Sanchu Uprising: Voices at Dawn Tag 新しき民 リアル鬼ごっこ
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Notes for Chapter Re-Drafts
Making Markets for Japanese Cinema: A Study of Distribution Practices for Japanese Films on DVD in the UK from 2008 to 2010 Jonathan Wroot PhD Thesis Submitted to the University of East Anglia For the qualification of PhD in Film Studies 2013 1 Making Markets for Japanese Cinema: A Study of Distribution Practices for Japanese Films on DVD in the UK from 2008 to 2010 2 Acknowledgements Thanks needed to be expressed to a number of people over the last three years – and I apologise if I forget anyone here. First of all, thank you to Rayna Denison and Keith Johnston for agreeing to oversee this research – which required reining in my enthusiasm as much as attempting to tease it out of me and turn it into coherent writing. Thanks to Mark Jancovich, who helped me get started with the PhD at UEA. A big thank you also to Andrew Kirkham and Adam Torel for doing what they do at 4Digital Asia, Third Window, and their other ventures – if they did not do it, this thesis would not exist. Also, a big thank you to my numerous other friends and family – whose support was invaluable, despite the distance between most of them and Norwich. And finally, the biggest thank you of all goes to Christina, for constantly being there with her support and encouragement. 3 Abstract The thesis will examine how DVD distribution can affect Japanese film dissemination in the UK. The media discourse concerning 4Digital Asia and Third Window proposes that this is the principal factor influencing their films’ presence in the UK from 2008 to 2010. -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
The Thin Red Line
THE THIN RED LINE by Terrence Malick Based on the Novel by James Jones USE FOR EDUCATIONAL PURPOSES ONLY To the Memory of James Jones And Those Who Served With Him They Live With Us It was an act of love. Those men on the line were my family, my home. They were closer to me than I can say, closer than my friends had been or ever would be. They had never let me down, and I could never do it to them. I had to be with them, rather than let them down and me live with the knowledge that I might have saved them. Men, I now know, do not fight for flag or country, for the Marine Corps or glory or any other abstraction. They fight for one another. Any man in combat who lacks comrades who will die for him, or for whom he is willing to die, is not a man at all. He is truly damned. William Manchester, the journalist, writing in Goodbye Darkness about his experience on Guadalcanal. (Like Fife, he walked away from the safety of a hospital in a secure area to return to his company in combat.) 2. COMPANY ROSTER (Partial) "C" CO, UMTH INF - Stein, James I, Capt, "C" Co Cmdg - Band, George R, 1st Lt, Exec - Whyte, William L, 2nd Lt, 1st P1 Cmdg - Blane, Thomas C, 2nd Lt, 2ns P1 Cmdg - Gore, Alberto O, 2nd Lt, 3rd P1 Cmdg - Culp, Robert (NMI), 2nd Lt, 4th (Weapons) P1 Cmdg EM 1st/Sgt - Welsh, Edward (NMI) S/Sgts - Grove, Ldr 1st P1 - Keck, Ldr 2nd P1 - MacTae, Supply - Stack, Ldr 3rd P1 - Storm, Mess Sgts - Becker, Sqd Ldr Rfl - Dranno, Co Clk - McCron, Sqd Ldr Rfl 3. -
THE ABZ GALLERY MODELS First Name Last Name Total Photos Lastupdate Serverid
. THE MEDIA LANDING ZONE THE ABZ GALLERY MODELS First Name Last Name Total Photos LastUpdate ServerID Miho Abe 1072 1/22/2017 2 Gallery http://asianbabezone.piwigo.com/index?/category/14-miho_abe Miho Abe is a sexy and beautiful Japanese race queen born in Hokkaido on 10 1 1988. Her blood type is A, and she is 165 cm tall, Miho’s body measurements are: Bust: 82 cm, Waist: 58 cm and Hips: 84 cm. Rika Adachi 296 1/23/2017 5 Gallery https://mlzgallery.piwigo.com/index?/category/35-rika_adachi Rika Adachi (?? ?? Adachi Rika?, born October 16, 1992) is a Japanese actress. She was born in Nagasaki Prefecture, and raised in Mie Prefecture. She has appeared in several films, including Say "I love you" (2014) and Ghost Theater (2015), and has played leading roles in the TV Drama Kinkyori Renai: Season Zero (2014) and Yokoso, Wagaya e (2015). Minako Aino 117 1/21/2017 5 Gallery https://mlzgallery.piwigo.com/index?