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Movie Museum NOVEMBER 2011 COMING ATTRACTIONS
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! THE LIGHTHORSEMEN THE EEL aka Unagi MY LIFE AS A DOG WATER FOR EYE OF THE EAGLE (1987-Australia) (1997-Japan) ELEPHANTS (1997-Denmark) (1985-Sweden) uncut version in widescreen in Japanese with English (2011) Danish w/Eng subtitles & w.s. in Swedish with English subtitles & in widescreen in widescreen 12:00 & 1:30pm only subtitles & in widescreen Directed by Lasse Halström. with Anthony Andrews, with Koji Yakusho. with Robert Pattinson, Reese ------------------------------ Peter Phelps, John Walton, 12:00, 1:45 & 3:30pm 12:15, 2:15, 4:15 & 6:15pm Witherspoon, Christoph TURTLES ARE Tim McKenzie, Jon Blake, ------------------------------ Waltz, Hal Holbrook. SURPRISINGLY FAST ------------------------------ Bill Kerr, Sigrid Thornton. CHICKEN AND DUCK SWIMMERS (2005-Japan) TORA! TORA! TORA! (1970-US/Japan) TALK (1988-HongKong) Directed by Japanese w/Eng subtitles, ws Directed by Francis Lawrence. 3:15 & 5:00pm only English/Japanese w/English Simon Wincer. Cantonese w/English subtitles -------------------------------- subtitles & in widescreen with Michael Hui, Ricky Hui. 12:15, 2:30, 4:45, 7:00 & THE EEL aka Unagi Martin Balsam, Sô Yamamura. 12:30, 3, 5:30 & 8pm 8:30pm ONLY 9:15pm 7:00pm only 5:30 & 8:00pm ONLY 3 4 5 6 7 Movie Museum Movie Museum TELL NO ONE TAMPOPO aka Ne le dis à personne (1985-Japan) Movie Museum Closed Closed (2006-France) in Japanese with English Closed French w/Eng subtitles & w.s. subtitles & in widescreen with François Cluzet. 4:00pm only 4:00pm only ------------------------------------ ------------------------------------ THAT MAN FROM RIO TAMPOPO (1964-Italy/France) (1985-Japan) in French/English/Portuguese in Japanese with English with English subtitles subtitles & in widescreen & in widescreen Directed by Juzo Itami. -
Kinotayo-2010
PROGRAMME - PROGRAMME - PROGRAMME - PROGRAMME - 20 Nov 11 Déc 2010 5eme FESTIVAL DU FILM JAPONAIS CONTEMPORAIN Mascotte de Kinotayo 2010 140 projectionsAvec la participation d'Écrans - d'asie 25 villes Kinotayo2010 Yoshi OIDA, l’Acteur flottant, président du Festival Kinotayo 2010 Pour le festival Kinotayo, c’est un immense honneur que d’avoir pour président ce comédien, acteur, metteur en scène et écrivain insaisissable, animé par l’omniprésente énergie de la vie, sur scène et en dehors. Yoshi Oida est un acteur hors du commun. Né à Kobe en 1933, il a dédié sa vie aux théâtres du monde entier, en ayant pour seule ligne de conduite de renoncer à la facilité. Son apprentissage commence au Japon : il est initié au théâtre Nô par les plus grands maîtres de l’école Okura. De cette expérience, il retirera l’importance de l’harmonie entre tous les éléments qui constituent l’outil principal du comédien : son corps. Puis en 1968 Yoshi Oida est invité à Paris par Jean-Louis Barrault pour travailler avec Peter Brook. Il fonde avec ce dernier le Centre International de Recherche Théâtrale (CIRT). Au contact du « magicien du théâtre européen », il apprend que le comédien doit être « un vent léger, qui devenant de plus en plus fort, doit allumer une flamme et la faire grandir ». Aux côtés du maître, il apprend également la mise en scène, métier qui l’occupe énormément aujourd’hui. Il sillonne alors le monde à la recherche de la maîtrise théâtrale la plus complète, apprenant les jeux Africains, Indien, Persan. Il s’interroge sur la frontière entre la scène et la vie de tous les jours : « Qu’ai-je appris sur la scène qui pourrait m’aider à vivre ma vie d’homme ordinaire ? ». -
Regard Sur Le Cinéma Japonais : La Jalousie Féminine… Au Féminin]
