This Project by Patricia J
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Revere Murder Trial
SATURDAY, SEPTEMBER 8, 2018 STEVE KRAUSE | AT LARGE Lynn postal worker Blocksidge was con ned to home more than a eld after assault charge Swampscott By Thor Jourgensen In a report led in court, police said honored a ITEM EDITORIAL DIRECTOR the victim told of cers she was friend- ly with Gillette. The pair communicated war hero LYNN — A postal worker charged with through social media, and she previous- assaulting a Hanover Street woman last ly offered him water and allowed him month must remain con ned to his home to use her bathroom. On Aug. 22, after SWAMPSCOTT — To- and must stay away from the woman for telling the woman he had a package for day, when the Swampscott at least one year. her, Gillette cornered her against a wall High football team opens Gregory Gillette, 30, of Lynn, was free “and began aggressively grabbing her its season at Blocksidge on $5,000 bail when he reported to a and kissing her neck,” according to the Field against Greater hearing at Lynn District Court on Fri- report. Lawrence Regional Tech day. He previously pleaded not guilty The woman told police Gillette put (noon), perhaps it would on Aug. 23 to charges of open and gross his hands down her pants, grabbed her be a great time to ponder lewdness and indecent assault and bat- breasts and exposed his penis. Police the fate of the young man tery on a person 14 or over. advised her to seek a restraining order after whom the complex is Following a review of police reports and tracked Gillette down on his postal named. -
Santa Fe Daily New Mexican, 07-06-1896 New Mexican Printing Company
University of New Mexico UNM Digital Repository Santa Fe New Mexican, 1883-1913 New Mexico Historical Newspapers 7-6-1896 Santa Fe Daily New Mexican, 07-06-1896 New Mexican Printing Company Follow this and additional works at: https://digitalrepository.unm.edu/sfnm_news Recommended Citation New Mexican Printing Company. "Santa Fe Daily New Mexican, 07-06-1896." (1896). https://digitalrepository.unm.edu/ sfnm_news/5356 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Santa Fe New Mexican, 1883-1913 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. SANTA. FE DAILY NEW-MEXICA- N VOL.33. SANTA FE, N. Mm MONDAY, JULY G, 1896- - NO. 110 assembling from the several states take THE WAR IS ON. 4en. Young Dead. A..T.& S. F. EARNINGS. Highest of all in Leavening Power. Latest U. S. Gov't Report ON CHICAGO A ALL EYES ARE immediate aotion looking to the preserva- Washington, July 6. dispatch re tion of our party from destruction. The ceived at the Btate y an A War Fires on An Am- department from the Keceivera I'pon the exigencies of the situation admit neither Spanish Ship that Gen. Pierce M. B. Figures would erican Boat-Ure- at Excitement nonnced Young, Two How It Looks on the Eve of the Great of delay or compromise. If we U. S. minister to Gnstamala and Hon' Last Years' Operations.' we must aot. now un- at Key West. -
OUTRAGE BEYOND a BANDAI VISUAL, TV TOKYO OMNIBUS JAPAN, WANER BROS PICTURES JAPAN and OFFICE KITANO Production a FILM by TAKESHI KITANO