/category/32-minako_aino JAV Actress. Wednesday, Feb 8 2017 1 of 49 . THE MEDIA LANDING ZONE First Name Last Name Total Photos LastUpdate ServerID Aya Aizumi 191 1/20/2017 5 Gallery https://mlzgallery.piwigo.com/index?/category/23-aya_aizumi Aya Aizumi Country Japan Blood Type A Height (cm) 160 Measurements (cm) B: [80] W: [60] H: [88] Ayaka Akimoto 255 1/20/2017 5 Gallery https://mlzgallery.piwigo.com/index?/category/24-ayaka_akimoto Ayaka Akimoto Country Japan City / State Saitama Birth Date y: [1975] m: [12] d: [22] Blood Type B Height (cm) 160 Honoka Akimoto 65 1/20/2017 3 Gallery http://medialandingzone.piwigo.com/index?/category/30-honoka_akimoto Honoka Akimoto (????, born Honoka Kojima (????)) is an idol and the leader of Team Syachihoko represented by Stardust Promotion. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
(Revised0507)JAPAN BOOTH 2013 Cannes FIX
CONTENTS INTRODUCTION Contents Introduction 1 Introduction Japan Booth is organized by JETRO/UNIJAPAN with the support from Agency for Cultural Affairs (Government of Japan). 2 Geneon Universal Entertainment Japan, LLC 3 Gold View Co., Ltd. 4 Happening Star Project JETRO, or the Japan External Trade Organization, is UNIJAPAN is a non-profit organization established 5 MODE FILMS INC. a government-related organization that works to pro- in 1957 by the Japanese film industry under the mote mutual trade and investment between Japan and auspice of the Government of Japan for the purpose 6 Nikkatsu Co. the rest of the world. of promoting Japanese cinema abroad. Initially named 7 Office Walker Inc. Originally established in 1958 to promote Japanese ex- ‘Association for the Diffusion of Japanese Film Abroad’ 8 Omgact Entertainment LLC ports abroad, JETRO’s core focus in the 21st century (UniJapan Film), in 2005 it joined hands with the has shifted toward promoting foreign direct investment organizer of Tokyo International Film Festival (TIFF), to 9 Open Sesame Co., Ltd. into Japan and helping small to medium-sized Japa- form a combined, new organization. 10 Production I.G nese firms maximize their global business potential. 11 SDP Inc. 12 Sedic International Inc. 13 Showgate Inc. 14 Tsuburaya Productions Co., Ltd. Category Action Drama Comedy Horror / Suspense Documentary Animation Screening schedule Day Starting Time Length of the Film Title Place 1 Geneon Universal Entertainment Japan, LLC Gold View Co., Ltd. The Chasing World: The Origin Belladonna Of Sadness AD 3000. 1 in 20 has the family name "SATO" in Japan. The A story about a young and beautiful woman, who has lived a life 150th king implements a horrific policy to reduce the number of of hardships. -
El Colegio De México EL MERCADO DE IDOL VARONES EN JAPÓN
El Colegio de México EL MERCADO DE IDOL VARONES EN JAPÓN (1999 – 2008): CARACTERIZACIÓN DE LA OFERTA A TRAVÉS DEL ESTUDIO DE UN CASO REPRESENTATIVO Tesis presentada por YUNUEN YSELA MANDUJANO SALAZAR en conformidad con los requisitos establecidos para recibir el grado de MAESTRÍA EN ESTUDIOS DE ASIA Y ÁFRICA ESPECIALIDAD JAPÓN Centro de Estudios de Asia y África 2009 ÍNDICE INTRODUCCIÓN……………………………………………………………………. 3 I. FENÓMENO IDOL EN JAPÓN Y OBJETO DE ESTUDIO………………... 14 1. Desarrollo general de la industria idol……………………………………. 14 2. Definición de idol………………………………………………………… 18 3. La compañía Johnny’s Jimusho………………………………………….. 22 4. Arashi…………………………………………………………………….. 31 II. ESTRATEGIAS DE DESARROLLO DEL MERCADO IDOL…………….. 36 1. Primera etapa: Base junior, reclutamiento y formación…………………. 37 2. Segunda etapa: Lanzamiento y consolidación de mercado………………. 46 3. Tercera etapa: Diversificación y expansión de mercado…………………. 58 III. SITUACIÓN ACTUAL DEL MERCADO DE IDOL VARONES………….. 68 1. El dominio idol dentro de la industria musical en Japón…………………. 69 2. Fin del monopolio y cambio de estrategias en el mercado de idol varones en Japón……………………………………………………………………… 75 CONCLUSIONES……………………………………………………………………. 84 REFERENCIAS………………………………………………………………………. 88 ANEXOS……………………………………………………………………………… 98 1 NOTA SOBRE EL SISTEMA DE ROMANIZACIÓN UTILIZADO En el presente estudio se utilizará, para los términos generales y los nombres de ciudades, el sistema de romanización usado en el Kenkyusha’s New Japanese – English Dictionary (3ra y ediciones posteriores). En el caso de nombres propios de origen japonés, se presentará primero el nombre y luego el apellido y se utilizará la romanización utilizada en las fuentes originales. Asimismo, es común que los autores no utilicen el macron (¯ ) cuando existe una vocal larga en este tipo de denominaciones. -