Document generated on 09/29/2021 7:02 p.m. Séquences La revue de cinéma Regard sur le cinéma japonais La jalousie féminine… au féminin Pascal Grenier Number 222, November–December 2002 URI: https://id.erudit.org/iderudit/48430ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Grenier, P. (2002). Review of [Regard sur le cinéma japonais : la jalousie féminine… au féminin]. Séquences, (222), 22–23. Tous droits réservés © La revue Séquences Inc., 2002 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ a dernière édition du Festival des films du monde rendait quittera femme et fille pour la retrouver. Non seulement veut-elle hommage au cinéma japonais avec la section Regard sur le passer beaucoup de temps avec lui mais aspire à leur union. L cinéma japonais. Il s'agissait de la troisième fois depuis les Lorsque que Hijiri s'immisce dans sa vie, elle se rend compte de la débuts du festival que le Japon était à l'honneur. Dès l'annonce de jalousie injustifiée éprouvée et renonce à sa relation avec Kouhei cette nouvelle, mon enthousiasme était sans borne compte tenu car ce dernier ne quittera jamais sa femme. -
About the Toronto Japanese Film Festival
THE BEST OF CONTEMPORARY JAPANESE CINEMA VIRTUAL EDITION and present OCTOBER 3-22, 2020 HATANAKA FAMILY FOUNDATION JAPANESE CANADIAN CULTURAL CENTRE • 6 GARAMOND COURT • TORONTO • 416.441.2345 ABOUT THE TORONTO JAPANESE FILM FESTIVAL “I think what makes the Toronto Japanese Film Festival so special is the wonderful job it does in capturing the current state of the Japanese film industry. The programming conveys a sense of what is really happening in the world of Japanese cinema. By including popular films we can get a better understanding of the country. These choices ensure Toronto audiences can experience a true sense of contemporary Japan.” Takashi Yamazaki (Director, Always: Sunset on 3rd Street, The Eternal Zero, The Man Called Pirate) “The Toronto Japanese Film Festival is quickly becoming the most important window of Japanese cinema toward the world. The selection is impeccable with the dynamic of a true international film festival. My salute to all Canadians and congratulations! This is some place we, the Japanese film-makers, can look for the future of Japanese cinema.” Masato Harada (Director: Sekigahara, Kakekomi, The Emperor in August, Chronicle of My Mother) Now in its ninth year, the Toronto Japanese Film Festival has grown into one of the largest cinema events of its kind in the world, showcasing the finest Japanese films that have been recognized for excellence by Japanese audiences and critics, international film festival audiences and the Japanese Film Academy. Programming addresses popular genres such as historical (samurai) jidaigeki, contemporary dramas, comedies and action, literary adaptations, children’s, art-house and anime films. All films shown are North American, Canadian, or Toronto premieres. -
Annual Report 2015
Annual Report 2015 PARCO CO.,LTD. Annual Report 2015 The PARCO Group Value Creation Process Performance PARCO, together with its stakeholders, strives to create new lifestyles, guided by the Risks and Opportunities PARCO Group Corporate Mission and the sentiment embodied in the PARCO name. Strategy and Resource In business, PARCO leverages its capabilities as a comprehensive commercial Allocation space producer, while pursuing management strategies in step with the times, to Outlook Planning propose ways to enrich consumer lifestyles. This encapsulates the creation of new P14 Strategy value to which society can connect. PARCO views the tireless advancement of such value through “Incubation,” “Urban Revitalization” and “Trends Communica- tion” as its social role. By taking full advantage of its “Six Capitals” and keeping the PARCO Group Marketing business model revolving, the delivery of new value becomes synonymous with the brand value of the PARCO Group. Put differently, this results in a process for the creation of new value to which society at large can connect. Business Model Equal Partnership Strong in Comprehensive Shopping Complex Production Renovation Profit Structure for the Shopping Complex Business Mission and Vision P08 PARCO Business Model P03 Introduction Outputs Maintenance Superiority Services P34 Performance Initiatives by Segment Business Activities Strategy Produced by PARCO Brand PARCO Entertainment P14 Strategy PARCO Group CSR Cultivation of Major Urban Areas The Six Capitals Expansion of Core Targets Innovative Use -
Movie Museum MAY 2011 COMING ATTRACTIONS
Movie Museum MAY 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! 2 Hawaii Premieres! BLACK SWAN Mother's Day 2 Hawaii Premieres! SUMO DO, SUMO DON'T LIKE TWO DROPS OF (2010) THE KING'S SPEECH THE ARMY OF CRIME aka Shiko funjatta WATER in widescreen (2010-UK/Australia/US) (2009-France) (1992-Japan) (1963-Netherlands) in widescreen in French/Grman w/ English in Dutch/German with in Japanese with English with Natalie Portman, with Colin Firth, Geoffrey subtitles & in widescreen subtitles & in widescreen English subtitles & widescreen with Simon Abkarian. Directed by Fons Rademakers. Mila Kunis, Vincent Cassel, Rush, Helena Bonham Carter, with Masahiro Motoki, Barbara Hershey, 12:30, 3 & 5:30pm only 12:30 & 3pm only Guy Pearce, Jennifer Ehle, ---------------------------------- Misa Shimizu, Naoto Winona Ryder. Michael Gambon, Derek Jacobi. Takenaka, Akira Emoto. ---------------------------------- LIKE TWO DROPS OF THE ARMY OF CRIME WATER Written and Directed by (2009-France) Directed by Directed by (1963-Netherlands) Masayuki Suo. in French/Grman w/ English Darren Aronofsky. Tom Hooper. in Dutch/German with subtitles & in widescreen English subtitles & widescreen 12:30, 2:30, 4:30, 6:30 with Simon Abkarian. 12:30, 2:30, 4:30, 6:30 12:15, 2:30, 4:45, 7:00 & Directed by Fons Rademakers. & 8:30pm 9:15pm 8pm only & 8:30pm 5 5:30 & 8pm only 6 7 8 9 2 Hawaii Premieres! THE MAGIC HOUR BLUE VALENTINE Hawaii Premiere! 2 Hawaii Premieres! KATALIN VARGA JE VOUS TROUVE (2008-Japan) (2010) THE TIGER BRIGADES TRÈS BEAU aka -
JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres
Media Contacts: Emma Myers, [email protected], 917-499-3339 Shannon Jowett, [email protected], 212-715-1205 Asako Sugiyama, [email protected], 212-715-1249 JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres Dynamic 10th Edition Bursting with Nearly 30 Features, Over 20 Shorts, Special Sections, Industry Panel and Unprecedented Number of Special Guests July 14-24, 2016, at Japan Society "No other film showcase on Earth can compete with its culture-specific authority—or the quality of its titles." –Time Out New York “[A] cinematic cornucopia.” "Interest clearly lies with the idiosyncratic, the eccentric, the experimental and the weird, a taste that Japan rewards as richly as any country, even the United States." –The New York Times “JAPAN CUTS stands apart from film festivals that pander to contemporary trends, encouraging attendees to revisit the past through an eclectic slate of both new and repertory titles.” –The Village Voice New York, NY — JAPAN CUTS, North America’s largest festival of new Japanese film, returns for its 10th anniversary edition July 14-24, offering eleven days of impossible-to- see-anywhere-else screenings of the