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LMM Commissions Press Release Updated
London Music Masters presents world premieres of Gavin Higgins’ Tänze on 23 October and Edmund Finnis’ Shades Lengthen on 10 December as part of LMM’s 2015 commission series Friday 23 October 2015 Thursday 10 December 2015 6pm St. John’s, Hackney Royal Festival Hall Tänze Shades Lengthen (world premiere) (world premiere) Gavin Higgins composer Edmund Finnis composer LMM Learning students Benjamin Beilman violin (LMM London Philharmonic Award Holder) Orchestra London Contemporary Orchestra London Music Masters hosts world premieres of two new works by leading British composers Gavin Higgins on 23 October, and Edmund Finnis on 10 December as part of LMM’s 2015 series of commissions. Higgins’ dance suite Tänze will be performed by 70 of London Music Masters Learning students aged 9-11 and the London Philharmonic Orchestra at the Royal Festival Hall. This free event precedes pianist and LMM Ambassador Benjamin Grosvenor’s concert with the London Philharmonic Orchestra, performing Ravel’s Piano Concerto in G major, marking his first time performing with them in London. Higgins’ large scale, innovative new work will explore the history of dance music from the Baroque period to the present day. Higgins explains: “Tänze is a new work inspired by the Baroque dance suite. As such the piece is made up of the four dances most commonly utilised; Allemande, Courante, Sarabande and a lively Gigue. Dance music has always been very important to me and I’ve been wanting to write a ‘dance suite’ for some time now. When I was approached by LMM to write this piece I felt this was the opportunity to do just that. -
Morgan Hayes, Including a Performance Diary and News of Recent Works, May Be Found At
Stainer & Bell CONTENTS Biographical Note .............................................................2 Music for Orchestra ..........................................................5 Music for String Orchestra ................................................6 Ensemble Works ...............................................................6 Works for Solo Instrument and Ensemble .......................10 Works for Flexible Instrumentation .................................11 Instrumental Chamber Music .........................................12 Works for Solo Piano .......................................................14 Choral Works ..................................................................16 Vocal Chamber Music .....................................................16 Works for Solo Voice .......................................................17 Discography....................................................................17 Alphabetical List of Works...............................................19 Ordering Information ......................................................20 Further information about the music of Morgan Hayes, including a performance diary and news of recent works, may be found at www.stainer.co.uk/hayes.html Cover design: Joe Lau August 2019 1 Morgan Hayes Born in 1973, Morgan Hayes reflects the cultural pluralism of his generation in his open and relaxed attitude to many kinds of musical expression. At the same time, he has pursued a single-minded artistic vision that has won him admirers from among the ranks -
Programme Artikulationen 2017
Programme ARTikulationen 2017 Introduction 2 Research Festival Programme 4 Thursday, 5 October 2017 6 Friday, 6 October 2017 29 Saturday, 7 October 2017 43 Further Doctoral Researchers (Dr. artium), Internal Supervisors and External Advisors 51 Artistic Doctoral School: Team 68 Venues and Public Transport 69 Credits 70 Contact and Partners 71 1 Introduction ARTikulationen. A Festival of Artistic Research (Graz, 5–7 October 2017) Artistic research is currently a much-talked about and highly innovative field of know- ledge creation which combines artistic with academic practice. One of its central features is