DOCSLIB.ORG

Movie Museum DECEMBER 2016 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Movie Museum DECEMBER 2016 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Movie Museum DECEMBER 2016 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! KUBO AND THE TWO Hawaii Premiere! CLUNY BROWN THE LITTLE HOUSE A SCHOOL BEHIND STRINGS AFTER THE RAIN (1946-US) aka Chiisai ouchi BARS (2016-US) (1999-Japan) with Jennifer Jones (2014-Japan) (2010-Japan) animation in widescreen Japanese w/Eng subtitles ws Directed by Ernst Lubitsch Japanese w/Eng subtitles ws Japanese w/Eng subtitles ws 11am 3:15, 5:00 & 6:45pm 11:30am, 3:15 & 7:00pm 12:00 & 4:15pm Directed by Yôji Yamada 12:45, 4:45 & 8:45pm ------------------------------------ ----------------------------------- ---------------------------------- 12:00, 4:15 & 8:45pm ------------------------------------ MY WAY INDIGNATION MY WAY ------------------------------------ AFTER THE RAIN (2011-South Korea) (2016-US/China) (2011-South Korea) CLUNY BROWN (1999-Japan) Korean w/Eng subtitles ws in widescreen Korean w/Eng subtitles ws (1946-US) Japanese w/Eng subtitles ws Dong-gun Jang, Joe Odagiri Logan Lerman, Sarah Gadon Dong-gun Jang, Joe Odagiri Directed by Ernst Lubitsch 3 & 7pm 1 12:45 & 8:30pm 2 1:15, 5:00 & 8:45pm 3 1:45, 6:00 & 8:45pm 4 2:30 & 6:45pm 5 THE MANZANAR THE LITTLE HOUSE DON'T BREATHE 2 Hawaii Premieres! 2 Hawaii Premieres! FISHING CLUB (2014-Japan) (2016-US) AFTER THE FLOWERS YOYO (2012-US) in widescreen Japanese w/Eng subtitles ws in widescreen (2010-Japan) (1965-France) French w/Eng subtitles ws AJA detainees in Manzanar Directed by Yôji Yamada Directed by Fede Alvarez Japanese w/Eng subtitles ws assert their rights thru fishing 11:30am, 3:15 & 7:00pm with Pierre Étaix 11:15am, 3:45 & 6:15pm 11:45am, 3:30, 5:00, 8:45pm 11:30am, 3:15 & 7:00pm 12:15, 3:45 & 7:15pm ---------------------------------- ---------------------------------- ------------------------------------ ---------------------------------- ------------------------------------ Hawaii Premiere! AVIS DE MISTRAL AVIS DE MISTRAL AFTER THE RAIN POSTMAN TO HEAVEN AFTER THE FLOWERS Our Summer in Provence (2014-France) (1999-Japan) (2009-South Korea/Japan) (2010-Japan) (2014-France) French w/Eng subtitles ws Japanese w/Eng subtitles, ws Korean w/Eng subtitles ws Japanese w/Eng subtitles ws French w/Eng subtitles ws with Jean Reno Written by Akira Kurosawa Jae-Joong Kim, Hyo-ju Han 1:45, 5:15 & 8:45pm 1:45 & 8:45pm 1:15, 5:00 & 8:45pm 8 9 1:30 & 6:45pm 10 1:30, 5:15 & 9:00pm 11 12 Hawaii Premiere! 2 Hawaii Premieres! 2 Hawaii Premieres! PATISSERIE BRIDGET JONES'S SOUTHSIDE POSTMAN TO HEAVEN WITH YOU LITTLE MEN COIN DE RUE (2009-South Korea/Japan) BABY (2016-US/Greece) (2016-Ireland/UK/France/US) (2016-US) in widescreen (2011-Japan) Korean w/Eng subtitles ws in widescreen Japanese w/Eng subtitles ws Jae-Joong Kim, Hyo-ju Han in widescreen Tika Sumpter, Parker Sawyers with Renée Zellweger, 12, 3 & 7:30pm 11am, 2:15, 5:30 & 8:45pm 11am, 3, 5 & 9pm 11:15am, 3:00 & 6:45pm ---------------------------------- ------------------------------------ ------------------------------------ Colin Firth, Patrick Dempsey, ---------------------------------- Emma Thompson THE MANZANAR LITTLE NOTHINGS CHONMAGE PURIN YOYO aka Riens du tout (1965-France) FISHING CLUB (2010-Japan) (1992-France) Japanese w/Eng subtitles ws French w/Eng subtitles ws Directed by Sharon Maguire (2012-US) in widescreen with Rie Tomosaka with Pierre Étaix 11:30am, 1:45, 4:00, 6:15 Doc on fishing in Manzanar French w/Eng subtitles ws 1 & 7pm 15 1:15, 5:00 & 8:45pm 16 & 8:30pm 17 1:30, 4:30, 6 & 9pm 18 12:30, 3:45 & 7:00pm 19 Hawaii Premiere! 