Toronto Japanese Film Festival 2016
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Movie Museum NOVEMBER 2011 COMING ATTRACTIONS
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! THE LIGHTHORSEMEN THE EEL aka Unagi MY LIFE AS A DOG WATER FOR EYE OF THE EAGLE (1987-Australia) (1997-Japan) ELEPHANTS (1997-Denmark) (1985-Sweden) uncut version in widescreen in Japanese with English (2011) Danish w/Eng subtitles & w.s. in Swedish with English subtitles & in widescreen in widescreen 12:00 & 1:30pm only subtitles & in widescreen Directed by Lasse Halström. with Anthony Andrews, with Koji Yakusho. with Robert Pattinson, Reese ------------------------------ Peter Phelps, John Walton, 12:00, 1:45 & 3:30pm 12:15, 2:15, 4:15 & 6:15pm Witherspoon, Christoph TURTLES ARE Tim McKenzie, Jon Blake, ------------------------------ Waltz, Hal Holbrook. SURPRISINGLY FAST ------------------------------ Bill Kerr, Sigrid Thornton. CHICKEN AND DUCK SWIMMERS (2005-Japan) TORA! TORA! TORA! (1970-US/Japan) TALK (1988-HongKong) Directed by Japanese w/Eng subtitles, ws Directed by Francis Lawrence. 3:15 & 5:00pm only English/Japanese w/English Simon Wincer. Cantonese w/English subtitles -------------------------------- subtitles & in widescreen with Michael Hui, Ricky Hui. 12:15, 2:30, 4:45, 7:00 & THE EEL aka Unagi Martin Balsam, Sô Yamamura. 12:30, 3, 5:30 & 8pm 8:30pm ONLY 9:15pm 7:00pm only 5:30 & 8:00pm ONLY 3 4 5 6 7 Movie Museum Movie Museum TELL NO ONE TAMPOPO aka Ne le dis à personne (1985-Japan) Movie Museum Closed Closed (2006-France) in Japanese with English Closed French w/Eng subtitles & w.s. subtitles & in widescreen with François Cluzet. 4:00pm only 4:00pm only ------------------------------------ ------------------------------------ THAT MAN FROM RIO TAMPOPO (1964-Italy/France) (1985-Japan) in French/English/Portuguese in Japanese with English with English subtitles subtitles & in widescreen & in widescreen Directed by Juzo Itami. -
Notes for Chapter Re-Drafts
Making Markets for Japanese Cinema: A Study of Distribution Practices for Japanese Films on DVD in the UK from 2008 to 2010 Jonathan Wroot PhD Thesis Submitted to the University of East Anglia For the qualification of PhD in Film Studies 2013 1 Making Markets for Japanese Cinema: A Study of Distribution Practices for Japanese Films on DVD in the UK from 2008 to 2010 2 Acknowledgements Thanks needed to be expressed to a number of people over the last three years – and I apologise if I forget anyone here. First of all, thank you to Rayna Denison and Keith Johnston for agreeing to oversee this research – which required reining in my enthusiasm as much as attempting to tease it out of me and turn it into coherent writing. Thanks to Mark Jancovich, who helped me get started with the PhD at UEA. A big thank you also to Andrew Kirkham and Adam Torel for doing what they do at 4Digital Asia, Third Window, and their other ventures – if they did not do it, this thesis would not exist. Also, a big thank you to my numerous other friends and family – whose support was invaluable, despite the distance between most of them and Norwich. And finally, the biggest thank you of all goes to Christina, for constantly being there with her support and encouragement. 3 Abstract The thesis will examine how DVD distribution can affect Japanese film dissemination in the UK. The media discourse concerning 4Digital Asia and Third Window proposes that this is the principal factor influencing their films’ presence in the UK from 2008 to 2010. -
