DOCSLIB.ORG

Auguste Barbier: Sa Vie Et Son Oeuvre

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Auguste Barbier: Sa Vie Et Son Oeuvre Durham E-Theses Auguste Barbier: Sa Vie et son oeuvre Rowlandson, Jessie How to cite: Rowlandson, Jessie (1942) Auguste Barbier: Sa Vie et son oeuvre, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/8388/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk AU&USTB BAlBiaR C3 ea cs ICS ca <9 es c9 po ts) ^ o C3 tocA SA YIB et SQM QaUTOBo • I II r • - ir II - -|--Ti ca C3 «» E9 ca a R3 C3 es ca •» C3 C3 «o 133 eb <^ sented for the degree of Ph, of Durham UniTersity Dy Thesis pre Jessie Rowlandsons Eeville's Cross College, Durham o Aprilo 1942. TOMS; Ic WW Augusts Barbier._3a vie et son oeuvrs. (Thesis presented fo* the degree of Ph. D. of Durham University by- Jessie Rowlandson, Seville's Cross College, Durham.) The thesis constitutes a study of the life and work of the French poet, Henry-Augustd Barbier, {1805-1882, ) examined in their relations to each other and to the age in which the writer lived. After a preliminary chapter on the family and home life of Barbier, his education, his training as a student of law, and his first introd• uction t4 literary circles, the lambes. (1832,) his greatest, and first published work of any importance, have been studied in detail. Their influence eft the age has been emphasised, their literary importance revealed. This is the high point of Barbier's career. Coming as^^^does so early in his life, an• attempp has been made to throw into sharp contrast the increasing mediocrity of the works which follow. Two volumes of verse, 11 Pianto.4l8Sg.) Lazare,(1837,) inspired by visits to Italy and England respectively, claimed considerable attentiotij and the q.uestion of Italian and English influences generally on the young poet proved a fruitful field of research. After 1840 Barbier's life is rarely relieved from the monotony of the bourgeois ease his increased fortune now permits; and though the works which follow Lazare are numerous, rarely has the genius and ehthusiasm of the poet's youth revealed itself afresh. Almost all literary genres are represented in thisi^ later work, poems, short stories, travel, literary and artistic criticism, memoirs, translations^ moral observations. Much of his work was published in his lifetime; muwh also remaj*ined for posthumous publication by the poet's literary executors. Barbier's iifeo apas't Srm lioliie^s, uas sp©at ija Pas'iS;, aovos' vo^y fas? from th© ^mi ifelaQ.uai0 whsr© he ?/as l)»ra. His tastes agpoap to Slave b©ea flii£apl0, Ms maimer modfst and tmasBTaialag. Mong his f^leads lae ootmtefi Bom& ©f the aost famoms men of his des^, uh© appear to havo admired him, and to hav® found ia hiia t© th© end that grsatases vjhieh had e2?eat9d the iagbes. fo th© er&ti© he ia a litomrgr riddlos tho genius of a sia§i® da^ aiad a s^Bgl® produetio^i, who afte? tho forvoxiS' aad ©athusiasm of the i8S0 Sevolutlom in Peris sasaJs into an i3?rotri9'?ablQ aedioerity. AVAJil^PRQPQS, On retrouve encore de nos jours le nom d'Auguste Barbier dans les anthologies de la poesie frangaise du dix-neuvieme siecle: meme dans des volumes representatifs des grands noma de la poesie frangaise en gene'ral, I'Idole. La Curee. ou Mlchel-Anfee sont souvent Juges dignes d'une place parmi les poemes de 1'epoq.ue romantiq.ue, Et cependant, combien d'etudiants de cette meme epogue reconnaitraient le nom dUuguste Barbier? Combien de ses contemporains meme, a part ses amis ou ses connaissances plus ou moins intimes, se sont rendu compte q.ue la carriers de I'auteur des lambes ne s'est nullement terminee avec I'appa- rition de ce volumSj et q.ue cet Auguste Barbier dont le nom ornait la couverture de tel ou tel volume paraissant au cours du aiecle, n^etait autre "c^ue l''auteur des vers retentissants que tous avaient appris en classej, et (lui les faisaient tous frissonner encore? 