2 Hawaii Premieres! Christmas Eve Merry Christmas! A SMALL SOUTHERN Hawaii Premiere! MIDNIGHT DINER TRACKS (2014-Japan) ENTERPRISE (2013-Australia) A SMALL SOUTHERN Japanese w/Eng subtitles ws (2013-Italy) in widescreen ENTERPRISE Italian w/Eng subtitles ws with Mia Wasikowska (2013-Italy) 11:45am, 4:15 & 8:45pm ---------------------------------- 11:15am, 3:00 & 6:45pm 11:15am, 3:00, 5:00, 8:45pm Italian w/Eng subtitles ws ------------------------------------ ---------------------------------- 1:00, 3:00, 5:00 & 8:45pm Hawaii Premiere! LE JOUET LITTLE NOTHINGS ------------------------------------ A SCHOOL BEHIND aka The Toy (1992-France) A CHRISTMAS CAROL BARS (2010-Japan) (1976-France) French w/Eng subtitles ws (1951-UK) Movie Museum French w/Eng subtitles ws with Fabrice Luchini with Alastair Sim Japanese w/Eng subtitles ws Closed 1:15, 5:00 & 8:45pm 22 1:15 & 7:00pm 23 7:00pm only 24 25 2:00 & 6:30pm 26 Hawaii Premiere! 2 Hawaii Premieres! Happy New Year! SULLY MIDNIGHT DINER TRACKS PATISSERIE (2016-US) in widescreen SULLY aka Shinya shokudô (2013-Australia) COIN DE RUE (2016-US) in widescreen in widescreen with Tom Hanks (2011-Japan) (2014-Japan) Directed by Clint Eastwood 11:45am, 1:30, 3:15, 5:00 with Mia Wasikowska Japanese w/Eng subtitles ws Japanese w/Eng subtitles ws 11am, 3 & 7pm 11am & 3pm & 8:45pm 11am, 3, 5 & 9pm ---------------------------------- with Kaoru Kobayashi, ------------------------------------ ---------------------------------- ------------------------------------ Hawaii Premiere! Saki Takaoka AVIS DE MISTRAL MIDNIGHT DINER A SMALL SOUTHERN (2014-France) (2014-Japan) ENTERPRISE A SMALL SOUTHERN French w/Eng subtitles ws Japanese w/Eng subtitles ws (2013-Italy) ENTERPRISE Directed by Joji Matsuoka with Jean Reno with Kaoru Kobayashi Italian w/Eng subtitles ws (2013-Italy) Italian subs ws 11:30am, 1:45, 4:00 & 12:45, 4:45 & 8:45pm 1pm only 6:45pm only 1 & 7pm 29 30 31 Jan 1 8:30pm Jan 2 $5 General Admission / $4 Members All films will be presented Reservations Recommended. Call 735-8771. with digital sound. MOVIE MUSEUM December 2016 $5 General Admission / $4 Members COMING ATTRACTIONS Reservations Recommended. Call 735-8771. A SCHOOL BEHIND BARS aka Hei no naka no chûgakkô AFTER THE FLOWERS aka Hana no ato (2010-Japan) 109m LITTLE MEN (2016-US/Greece) 85m *** ½ D: Ira (2010-Japan) 122m *** ½ D: Makoto Kiyohiro. Joe Odagiri, *** ½ D: Kenji Nakanishi. Keiko Kitagawa, Shuntarô Miyao. Ito Sachs. Theo Taplitz, Michael Barbieri, Greg Kinnear, Ken Watanabe, Shôta Sometani, Seiji Chihara, Hideji Ôtaki. (Kitagawa), the beautiful daughter of a high-ranking official, is Jennifer Ehle, Alfred Molina, Paulina Garcia, Talia This inspiring, deeply humanistic drama is based on a real an expert swordswoman. After defeating all the men at the local Balsam. Thirteen-year-old Jake (Taplitz) moves from prison school program in Matsumoto, Japan. Skeptical young dojo, she finds out that the best swordsman, Magoshiro (Miyao), Manhattan to Brooklyn when his grandfather