Rating Length ANN .hack//G.U. Trilogy Bandai 13UP Movie 7.58655 .hack//Legend of the Twilight Bandai 13UP 12 ep. 6.43177 .hack//ROOTS Bandai 13UP 26 ep. 6.60439 .hack//SIGN Bandai 13UP 26 ep. 6.9994 0091 Funimation TVMA 10 Tokyo Warriors MediaBlasters 13UP 6 ep. 5.03647 2009 Lost Memories ADV R 2009 Lost Memories/Yesterday ADV R 3 x 3 Eyes Geneon 16UP 801 TTS Airbats ADV 15UP A Tree of Palme ADV TV14 Movie 6.72217 Abarashi Family ADV MA AD Police (TV) ADV 15UP AD Police Files Animeigo 17UP Adventures of the MiniGoddess Geneon 13UP 48 ep/7min each 6.48196 Afro Samurai Funimation TVMA Afro Samurai: Resurrection Funimation TVMA Agent Aika Central Park Media 16UP Ah! My Buddha MediaBlasters 13UP 13 ep. 6.28279 Ah! My Goddess Geneon 13UP 5 ep. 7.52072 Ah! My Goddess MediaBlasters 13UP 26 ep. 7.58773 Ah! My Goddess 2: Flights of Fancy Funimation TVPG 24 ep. 7.76708 Ai Yori Aoshi Geneon 13UP 24 ep. 7.25091 Ai Yori Aoshi ~Enishi~ Geneon 13UP 13 ep. 7.14424 Aika R16 Virgin Mission Bandai 16UP Air Funimation 14UP Movie 7.4069 Air Funimation TV14 13 ep. 7.99849 Air Gear Funimation TVMA Akira Geneon R Alien Nine Central Park Media 13UP 4 ep. 6.85277 All Purpose Cultural Cat Girl Nuku Nuku Dash! ADV 15UP All Purpose Cultural Cat Girl Nuku Nuku TV ADV 12UP 14 ep. 6.23837 Amon Saga Manga Video NA Angel Links Bandai 13UP 13 ep. 5.91024 Angel Sanctuary Central Park Media 16UP Angel Tales Bandai 13UP 14 ep. -
Men at Work (2006) · L'avventura (1960) on Michelangelo Antonioni · Children of Men (2006) on Alfonso Cuarón · Sunset Blvd
· Men at Work (2006) · L'Avventura (1960) on Michelangelo Antonioni · Children of Men (2006) on Alfonso Cuarón · Sunset Blvd. (1950) on Billy Wilder Film Noir · Desconexión (2011) Theme Night Theme Night Theme Night · Midnight Cowboy (1969) · Blow-Up (1966) on Michelangelo Antonioni · Antichrist (2009) on Later Lars von Trier · The Third Man (1949) on Orson Welles Film · Once Upon A Time in China (1991) Theme Night Theme Night Noir Theme Night · The Bridge on the River Kwai (1957) · The Adventures Of Prince Achmed (1926) · Melancholia (2011) on Later Lars von Trier · Touch of Evil (1958) on Orson Welles Film · Beasts of the Southern Wild (2012) · Le Beau Serge (1958) on Early French New Theme Night Noir Theme Night · Amour (2012) Wave Theme Night · My Neighbor Totoro (1988) on Anime Theme · J'ai Tué Ma Mère (2009) " I Killed My · La Règle du Jeu "Rules of the Game" (1939) · Les 400 Coups (1959) on François Truffaut Night II Mother" for French Canadian Theme Night · Headhunters (2011) Theme Night · Dumb and Dumber (1994) on Jack's 20th · Double Indemnity (1944) for Billy Wilder · Spartacus (1960) · Tirez sur le Pianiste (1960) on François Birthday Film Noir Theme Night · Bad Lieutenant: Port of Call - New Orleans Truffaut Theme Night · Neco z Alenky "Alice" (1988) · Notorious (1946) on Alfred Hitchcock Theme (2009) · Breathless (1960) on Jean-Luc Godard Theme · Videodrome (1983) on David Cronenberg Night I · A Good Day to Die Hard (2013) Night Mindfuck Theme Night · Strangers on a Train (1951) on Alfred · Seven Samurai (1954) · Weekend -
GCE A2 Moving Image Arts Sum09.Indd
GCE A2 Moving Image Arts Summer 2009 Mark Scheme Issued: October 2009 Revised: December 2009 NORTHERN IRELAND GENERAL CERTIFICATE OF SECONDARY EDUCATION (GCSE) AND NORTHERN IRELAND GENERAL CERTIFICATE OF EDUCATION (GCE) MARK SCHEMES (2009) Foreword Introduction Mark Schemes are published to assist teachers and students in their preparation for examinations. Through the mark schemes teachers and students will be able to see what examiners are looking for in response to questions and exactly where the marks have been awarded. The publishing of the mark schemes may help to show that examiners are not concerned about finding out what a student does not know but rather with rewarding students for what they do know. The Purpose of Mark