JFKL Publication 11-01.Eps
Past, Present and Future: The 30th Anniversary of the Japan Foundation, Kuala Lumpur Greetings from the Director The Japan Foundation was established in 1972 with the main goal of cultivating friendship and ties between Japan and the world through culture, language, and dialogue. The Kuala Lumpur ofice known as The Japan Foundation Kuala Lumpur Liaison Ofice was established at Wisma Nusantara, off Jalan P. Ramlee on 3 October 1989 as the third liaison ofice in SEA countries, following Jakarta and Bangkok. The liaison ofice was upgraded to Japan Cultural Centre Kuala Lumpur with Prince Takamado attending the opening ceremony on 14 February 1992. Japanese Language Centre Kuala Lumpur was then opened at Wisma Nusantara on 20 April 1995. In July 1998, the ofice moved to Menara Citibank, Jalan Ampang and then once more to our current ofice in Northpoint, Mid-Valley in September 2008. Since the establishment, the Japan Foundation, Kuala Lumpur (JFKL) has been working on various projects such as introducing Japanese arts and culture to Malaysia and vice versa. JFKL has also closely worked with the Ministry of Education to form a solid foundation of Japanese Language Education especially in Malaysian secondary schools and conducted various seminars and trainings for local Japanese teachers. We have also been supporting Japanese studies and promoting dialogues on common international issues. The past 30 years have deinitely been a long yet memorable journey in bringing the cultures of the two countries together. The cultural exchange with Malaysia has become more signiicant and crucial as Japan heads towards a multi-cultural society and there is a lot to learn from Malaysia. -
JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres
Media Contacts: Emma Myers, [email protected], 917-499-3339 Shannon Jowett, [email protected], 212-715-1205 Asako Sugiyama, [email protected], 212-715-1249 JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres Dynamic 10th Edition Bursting with Nearly 30 Features, Over 20 Shorts, Special Sections, Industry Panel and Unprecedented Number of Special Guests July 14-24, 2016, at Japan Society "No other film showcase on Earth can compete with its culture-specific authority—or the quality of its titles." –Time Out New York “[A] cinematic cornucopia.” "Interest clearly lies with the idiosyncratic, the eccentric, the experimental and the weird, a taste that Japan rewards as richly as any country, even the United States." –The New York Times “JAPAN CUTS stands apart from film festivals that pander to contemporary trends, encouraging attendees to revisit the past through an eclectic slate of both new and repertory titles.” –The Village Voice New York, NY — JAPAN CUTS, North America’s largest festival of new Japanese film, returns for its 10th anniversary edition July 14-24, offering eleven days of impossible-to- see-anywhere-else screenings of the best new movies made in and around Japan, with special guest filmmakers and stars, post-screening Q&As, parties, giveaways and much more. This year’s expansive and eclectic slate of never before seen in NYC titles boasts 29 features (1 World Premiere, 1 International, 14 North American, 2 U.S., 6 New York, 1 NYC, and 1 Special Sneak Preview), 21 shorts (4 International Premieres, 9 North American, 1 U.S., 1 East Coast, 6 New York, plus a World Premiere of approximately 12 works produced in our Animation Film Workshop), and over 20 special guests—the most in the festival’s history. -
THE SUMMIT a Chronicle of Stones