dies, to live teacher Ishikawa (Odagiri), who thinks educating criminals is wasn’t there. When he introduces himself to her while she’s out in his grandpa’s old building. Jake’s place is above the a waste of government money, gets a lesson from his students viewing cherry blossoms, she meets her match in more ways than shop that Leonor (Garcia), the mom of Jake’s new best over a school year. His students, all adult prisoners ranging one. But the rigid rules of society keep them apart, until she finds friend Tony (Barbieri), has rented for years from Jake’s in age from 22 to 76, prove him wrong. For ages 12 and older. a way to honor her beloved… in a fight to the death. Adapted grandfather. Jake and Tony’s close friendship gets shaken from a story by Shûhei Fujisawa (TWILIGHT SAMURAI). For when Leonor and her new landlords, Jake’s parents, get AFTER THE RAIN aka Ame agaru (1999-Japan) 91m *** ½ D: ages 12 and older. into a dispute. This sharply observed family drama won Takashi Koizumi. Akira Terao, Yoshiko Miyazaki, Shirô Mifune 1 award. Rated PG. (MIFUNE: THE LAST SAMURAI), Tatsuya Nakadai. Akira AVIS DE MISTRAL aka Our Summer in Provence (2014-France) Kurosawa completed the script and pre-production for AFTER 104m *** D: Rose Bosch. Jean Reno, Anna Galiena, Chloé Jouan- LITTLE NOTHINGS aka Riens du tout (1992-France) 93m THE RAIN before passing away in 1998. The film was completed net, Hugo Dessioux, Lukas Pelissier. Teenage siblings Léa (Jouan- *** D: Cedric Klapisch (L’AUBERGE ESPAGNOLE). by Kurosawa’s protégé Takashi Koizumi. Kind-hearted unem- net) and Adrien (Dessioux) and their deaf baby brother Théo Fabrice Luchini (IN THE HOUSE), Daniel Berlioux, ployed samurai Ihei Misawa (Terao) and his patient wife Tayo (Pelissier) visit their crusty grandpa Paul (Reno) in Provence for Jean-Pierre Darroussin, Odette Laure. Ambitious young (Miyazaki) are stranded in a little inn due to torrential rains. their summer vacation. They’ve never met their grandfather due CEO Lepetit (Luchini) is put in charge of rescuing a Paris The village folk staying at the inn are charmed by the unpreten- to a family squabble, and now they’re marooned in an olive farm department store from bankruptcy in this droll comedy. tious couple, and are delighted when local lord Shigeaki (Shirô far from technology (the farm actually belongs to Jean Reno!). A Educated in the US, Lepetit tries to get his personnel to Mifune, son of Toshirô) decides to hire Ihei as a fencing master. delightful generation clash comedy-drama. For ages 12 and older. think differently, as in “the customer is always right”. But things don’t go quite as planned… Winner of 14 major (Vraiment?! C’est impossible.) Winner of 1 award. For international awards. A rare screening. For ages 12 and older. DON’T BREATHE (2016-US) 88m *** ½ D: Fede Alvarez. ages 12 and older. Stephen Lang, Jane Levy, Dylan Minnette, Daniel Zovatto. In KUBO AND THE TWO STRINGS (2016-US) 101m **** D: this masterful thriller, young Detroit resident Rocky (Levy), her A SMALL SOUTHERN ENTERPRISE aka Una piccola Travis Knight (directorial debut). Voiced by Charlize Theron, boyfriend Money (Zovatto) and their friend Alex (Minnette) impresa meridionale (2013-Italy) 103m *** D: Rocco Papa- Art Parkinson (Game of Thrones), Matthew McConaughey, decide to rob a wealthy blind man (Lang).