Schemes Examination papers are set and revised by teams of examiners and revisers appointed by the Council. The teams of examiners and revisers include experienced teachers who are familiar with the level and standards expected of 16- and 18-year-old students in schools and colleges. The job of the examiners is to set the questions and the mark schemes; and the job of the revisers is to review the questions and mark schemes commenting on a large range of issues about which they must be satisfied before the question papers and mark schemes are finalised. The questions and the mark schemes are developed in association with each other so that the issues of differentiation and positive achievement can be addressed right from the start. Mark schemes therefore are regarded as a part of an integral process which begins with the setting of questions and ends with the marking of the examination. -
Uma Perspectiva Musicológica Sobre a Formação Da Categoria Ciberpunk Na Música Para Audiovisuais – Entre 1982 E 2017
Uma perspectiva musicológica sobre a formação da categoria ciberpunk na música para audiovisuais – entre 1982 e 2017 André Filipe Cecília Malhado Dissertação de Mestrado em Ciências Musicais Área de especialização em Musicologia Histórica Setembro de 2019 I Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ciências Musicais – Área de especialização em Musicologia Histórica, realizada sob a orientação científica da Professora Doutora Paula Gomes Ribeiro. II Às duas mulheres da minha vida que permanecem no ciberespaço do meu pensamento: Sara e Maria de Lourdes E aos dois homens da minha vida com quem conecto no meu quotidiano: Joaquim e Ricardo III Agradecimentos Mesmo tratando-se de um estudo de musicologia histórica, é preciso destacar que o meu objecto, problemática, e uma componente muito substancial do método foram direccionados para a sociologia. Por essa razão, o tema desta dissertação só foi possível porque o fenómeno social da música ciberpunk resulta do esforço colectivo dos participantes dentro da cultura, e é para eles que direciono o meu primeiro grande agradecimento. Sinto-me grato a todos os fãs do ciberpunk por manterem viva esta cultura, e por construírem à qual também pertenço, e espero, enquanto aca-fã, ter sido capaz de fazer jus à sua importância e aos discursos dos seus intervenientes. Um enorme “obrigado” à Professora Paula Gomes Ribeiro pela sua orientação, e por me ter fornecido perspectivas, ideias, conselhos, contrapontos teóricos, ajuda na resolução de contradições, e pelos seus olhos de revisora-falcão que não deixam escapar nada! Como é evidente, o seu contributo ultrapassa em muito os meandros desta investigação, pois não posso esquecer tudo aquilo que me ensinou desde o primeiro ano da Licenciatura. -
Bcsfazine #536 | Felicity Walker
The Newsletter of the British Columbia Science Fiction Association #536 $3.00/Issue January 2018 In This Issue: This and Next Month in BCSFA..........................................0 About BCSFA.......................................................................0 Letters of Comment............................................................1 Calendar...............................................................................3 News-Like Matter................................................................8 Herbie (Taral Wayne).........................................................17 Art Credits..........................................................................18 BCSFAzine © January 2018, Volume 46, #1, Issue #536 is the monthly club news- letter published by the British Columbia Science Fiction Association, a social organ- ization. ISSN 1490-6406. Please send comments, suggestions, and/or submissions to Felicity Walker (the editor), at felicity4711@ gmail .com or Apartment 601, Manhattan Tower, 6611 Coo- ney Road, Richmond, BC, Canada, V6Y 4C5 (new address). BCSFAzine is distributed monthly at White Dwarf Books, 3715 West 10th Aven- ue, Vancouver, BC, V6R 2G5; telephone 604-228-8223; e-mail whitedwarf@ deadwrite.com. Single copies C$3.00/US$2.00 each. Cheques should be made pay- able to “West Coast Science Fiction Association (WCSFA).” This and Next Month in BCSFA Friday 19 January 2018: Submission deadline for February BCSFAzine (ideally). Sunday 21 January 2018 at 6 PM: January BCSFA meeting—at ABC Country Res- taurant, -