ambitious artistic experiments exploring musical and other questions, systematically bringing them into dialogue with reflection, analysis and other academic approaches. ARTikulationen, a two-and-a-half day festival of artistic research that has been running under that name since 2016, organised by the Artistic Doctoral School (KWDS) of the Uni- versity of Music and Performing Arts Graz (KUG), expands the pioneering format deve- loped by Ulf Bästlein and Wolfgang Hattinger in 2010, in which the particular moment of artistic research – namely audible results, which come about through a dynamic between art and scholarship that is rooted in methodology – becomes something the audience can understand and experience. In Alfred Brendel, Georg Friedrich Haas and George Lewis, the festival brings three world- famous and influential personalities and thinkers from the world of music to Graz as key- note speakers. George Lewis will combine his lecture with a version of his piece for soloist and interactive grand piano. The presentations at ARTikulationen encompass many different formats such as keynotes, lecture recitals, guest talks, poster presentations and a round table on practices in artistic research. -
Rediscover Northern Ireland Report Philip Hammond Creative Director
REDISCOVER NORTHERN IRELAND REPORT PHILIP HAMMOND CREATIVE DIRECTOR CHAPTER I Introduction and Quotations 3 – 9 CHAPTER II Backgrounds and Contexts 10 – 36 The appointment of the Creative Director Programme and timetable of Rediscover Northern Ireland Rationale for the content and timescale The budget The role of the Creative Director in Washington DC The Washington Experience from the Creative Director’s viewpoint. The challenges in Washington The Northern Ireland Bureau Publicity in Washington for Rediscover Northern Ireland Rediscover Northern Ireland Website Audiences at Rediscover Northern Ireland Events Conclusion – Strengths/Weaknesses/Potential Legacies CHAPTER III Artist Statistics 37 – 41 CHAPTER IV Event Statistics 42 – 45 CHAPTER V Chronological Collection of Reports 2005 – 07 46 – 140 November 05 December 05 February 06 March 07 July 06 September 06 January 07 CHAPTER VI Podcasts 141 – 166 16th March 2007 31st March 2007 14th April 2007 1st May 2007 7th May 2007 26th May 2007 7th June 2007 16th June 2007 28th June 2007 1 CHAPTER VII RNI Event Analyses 167 - 425 Community Mural Anacostia 170 Community Poetry and Photography Anacostia 177 Arts Critics Exchange Programme 194 Brian Irvine Ensemble 221 Brian Irvine Residency in SAIL 233 Cahoots NI Residency at Edge Fest 243 Healthcare Project 252 Camerata Ireland 258 Comic Book Artist Residency in SAIL 264 Comtemporary Popular Music Series 269 Craft Exhibition 273 Drama Residency at Catholic University 278 Drama Production: Scenes from the Big Picture 282 Film at American Film -
Arcana Mundi : Magic and the Occult in the Greek and Roman Worlds : a Collection of Ancient Texts / Translated, Annotated, and Introduced by Georg Luck
o`o`o`o`o`o SECOND EDITION Arcana Mundi MAGIC AND THE OCCULT IN THE GREEK AND ROMAN WORLDS A Collection of Ancient Texts Translated, Annotated, and Introduced by Georg Luck o`o`o`o`o`o THE JOHNS HOPKINS UNIVERSITY PRESS BALTIMORE The first edition of this book was brought to publication with the generous assistance of the David M. Robinson Fund and the Andrew W. Mellon Foundation. ∫ 1985, 2006 The Johns Hopkins University Press All rights reserved. Published 1985, 2006 Printed in the United States of America on acid-free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Arcana mundi : magic and the occult in the Greek and Roman worlds : a collection of ancient texts / translated, annotated, and introduced by Georg Luck. — 2nd ed. p. cm. Includes bibliographical references (p. ) and indexes. isbn 0-8018-8345-8 (hardcover : alk. paper) isbn 0-8018-8346-6 (pbk. : alk. paper) 1. Occultism—Greece—History—Sources. 2. Occultism—Rome—History— Sources. 3. Civilization, Classical—Sources. I. Luck, Georg, 1926– bf1421.a73 2006 130.938—dc22 2005028354 A catalog record for this book is available from the British Library. For Harriet This page intentionally left blank Contents List of Texts ix Preface xiii List of Abbreviations xvii General Introduction: Exploring Ancient Magic 1 I. MAGIC Introduction 33 Texts 93 II. MIRACLES Introduction 177 Texts 185 III. DAEMONOLOGY Introduction 207 Texts 223 IV. DIVINATION Introduction 285 Texts 321 V. -