A FILM BY TAKESHI KITANO OUTRAGE BEYOND A BANDAI VISUAL, TV TOKYO OMNIBUS JAPAN, WANER BROS PICTURES JAPAN and OFFICE KITANO Production A FILM BY TAKESHI KITANO OUTRAGEWORLD SALES INTERNATIONAL PRESS BEYONDJAPAN - 2012 - 112MIN - COLOR - CINEMASCOPE - DOLBY SRD/SR RICHARD LORMAND - FILM PRESS PLUS Celluloid Dreams www.FilmPressPlus.com 2 rue Turgot Paris F 75009 [email protected] T : + 33 1 4970 0370 T: +33-9-7044-9865 (France) F : + 33 1 4970 0371 IN VENICE: +39-347-256-4143 [email protected] www.celluloid-dreams.com The huge Sanno crime family has grown into a huge organization, expanding its power into politics and legitimate big business. The Sanno’s upper ranks are now dominated by young executives who promote black-marketeering rather than the traditional underground income sources. The old-guard members are penting up resentment as they see themselves being pushed to the sidelines. This vulnerable spot in the Sanno hierachy is exactly what anti-gang detective Kataoka has been looking for, as the police force prepares a full-scale crackdown. With secret plots and dirty tricks, the ambitious Kataoko will open up a whole new game of yakuza power struggle. Detective Kataoka intends to instigate conflict between the Sanno and the Hanabishi, their long-time neighboring ally, in the hopes that they ultimately destroy each other. To help weaken the Sanno, the underhanded cop also provokes their grumbling old-guard executives to consider usurping Chairman Kato from top position. And Kataoka’s trump card is the arranged release from prison of Otomo, the rumored-dead boss of a family once crushed by the Sanno. -
Hegemony and Difference: Race, Class and Gender
Hegemony and Difference: Race, Class and Gender 9 More than Just the “Big Piece of Chicken”: The Power of Race, Class, and Food in American Consciousness Psyche Williams-Forson 10 The Overcooked and Underdone: Masculinities in Japanese Food Programming T.J.M. Holden 11 Domestic Divo ? Televised Treatments of Masculinity, Femininity, and Food Rebecca Swenson 12 Japanese Mothers and Obent¯os: The Lunch-Box as Ideological State Apparatus Anne Allison 13 Mexicanas’ Food Voice and Differential Consciousness in the San Luis Valley of Colorado Carole Counihan 14 Feeding Lesbigay Families Christopher Carrington 15 Thinking Race Through Corporeal Feminist Theory: Divisions and Intimacies at the Minneapolis Farmers’ Market Rachel Slocum 16 The Raw and the Rotten: Punk Cuisine Copyright © 2012. Routledge. All rights reserved. © 2012. Routledge. Copyright Dylan Clark Food and Culture : A Reader, edited by Carole Counihan, et al., Routledge, 2012. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/uoregon/detail.action?docID=1097808. Created from uoregon on 2018-10-21 19:08:08. Copyright © 2012. Routledge. All rights reserved. © 2012. Routledge. Copyright Food and Culture : A Reader, edited by Carole Counihan, et al., Routledge, 2012. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/uoregon/detail.action?docID=1097808. Created from uoregon on 2018-10-21 19:08:08. 9 More than Just the “Big Piece of Chicken”: The Power of Race, Class, and Food in American Consciousness* Psyche Williams-Forson In 1999 HBO premiered Chris Rock’s stand-up comedy routine Bigger and Blacker . One of the jokes deals with what Rock humorously calls the “big piece of chicken.” 1 Using wit, Chris Rock delivers a semi-serious treatise on parenting and marriage. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
Aikido XXXIX