Kinotayo-2010
PROGRAMME - PROGRAMME - PROGRAMME - PROGRAMME - 20 Nov 11 Déc 2010 5eme FESTIVAL DU FILM JAPONAIS CONTEMPORAIN Mascotte de Kinotayo 2010 140 projectionsAvec la participation d'Écrans - d'asie 25 villes Kinotayo2010 Yoshi OIDA, l’Acteur flottant, président du Festival Kinotayo 2010 Pour le festival Kinotayo, c’est un immense honneur que d’avoir pour président ce comédien, acteur, metteur en scène et écrivain insaisissable, animé par l’omniprésente énergie de la vie, sur scène et en dehors. Yoshi Oida est un acteur hors du commun. Né à Kobe en 1933, il a dédié sa vie aux théâtres du monde entier, en ayant pour seule ligne de conduite de renoncer à la facilité. Son apprentissage commence au Japon : il est initié au théâtre Nô par les plus grands maîtres de l’école Okura. De cette expérience, il retirera l’importance de l’harmonie entre tous les éléments qui constituent l’outil principal du comédien : son corps. Puis en 1968 Yoshi Oida est invité à Paris par Jean-Louis Barrault pour travailler avec Peter Brook. Il fonde avec ce dernier le Centre International de Recherche Théâtrale (CIRT). Au contact du « magicien du théâtre européen », il apprend que le comédien doit être « un vent léger, qui devenant de plus en plus fort, doit allumer une flamme et la faire grandir ». Aux côtés du maître, il apprend également la mise en scène, métier qui l’occupe énormément aujourd’hui. Il sillonne alors le monde à la recherche de la maîtrise théâtrale la plus complète, apprenant les jeux Africains, Indien, Persan. Il s’interroge sur la frontière entre la scène et la vie de tous les jours : « Qu’ai-je appris sur la scène qui pourrait m’aider à vivre ma vie d’homme ordinaire ? ». -
学生の方は当日券が500円でご購入いただけます。 Advance Tickets Go on Sale from Saturday October 8 Via Ticket PIA and Lawson Ticket! Same Day Tickets Available to Students for Only 500 Yen!
世界中から最新の話題作・注目作を一挙上映! あなたの観たい映画はココにある。 The latest and most talked-about films from around the world! All the films you want to see are right here! 前売券は10月8日(土)より チケットぴあ・ローソンチケットにて発売! 学生の方は当日券が500円でご購入いただけます。 Advance tickets go on sale from Saturday October 8 via Ticket PIA and Lawson Ticket! Same day tickets available to students for only 500 yen! Believe! The power of films. How to purchase tickets 信じよう。映画の力。 チケット購入方法 今年、第24回を迎える東京国際映画祭は、引き続き「エコロジー」をテーマとした取り組みを展開します。今回の震災によって、日 本は課題先進国として世界中から大きな関心を集めています。そして、この課題に立ち向かう姿は、世界中から注目を集めています。 地球のために何ができるかをテーマとする東京国際映画祭は、「映画祭だからできる」「映画を通じてできる」ことを真摯に考え、日 本の未来に対して、夢や希望を持てる機会を提供することが役割だと思っています。 This year marks the 24th edition of Tokyo International Film Festival (TIFF). After the March 11th earthquake and tsunami, the whole world is watching Japan to see how we will remain strong and overcome the challenges we face. As a festival that asks how people and nature can co-exist, TIFF must consider its role in this time of crisis チラシや公式サイト( )などで、観たい作品と日時が決まったら、チケットを買おう! and use the power of lms to encourage and support the people and reassure them of Japan's future. www.tiff-jp.net 公式オープニング OFFICIAL OPENING 3D上映 3D screening 当日券にはオトクな学生料金(500円) 前売券完売の上映も当日券を 三銃士/王妃の首飾りとダ・ヴィンチの飛行船 (ドイツ=フランス=イギリス) もあります(。劇場窓口で学生証要提示) 若干枚数販売いたします。 THE THREE MUSKETEERS (Germany=France=UK) ■監督:ポール・W・S・アンダーソン [2011/111min./English] 10/8(土)から一般販売 (土)ー (日) ■出演:ローガン・ラーマン、ミラ・ジョヴォヴィッチ、 当日券を買う 10/22 10/30 オーランド・ブルーム、クリストフ・ヴァルツ 10.22 Sat 16:30 at Roppongi 2 ※公式&特別オープニング・公式クロージング作品の当日学生料金はございません。 ■Director:Paul W.S. Anderson 10.22 Sat 20:30 at Roppongi 2 ※詳細はP19をご参照ください。 ■ : Cast Logan Lerman, Milla Jovovich, 10.22 Sat 20:40 at Roppongi 5 Orlando Bloom, Christoph Waltz ●ゲスト:ポール・W・S・アンダーソン、ローガン・ラーマ © 2011 Constantin Film Produktion GmbH, NEF ン、ミラ・ジョヴォヴィッチ、ガブリエラ・ワイルド Productions, S.A.S. -