Marco Polo – the Label of Discovery
Marco Polo – The Label of Discovery Doubt was expressed by his contemporaries as to the truth of Marco Polo’s account of his years at the court of the Mongol Emperor of China. For some he was known as a man of a million lies, and one recent scholar has plausibly suggested that the account of his travels was a fiction inspired by a family dispute. There is, though, no doubt about the musical treasures daily uncovered by the Marco Polo record label. To paraphrase Marco Polo himself: All people who wish to know the varied music of men and the peculiarities of the various regions of the world, buy these recordings and listen with open ears. The original concept of the Marco Polo label was to bring to listeners unknown compositions by well-known composers. There was, at the same time, an ambition to bring the East to the West. Since then there have been many changes in public taste and in the availability of recorded music. Composers once little known are now easily available in recordings. Marco Polo, in consequence, has set out on further adventures of discovery and exploration. One early field of exploration lay in the work of later Romantic composers, whose turn has now come again. In addition to pioneering recordings of the operas of Franz Schreker, Der ferne Klang (The Distant Sound), Die Gezeichneten (The Marked Ones) and Die Flammen (The Flames), were three operas by Wagner’s son, Siegfried. Der Bärenhäuter (The Man in the Bear’s Skin), Banadietrich and Schwarzschwanenreich (The Kingdom of the Black Swan) explore a mysterious medieval world of German legend in a musical language more akin to that of his teacher Humperdinck than to that of his father. -
The Organ Music of Ethel Smyth
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IUScholarWorks THE ORGAN MUSIC OF ETHEL SMYTH: A GUIDE TO ITS HISTORY AND PERFORMANCE PRACTICE BY SARAH M. MOON Submitted to the faculty of the School of Music in partial fulfillment of the requirements for the degree, Doctor of Music, Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. __________________________________ Janette Fishell, Research Director __________________________________ Gretchen Horlacher __________________________________ Bruce Neswick __________________________________ Christopher Young ii Copyright © 2014 Sarah M. Moon iii This document is dedicated to my family. iv ACKNOWLEDGEMENTS I would foremost like to thank the members of my Doctoral Committee: Professor Janette Fishell, Professor Gretchen Horlacher, Professor Bruce Neswick, and Professor Christopher Young. I truly appreciate my five years at Indiana University under their guidance and admire their inspirational models of character and excellence. I would especially like to thank Dr. Janette Fishell, my organ professor and research director, who has provided invaluable musical and academic encouragement. I am also grateful to many people and institutions in England who helped with my research: Fiona McHenry and the helpful staff at the British Library’s Music and Rare Books Reading Room; Michael Mullen and the librarians at the Royal College of Music; Peter Graham Avis, a fellow Ethel Smyth scholar; and Alex Joannides from Boosey and Hawkes for granting me permission to make a copy of “Prelude on a Traditional Irish Air” for study purposes. -
Orthoptera : Gryllidae) of the World