Anno XXXIX(gennaio 2008) Ente Morale D.P.R. 526 del 08/07/1978 Periodico dell’Aikikai d’Italia Associazione di Cultura Tradizionale Giapponese Via Appia Nuova 37 - 00183 Roma ASSOCIAZIONE DI CULTURA TRADIZIONALE GIAPPONESE AIKIKAI D’ITALIA 30 ANNI DI ENTE2008 MORALE 3NOVEMBRE0 Sommario 02 - Editoriale 03 - Comunicati del fondo Hosokawa 04 - Nava, estate 2007... 05 - Ricordi:Giorgio Veneri - Cesare Abis 07 - ..a proposito di Ente Morale 10 - Lezione agli insegnanti dell’Aikikai d’Italia del maestro Hiroshi Tada Composizione dell’Aikikai d’Italia 14 - Le due vie del Budo: Shingaku no michi e Shinpo no michi Presidente 15 - Premessa allo studio dei principi Franco Zoppi - Dojo Nippon La Spezia di base di aikido 23 - La Spezia, Luglio 2007 Vice Presidente 25 - Roma, Novembre 2007 Marino Genovesi - Dojo Fujiyama Pietrasanta 26 - I giardini del Maestro Tada Consiglieri 28 - Nihonshoki Piergiorgio Cocco - Dojo Musubi No Kai Cagliari 29 - Come trasformarsi in un enorme macigno Roberto Foglietta - Aikido Dojo Pesaro Michele Frizzera - Dojo Aikikai Verona 38 - Jikishinkage ryu kenjutsu Cesare Marulli - Dojo Nozomi Roma 39 - Jikishinkageryu: Maestro Terayama Katsujo Alessandro Pistorello - Aikikai Milano 40 - Nuove frontiere: il cinema giapponese Direttore Didattico 52 - Cinema: Harakiri Hiroshi Tada 55 - Cinema: Tatsuya Nakadai Vice Direttori Didattici 58 - Convegno a Salerno “Samurai del terzo millennio” Yoji Fujimoto Hideki Hosokawa 59 - Salute: Qi gong Direzione Didattica 61 - Salute: Tai ji quan- Wu Shu - Aikido Pasquale Aiello - Dojo Jikishinkai -
Filmography of Case Study Films (In Chronological Order of Release)
FILMOGRAPHY OF CASE STUDY FILMS (IN CHRONOLOGICAL ORDER OF RELEASE) Kairo / Pulse 118 mins, col. Released: 2001 (Japan) Director: Kiyoshi Kurosawa Screenplay: Kiyoshi Kurosawa Cinematography: Junichiro Hayashi Editing: Junichi Kikuchi Sound: Makio Ika Original Music: Takefumi Haketa Producers: Ken Inoue, Seiji Okuda, Shun Shimizu, Atsuyuki Shimoda, Yasuyoshi Tokuma, and Hiroshi Yamamoto Main Cast: Haruhiko Kato, Kumiko Aso, Koyuki, Kurume Arisaka, Kenji Mizuhashi, and Masatoshi Matsuyo Production Companies: Daiei Eiga, Hakuhodo, Imagica, and Nippon Television Network Corporation (NTV) Doruzu / Dolls 114 mins, col. Released: 2002 (Japan) Director: Takeshi Kitano Screenplay: Takeshi Kitano Cinematography: Katsumi Yanagijima © The Author(s) 2016 217 A. Dorman, Paradoxical Japaneseness, DOI 10.1057/978-1-137-55160-3 218 FILMOGRAPHY OF CASE STUDY FILMS… Editing: Takeshi Kitano Sound: Senji Horiuchi Original Music: Joe Hisaishi Producers: Masayuki Mori and Takio Yoshida Main Cast: Hidetoshi Nishijima, Miho Kanno, Tatsuya Mihashi, Chieko Matsubara, Tsutomu Takeshige, and Kyoko Fukuda Production Companies: Bandai Visual Company, Offi ce Kitano, Tokyo FM Broadcasting Company, and TV Tokyo Sukiyaki uesutan jango / Sukiyaki Western Django 121 mins, col. Released: 2007 (Japan) Director: Takashi Miike Screenplay: Takashi Miike and Masa Nakamura Cinematography: Toyomichi Kurita Editing: Yasushi Shimamura Sound: Jun Nakamura Original Music: Koji Endo Producers: Nobuyuki Tohya, Masao Owaki, and Toshiaki Nakazawa Main Cast: Hideaki Ito, Yusuke Iseya, Koichi Sato, Kaori Momoi, Teruyuki Kagawa, Yoshino Kimura, Masanobu Ando, Shun Oguri, and Quentin Tarantino Production Companies: A-Team, Dentsu, Geneon Entertainment, Nagoya Broadcasting Network (NBN), Sedic International, Shogakukan, Sony Pictures Entertainment (Japan), Sukiyaki Western Django Film Partners, Toei Company, Tokyu Recreation, and TV Asahi Okuribito / Departures 130 mins, col. -