Filmography of Case Study Films (In Chronological Order of Release)
FILMOGRAPHY OF CASE STUDY FILMS (IN CHRONOLOGICAL ORDER OF RELEASE) Kairo / Pulse 118 mins, col. Released: 2001 (Japan) Director: Kiyoshi Kurosawa Screenplay: Kiyoshi Kurosawa Cinematography: Junichiro Hayashi Editing: Junichi Kikuchi Sound: Makio Ika Original Music: Takefumi Haketa Producers: Ken Inoue, Seiji Okuda, Shun Shimizu, Atsuyuki Shimoda, Yasuyoshi Tokuma, and Hiroshi Yamamoto Main Cast: Haruhiko Kato, Kumiko Aso, Koyuki, Kurume Arisaka, Kenji Mizuhashi, and Masatoshi Matsuyo Production Companies: Daiei Eiga, Hakuhodo, Imagica, and Nippon Television Network Corporation (NTV) Doruzu / Dolls 114 mins, col. Released: 2002 (Japan) Director: Takeshi Kitano Screenplay: Takeshi Kitano Cinematography: Katsumi Yanagijima © The Author(s) 2016 217 A. Dorman, Paradoxical Japaneseness, DOI 10.1057/978-1-137-55160-3 218 FILMOGRAPHY OF CASE STUDY FILMS… Editing: Takeshi Kitano Sound: Senji Horiuchi Original Music: Joe Hisaishi Producers: Masayuki Mori and Takio Yoshida Main Cast: Hidetoshi Nishijima, Miho Kanno, Tatsuya Mihashi, Chieko Matsubara, Tsutomu Takeshige, and Kyoko Fukuda Production Companies: Bandai Visual Company, Offi ce Kitano, Tokyo FM Broadcasting Company, and TV Tokyo Sukiyaki uesutan jango / Sukiyaki Western Django 121 mins, col. Released: 2007 (Japan) Director: Takashi Miike Screenplay: Takashi Miike and Masa Nakamura Cinematography: Toyomichi Kurita Editing: Yasushi Shimamura Sound: Jun Nakamura Original Music: Koji Endo Producers: Nobuyuki Tohya, Masao Owaki, and Toshiaki Nakazawa Main Cast: Hideaki Ito, Yusuke Iseya, Koichi Sato, Kaori Momoi, Teruyuki Kagawa, Yoshino Kimura, Masanobu Ando, Shun Oguri, and Quentin Tarantino Production Companies: A-Team, Dentsu, Geneon Entertainment, Nagoya Broadcasting Network (NBN), Sedic International, Shogakukan, Sony Pictures Entertainment (Japan), Sukiyaki Western Django Film Partners, Toei Company, Tokyu Recreation, and TV Asahi Okuribito / Departures 130 mins, col. -
Newsletter 09/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 09/07 DIGITAL EDITION Nr. 206 - April 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 09/07 (Nr. 206) April 2007 editorial Hallo Laserdisc- und DVD-Fans, und Fach. Wie versprochen gibt es dar- diesem Editorial auch gar nicht weiter liebe Filmfreunde! in unsere Reportage vom Widescreen aufhalten. Viel Spaß und bis zum näch- Es hat mal wieder ein paar Tage länger Weekend in Bradford. Also Lesestoff sten Mal! gedauert, aber nun haben wir Ausgabe satt. Und damit Sie auch gleich damit 206 unseres Newsletters unter Dach beginnen können, wollen wir Sie mit Ihr LASER HOTLINE Team LASER HOTLINE Seite 2 Newsletter 09/07 (Nr. 206) April 2007 US-Debüt der umtriebigen Pang-Brüder, die alle Register ihres Könnens ziehen, um im Stil von „Amityville Horror“ ein mit einem Fluch belegtes Haus zu Leben zu erwecken. Inhalt Roy und Denise Solomon ziehen mit ihrer Teenager-Tochter Jess und ihrem kleinen Sohn Ben in ein entlegenes Farmhaus in einem Sonnenblumenfeld in North Dakota. Dass sich