ANNOTATED CHECKLIST OF OECANTHINAE (ORTHOPTERA : GRYLLIDAE) OF THE WORLD THOMASJ. WALKER Department of Entomology, University of Florida, Gainesville The most recent listing of the Oecanthinae of the world is in Volume 2 of Kirby's Syno.nymic Catalogtie of Orthopte~a(1906, p. 72-76). Since then the number of described species has doubled and studies of the spe- cies in Africa (Chopard 1932), the United States (T. Walker 1962a, 1963), and Latin America (T. Walker 1967) have revealed new synonymies. The list below sumniarizes present knowledge of oecanthine taxonomy, nornen- clature, and geographic distribution. Keys to the species of Oecanthinae in specific areas are in the studies listed above and in Tarbinsky (1932, USSR), Chopard (1936, Ceylon), and Chopard (1951, Australia). Little has been published on the biology of Oecanthinae with the exception of Oecaizthlts pellzlcens of Europe (Chopard 1938, M.-C. Busnel 1954, M.-C. and R.-G. Busnel 1954) and various U. S. species (Fulton 1915, 1925, 1926a, 1926b; T. Walker 1957, 1962a, 196213, 1963). The following conventions are used in the checkl~st: After the word Type, a single asterisk ( ) means that the condition and place of deposit of the type specimen were confirmed by correspondence. A double asterisk (' ') means that I have examined the type specimen. Data concerning the present status of the type specimen are separated by a semi-colon from data on the place and date of collection and the collector. Abbreviations are used for the following museums: Academy of Natural Sciences of Philadelphia, Pennsylvania (ANSP) ; British Nuseum (Nat. Hist.), Lon- don, England (BM); Universitetets Zoologiske Museum, Copenhagen, Den- mark (Copenhngen) ; Museum d'Histoire Naturelle, Genhve, Switzerland (Gmzi.ce) ; Museum Nattonal d'Histoire Naturelle, Paris, France (Paris) ; Naturhistoriska Riksmuseum, Stockholm, Sweden (Stocliholnz) ; Universi- ty of Michigan Museum of Zoology, Ann Arbor, Michigan (UMMZ); United States National hlluseum, Washington, D. -
Performing History
PERFORMING HISTORY BACH PIANISM IN BRITAIN, 1920–35 Pierre Patrick Rancy Riley Fitzwilliam College This thesis is submitted to the University of Cambridge for the degree of Doctor of Philosophy September 2020 Declaration I hereby declare that this thesis is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the preface and specified in the text. It is not substantially the same as any that I have submitted, or is being concurrently submitted, for a degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or is being concurrently submitted, for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. This thesis does not exceed the prescribed word limit set by the Degree Committee of the Faculty of Music. Abstract Performing History: Bach Pianism in Britain, – Pierre Riley The canonical repertoire of Western art music – and, by association, the pantheon of its progenitors – exists both as history and in the living, sounding present. It undergoes reinvention and renegotiation through performance and related activities, prompting reflection on how to account for its multi-faceted ontology. This study applies an array of methodologies to the task of describing and contextualising performance acts with the aim of gaining a more nuanced understanding of one repertoire in one historical time and place. -
Tasmania Discovery Orchestra 2011 Concert 1
Tasmania Discovery Orchestra 2011 The Discovery Series, Season II Concert 1: Discover the Orchestra Alex Briger – Conductor Mozart Overture Die Zauberflöte , K. 620 Beethoven Symphony No. 7 in A Major, Op. 92 Coffee and Cake in the foyer with musicians and conductor Sunday 17 h April 2011 | 2:30pm Stanley Burbury Theatre Sandy Bay, Hobart The Tasmania Discovery Orchestra The TDO is a refreshingly new, bold idea in Australian orchestral music making, designed to offer musicians with advanced orchestral instrument skills the opportunity to come together and make great music in Hobart, Tasmania. The TDO was created in 2010, and was an immediate success, drawing musicians from around Australia to Hobart for the inaugural performance. The response for more performance opportunities