Richard Epcar Voice Over Resume
RICHARD EPCAR VOICE OVER RESUME ADR DIRECTOR / ORIGINAL ANIMATION DIRECTOR / GAME DIRECTOR ADR WRITER / ENGLISH ADAPTER INTERNATIONAL DUBBING SUPERVISOR 818 426-3415 VOICE OVER REPRESENTATION: (323) 939-0251 VOICE ACTING RESUME GAME VOICE ACTING ARKHAM ORIGINS SEVERAL CHARACTERS WB INJUSTICE: GODS AMONG US THE JOKER WB INFINITE CRISIS THE JOKER WB MORTAL KOMBAT X RAIDEN WARNER BROS. FINAL FANTASY XIV 2.4-2.5 ILBERD ACE COMBAT ASSAULT HORIZON LEGACY STARGATE SG-1: UNLEASHED GEN. GEORGE HAMMOND MGM SAINTS ROW 4 LEAD VOICE (CYRUS TEMPLE) VOICEWORKS PRODS MARVEL HEROS SEVERAL VOICES MARVEL THE BUREAU: XCOM DECLASSIFIED LEAD VOICE TAKE 2 PRODS. BLADE STORM NIGHTMARE NARRATOR ULTIMATE NINJA STORM 3 LEAD VOICE NARUTO VG LEAD VOICE STUDIPOLIS CALL OF DUTY- BLACK OPS II SEVERAL VOICES EA RESIDENT EVIL 6 MO-CAPPED THE PRESIDENT ACTIVISION SKYRIM- THE ELDER SCROLLS V LEAD VOICES BETHESDA (BEST GAME OF THE YEAR 2011-Spike Video Awards) KINGDOM HEARTS: DREAM DROP DISTANCE LEAD VOICE SQUARE ENIX / DISNEY FINAL FANTASY XIV LEAD VOICE (GAIUS VAN BAELSAR) SQUARE ENIX MAD MAX SEVERAL VOICES DEAD OR ALIVE 5 LEAD VOICE VINDICTUS LEAD VOICE TIL MORNING’S LIGHT LEAD VOICE WAY FORWARD POWER RANGERS MEGAFORCE LEAD VOICES BANG ZOOM FINAL FANTASY XIII.3 LEAD VOICE GUILTY GEARS X-RD LEAD VOICE SQUARE ENIX YOGA Wii LEAD VOICE GORMITI LEAD VOICE EARTH DEFENSE FORCE LEAD VOICE 1 ATELIER AYESHA LEAD VOICE BANG ZOOM X-COM: ENEMY UNKNOWN LEAD VOICE TAKE 2 PRODS. OVERSTRIKE LEAD VOICE INSOMNIAC GAMES DEMON’S SCORE LEAD VOICES CALL OF DUTY BLACK OPS LEAD VOICES EA TRANSFORMERS -
Digital Cinema and the Legacy of George Lucas
DOCTOR OF PHILOSOPHY Digital cinema and the legacy of George Lucas Willis, Daniel Award date: 2021 Awarding institution: Queen's University Belfast Link to publication Terms of use All those accessing thesis content in Queen’s University Belfast Research Portal are subject to the following terms and conditions of use • Copyright is subject to the Copyright, Designs and Patent Act 1988, or as modified by any successor legislation • Copyright and moral rights for thesis content are retained by the author and/or other copyright owners • A copy of a thesis may be downloaded for personal non-commercial research/study without the need for permission or charge • Distribution or reproduction of thesis content in any format is not permitted without the permission of the copyright holder • When citing this work, full bibliographic details should be supplied, including the author, title, awarding institution and date of thesis Take down policy A thesis can be removed from the Research Portal if there has been a breach of copyright, or a similarly robust reason. If you believe this document breaches copyright, or there is sufficient cause to take down, please contact us, citing details. Email: [email protected] Supplementary materials Where possible, we endeavour to provide supplementary materials to theses. This may include video, audio and other types of files. We endeavour to capture all content and upload as part of the Pure record for each thesis. Note, it may not be possible in all instances to convert analogue formats to usable digital formats for some supplementary materials. We exercise best efforts on our behalf and, in such instances, encourage the individual to consult the physical thesis for further information. -
America's Largest Japanese Film Fest Announces 27 NYC Premieres For
Media Contacts: Shannon Jowett, [email protected], 212-715-1205 Kuniko Shiobara, [email protected], 212-715-1249 America’s Largest Japanese Film Fest Announces 27 NYC Premieres for 8th Installment JAPAN CUTS: The New York Festival of Contemporary Japanese Cinema July 10-20, 2014 at Japan Society New York, NY -- North America’s largest showcase of Japanese film and “One of the loopiest… and least predictable of New York’s film festivals” (New York Magazine), JAPAN CUTS: The New York Festival of Contemporary Japanese Cinema returns for its eighth annual installment. Running July 10-20 and screening 27 features with 8 special guests, JAPAN CUTS 2014 encompasses a thrilling cross section of cinephilic genre oddities, sword-swinging period action, profound documentaries, cathartic melodramas, warped comedies and cutting-edge arthouse cinema made in and around Japan. Guests include superstar performers and independent auteurs opening up in rare Q&As and dynamic parties rocking Japan Society’s historic theater and waterfall atrium. As in past years, the festival dovetails with the 13th New York Asian Film Festival (NYAFF), co-presenting 13 titles in the JAPAN CUTS lineup July 10-13. JAPAN CUTS 2014 again earns the distinction as “New York’s premiere Japanese cinema event,” every title never before screened in New York City, “unspooling across a kaleidoscopic range of taste and aesthetics” (The Wall Street Journal). Boasting 1 World Premiere, 3 International Premieres, 7 North American Premieres, 6 U.S. Premieres, 5 East Coast Premieres, and 4 New York Premieres, every day of the festival provides a must-see event for the NYC cinephile, follower of Japanese art and culture, and devoted world cinema aficionado alike. -
Rewiring the Text
Rewiring the Text: Adaptation and Translation in the Digital Heterogossia. Richard Berger. A thesis in partial fulfilment of the requirements of Bournemouth University for the degree of Philosophy Doctorate. March 2005. Bournemouth University. Rewiring the Text: Abstract. This dissertation is concerned with adaptation, in the context of new emerging digital media platforms. The project proposes that new media has allowed for the creation of a universal digital heteroglossia; a heteroglossia that contains the plurality of the unstable utterances of cinema, radio, television, the web and computer games. This has allowed for the process of adaptation to become more instantaneous in the simultaneous deployment of narratives across the digital heteroglossia. Therefore, the process of adaptation is far more dialogical, with previous variants of narratives being ‘rewired’ and gaining an ‘afterlife’ through adaptation, and through the creation of new variants and versions. The Internet has allowed for adaptation to move into a participatory mode, where fanfic writers fill in ‘gaps’ left by the creators of televisual and filmic texts. Videogames, based on pre-existing or co-existing texts, mean that players can experience moments of supreme and non-permanent adaptation themselves. This thesis suggests that this participation has democratised adaptation, and has fundamentally altered the nature of ‘traditional’ adaptation. The thesis concludes that, due to a digital heteroglossia, ‘traditional’ adaptation will decline, as the process becomes more plural and instantaneous. With previous variants of narratives being summoned back into life - due to adaptation, remaking and refashioning - it is increasingly unlikely that ‘fidelity’ strategies of adaptation will continue to be the dominant discourse, as all variants of narratives begin to exist in a dialogical plurality with one another; a mutual exchange of fluctuating source and target texts, cross-referenced through intertextuality and assembling a collage of influences.