THE SUMMIT A Chronicle of Stones (TSURUGIDAKE: TEN NO KI) A Toei/Fuji TV Production Director: Daisaku Kimura Cast: Tadanobu Asano (“Mongol” “Invisible Waves” “Kabei - Our Mother”) Teruyuki Kagawa (“Tokyo Sonata” “Tokyo!”) Toru Nakamura (“2009 Lost Memories” “Purple Butterfly”) Ryuhei Matsuda (“Gohatto -Taboo-“ “Nightmare Detective”) Aoi Miyazaki (“Atsuhime” (TV) “Nana” “Heavenly Forest”) Koji Yakusho (“Babel” “Silk” “Memoirs of a Geisha”) In 1907, a band of men challenged Japan’s last unconquered mountain, in order to complete a map of their nation. Mt. Tsurugidake - Located in Tateyama mountain range in the Northern Alps in Toyama Prefecture, Mt. Tsurugidake stands 2999m above sea level. Tsurugidake is renowned as a difficult mountain and since the beginning of historical records, it has been designated as the “god” for those engaged in mountain asceticism-shamanism and sometimes referred as “needle mountain” or “mountain of death” for its inaccessibility. Neither for fame, nor for profit, the men staked their lives on an impossible mission, for nothing more than a map. This true story gives us a frank view of the noble spirit of devotion and royal spirit, gradually becoming lost to the society of today. “This work is certainly not a film about the mountains: rather, it is a tale of human emotions and feelings and a film about life, set against the background of the mountains.” -Dir. Daisaku Kimura To realistically depict the noble existence of the climbers, Daisaku Kimura, a veteran cinematographer who filmed “Mount Hakkoda” (1977) “Virus: Day of Resurrection (Fukkatsu no Hi)” (1980) and “Poppoya-Railroad Man” (1999) challenged the shooting together with the hand-picked staff and cast set off like a group of mountaineers to challenge the beautiful yet cruel Mt. -
Maison De La Culture Du Japon À Paris Septembre → Décembre 2018 ÉDITO
Maison de la culture du Japon à Paris septembre → décembre 2018 ÉDITO L’automne sera festif ! Japonismes 2018, cette belle saison culturelle japonaise bat désormais son plein à la MCJP, à Paris et en région. Nous sommes très heureux d’être un des acteurs de cet événement célébrant l’amitié entre la France et le Japon. Après une plongée dans l’univers fascinant et monochrome de l’artiste calligraphe Yu-ichi Inoue à voir jusqu’au 15 septembre, nous vous inviterons à remonter le temps grâce à l’exposition Jômon, qui réunira de nombreux objets archéologiques de cette époque (11 000 ans av. J.-C - 400 ans av. J.-C.). Plusieurs de ces pièces sont classées « Trésor national » et « Bien culturel important », cette exposition sera donc un événement ! DES MOMENTS JAL La rétrospective « 100 ans de cinéma » vous emmènera vers une époque moins lointaine. Parmi les 119 films qui vous feront redécouvrir l’histoire du cinéma japonais, 23 seront projetés dans une qualité exceptionnelle, ayant été restaurés en 4K. Ambiance années 70 sur la scène de la MCJP à l’occasion du Festival d’Automne. Le prodige du théâtre japonais Takahiro Fujita s’inspire du film culte Jetons les livres, sortons dans la rue de Shûji Terayama, figure majeure de la contre-culture japonaise, pour mettre en scène une pièce éponyme à l’énergie trash. Portrait d’une jeunesse nonchalante et désespérée, dont les échos sont d’une troublante actualité. Grâce à la 3e édition de Tokyo Hit, la MCJP prendra fin septembre des allures de club tokyoïte pour vous emmener dans un voyage sonore piloté par le pionnier de la musique techno au Japon, le DJ Takkyû Ishino. -
1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, A
1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men. 2. Title: 12 Angry Men ISBN: 5050070005172 Adapted from Reginald Rose's television play, this film marked the directorial debut of Sidney Lumet. At the end of a murder trial in New York City, the 12 jurors retire to consider their verdict. The man in the dock is a young Puerto Rican accused of killing his father, and eleven of the jurors do not hesitate in finding him guilty. However, one of the jurors (Henry Fonda), reluctant to send the youngster to his death without any debate, returns a vote of not guilty. From this single event, the jurors begin to re-evaluate the case, as they look at the murder - and themselves - in a fresh light. 3. Title: 12:08 East of Bucharest ISBN: n/a 12:08pm on the 22 December 1989 was the exact time of Ceausescu's fall from power in Romania. Sixteen years on, a provincial TV talk show decides to commemorate the event by asking local heroes to reminisce about their own contributions to the revolution. But securing suitable guests proves an unexpected challenge and the producer is left with two less than ideal participants - a drink addled history teacher and a retired and lonely sometime-Santa Claus grateful for the company.