Newsletter 09/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 09/07 DIGITAL EDITION Nr. 206 - April 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 09/07 (Nr. 206) April 2007 editorial Hallo Laserdisc- und DVD-Fans, und Fach. Wie versprochen gibt es dar- diesem Editorial auch gar nicht weiter liebe Filmfreunde! in unsere Reportage vom Widescreen aufhalten. Viel Spaß und bis zum näch- Es hat mal wieder ein paar Tage länger Weekend in Bradford. Also Lesestoff sten Mal! gedauert, aber nun haben wir Ausgabe satt. Und damit Sie auch gleich damit 206 unseres Newsletters unter Dach beginnen können, wollen wir Sie mit Ihr LASER HOTLINE Team LASER HOTLINE Seite 2 Newsletter 09/07 (Nr. 206) April 2007 US-Debüt der umtriebigen Pang-Brüder, die alle Register ihres Könnens ziehen, um im Stil von „Amityville Horror“ ein mit einem Fluch belegtes Haus zu Leben zu erwecken. Inhalt Roy und Denise Solomon ziehen mit ihrer Teenager-Tochter Jess und ihrem kleinen Sohn Ben in ein entlegenes Farmhaus in einem Sonnenblumenfeld in North Dakota. Dass sich dort womöglich übernatürliche Dinge abspielen könnten, bleibt von den Erwachsenen unbemerkt. Aber Ben und kurz darauf Jess spüren bald, dass nicht alles mit rechten Dingen zugeht. Weil ihr die Eltern nicht glauben wollen, recherchiert Jess auf eigene Faust und erfährt, dass sich in ihrem neuen Zuhause sechs Jahre zuvor ein bestialischer Mord abgespielt hat. Kritik Für sein amerikanisches Debüt hat sich das umtriebige Brüderpaar Danny und Oxide Pang („The Eye“) eine Variante von „Amityville Horror“ ausgesucht, um eine amerikanische Durchschnittsfamilie nach allen Regeln der Kunst mit übernatürlichem Terror zu überziehen. -
100 Ans De Cinéma Japonais Cinéma Ans De 100 Programmation
100 ANS DE CINÉMA JAPONAIS CINÉMA ANS DE 100 PROGRAMMATION 100 ANS DE CINÉMA JAPONAIS (2E PARTIE) UNE HISTOIRE INSOLITE DU CINÉMA JAPONAIS RÉTROSPECTIVE 23 JANVIER – 17 FÉVRIER Dans le cadre de Japonismes 2018 Avec le soutien de l’Alliance Renault-Nissan-Mitsubishi Pistol Opera 79 Matango PERLES RARES DU JAPON Une histoire insolite du cinéma japonais, suite… Plus d’une trentaine de titres rares de l’immense production nippone (du cinéma de studio aux productions indépendantes), de la fin des années 1940 jusqu’aux années 2000. L’évènement « Japonismes 2018 », non content de marquer d’une pierre blanche plus de 100 ans de cinéma japonais, à sa manière mettra aussi à l’honneur un siècle de cinéphilie française ; depuis les années 1910, quand Louis Delluc ne cachait pas son émotion devant la modernité du jeu de Sessue Hayakawa dans le Forfaiture de Cecil B. DeMille, la production du Soleil levant est devenue le fantasme inta- rissable d’un certain public qui, déjà au XIXe siècle, s’extasiait devant le nouveau vocabulaire plastique que proposaient les estampes orientales. PETITE HISTOIRE D’UNE PERCEPTION FRANÇAISE Il a fallu attendre les années 1920 pour que cette production commence à s’expor- ter épisodiquement. Si l’on excepte quelques pantomimes filmées anonymement, c’est pour la première fois en mars 1926 qu’est présenté au public un film japo- nais dans le mythique Studio des Ursulines, vieux théâtre de quartier reconverti depuis peu en salle d’art et d’essai. Musume (Ai no Himitsu) de Frank Tokunaga fut donc projeté entre un court métrage de René Clair et un autre de Louis Feuillade lors d’une de ces matinées réservées aux membres. -
Shinzo Abe George W