Load more

Recommended publications
  • Kinotayo-2010
    PROGRAMME - PROGRAMME - PROGRAMME - PROGRAMME - 20 Nov 11 Déc 2010 5eme FESTIVAL DU FILM JAPONAIS CONTEMPORAIN Mascotte de Kinotayo 2010 140 projectionsAvec la participation d'Écrans - d'asie 25 villes Kinotayo2010 Yoshi OIDA, l’Acteur flottant, président du Festival Kinotayo 2010 Pour le festival Kinotayo, c’est un immense honneur que d’avoir pour président ce comédien, acteur, metteur en scène et écrivain insaisissable, animé par l’omniprésente énergie de la vie, sur scène et en dehors. Yoshi Oida est un acteur hors du commun. Né à Kobe en 1933, il a dédié sa vie aux théâtres du monde entier, en ayant pour seule ligne de conduite de renoncer à la facilité. Son apprentissage commence au Japon : il est initié au théâtre Nô par les plus grands maîtres de l’école Okura. De cette expérience, il retirera l’importance de l’harmonie entre tous les éléments qui constituent l’outil principal du comédien : son corps. Puis en 1968 Yoshi Oida est invité à Paris par Jean-Louis Barrault pour travailler avec Peter Brook. Il fonde avec ce dernier le Centre International de Recherche Théâtrale (CIRT). Au contact du « magicien du théâtre européen », il apprend que le comédien doit être « un vent léger, qui devenant de plus en plus fort, doit allumer une flamme et la faire grandir ». Aux côtés du maître, il apprend également la mise en scène, métier qui l’occupe énormément aujourd’hui. Il sillonne alors le monde à la recherche de la maîtrise théâtrale la plus complète, apprenant les jeux Africains, Indien, Persan. Il s’interroge sur la frontière entre la scène et la vie de tous les jours : « Qu’ai-je appris sur la scène qui pourrait m’aider à vivre ma vie d’homme ordinaire ? ».
    [Show full text]
  • Japanese Videos - (Last Update September 13, 2019) Use the Find Function to Search This List
    Japanese Videos - (last update September 13, 2019) Use the Find function to search this list Aspects of the Kabuki Theater of Japan 198?, 20 minutes, English. Shows costumes, make up, and examples of Kabuki productions. Accompanied by traditional Kabuki music. JCU Library CALL NO. PN2924.5.K3.A86 Career Escalator, The – with notes Education and Job Competition. LLC Library CALL NO. JP 008 – C Double Suicide Double Suicide Director: Masahiro Shinoda. 1969, 105 minutes, B&W, Japanese with English subtitles. Compelling drama based on a traditional Bunraku puppet play which is performed within the film itself about a married man who plans a suicide pact with his mistress. LLC Library CALL NO. JP 012 Funeral, The Director: Juzo Itami. with Nobuko Miyamoto, Tsutomu Yamazaki. 1985, 114 minutes, Japanese with English subtitles. Darkly funny tale of a contemporary Japanese family’s skewed attempts to conduct a traditional Buddhist service for their late patriarch. Controversial, compelling comic effort on the part of director and actors. LLC Library CALL NO. JP 009 Japan Invades China PBS Video, 1989, 51 minutes. 1. Highlights Japan’s expansion into French Indochina, the Dutch Indies, Burma, Malaya and the Philippines. 2. Focuses on the diplomatic and economic pressure placed on Japan prior to the attack on Pearl Harbor. JCU Library CALL NO. D443.J36 Japanese Version, The 1991, 56 minutes. The film explores Japan’s fascination with things American, pointing out that in borrowing from other cultures, there emerges a distinct Japanese slant on such things as American baseball, the 1950’s, weddings, and love hotels. JCU Library CALL NO.
    [Show full text]
  • This Project by Patricia J
    TEACHING ADULT EFL LEARNERS IN JAPAN FROM A JAPANESE PERSPECTIVE SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE MASTER OF ARTS IN TEACHING DEGREE AT THE SCHOOL FOR INTERNATIONAL TRAINING BRATTLEBORO, VERMONT BY PATRICIA JEAN GAGE SEPTEMBER 2004 © PATRICIA JEAN GAGE 2004 This project by Patricia J. Gage is accepted in its present form. The author hereby grants the School for International Training the permission to electronically reproduce and transmit this document to the students, alumni, staff, and faculty of the World Learning Community. © Patricia Jean Gage, 2004. All rights reserved. Date _________________________________ Project Advisor _________________________________ (Paul LeVasseur) Project Reader _________________________________ (Kevin O’Donnell) Acknowledgements There are so many people that contributed to this project and without their help this project would not have been possible. First, I would like to thank my Sakae and Taiyonomachi classes for always being patient with me and for taking time out of their busy schedules to write feedback about each of the topics. Second, I am very grateful to Toshihiko Kamegaya, Mayumi Noda, Katsuko Usui, Terukazu Chinen and Naoko Ueda for providing the anecdotes in the section titled “Voices from Japan.” Third, I would like to give a special thanks to Paul LeVasseur, my advisor and teacher, whose Four Skills class inspired me to do this project and whose insightful comments about this paper were invaluable. I would also like to thank the summer faculty at SIT for their dedication and commitment to the teaching profession and to their students. Next, I would like to acknowledge my reader, Kevin O’Donnell, for guiding me in the right direction and for spending time, in his already hectic schedule, to read my paper.