best new movies made in and around Japan, with special guest filmmakers and stars, post-screening Q&As, parties, giveaways and much more. This year’s expansive and eclectic slate of never before seen in NYC titles boasts 29 features (1 World Premiere, 1 International, 14 North American, 2 U.S., 6 New York, 1 NYC, and 1 Special Sneak Preview), 21 shorts (4 International Premieres, 9 North American, 1 U.S., 1 East Coast, 6 New York, plus a World Premiere of approximately 12 works produced in our Animation Film Workshop), and over 20 special guests—the most in the festival’s history. -
Movie Museum DECEMBER 2016 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY
Movie Museum DECEMBER 2016 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! KUBO AND THE TWO Hawaii Premiere! CLUNY BROWN THE LITTLE HOUSE A SCHOOL BEHIND STRINGS AFTER THE RAIN (1946-US) aka Chiisai ouchi BARS (2016-US) (1999-Japan) with Jennifer Jones (2014-Japan) (2010-Japan) animation in widescreen Japanese w/Eng subtitles ws Directed by Ernst Lubitsch Japanese w/Eng subtitles ws Japanese w/Eng subtitles ws 11am 3:15, 5:00 & 6:45pm 11:30am, 3:15 & 7:00pm 12:00 & 4:15pm Directed by Yôji Yamada 12:45, 4:45 & 8:45pm ------------------------------------ ----------------------------------- ---------------------------------- 12:00, 4:15 & 8:45pm ------------------------------------ MY WAY INDIGNATION MY WAY ------------------------------------ AFTER THE RAIN (2011-South Korea) (2016-US/China) (2011-South Korea) CLUNY BROWN (1999-Japan) Korean w/Eng subtitles ws in widescreen Korean w/Eng subtitles ws (1946-US) Japanese w/Eng subtitles ws Dong-gun Jang, Joe Odagiri Logan Lerman, Sarah Gadon Dong-gun Jang, Joe Odagiri Directed by Ernst Lubitsch 3 & 7pm 1 12:45 & 8:30pm 2 1:15, 5:00 & 8:45pm 3 1:45, 6:00 & 8:45pm 4 2:30 & 6:45pm 5 THE MANZANAR THE LITTLE HOUSE DON'T BREATHE 2 Hawaii Premieres! 2 Hawaii Premieres! FISHING CLUB (2014-Japan) (2016-US) AFTER THE FLOWERS YOYO (2012-US) in widescreen Japanese w/Eng subtitles ws in widescreen (2010-Japan) (1965-France) French w/Eng subtitles ws AJA detainees in Manzanar Directed by Yôji Yamada Directed by Fede Alvarez Japanese w/Eng subtitles ws assert their rights thru -
Ete De Kikujiro Dp.Pdf
“ C’est simple, c’est beau, c’est l’intelligence faite film” Première & EN ASSOCIATION AVEC BAC FILMS PRÉSENTE VERSION RESTAURÉE UN FILM DE TAKESHI KITANO (1999) AVEC TAKESHI KITANO, YUSUKE SEKIGUCHI, KAYOKO KISHIMOTO DURÉE : 2H01. JAPON. COULEUR. 1.85. STERÉO SORTIE NATIONALE LE 20 JUILLET 2016 Photos et matériel presse téléchargeables sur www.letedekikujiro-lefilm.com DISTRIBUTION LA RABBIA 19, rue de Liège 75009 Paris www.larabbia.com RELATIONS PRESSE EN ASSOCIATION AVEC Matilde Incerti BAC FILMS assistée de Jérémie Charrier 9, rue Pierre Dupont 16, rue Saint-Sabin 75010 Paris 75011 Paris Tél : 01 80 49 10 00 Tél : 01 48 05 20 80 www.bacfilms.com [email protected] L’histoire Masao (Yusuke SEKIGUCHI) est un petit garçon qui vit avec sa grand-mère à Tokyo. Son père est décédé et sa mère travaille loin de la capitale. Quand les grandes vacances démarrent et que l’enfant voit tous ses amis partir, Masao décide de prendre la route pour retrouver sa mère. Alors qu'il s'enfuit du domicile familial, il tombe sur une ancienne voisine (Kayoko KISHIMOTO) de sa grand-mère qui ordonne à son petit ami Kikujiro (Takeshi KITANO) de l'accompagner. Truand sans envergure, celui-ci prend d'abord cette mission comme un fardeau... L'été de Kitano L'Eté de Kikujiro est le huitième film que réalise Takeshi Kitano, après le succès international, tout autant critique que public, que rencontre Hana-bi. Kitano est alors à un moment de sa carrière où il peut tout se permettre. Conscient qu'une image de réalisateur violent commence à lui coller à la peau, il décide de changer l'orientation de son nouveau film. -