Shinzo Abe George W. Bush Ichiro Suzuki DOB: 21 st Sep 1954 DOB: 6 th July 1946 DOB: 22 nd October 1973 Age: Age: Age: . m 1.80m 1.75m Yamaguchi USA Aichi Hideki Matsui Shinji Ono Bae Yong Joon DOB: 12 th June 1974 DOB: 27 th September 1979 DOB: 29 th August 1972 Age: Age: Age: 1.82 1.75 1.80 Ishikawa Shizuoka South Korea David Beckham Shunsuke Nakamura Bob Sapp DOB: 2 nd May 1974 DOB: 24 th June 1978 DOB: 22 nd September 1974 Age: Age: Age: 1.80 1.78 2.00 England Yokohama USA Ryoko Tani Kosuke Kitajima Mino Monta DOB: 6 th September 1975 DOB: 22 nd September 1982 DOB: 22 nd August 1944 Age: Age: Age: 1.46 1.78 1.65 Fukuoka Tokyo Tokyo Hidetoshi Nakata Osama Bin Laden Masami Hisamoto DOB: 22 nd January 1977 DOB: 10 th March 1957 DOB: 8 th July 1960 Age: Age: Age: 1.75 1.95 1.54 Yamanashi Saudi Arabia Osaka Nanako Matsushima Takuya Kimura Shingo Katori DOB: 13 th October 1973 DOB: 13 th November 1972 DOB: 31 st January 1977 Age: Age: Age: 1.70 1.75 1.83 Kanagawa Tokyo Yokohama Tsuyoshi Kusanagi Goro Inagaki Masahiro Nakai DOB: 9th July 1974 DOB: 8 th December 1973 DOB: 18 th August 1972 Age: Age: Age: 1.70 1.76 1.65 Ehime Tokyo Kanagawa Takeshi Kitano Akiko Wada Yao Ming ( ヤオミン) DOB: 18 th January 1947 DOB: April 10 th 1950 DOB: 12 th September 1980 Age: Age: Age: 1.85 1m74 2.29 Tokyo Osaka China Shaquille O’Neal Ai Fukuhara Naoko Takahashi DOB: March 6 th 1972 DOB: 1 st November 1988 DOB: 6 th May 1972 Age: Age: Age: 2m16 154 162 USA Miyagi Gifu Sanma Akashiya Saburo Kitajima Hikaru Utada DOB: 1 st July 1955 DOB: 4 th October 1936 DOB: -
A Qualitative Study of How Non-Native Interactants Manage Misunderstanding in A
Linköping University Department of Culture and Communication Master’s Program Language and Culture in Europe “Misunderstanding in Telephone Interaction” A Qualitative Study of how Non-native Interactants Manage Misunderstanding in a Mediated Communication Obaidullah Anwar Autumn 2010 Supervisor: Ali Reza Majlesi Table of Contents 1 Introduction 2 1.1 Aims 3 1.2 Participants 3 2 Theoretical Background 5 2.1 Research Background; An Overview 5 2.1.1 Misunderstanding and Non-understanding 5 2.1.2 Miscommunication in Intercultural Communication 6 2.1.3 Telephone Conversation 8 2.2 Theoretical Framework 9 2.2.1 Ethnomethodology and CA as Theory 9 2.2.2 Methods of CA 10 3 Methodology 13 3.1 Description of Data 13 4 Analysis 15 4.1 Misunderstanding Due to Pronunciation 15 4.2 Misunderstanding Due to Grammatical Structure 16 4.3 Misunderstanding Due to Names 20 4.4 Misunderstanding Due to Pace of Utterance 22 4.5 Misunderstanding Due to Mother Tongue Effect 23 4.6 Misunderstanding Due to Non Clarity and Pitch 26 5 Concluding Discussion 31 5.1 Findings and Conclusions 32 6 References 34 7 Appendix 36 1 1. Introduction Miscommunications, misconceptions and misunderstandings are a common part of everyday human interaction. People, despite their desires to communicate successfully, misunderstand each other’s words, silences, gestures or other social actions many often times. Such incidents not only keep happening between interlocutors having different language and culture backgrounds, but also between fellows, spouses, grown-ups and children, medical doctors and their patients, and teachers and their students off and on. Tzanne (2000: 1) is of the view that such misunderstandings may have trivial, entertaining, unpleasant and even catastrophic consequences.