    [Show full text]
  • October 3-22, 2020
    THE BEST OF CONTEMPORARY JAPANESE CINEMA VIRTUAL EDITION and present OCTOBER 3-22, 2020 HATANAKA FAMILY FOUNDATION JAPANESE CANADIAN CULTURAL CENTRE • 6 GARAMOND COURT • TORONTO • 416.441.2345 ABOUT THE TORONTO JAPANESE FILM FESTIVAL “I think what makes the Toronto Japanese Film Festival so special is the wonderful job it does in capturing the current state of the Japanese film industry. The programming conveys a sense of what is really happening in the world of Japanese cinema. By including popular films we can get a better understanding of the country. These choices ensure Toronto audiences can experience a true sense of contemporary Japan.” Takashi Yamazaki (Director, Always: Sunset on 3rd Street, The Eternal Zero, The Man Called Pirate) “The Toronto Japanese Film Festival is quickly becoming the most important window of Japanese cinema toward the world. The selection is impeccable with the dynamic of a true international film festival. My salute to all Canadians and congratulations! This is some place we, the Japanese film-makers, can look for the future of Japanese cinema.” Masato Harada (Director: Sekigahara, Kakekomi, The Emperor in August, Chronicle of My Mother) Now in its ninth year, the Toronto Japanese Film Festival has grown into one of the largest cinema events of its kind in the world, showcasing the finest Japanese films that have been recognized for excellence by Japanese audiences and critics, international film festival audiences and the Japanese Film Academy. Programming addresses popular genres such as historical (samurai) jidaigeki, contemporary dramas, comedies and action, literary adaptations, children’s, art-house and anime films. All films shown are North American, Canadian, or Toronto premieres.
    [Show full text]
  • Cineclubuned 24.Pdf
    Asociación Cultural UNED SORIA Presidente Saturio Ugarte Martínez Vicepresidente Carmelo García Sánchez Secretario José Jiménez Sanz Tesorero Cristina Granado Bombín Vocales Mª Desirée Moreno Pérez Anselmo García Martín Jesús Labanda Izquierdo Dario García Palacios Coordinador Carmelo García Sánchez 24 Secciones Pantalla Grande Curso Programación y Textos Roberto González Miguel (RGM) 2017.2018 José María Arroyo Oliveros (JMA) Julián de la Llana del Río (JLLR) Ángel García Romero (AGR) Miradas de Cine Programación y Textos Roberto González Miguel (RGM) José María Arroyo Oliveros (JMA) Edita Soria de Cine Asociación Cultural UNED. Soria Selección y Textos Julián de la Llana del Río (JLLR) D.L. So-159/1994 Cineclub UNED c/ San Juan de Rabanera, 1. 42002 Soria. t. 975 224 411 f. 975 224 491 Colaboradores [email protected] www.cineclubuned.es Colaboración especial Susana Soria Ramas Pedro E. Delgado Cavilla © Fotografías: Alberto Caballero García Cabeceras: Unsplash (diferentes autores) Peliculas: Distribuidoras Producción Audiovisual Visorvideo. Victor Cid (www.visorvideo.tv) Diseño Gráfico/Maqueta Roberto Peña (www.elprincipiokiss.es) Impresión Arte Print Otras colaboraciones José Reyes Salas de proyección Centro Cultural Palacio de la Audiencia (Plaza Mayor) Casa de la Tierra- UNED. (c/ San Juan de Rabanera, 1). 24 OCTUBRE NOVIEMBRE DICIEMBRE ENERO i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do 01 01 02 03 04 05 01 02 03 01 02 03 04 05 06 07 02 03 04 05 06 07 08 06 07 08 09 10 11 12 04 05 06 07
    [Show full text]
  • Palmeiras Homenageia 100 Anos De Imigração Japonesa
    ANO 11 – Nº 2149 – SÃO PAULO, 02 A 08 DE FEVEREIRO DE 2008 – R$ 2,00 www.jornalnippak.com.br Governo japonês pode exigir noções de língua japonesa para estrangeiros DIVULGAÇÃO Após adotar medidas antiter- ga permanência, a medida am afetados com a mudan- roristas nos aeroportos, o pode ser encarada como ça, pois têm o visto de longa governo japonês poderá exi- uma exigência para restringir permanência. A alteração re- gir dos estrangeiros o domí- o número de estrangeiros ile- fletiria no mercado de traba- nio do idioma japonês, em ní- gais. Atualmente, vivem no lho e na contratação de mão- vel mínimo de conhecimen- arquipélago pouco mais de de-obra brasileira no Japão, to. Para quem já está no país 300 mil brasileiros. Desses, além de novos dekasseguis e deseja tirar o visto de lon- pouco mais de 200 mil seri- no Brasil. ––————––––——–——––————––––——–——–—––—–—––——–– | pág 4 Associação Japonesa de Santos deve iniciar projeto de restauração da escola DIVULGAÇÃO O projeto de restauração da Escola Japonesa de Santos deve, enfim, sair do papel. No último dia 24, o governo japonês conce- deu, através do Programa de Outorga de Auxílio Cul- tural, US$ 85.988,00 ao Projeto de Restauração da Escola Japonesa de San- tos. Após a restauração, a associação deve partir para a segunda etapa e implantar o curso de língua japonesa. ––————––––——–———––————––––——–——––––—–—––—–– | pág 5 1º campeão do Nihon Amachua Kayo Sai no TIKARA – Lançada no último dia 17 em Brasília em cerimônia que contou com a presen- ça do presidente Lula, a mascote oficial do Centenário ganha um nome: Tikara, que significa Japão, Norio Shirasaca volta aos palcos de SP força, vigor e energia.
    [Show full text]
  • America's Largest Japanese Film Fest Announces 27 NYC Premieres For
    Media Contacts: Shannon Jowett, [email protected], 212-715-1205 Kuniko Shiobara, [email protected], 212-715-1249 America’s Largest Japanese Film Fest Announces 27 NYC Premieres for 8th Installment JAPAN CUTS: The New York Festival of Contemporary Japanese Cinema July 10-20, 2014 at Japan Society New York, NY -- North America’s largest showcase of Japanese film and “One of the loopiest… and least predictable of New York’s film festivals” (New York Magazine), JAPAN CUTS: The New York Festival of Contemporary Japanese Cinema returns for its eighth annual installment. Running July 10-20 and screening 27 features with 8 special guests, JAPAN CUTS 2014 encompasses a thrilling cross section of cinephilic genre oddities, sword-swinging period action, profound documentaries, cathartic melodramas, warped comedies and cutting-edge arthouse cinema made in and around Japan. Guests include superstar performers and independent auteurs opening up in rare Q&As and dynamic parties rocking Japan Society’s historic theater and waterfall atrium. As in past years, the festival dovetails with the 13th New York Asian Film Festival (NYAFF), co-presenting 13 titles in the JAPAN CUTS lineup July 10-13. JAPAN CUTS 2014 again earns the distinction as “New York’s premiere Japanese cinema event,” every title never before screened in New York City, “unspooling across a kaleidoscopic range of taste and aesthetics” (The Wall Street Journal). Boasting 1 World Premiere, 3 International Premieres, 7 North American Premieres, 6 U.S. Premieres, 5 East Coast Premieres, and 4 New York Premieres, every day of the festival provides a must-see event for the NYC cinephile, follower of Japanese art and culture, and devoted world cinema aficionado alike.
    [Show full text]
  • Kakushi Ken-Oni Tsume (2004 - the Hidden Blade), De Yoji Yamada
    30 de novembre del 2006 Cinemes Imperial Sessions: 20.15 h i 22.30 h Kakushi Ken-Oni Tsume (2004 - The hidden blade), de Yoji Yamada Sinopsi En els darrers anys dels shogun i els samurais, les noves tècniques armamentístiques avancen, les armes de foc comencen a guanyar terreny als tradicionals catans. Les baralles pel poder del clan local continuen i els samurais estan perdent l’antiga llum i resplendor. Però un d’ells, Munezo, té altres problemes: viu enamorat en secret de la seva antiga criada i li plantegen el dilema d’haver de matar un vell amic, també samurai. Fitxa tècnica Títol original · · · · · · · Kakushi Ken - Oni No Tsume Direcció · · · · · · · · · · Yoji Yamada Guió · · · · · · · · · · · · · Yoji Yamada Fotografia · · · · · · Rokuo Naganuma Sobre Yoyi Yamada, el director Take (amb la qual es commemorava Producció · · · · · · Hiroshi Fukasawa els cinquanta anys dels estudis Shochiku Ofuna), Hope and Pain Ichiro Yamamoto i My Sons. Any · · · · · · · · · · · · · · · · · · 2004 Yoji Yamada, nascut a Osaka l’any Tot i aquest currículum, a casa Durada · · · · · · · · · · · · · 131 minuts 1931, es va llicenciar a la nostra no s’ha donat a conèixer fins Universitat de Tòquio l’any 1954; fa un parell d’anys, quan va arribar, aquell mateix any es va convertir quasi d’amagat i a poques sales en ajudant de direcció de cinematogràfiques d’art i assaig, El Shochiku. L’any 1969 va iniciar la ocaso del samurai. Però, tot i que saga de la qual, a hores d’ara, és la no va aconseguir una entrada de sèrie de pel·lícules més llarga de taquilla destacada (tretze mil Fitxa artística la història del cinema; es tracta de espectadors, segons dades del Tora-san.
    [Show full text]
  • Hyfic Sep 2017
    HYDERABAD FILM CLUB NEWS LETTER SEPTEMBER 2017 Editor : Bh.S.S. Prakash Reddy Vol.XXXI Issue : 7 Rs. 2 KANNADA FILM FESTIVAL 8, 9, 10 September 2017 RAMA RAMA RE KIRIK PARTY JAPANESE FILM FESTIVAL-2017 22, 23, 24 September 2017 ALWAYS-SUNSET ON THIRD STREET – 3 Mameshiba RNI No. 44862/86 Registered as a News Paper BOOK-PACKET (Printed Matter) If undelivered, please return to : The Secretary, HYDERABAD FILM CLUB C/o. Sri Sarathi Studios Pvt. Ltd., 8-3-321, Ameerpet, Srinagar Colony P.O. HYDERABAD - 500 073 email : [email protected] The Journey so far ………………. Karnataka Chalanachitra Academy has envisaged many creative and ambitious programmes to imbibe a culture of cinema ad to spearhead academic excellence in this most profuse and effective medium. In core, the Academy intends to better the skills of film making and to influence the film makers to cultivate a habit to produce films that will reach the audience along with socially relevant messages. The programmes of the Academy have been construed with constitution of the doyens and masters of film making and have been found successful in realizing its objectives. I am grateful to the support extended by the Government of Karnataka through the Department of Information and Public Relations in encouraging the film industry and in realizing the Academy’s dreams. The Government of Karnataka has allotted 119 acres of land to build a Film City adjacent to Mysore, the heritage of Karnataka. I am sure that the decision will help in boosting the activities of the Indian Film Industry. The Film City is the brain child of Honorable Chief Minister Sri Siddaramaiah.
    [Show full text]
  • Maestros Del Cine De Animación (I): Hayao Miyazaki
    Fotografía: Proyector “Marín” de 35mm (ca.1970). Cineclub Universitario Foto:Jacar [indiscreetlens.blogspot.com] (2015). El CINECLUB UNIVERSITARIO se crea en 1949 con el nombre de “Cineclub de Granada”. Será en 1953 cuando pase a llamarse con su actual denominación. Así pues en este curso 2016-2017, cumplimos 63 (67) años. Las actividades que anualmente realiza el CINECLUB UNIVERSITARIO / AULA DE CINE tienen como objetivo dar a conocer la historia pasada y presente del 7º arte y enseñar las características, posibilidades y riqueza del lenguaje del cine. El fin último del CINECLUB UNIVERSITARIO / AULA DE CINE es formar especta- dores con capacidad crítica ante las obras cinematográficas. Para ello se organizan mensualmente ciclos de proyecciones, seminarios y, trimes- tralmente, talleres teóricos de formación. LOS CICLOS DE PROYECCIONES Las películas se proyectan en el Aula Magna de la Facultad de Ciencias, los martes y los viernes a las 21 horas y siempre en versión original subtitulada en español (v.o.s.e.). Precio normal de la entrada: 2 € Precio con el CARNET DEL CINECLUB: 1,50 € CARNET DEL CINECLUB Es GRATUITO y PARA CUALQUIER PERSONA, SEA O NO UNIVERSITARIA. Presentando una fotografía tamaño carnet, se puede obtener, durante todo el curso, en el Centro de Cultura Contemporánea, ubicado en el Palacio de La Madraza (frente a la Capilla Real), c/ Oficios, s/n, en horario de 9 a 14 h, y también en el Aula Magna de la Facul- tad de Ciencias los días que haya proyección. Además del correspondiente descuento, los poseedores del CARNET DEL CINECLUB tendrán acceso gratuito a todas aquellas proyecciones que se anuncien como “Día del Ci- neclub”, previa presentación del mismo en la entrada de la sala.
    [Show full text]
  • June July Natsu Matsuri & Obon Festival
    JUNE THE TORONTO JAPANESE FILM FESTIVAL 2017 JULY NATSU MATSURI & OBON FESTIVAL Jun/July 2017 Vol.43 Issue 6 1 2016 - 17 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Jan Nobuto 2-7 JCCC Upcoming Events VP, Management Ann Ashley Secretary Sharon Marubashi Finance Chair Chris Hope 8-9 Heritage News VP, NJCC Miki Rushton VP, Marketing/Strategic Planning Karen Kuwahara 10 Community News Directors Jonathan Carter Mark Hashimoto Kristin Kobayashi 11 Donations Keiichi Kubo Dereck Oikawa Chris Reid 12-16 日本語紙面 Cary Rothbart Ross Saito Nao Seko Peter Wakayama Bob Yamashita Tak Yoshida Calendar of Events Advisors Mackenzie Clugston William Hatanaka Sid Ikeda June Steve Oikawa Sat 3 JCCC Karaoke Club Connie Sugiyama JCCC Foundation Chair Shari Hosaki Thu 8 Toronto Japanese Film Festival JCCC Staff Opening James Heron Sat 24 JCCC Karaoke Club Executive Director Mon 26 JCCC Annual General Meeting [email protected] 416-441-2345 ext.224 Wed 28 Toronto Japanese Film Festival Kathy Tazumi Accounting/General Administration Manager Closing [email protected] 416-441-2345 ext.229 Christine Takasaki July Community Events Coordinator [email protected] 416-441-2345 ext.221 Sat 1 JCCC Closed Haruko Ishihara Mon 3 JCCC Closed Community Rentals Coordinator – in lieu of Canada Day [email protected] 416-441-2345 ext.228 Thu 6 Artsu Matsuri Opening Christine Seki Corporate Rentals/Programming and Business Development Sat 8 Natsu Matsuri and Obon Festival [email protected] 416-441-2345
    [Show full text]
  • Japanese Videos Use the Find Function to Search This List
    Japanese Videos Use the Find function to search this list Aspects of the Kabuki Theater of Japan 198?, 20 minutes, English. Shows costumes, make up, and examples of Kabuki productions. Accompanied by traditional Kabuki music. JCU Library CALL NO. PN2924.5.K3.A86 Career Escalator, The – with notes Education and Job Competition. LLC Library CALL NO. JP 008 – C Double Suicide Double Suicide Director: Masahiro Shinoda. 1969, 105 minutes, B&W, Japanese with English subtitles. Compelling drama based on a traditional Bunraku puppet play which is performed within the film itself about a married man who plans a suicide pact with his mistress. LLC Library CALL NO. JP 012 Funeral, The Director: Juzo Itami. with Nobuko Miyamoto, Tsutomu Yamazaki. 1985, 114 minutes, Japanese with English subtitles. Darkly funny tale of a contemporary Japanese family’s skewed attempts to conduct a traditional Buddhist service for their late patriarch. Controversial, compelling comic effort on the part of director and actors. LLC Library CALL NO. JP 009 Japan Invades China PBS Video, 1989, 51 minutes. 1. Highlights Japan’s expansion into French Indochina, the Dutch Indies, Burma, Malaya and the Philippines. 2. Focuses on the diplomatic and economic pressure placed on Japan prior to the attack on Pearl Harbor. JCU Library CALL NO. D443.J36 Japanese Version, The 1991, 56 minutes. The film explores Japan’s fascination with things American, pointing out that in borrowing from other cultures, there emerges a distinct Japanese slant on such things as American baseball, the 1950’s, weddings, and love hotels. JCU Library CALL NO. DS821.5.U5.J36 Japanese, The Spoken Language Part 2.
    [Show full text]