for orchestral players is evident by the large number of TDO applicants for both the 2010 and 2011 seasons. This demand led to the creation of another new initiative by the Conservatorium of Music, the TDO Sinfonietta , which will be continuing in 2011. This ensemble performs the chamber music repertoire of the 20th- Century and works composed for mixed orchestral ensemble. With a repertoire of known favourites, this ensemble of more intimate proportions than the TDO, is designed for orchestral musicians with advanced chamber instrumental skills. The TDO and TDO Sinfonietta are about investing in the future of Australian music. Our mission is simple: Australian orchestral musicians, not employed in full-time positions with orchestras, need more opportunities to perform. We want our community and audience to get involved! Have you ever wondered how an orchestra works? Or, perhaps, you’ve always wanted to know what the Conductor does. -
Russian Visions
7 3. Andante espressiv RUSSIAN VISIONS RUSSIAN VISIONS 20th-century Music for Cello and Piano 20th-century Music for Cello and Piano SOMMCD 0606 Igor STRAVINSKY (1882-1971) Alfred SCHNITTKE (1934-1998) Dmitri SMIRNOV (b.1948) Bozidar Vukotic cello · Alissa Firsova piano STRAVINSKY Suite Italienne for cello and piano [16:36] bm 3. Largo 3:26 1 1. Introduzione 2:06 bn 4. Allegro 2:00 2 2. Serenata 3:15 bo 5. Lento 1:51 3 3. Aria 4:42 4 4. Tarantella 2:17 SMIRNOV 5 5. Minuetto e Finale 4:13 bp Tiriel, Op. 41c* 9:30 SCHNITTKE SCHNITTKE Sonata No. 1 for cello and piano [18:04] Musica nostalgica for cello and piano 6 1. Largo 3:40 arr. M. Rostropovich 7 2. Presto 5:48 bq In tempo di Menuetto 3:14 8 3. Largo 8:34 Sonata No. 2 (Quasi una Sonata) [14:14] Total duration 61:40 9 1. Senza tempo 2:47 bl 2. Allegro 4:08 *First recording Recorded at the Menuhin Hall on 9 & 10 February 2019 Recording Producer: Siva Oke Recording Engineer: Paul Arden-Taylor Igor STRAVINSKY · Alfred SCHNITTKE · Dmitri SMIRNOV* Front cover: Le Coq d’Or: Set Design for Act I by Natalia Goncharova (1881-1962). Private collection. Bridgeman Images. *First recording Design: Andrew Giles Booklet Editor: Michael Quinn DDD © & 2020 SOMM RECORDINGS · THAMES DITTON · SURREY · ENGLAND Bozidar Vukotic cello · Alissa Firsova piano Made in the EU his programme brings together 20th-century works for cello and piano by Giambattista Pergolesi to perform with the violinist Paul Kochanski. -
Musica Ad Asiago
MUSICA AD ASIAGO ASIAGOFESTIVAL è organizzato dalla Associazione Culturale “Amici della Musica di Asiago” - “Fiorella Benetti Brazzale”, in collaborazione con la Parrocchia di S. Matteo, con il contributo e la collaborazione della Città di Asiago e l’Assessorato Turismo e Cultura. Si ringraziano in modo particolare la Burro delle Alpi - Alpilatte, Gran Moravia, la Bassan Bernardo e Figli, Birra Cimbra e la Rigoni di Asiago per il sostegno concesso, determinante per l’allestimento della stagione, nonchè le altre ditte private che, aiutando la manifestazione, dimostrano sensibilità verso le attività che arrichiscono il soggiorno dei nostri ospiti e le esperienze culturali sull’altopiano. Figure musicanti tratte dal “Gabinetto armonico pieno di strumenti sonori del Padre Filippo Bonanni al Santo Re David - In Roma MDCCXXII” riedito nella stamperia di Vincenzo Bona - In Torino MCMLXIX. Sabato 15 Agosto - ore 21.00 ASIAGOFESTIVAL 2015 ASIAGO - Duomo San Matteo Concerto per l'Assunta 49^ EDIZIONE organo: Michael König soprano: Ulrike Haller Sabato 8 Agosto - ore 21.00 musiche di: Frescobaldi, J.S.Bach, Vivaldi, Becker, Kobald, ASIAGO - Chiesa di San Rocco Mascagni, Sullivan Ensemble dell’Orchestra Barocca di Venezia Venice Baroque Orchestra musiche di: Vivaldi Domenica 16 Agosto - ore 17.00 CAmpOroverE DI Roana ex Forte Interrotto Lunedì 10 Agosto - ore 21.00 ASIAGO - Chiesa di San Rocco ensemble di violoncelli: Cello Passionato violoncello: Julius Berger pianoforte: Oliver Kern violoncello: Hyun-Jung Berger violoncello: Julius Berger violoncello: