GRŠKE MITOLOŠKE OSEBE 1. Del – 1 IMMORTALS
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Heracles's Weariness and Apotheosis in Classical Greek Art
Dourado Lopes, Antonio Orlando Heracles's weariness and apotheosis in Classical Greek art Synthesis 2018, vol. 25, nro. 2, e042 Dourado Lopes, A. (2018). Heracles's weariness and apotheosis in Classical Greek art. Synthesis, 25 (2), e042. En Memoria Académica. Disponible en: http://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.10707/pr.10707.pdf Información adicional en www.memoria.fahce.unlp.edu.ar Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional https://creativecommons.org/licenses/by-nc-sa/4.0/ ARTÍCULO / ARTICLE Synthesis, vol. 25, nº 2, e042, diciembre 2018. ISSN 1851-779X Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Estudios Helénicos Heracles's weariness and apotheosis in Classical Greek art Agotamiento físico y apoteosis de Heracles en el arte clásico griego Antonio Orlando Dourado Lopes Universidad Federal de Minas Gerais, Brasil [email protected] Resumen: Este estudio propone una interpretación general de las imágenes realizadas en Grecia, a partir del siglo V a. C. en monedas, joyas, pinturas de vasijas y esculturas, que muestran el agotamiento físico de Heracles y su apoteosis divina. Luego de una extendida consideración de los principales trabajos académicos que abordaron el tema desde finales del siglo XIX, procuro mostrar que la representación iconográfica del agotamiento de Heracles y de su apoteosis da testimonio de la influencia de nuevas concepciones religiosas y filosóficas en su mito, fundamentalmente del pitagorismo, del orfismo y de los cultos mistéricos, así como del fuerte intelectualismo de la Atenas del siglo V a. C. -
Resemblance and Camouflage in Graeco-Roman Antiquity 169
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Institutional Research Information System University of Turin Sign Systems Studies 38(1/4), 2010 1 2 3 4 5 6 Resemblance and camouflage 7 in Graeco-Roman antiquity 8 Massimo Leone 9 Department of Philosophy, University of Turin 10 Via S. Ottavio 20, 10124, Torino, Italy 11 e-mail: [email protected] 12 13 Abstract. In the twenty-eighth book of the Naturalis Historia Pliny the Elder 14 claims that, if a chameleon’s left leg is roasted together with a herb bearing the 15 same name, and everything is mixed with ointment, cut in lozenges, and stored in 16 a wooden little box, this will bestow on those who own it a perfect camouflage. 17 The ring of Gyges (Plato, etc.), that of Midas (Pliny), the heliotropium (Pliny), the 18 dracontitis (Philostratus): ancient cultures abound with references to objects, 19 recipes, and techniques able to bestow different kinds of invisibility, meant as a 20 perfect resemblance with the environment. At the same time, these same cultures 21 also teem with references to how to avert the perfect camouflage: for instance, by 22 being endowed with a pupula duplex, a double pupil (Ovid). 23 The paper explores such vast corpus of texts from the point of view of a 24 semiotics of cultures, in order to track the roots of a conception of camouflage 25 that, from these ancient cultures on, develops through intricate paths into the 26 contemporary imaginaires (and practices) of invisibility. -
Chapter 4. Hatred in Hesiod
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Kilgallon, Silvie Title: Hatred in Hesiod General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Hatred in Hesiod Silvie Kilgallon A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of Doctor of Philosophy in the Faculty of Arts, January 2019. Word Count: 75,322. 2 Abstract: This thesis examines the conception and role of hatred in the Theogony and Works and Days of Hesiod. -
Jewish and Christian Cosmogony in Late Antiquity
Texts and Studies in Ancient Judaism Texte und Studien zum Antiken Judentum Edited by Peter Schäfer (Princeton, NJ/Berlin) Annette Yoshiko Reed (Philadelphia, PA) Seth Schwartz (New York, NY) Azzan Yadin-Israel (New Brunswick, NJ) 155 Jewish and Christian Cosmogony in Late Antiquity Edited by Lance Jenott and Sarit Kattan Gribetz Mohr Siebeck Lance Jenott, born 1980, is a post-doctoral research fellow at the University of Oslo. He studied History, Classics, and Religion at the University of Washington (Seattle) and Princeton University, and holds a PhD in the Religions of Late Antiquity from Princeton University. Sarit Kattan Gribetz, born 1984, is a post-doctoral fellow at the Jewish Theological Semi- nary and Harvard University. She studied Religion, Jewish Studies, and Classics at Prince- ton University, where she earned an AB and PhD in the Religions of Late Antiquity. ISBN 978-3-16-151993-2 ISSN 0721-8753 (Texts and Studies in Ancient Judaism) Die Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbiblio- graphie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2013 by Mohr Siebeck, Tübingen, Germany, www.mohr.de This book may not be reproduced, in whole or in part, in any form (beyond that permitted by copyright law) without the publisher's written permission. This applies particularly to reproductions, translations, microfilms and storage and processing in electronic systems. The book was printed on non-aging paper by Guide-Druck in Tübingen and bound by Großbuchbinderei Spinner in Ottersweier. Printed in Germany. Preface This volume presents essays that emerged from a colloquium on the topic of cosmogony (the creation of the world) among ancient Jews and Chris- tians held at Princeton University in May 2010. -
Winter Camp News “ on Guard 2020 “Traditionally Unconventional” Since 1986”
December 29, Winter Camp News “ On Guard 2020 “Traditionally Unconventional” Since 1986” The Factions Meet Up: Winter Camp XLIV Online by Steve Donohue (WC@Home) We had a reasonably successful first night with 5 in attendance: Gavin Bottorff, Michael Bristol, Gabe, Church, Ste- Gadget Googolplex ve Donohue, Matt Grimble, and Michelle Matowski. After a few minutes of warmup and light conversation, Matt took his poor Winter Camp’s long history with improvised devices, D-A connection and went back to his tent. called “gadgets”, to improve the function of routine camp oper- We played several games on Jackbox. We started with ations, continued at Winter Camp XLIV on Day Two. Alan Fibbage where players were asked to make up their own an- Wilson warmed up cinnamon rolls left over from the night be- swers to trivia questions and try to fool others into picking their fore by building a contraption using a cardboard box, a space wrong answer. We also played Fibbage Let's Get Personal heater, and some electronics to set the temperature inside. where you tried to get people to get the right answer about you In Alan’s own words, and as befits Winter Camp, it was “only the finest in space heater prepared foods”. while the rest lied. Steve won at regular Fibbage and Gavin dominated at Fibbage Personal. Remember: The possibilities are limited The first round of Bracketeering called for everyone to only by our imagination. submit two ideas for the "Scariest New Campfire Story". The contestants were: Biggfoot on the Internet, Jeff's New Hike, Rand Rules Blind Hike, Change Your Underwear, You Ruined Winter Camp, Don', Summer Camp, and Pyrannosaurus Rex. -
What the Muses Sang: Theogony 1-115 Jenny Strauss Clay
STRAUSS CLAY, JENNY, What the Muses Sang: "Theogony" 1-115 , Greek, Roman and Byzantine Studies, 29:4 (1988:Winter) p.323 What the Muses Sang: Theogony 1-115 Jenny Strauss Clay HE PROEM to the Theogony has often been analyzed both in T terms of its formal structure and in relation to recurrent hym nic conventions;l it has also been interpreted as a fundamental statement of archaic Greek poetics.2 While differing somewhat in its perspective, the present investigation builds on and complements those previous studies. Dedicated to the Muses, the patronesses of poetry, the opening of the Theogony repeatedly describes these divini ties engaged in their characteristic activity, that is, singing. In the course of the proem, the Muses sing four times: once as they descend from Helicon (lines 11-21), twice on Olympus (44-50, 66f), and once as they make their way from their birthplace in Pieria and ascend to Olympus (71-75). In addition, the prologue describes the song the goddesses inspire in their servants, the aoidoi (99-101), as well as the song Hesiod requests that they sing for him, the invocation proper (105-15). My aim here is a simple one: to examine the texts and contexts of each of these songs and to compare them to the song the Muses instruct Hesiod to sing and the one he finally produces. I See, for example, P. Friedlander, "Das Pro6mium von Hesiods Theogonie" (1914), in E. HEITSCH, Hesiod (Darmstadt 1966: hereafter "Heitsch") 277-94; W. Otto, "Hesiodea," in Varia Variorum: Festgabe fUr Karl Reinhardt (Munster 1952) 49-53; P. -
Thinking Comparatively About Greek Mythology IV, Reconstructing He#Rakle#S Backward in Time
Thinking comparatively about Greek mythology IV, Reconstructing He#rakle#s backward in time The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nagy, Gregory. 2019.08.15. "hinking comparatively about Greek mythology IV, Reconstructing He#rakle#s backward in time." Classical Inquiries. http://nrs.harvard.edu/ urn-3:hul.eresource:Classical_Inquiries. Published Version https://classical-inquiries.chs.harvard.edu/thinking-comparatively- about-greek-mythology-iv-reconstructing-herakles-backward-in- time/ Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42179409 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Classical Inquiries Editors: Angelia Hanhardt and Keith Stone Consultant for Images: Jill Curry Robbins Online Consultant: Noel Spencer About Classical Inquiries (CI ) is an online, rapid-publication project of Harvard’s Center for Hellenic Studies, devoted to sharing some of the latest thinking on the ancient world with researchers and the general public. While articles archived in DASH represent the original Classical Inquiries posts, CI is intended to be an evolving project, providing a platform for public dialogue between authors and readers. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:Classical_Inquiries for the latest version of this article, which may include corrections, updates, or comments and author responses. Additionally, many of the studies published in CI will be incorporated into future CHS pub- lications. -
Chaotic Descriptor Table
Castle Oldskull Supplement CDT1: Chaotic Descriptor Table These ideas would require a few hours’ the players back to the temple of the more development to become truly useful, serpent people, I decide that she has some but I like the direction that things are going backstory. She’s an old jester-bard so I’d probably run with it. Maybe I’d even treasure hunter who got to the island by redesign dungeon level 4 to feature some magical means. This is simply because old gnome vaults and some deep gnome she’s so far from land and trade routes that lore too. I might even tie the whole it’s hard to justify any other reason for her situation to the gnome caves of C. S. Lewis, to be marooned here. She was captured by or the Nome King from L. Frank Baum’s the serpent people, who treated her as Ozma of Oz. Who knows? chattel, but she barely escaped. She’s delirious, trying to keep herself fed while she struggles to remember the command Example #13: word for her magical carpet. Malamhin of the Smooth Brow has some NPC in the Wilderness magical treasures, including a carpet of flying, a sword, some protection from serpents thingies (scrolls, amulets?) and a The PCs land on a deadly magical island of few other cool things. Talking to the PCs the serpent people, which they were meant and seeing their map will slowly bring her to explore years ago and the GM promptly back to her senses … and she wants forgot about it. -
![Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels](https://docslib.b-cdn.net/cover/8862/archons-commanders-notice-they-are-not-anlien-parasites-and-then-in-a-mirror-image-of-the-great-emanations-of-the-pleroma-hundreds-of-lesser-angels-438862.webp)
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
OCR Document
Abelmoschus-Allium 1 Abelmoschus manihot white-yellow to 2m 110 69 Agastache pallidiflora ssp neomexicana lavender-pink 2 Abies koreana yellow dwarf 50 x 20cm 161 45-75cm 258 3 Acaena myriophylla greenish 15-25cm 106 70 rugosa rose/violet to 120cm 253 4 sericea purple fls/silver lvs 6-25cm 62 242 71 rugosa 'Golden Jubilee' blue-purple/chartreuse lvs 100cm 236 5 Acantholimon araxanum pink 15-20cm 243 72 rugosa 'Honey Bee Blue' blue 60-90cm 130 6 armenum pink/white 10-20cm 233 73 rugosa 'Liquorice Blue' deep blue 60-75cm 130 7 capitatum pink 4-18cm 242 74 rupestris pink-orange 60cm 205 8 halophilum light pink 5-10cm 233 75 rupestris 'Apache Sunset' dp orange/rose purple 45-60cm 149 9 hohenackeri pink 5-10cm 243 76 Ageratum houstonianum white 30-80cm 227 10 kotschyi pink 5-10cm 67 77 Agoseris glauca yellow 5-60cm 67 11 litvinovii pale pink 5-15cm 242 78 grandiflora yellow 25-60cm 227 12 saxifragiforme deep pink 5-10cm 6 79 Agrimonia pilosa v pilosa yellow 30-120cm 256 13 sp white 5cm 6 80 Akebia quinata 'Variegata' cream marbled lvs to 12m 259 14 sp ex Ala Dag pink 5cm 6 81 Albuca humilis white/green 15cm 140 15 venustum pink 10-15cm 233 82 shawii yellow 30-45cm > 16 Acanthus hungaricus pink/mauve to 1.5m 56 83 sp ex JCA 15856 white/green 15cm 105 17 Acer griseum to 12m 229 84 Alcea rosea mix 2-3m 34 18 palmatum 'Sango-kaku' 6-7.5m 198 85 rosea pink 2-3m 238 19 palmatum v dissectum 'Crimson Queen' to 3m 149 86 rosea 'Nigra' dark maroon 1.5-2m 34 20 Achillea clavennae white to 25cm 51 87 rosea spp ficifolia yellow/orange to 2.25m 34 21 millefolium -
Greek and Roman Mythology and Heroic Legend
G RE E K AN D ROMAN M YTH O LOGY AN D H E R O I C LE GEN D By E D I N P ROFES SOR H . ST U G Translated from th e German and edited b y A M D i . A D TT . L tt LI ONEL B RN E , , TRANSLATOR’S PREFACE S Y a l TUD of Greek religion needs no po ogy , and should This mus v n need no bush . all t feel who ha e looked upo the ns ns and n creatio of the art it i pired . But to purify stre gthen admiration by the higher light of knowledge is no work o f ea se . No truth is more vital than the seemi ng paradox whi c h - declares that Greek myths are not nature myths . The ape - is not further removed from the man than is the nature myth from the religious fancy of the Greeks as we meet them in s Greek is and hi tory . The myth the child of the devout lovely imagi nation o f the noble rac e that dwelt around the e e s n s s u s A ga an. Coar e fa ta ie of br ti h forefathers in their Northern homes softened beneath the southern sun into a pure and u and s godly bea ty, thus gave birth to the divine form of n Hellenic religio . M c an c u s m c an s Comparative ythology tea h uch . It hew how god s are born in the mind o f the savage and moulded c nn into his image . -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.