0 Corse a cheveux plat si q^xe ta France etait belle Au grand soleil de Messidorl Cetait une cavale indomptable et rebelle, Sans frein d'acier ni r^nes d'or.... A part I'eaigme de cette reputation dechue., enigme q.ue je vais tacher de resoudre j le sujet |.ue j'entreprends dans cette etude offre un inter^t particulier en ce cLu'il touche a presq.ue tout le dix-neuvieme siecle litterairoj avec ses enthousiasraes et ses contradictions, ses theories changeantes et ses ecales nettement definies. Auguste Barbier a veeu pendant soixante-q.uinze ans de oe siecle varie; ne sous le regime napoleonien, il se rappelle les guerres de cette epoq.ue; ses debuts litteraires ont coincide avec la peripde de pleine floraison de I'e'cole romantiaue. Parisien, il a pu se lier de bonne heure avec les grands hommes du jour, dans les milieux litteraires, artistiq_ues, musica^UiVji II a eu le "bonheur de se faire une renommee pendant q.ue la fievre roman- tiq.ue etait a son comble, et il l^a gardee. pendant un certain temps^ Nous voyons par ses yeux les evenements politiq.ues de 1'epoq.uey depuis la Revolution de Juillet cLUi a fait naitre son genie, Jus^u^a celle de 1848 q_uand il a represente le garde-national de juste-railieu, a la recherche du regime de I'ordre et de la paix» II a vu avec degout le Coup d'Etat de 1851; avec un degoui mBle de dojaleur^ ce Q.u*il fallait en 1870 pour detruire cet Empire g.u'il detestait; et pendant une douzaine d'annees encore, il a pu assister aux debuts de la Troisieme Republiq.ue, a la defaite de laq.uelle nouS-memes en 1940 venons d'assister, A I'interet offert par cette vue d'un sieole trouble commente par un esprit ^in et cultive, se tenant pou:b la plupart d'un cote, en spectateur modere et desinteresse, il s'ajoute un autre, bien plus grand encorej, et tout personnel a Barbier lui-meme, II s'agit de cette curieuse reputation litteraire, de cette renommee Q.u'on ne saurait exagerer en 1830; les lambes ont captive 1'imagination de leur generation, et n'ont ete suivis quQ du desillusionnement du public litteraire, et de I'oubli profondo Barbier etait un des grands noms de 1830, un veritable prodige, le sati^- riq.ue de I'ecale romantiq.ue, le Juvenal de la France. En 1870 on I'avait oublie a un tel point g.u'au moment de sa candidature a I'Academie, on ne pouvait croire c^ue ce fut vraiment lui; on le jugeait depuis longtemps mort et enterrel Mon but principal a ete de ressusciter cette ancienne grandeur, d^en preciser le caractere, de rappeler a I'etudiant de la litterature fran^aise les merites de ces oeuvres de jeune debutant gui ont fait histoire, et ensuite d'expliguer, par un examen de la vie et de I'oeuvre du poete des lambes ^les raisons de la perte totale de cette 3e reputation singulierej^ A CLuel point la vie de plus en plus retire'e de Barbier a-t-elle influe sur son oeuvre? Lesq.uels representent le vrai esprit du poete, des lambes et du Planto, ou des buvrages fort inferieurs de sa maturite et de sa vieillesse? La critiq.ue de son temps 6t a-t-elle eu raison de declarer q.ue ce n'est q.ue le "genie d'un jour" frappe d'un coup du soleil de Juillet, mais bientot restaure au calme de la mediocrite? Je ne pretends pas avoir pu assembler dans cette etude du materiel.- nouveau; c'egt plutot vers une psesentation nouvelle des faits^ q.ui accilentuerait certains aspects de Barbier juscLu'ici ignores, gus fbes efforts ont ete diriges. Certains faits sont nouveaux; mais pour la plupart, raon travail a consiste a recuaillir des mentions^ des incidents, etff.g qui avaient. du rapport a mon gujet, mais Q.ui n^avaient jamais ete ainsi recueillis.. Autant q.ue je sache, la mienne est la premiere etude detaillee de la vie et de I'oeuvre d'Auguste Barbier. La vie n'a certai- nement pas ete etudiee dans le detail, meme par M, Charles Gamier, dont la preface a 1* edit ion anglaise dea lambes et Poemes (1907) est I'e'tude la plus complete qu'il y ait eue jusq.u'ici. L'oeuvre de Barbier non plus, Les laabes et II Plants mis a part, n'a pas, a q.uel(iues exceptions pres, suscite la curiosite ou I'interet des critiiiues, J'ai eu done, pour ainsi dire, libre carriere; tout etait a dire, ou plutot a redire; et j'ai essaye surtout de rasseibler et d^arjaftgeir-res faits divers dont il s'est agi d'une maniere i^ui les ferait ressortir dans leurs justes proportions.
Load more

Recommended publications
  • St John's Smith Square
    ST JOHN’S SMITH SQUARE 2015/16 SEASON Discover a musical landmark Patron HRH The Duchess of Cornwall 2015/16 SEASON CONTENTS WELCOME TO ST JOHN’S SMITH SQUARE —— —— 01 Welcome 102 School concerts Whether you’re already a friend, or As renovation begins at Southbank 02 Season Overview 105 Discover more discovering us for the first time, I trust Centre, we welcome residencies from the 02 Orchestral Performance 106 St John’s history you’ll enjoy a rewarding and stimulating Orchestra of the Age of Enlightenment 03 Choral & Vocal Music 108 Join us experience combining inspirational and London Sinfonietta, world-class 03 Opera 109 Subscription packages music, delicious food and good company performers from their International Piano 04 Period Instruments 110 Booking information in the fabulous grandeur of this historic Series and International Chamber Music 05 Regular Series 111 How to find us building – the UK’s only baroque Series, and a mid-summer performance 06 New Music 112 Footstool Restaurant concert venue. from the Philharmonia Orchestra. 07 Young Artists’ Scheme This is our first annual season brochure We’re proud of our reputation for quality 08 Festivals – a season that features more than 250 and friendly service, and welcome the 09 Southbank Centre concerts, numerous world premieres and thoughts of our visitors. So, if you have 10 Listings countless talented musicians. We’re also any comments, please let me know and discussing further exciting projects, so I’ll gladly discuss them with you. please keep an eye on our What’s On I look forward to welcoming you to guides or sign up to our e-newsletter.
    [Show full text]
  • Arcana Mundi : Magic and the Occult in the Greek and Roman Worlds : a Collection of Ancient Texts / Translated, Annotated, and Introduced by Georg Luck
    o`o`o`o`o`o SECOND EDITION Arcana Mundi MAGIC AND THE OCCULT IN THE GREEK AND ROMAN WORLDS A Collection of Ancient Texts Translated, Annotated, and Introduced by Georg Luck o`o`o`o`o`o THE JOHNS HOPKINS UNIVERSITY PRESS BALTIMORE The first edition of this book was brought to publication with the generous assistance of the David M. Robinson Fund and the Andrew W. Mellon Foundation. ∫ 1985, 2006 The Johns Hopkins University Press All rights reserved. Published 1985, 2006 Printed in the United States of America on acid-free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Arcana mundi : magic and the occult in the Greek and Roman worlds : a collection of ancient texts / translated, annotated, and introduced by Georg Luck. — 2nd ed. p. cm. Includes bibliographical references (p. ) and indexes. isbn 0-8018-8345-8 (hardcover : alk. paper) isbn 0-8018-8346-6 (pbk. : alk. paper) 1. Occultism—Greece—History—Sources. 2. Occultism—Rome—History— Sources. 3. Civilization, Classical—Sources. I. Luck, Georg, 1926– bf1421.a73 2006 130.938—dc22 2005028354 A catalog record for this book is available from the British Library. For Harriet This page intentionally left blank Contents List of Texts ix Preface xiii List of Abbreviations xvii General Introduction: Exploring Ancient Magic 1 I. MAGIC Introduction 33 Texts 93 II. MIRACLES Introduction 177 Texts 185 III. DAEMONOLOGY Introduction 207 Texts 223 IV. DIVINATION Introduction 285 Texts 321 V.
    [Show full text]
  • Orthoptera : Gryllidae) of the World
    ANNOTATED CHECKLIST OF OECANTHINAE (ORTHOPTERA : GRYLLIDAE) OF THE WORLD THOMASJ. WALKER Department of Entomology, University of Florida, Gainesville The most recent listing of the Oecanthinae of the world is in Volume 2 of Kirby's Syno.nymic Catalogtie of Orthopte~a(1906, p. 72-76). Since then the number of described species has doubled and studies of the spe- cies in Africa (Chopard 1932), the United States (T. Walker 1962a, 1963), and Latin America (T. Walker 1967) have revealed new synonymies. The list below sumniarizes present knowledge of oecanthine taxonomy, nornen- clature, and geographic distribution. Keys to the species of Oecanthinae in specific areas are in the studies listed above and in Tarbinsky (1932, USSR), Chopard (1936, Ceylon), and Chopard (1951, Australia). Little has been published on the biology of Oecanthinae with the exception of Oecaizthlts pellzlcens of Europe (Chopard 1938, M.-C. Busnel 1954, M.-C. and R.-G. Busnel 1954) and various U. S. species (Fulton 1915, 1925, 1926a, 1926b; T. Walker 1957, 1962a, 196213, 1963). The following conventions are used in the checkl~st: After the word Type, a single asterisk ( ) means that the condition and place of deposit of the type specimen were confirmed by correspondence. A double asterisk (' ') means that I have examined the type specimen. Data concerning the present status of the type specimen are separated by a semi-colon from data on the place and date of collection and the collector. Abbreviations are used for the following museums: Academy of Natural Sciences of Philadelphia, Pennsylvania (ANSP) ; British Nuseum (Nat. Hist.), Lon- don, England (BM); Universitetets Zoologiske Museum, Copenhagen, Den- mark (Copenhngen) ; Museum d'Histoire Naturelle, Genhve, Switzerland (Gmzi.ce) ; Museum Nattonal d'Histoire Naturelle, Paris, France (Paris) ; Naturhistoriska Riksmuseum, Stockholm, Sweden (Stocliholnz) ; Universi- ty of Michigan Museum of Zoology, Ann Arbor, Michigan (UMMZ); United States National hlluseum, Washington, D.
    [Show full text]
  • Lettres & Manuscrits Autographes
    ALDE Lettres & Manuscrits autographes lundi 28 avril 2014 Beaux-Arts, Musique et Spectacle nos 1 à 28 Littérature nos 29 à 238 Histoire et Sciences nos 239 à 399 Expert Thierry Bodin Syndicat Français des Experts Professionnels en Œuvres d’Art Les Autographes 45, rue de l’Abbé Grégoire 75006 Paris Tél. 01 45 48 25 31 - Facs 01 45 48 92 67 [email protected] 7, rue Drouot - 75009 Paris Tél. 01 53 34 55 00 - Fax 01 42 47 10 26 [email protected] - www. rossini.fr présentera les nos 57, 58, 139, 221, 245, 298 et 358 Ceux-ci sont signalés par un R dans le catalogue Exposition privée chez l'expert Uniquement sur rendez-vous préalable Exposition publique à la Salle Rossini le lundi 28 avril de 10 heures à midi En première de couverture no 116 (détail) En quatrième de couverture no 393 ALDE Maison de ventes spécialisée Livres & Autographes Lettres & Manuscrits autographes Vente aux enchères publiques Le lundi 28 avril 2014 à 14 h 00 Salle Rossini 7, rue Rossini 75009 Paris Tél. : 01 53 34 55 01 Commissaire-priseur Jérôme Delcamp Expert Thierry Bodin Syndicat Français des Experts Professionnels en Œuvres d’Art Les Autographes 45, rue de l’Abbé Grégoire 75006 Paris Tél. 01 45 48 25 31 - Facs 01 45 48 92 67 [email protected] EALDE Maison de ventes aux enchères 1, rue de Fleurus 75006 Paris Tél. 01 45 49 09 24 - Facs. 01 45 49 09 30 - www.alde.fr Agrément n°-2006-583 5 13 Beaux-Arts, Musique et Spectacle 1.
    [Show full text]
  • Durham E-Theses
    Durham E-Theses Auguste Barbier: Sa Vie et son oeuvre Rowlandson, Jessie How to cite: Rowlandson, Jessie (1942) Auguste Barbier: Sa Vie et son oeuvre, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/8388/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk TOMB II PU D. (O i aims HBRoic^iUsg. En 1842 parurent chez Masgana les Rimes Hero3ioLmes. recueil de sonnets dont le titre et la forme derivent des Rime Eroiche du Tasse. Voici ce q.ue Barbier en dit: J'ai compose ...une sorte de galerie.,.=£e ne sont pas toujours les ames les plus eclatantes et les plus applaudiea Q.ue j'ai chantees, mais les plus maliieureuses, les plus ^ournees vers I'honnete, et les plus sympat]aiq.ues a ma paniere de voir et de sentil?.
    [Show full text]
  • The Making of a Prostitute: Apollodoros's Portrait Of
    Apollodoros’s Portrait of Neaira 161 THE MAKING OF A PROSTITUTE: APOLLODOROS’S PORTRAIT OF NEAIRA1 ALLISON GLAZEBROOK Apollodoros’s account of the life of Neaira ([Demosthenes] 59.16–49) is the most extensive narrative extant on a historical woman from the classical period. The recent publication of Debra Hamel’s book, Trying Neaira: The True Story of a Courtesan’s Scandalous Life in Ancient Greece (2003), has made the famous speech against Neaira and its recent scholarship accessible to a popular audience. The strength of Hamel’s work lies in the political, legal, and social context she provides for the speech, along with her ques- tioning of the various claims Apollodoros makes about Neaira’s “children” and her conclusion that he never proves beyond a doubt that Neaira has been acting as Stephanos’s wife. But does Apollodoros offer “the true story” of Neaira’s life as a courtesan, as Hamel’s title so boldly claims?2 The narrative detail of the speech and the testimony of witnesses convince Hamel (2003.156) that Apollodoros accurately portrays the events of Neaira’s early life. While one function of such witnesses was to attest to the veracity of a speaker’s comments, as in the modern day, their second 1A version of this paper was originally presented at the APA annual meeting in San Diego (2001). I would like to thank the audience for their lively discussion and helpful response, as well as Susan Cole, for her many suggestions, and my anonymous readers whose comments proved most fruitful. 2There is an assumption that oratory is a more objective source of evidence on women than other genres (Pomeroy 1975.x–xi).
    [Show full text]
  • Announcements and Comments
    Colby Quarterly Volume 38 Issue 1 March Article 11 March 2002 Announcements and Comments Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 38, no.1, March 2002 This Front Matter is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. et al.: Announcements and Comments Announcements and Comments HE JUNE 2002 ISSUE will be on Homer, edited by Hanna M. Roisman and TJoseph Roisman of Colby. The September 2002 issue will be on William Trevor. Essays and inquiries should be sent to the editor by March 1, 2002. The June 2003 issue will be devoted to the work of Michael Longley, edited by Jody Randolph Allen and Douglas Archibald. Essays and inquiries should be sent to the editor by December 1, 2002. The December 2003 issue will be Locating New England: the Mythology of Place, edited by \Ves McNair. Essays and inquiries should be sent to the editor by June 1,2003. The picture on the cover of this issue is of a cup from the collection of the Colby College Museum of Art. It is an Athenian black-figure kylix depicting a seated Dionysus and a standing satyr. CONTRIBUTORS TO THIS ISSUE JENNY STRAUSS CLAY teaches in the Department of Classics, University of Virginia. She is the author of The Wrath ofAthena: Gods and Men in the Odyssey (Princeton, 1983); and The Politics of Olympus: Form and Meaning in the Major Homeric Hymns (Princeton, 1989).
    [Show full text]
  • Greek and English Lexicon 1940
    H.G. Liddell, R. Scott, H.S. Jones & R. McKenzie A Greek and English Lexicon 1940 A SimplifieSimplifiedd Edition , by Didier Fontaine www.areopage.net H.G. Liddell, R. Scott, H.S. Jones R, McKenzie - A Greek and English Lexicon (1940) - A Simplified Edition , by Didier Fontaine - www.areopage.net - a)a/atoj not to be injured, inviolable a)agh/j unbroken, not to be broken, hard, strong a)/aptoj not to be touched, resistless, invincible a)/atoj insatiate a)a/w to hurt, damage a)bake/w to be speechless a)bakh/j speechless, infantine a)ba/kxeutoj uninitiated in the Bacchic orgies a)/bale O that! a)barh/j without weight: not burdensome a)basa/nistoj not examined by torture, untortured a)basi/leutoj not ruled by a king a)ba/skantoj not subject to enchantment a)ba/staktoj not to be carried a)/batoj untrodden, impassable, inaccessible )abba=)abba= father )abdhri/thj)abdhri/thj a man of Abdera )abdhritiko/j)abdhritiko/j like an Abderite a)be/baioj uncertain, unsteady a)be/bhloj not profane, inviolable a)belteri/a silliness, stupidity, fatuity a)be/lteroj good for nothing, silly, stupid, fatuous a)bi/astoj unforced, without violence a)/bioj without a living, starving a)bi/wtoj not to be lived, insupportable a)bla/beia freedom from harm a)blabh/j without harm a)ble/faroj without eye-lids a)blh/j not thrown a)/blhtoj not hit a)blhxh/j without bleatings a)blhxro/j weak, feeble a)boh/qhtoj helpless a)bohti/ without summons a)bo/htoj not loudly lamented a)bo/skhtoj ungrazed a)bouko/lhtoj untended by herdsmen a)boule/w to be unwilling a)bouli/a want of counsel, thoughtlessness a)/bouloj inconsiderate, ill-advised a)bou/thj without oxen a)briqh/j of no weight a(broba/thj softly a(bro/bioj living delicately, effeminate a(bro/gooj wailing womanishly Page 1 H.G.
    [Show full text]
  • December 1923) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1-1923 Volume 41, Number 12 (December 1923) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 41, Number 12 (December 1923)." , (1923). https://digitalcommons.gardner-webb.edu/etude/42 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. fw—) -- EFSESW BoHvi; I rolumbi» C08ta Rica, Cuba, Dominican Re- tile Ecuador,’ El Salvador, Guatemala, Mexico, aiums ana lubu obtaining sub&,.-r - MANUSCRIPTS-Manuscr^ts should be^addre trJ^^Tvru^. tas npi 2.": THE ETUDE. Write on oikL^demSsic-study .arc solicited other countries, $2.72 per year. tributions on music-teacn ng taken the publishers are not Although every or photographs either while m Single copy, Price 25 cent*. responsible for ^mafttwcnptt or^Jnavanable manuscripts will journal for the n application. «*»"* "*“* responsible MUSIC STUDENT, AND ALL MUSIC LOVER advertising
    [Show full text]
  • Theses Digitisation: This Is a Digitised Version of the Original Print Thesis. Copyright and Moral
    https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] THE TREATMENT OF INFANTS IN CLASSICAL AND HELLENISTIC GREECE SUSAN J. MILLIGAN Thesis presented for the Degree of Doctor of Philosophy Department of Classics Faculty of Arts The University of Glasgow March 1989 © Susan J. Milligan 1989 ProQuest Number: 10999270 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10999270 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC.
    [Show full text]
  • The CULT of Cybele the Cult of Cybele
    A Study on The CULT of Cybele The Cult of Cybele The cult of Cybele is said to have originated in Asia Minor, near Pergamum. As a deity connected to the concerns of women, as a healer, and as a protector from enemies, Cybele was often associated with Rhea, mother of Zeus and Demeter. Cybele is known by several epithets, such as Magna Mater and Mater Deum (deum = deorum, a syncopated poetic form). Her home was said to be Mount Ida, near the city of Troy. Early depictions show her first as a lump of black stone, then as an earth mother. After the Greeks colonised Asia Minor, the cult spread -- but not without violence. A priest of Cybele is said to have been murdered while trying to introduce the cult into Athens. When the city was struck by a plague, Greeks consulted an oracle (probably the one at Delphi) and were told to build a temple to Cybele. The goddess Cybele During the second Punic War, Hannibal was having much success subduing towns and villages in Italy and was approaching Rome. The Senate consulted the Sybilline Books and learned that, should a foreign enemy invade Italy, he could be deterred only if the worship of the "Mother of Mount Ida" were brought to Rome. Always ones to hedge their bets, the Romans sent a delegation to the oracle at Delphi. A treaty was made with Philip V of Macedon and he permitted the Romans to bring back to Rome both the statue and a black meteorite that personified the divine Cybele.
    [Show full text]
  • Annual Report 2016-2017
    OUR SCIENCE AROUND THE WORLD SAMS SAMS (THE SCOTTISH ASSOCIATION FOR MARINE SCIENCE) SCOTTISH MARINE INSTITUTE OBAN • ARGYLL • PA37 1QA • SCOTLAND • UK T: (+44) (0)1631 559000 F: (+44) (0)1631 559001 E: [email protected] W: WWW.SAMS.AC.UK ANNUAL REPORT OUR PARTNERS 2016-2017 SAMS IS A COMPANY LIMITED BY GUARANTEE, REGISTERED IN SCOTLAND (NO. SC009292), INDEPENDENT MARINE SCIENCE FOR SCOTLAND SINCE 1884 AND A REGISTERED SCOTTISH CHARITY (NO 009206) OFFICE BEARERS AS Audit committee external SAMS Honorary Fellows and CONFIRMED AT 102ND AGM members Research Associates SAMS STAFF OF THE ASSOCIATION Paul Brennan Dr Bob Batty 1 April 2016 – 31 March 2017 SAMS President Carol Phillips Dr Ruth Brennan Dr Clive Craik DIRECTORATE Martino, Dr Simone EDUCATION FINANCIAL SUPPORT Michalek, Kati Prof Geoffrey Boulton Council observers Dr Katherine Duncan Director: Owens, Prof Nicholas Head: Calder, Dr Lois SERVICES Narayanaswamy, Dr Bhavani Deputy Director: Miller, Prof Axel Bury, Dr Helen Head: McInnes, Jacqueline Dr John Gordon O’Donnell, Dr Christopher Sophie Laurie (NERC) Hatton, Prof Angela Crooks, Polly Beard, Adrian Chairman of SAMS Board Prof Richard Gowen Payne, Dr Ben Jennifer Nicoll (HIE) Davidson, Prof Keith Magill, Dr Shona Black, Derek Dr Fiona Hannah Day, Stafford Pond, Prof David Morrison, Leah Campbell, Elizabeth Professor Clive Mulholland (UHI) Commodore Angus Ross Prof Angela Hatton MacKinnon, Lorna Porter, Dr Marie Tindall, Fiona Hart, Fiona Dr Ken Jones Risch, Dr Denise MacEachen, Janice COUNCIL MEMBERS Dr Ray Leakey SCIENCE Robinson,
    [Show full text]