This Project by Patricia J
TEACHING ADULT EFL LEARNERS IN JAPAN FROM A JAPANESE PERSPECTIVE SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE MASTER OF ARTS IN TEACHING DEGREE AT THE SCHOOL FOR INTERNATIONAL TRAINING BRATTLEBORO, VERMONT BY PATRICIA JEAN GAGE SEPTEMBER 2004 © PATRICIA JEAN GAGE 2004 This project by Patricia J. Gage is accepted in its present form. The author hereby grants the School for International Training the permission to electronically reproduce and transmit this document to the students, alumni, staff, and faculty of the World Learning Community. © Patricia Jean Gage, 2004. All rights reserved. Date _________________________________ Project Advisor _________________________________ (Paul LeVasseur) Project Reader _________________________________ (Kevin O’Donnell) Acknowledgements There are so many people that contributed to this project and without their help this project would not have been possible. First, I would like to thank my Sakae and Taiyonomachi classes for always being patient with me and for taking time out of their busy schedules to write feedback about each of the topics. Second, I am very grateful to Toshihiko Kamegaya, Mayumi Noda, Katsuko Usui, Terukazu Chinen and Naoko Ueda for providing the anecdotes in the section titled “Voices from Japan.” Third, I would like to give a special thanks to Paul LeVasseur, my advisor and teacher, whose Four Skills class inspired me to do this project and whose insightful comments about this paper were invaluable. I would also like to thank the summer faculty at SIT for their dedication and commitment to the teaching profession and to their students. Next, I would like to acknowledge my reader, Kevin O’Donnell, for guiding me in the right direction and for spending time, in his already hectic schedule, to read my paper. -
7Th Sakura Gala Toronto Japanese Film Festival
第7回桜ガラ 7TH SAKURA GALA トロント日本映画祭 TORONTO JAPANESE FILM FESTIVAL May 2015 2015年5月 Vol.41 Issue 5 1 2014 -15 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Jan Nobuto 2 JCCC Events VP, Management Ann Ashley Secretary Sharon Marubashi Treasurer Chris Reid 4 Toronto Japanese Film Festival Directors Ken Fukushima Anzu Hara 日 Chris Hope 7-8 Heritage & Sedai News Warren Kawaguchi Karen Kuwahara 系 Lorene Nagata 9 Gala News Christine Nakamura Cary Rothbart 13 Donations Ross Saito 文 Nao Seko Tak Yoshida 15-16 Moriyama Nikkei Heritage Centre Inscriptions 化 Advisors Mackenzie Clugston (Ambassador of Canada to Japan) 17-20 日本語紙面 Sid Ikeda Miki Kobayashi 会 Mickey Matsubayashi Steve Oikawa Connie Sugiyama 館 JCCC Foundation Chair Shari Hosaki Calendar of Events 役 JCCC Staff James Heron 員 May Executive Director Sat 2 Bazaar [email protected] 416-441-2345 ext.224 Sun 10 Kumihimo Workshop Kathy Tazumi 及 Mon 18 JCCC closed -Victoria Day Accounting/General Administration Manager Thu 21 Movie Night - Kanzaburo [email protected] 416-441-2345 ext.229 Sat 23 Karate Tournament Christine Takasaki び Sat 23 Karaoke Club Community Events Coordinator [email protected] 416-441-2345 ext.221 Mon 25 Manju Workshop Wed 27 Origami Workshop Haruko Ishihara ス Community Rentals Coordinator Sat 30 Sakura Gala [email protected] 416-441-2345 ext.228 Christine Seki タ Corporate Rentals/Programming and Business Development June [email protected] 416-441-2345 ext.231 Thu 11 Toronto JFF opening Sally Kumagawa -
Last Tango in Paris (1972) Dramas Bernardo Bertolucci
S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 .