dort womöglich übernatürliche Dinge abspielen könnten, bleibt von den Erwachsenen unbemerkt. Aber Ben und kurz darauf Jess spüren bald, dass nicht alles mit rechten Dingen zugeht. Weil ihr die Eltern nicht glauben wollen, recherchiert Jess auf eigene Faust und erfährt, dass sich in ihrem neuen Zuhause sechs Jahre zuvor ein bestialischer Mord abgespielt hat. Kritik Für sein amerikanisches Debüt hat sich das umtriebige Brüderpaar Danny und Oxide Pang („The Eye“) eine Variante von „Amityville Horror“ ausgesucht, um eine amerikanische Durchschnittsfamilie nach allen Regeln der Kunst mit übernatürlichem Terror zu überziehen. -
FIRST LOOK: Japan
FIRST LOOK: Japan SWEET BEAN An SAT 10/17 3:45 PM Japan • Director: Naomi Kawase EFSWEET1 Red bean paste is the filling in this poignant tale of life, compassion, and sweet endings. An uninspired red bean pancake chef is re-energized when a SUN 10/18 plucky septuagenarian’s irresistible homemade recipe makes his snacks a 4:45 PM local hit. Both characters use their creations, photographed in mouthwatering EFSWEET2 close-up, to rebuild from traumatic pasts. The latest from poetic Japanese auteur Naomi Kawase is a delectable philosophical dish. Japanese with subtitles. 113 min. THE EMPEROR IN AUGUST SUN 10/18 Nihon no ichiban nagai hi ketteiban Japan • Director: Masato Harada 1:45 PM EFEMP An intimate war picture, Masato Harada’s patient, understated period piece recreates the 24 hours leading up to Japan’s official surrender in WWII and the emperor’s resigned radio address to his people. Elegant shot framing captures the drawing rooms and negotiating tables where, 70 years ago, the most powerful men in Japan gathered to make a decision that would change the course of history. Japanese with subtitles. 135 min. KAKEKOMI SAT 10/17 Kakekomi onna to kakedashi otoko 3:00 PM Japan • Director: Masato Harada EFKAKE1 The latest from prolific writer-director Masato Harada (Chronicle of My SUN 10/18 Mother) is a beguiling character drama set during Japan’s Edo period. Three 7:30 PM women fleeing bad marriages find refuge at a monastery, one of their only outlets for obtaining a legal divorce. But just outside the gates, vengeful ex- EFKAKE2 husbands and the Yakuza lie waiting. -
Movie Museum MAY 2011 COMING ATTRACTIONS
Movie Museum MAY 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! 2 Hawaii Premieres! BLACK SWAN Mother's Day 2 Hawaii Premieres! SUMO DO, SUMO DON'T LIKE TWO DROPS OF (2010) THE KING'S SPEECH THE ARMY OF CRIME aka Shiko funjatta WATER in widescreen (2010-UK/Australia/US) (2009-France) (1992-Japan) (1963-Netherlands) in widescreen in French/Grman w/ English in Dutch/German with in Japanese with English with Natalie Portman, with Colin Firth, Geoffrey subtitles & in widescreen subtitles & in widescreen English subtitles & widescreen with Simon Abkarian. Directed by Fons Rademakers. Mila Kunis, Vincent Cassel, Rush, Helena Bonham Carter, with Masahiro Motoki, Barbara Hershey, 12:30, 3 & 5:30pm only 12:30 & 3pm only Guy Pearce, Jennifer Ehle, ---------------------------------- Misa Shimizu, Naoto Winona Ryder. Michael Gambon, Derek Jacobi. Takenaka, Akira Emoto. ---------------------------------- LIKE TWO DROPS OF THE ARMY OF CRIME WATER Written and Directed by (2009-France) Directed by Directed by (1963-Netherlands) Masayuki Suo. in French/Grman w/ English Darren Aronofsky. Tom Hooper. in Dutch/German with subtitles & in widescreen English subtitles & widescreen 12:30, 2:30, 4:30, 6:30 with Simon Abkarian. 12:30, 2:30, 4:30, 6:30 12:15, 2:30, 4:45, 7:00 & Directed by Fons Rademakers. & 8:30pm 9:15pm 8pm only & 8:30pm 5 5:30 & 8pm only 6 7 8 9 2 Hawaii Premieres! THE MAGIC HOUR BLUE VALENTINE Hawaii Premiere! 2 Hawaii Premieres! KATALIN VARGA JE VOUS TROUVE (2008-Japan) (2010) THE TIGER BRIGADES TRÈS BEAU aka -
THE ABZ GALLERY MODELS First Name Last Name Total Photos Lastupdate Serverid
. THE MEDIA LANDING ZONE THE ABZ GALLERY MODELS First Name Last Name Total Photos LastUpdate ServerID Miho Abe 1072 1/22/2017 2 Gallery http://asianbabezone.piwigo.com/index?/category/14-miho_abe Miho Abe is a sexy and beautiful Japanese race queen born in Hokkaido on 10 1 1988. Her blood type is A, and she is 165 cm tall, Miho’s body measurements are: Bust: 82 cm, Waist: 58 cm and Hips: 84 cm. Rika Adachi 296 1/23/2017 5 Gallery https://mlzgallery.piwigo.com/index?/category/35-rika_adachi Rika Adachi (?? ?? Adachi Rika?, born October 16, 1992) is a Japanese actress. She was born in Nagasaki Prefecture, and raised in Mie Prefecture. She has appeared in several films, including Say "I love you" (2014) and Ghost Theater (2015), and has played leading roles in the TV Drama Kinkyori Renai: Season Zero (2014) and Yokoso, Wagaya e (2015). Minako Aino 117 1/21/2017 5 Gallery https://mlzgallery.piwigo.com/index?/category/32-minako_aino JAV Actress. Wednesday, Feb 8 2017 1 of 49 . THE MEDIA LANDING ZONE First Name Last Name Total Photos LastUpdate ServerID Aya Aizumi 191 1/20/2017 5 Gallery https://mlzgallery.piwigo.com/index?/category/23-aya_aizumi Aya Aizumi Country Japan Blood Type A Height (cm) 160 Measurements (cm) B: [80] W: [60] H: [88] Ayaka Akimoto 255 1/20/2017 5 Gallery https://mlzgallery.piwigo.com/index?/category/24-ayaka_akimoto Ayaka Akimoto Country Japan City / State Saitama Birth Date y: [1975] m: [12] d: [22] Blood Type B Height (cm) 160 Honoka Akimoto 65 1/20/2017 3 Gallery http://medialandingzone.piwigo.com/index?/category/30-honoka_akimoto Honoka Akimoto (????, born Honoka Kojima (????)) is an idol and the leader of Team Syachihoko represented by Stardust Promotion. -
(Revised0507)JAPAN BOOTH 2013 Cannes FIX
CONTENTS INTRODUCTION Contents Introduction 1 Introduction Japan Booth is organized by JETRO/UNIJAPAN with the support from Agency for Cultural Affairs (Government of Japan). 2 Geneon Universal Entertainment Japan, LLC 3 Gold View Co., Ltd. 4 Happening Star Project JETRO, or the Japan External Trade Organization, is UNIJAPAN is a non-profit organization established 5 MODE FILMS INC. a government-related organization that works to pro- in 1957 by the Japanese film industry under the mote mutual trade and investment between Japan and auspice of the Government of Japan for the purpose 6 Nikkatsu Co. the rest of the world. of promoting Japanese cinema abroad. Initially named 7 Office Walker Inc. Originally established in 1958 to promote Japanese ex- ‘Association for the Diffusion of Japanese Film Abroad’ 8 Omgact Entertainment LLC ports abroad, JETRO’s core focus in the 21st century (UniJapan Film), in 2005 it joined hands with the has shifted toward promoting foreign direct investment organizer of Tokyo International Film Festival (TIFF), to 9 Open Sesame Co., Ltd. into Japan and helping small to medium-sized Japa- form a combined, new organization. 10 Production I.G nese firms maximize their global business potential. 11 SDP Inc. 12 Sedic International Inc. 13 Showgate Inc. 14 Tsuburaya Productions Co., Ltd. Category Action Drama Comedy Horror / Suspense Documentary Animation Screening schedule Day Starting Time Length of the Film Title Place 1 Geneon Universal Entertainment Japan, LLC Gold View Co., Ltd. The Chasing World: The Origin Belladonna Of Sadness AD 3000. 1 in 20 has the family name "SATO" in Japan. The A story about a young and beautiful woman, who has lived a life 150th king implements a horrific policy to reduce the number of of hardships. -
JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres
Media Contacts: Emma Myers, [email protected], 917-499-3339 Shannon Jowett, [email protected], 212-715-1205 Asako Sugiyama, [email protected], 212-715-1249 JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres Dynamic 10th Edition Bursting with Nearly 30 Features, Over 20 Shorts, Special Sections, Industry Panel and Unprecedented Number of Special Guests July 14-24, 2016, at Japan Society "No other film showcase on Earth can compete with its culture-specific authority—or the quality of its titles." –Time Out New York “[A] cinematic cornucopia.” "Interest clearly lies with the idiosyncratic, the eccentric, the experimental and the weird, a taste that Japan rewards as richly as any country, even the United States." –The New York Times “JAPAN CUTS stands apart from film festivals that pander to contemporary trends, encouraging attendees to revisit the past through an eclectic slate of both new and repertory titles.” –The Village Voice New York, NY — JAPAN CUTS, North America’s largest festival of new Japanese film, returns for its 10th anniversary edition July 14-24, offering eleven days of impossible-to- see-anywhere-else screenings of the best new movies made in and around Japan, with special guest filmmakers and stars, post-screening Q&As, parties, giveaways and much more. This year’s expansive and eclectic slate of never before seen in NYC titles boasts 29 features (1 World Premiere, 1 International, 14 North American, 2 U.S., 6 New York, 1 NYC, and 1 Special Sneak Preview), 21 shorts (4 International Premieres, 9 North American, 1 U.S., 1 East Coast, 6 New York, plus a World Premiere of approximately 12 works produced in our Animation Film Workshop), and over 20 special guests—the most in the festival’s history. -
Entretien Avec Tadao Sato Marie-Josée Rosa
Document généré le 23 sept. 2021 09:38 Ciné-Bulles Le cinéma d’auteur avant tout Entretien avec Tadao Sato Marie-Josée Rosa Volume 7, numéro 2, novembre 1987, janvier 1988 URI : https://id.erudit.org/iderudit/34516ac Aller au sommaire du numéro Éditeur(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (imprimé) 1923-3221 (numérique) Découvrir la revue Citer ce document Rosa, M.-J. (1987). Entretien avec Tadao Sato. Ciné-Bulles, 7(2), 10–12. Tous droits réservés © Association des cinémas parallèles du Québec, 1987 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Entretien avec Tadao Sato Marie-Josée Rosa « La société • Les 15 films japonais inscrits japonaise est au programme à la recherche du onzième Fes tival des films du de nouveaux monde cette an objectifs. » née traduisent bien la variété du registre cinématographique au Japon. La Fonda tion Asie Pacifique du Canada et l'A.F.P du Japon nous ont offert une gamme de films allant du documentaire le plus cru. Armée de Dieu, en avant marche de Kazuo Hara.