R a T T L E B O N E

J O N A T H A N W O O L G A R

R A T T L E H I S B O N E S f o r c h a m b e r e n s e m b l e o f n i n e p l a y e r s

Rattle His Bones was commissioned by Cambridge University Musical Society.

The first performance was given by Cambridge University New Music Ensemble, conducted by Patrick Bailey, at the West Road Concert Hall, Cambridge on 2nd February 2017.

Duration: c. 14 minutes

INSTRUMENTATION

Flute (doubling on Piccolo) Oboe (doubling on Cor Anglais) Clarinet in Bb (doubling on Bass Clarinet in Bb) Bassoon (doubling on Contrabassoon)

Trumpet in Bb Trombone

* Percussion (1 player) Piano Double Bass

*Percussion: snare drum, vibraphone, tam-tam, vibraslap, crotales, tenor drum, pedal bass drum, tubular bells (E4 and F4), bongos, flexatone, tambourine, Chinese cymbal, swanee whistle, high gong, referee’s whistle

PERFORMANCE NOTES

All grace notes are before the beat. The Double Bass must extend to a low C.

The instruments should be set up roughly as follows:

Flute Oboe Clarinet Bassoon

Trumpet Piano

Double Trombone Bass Conductor

Score in C R A T T L E H I S B O N E S JONATHAN WOOLGAR h = 52 Flute    (Piccolo)      

Cor Anglais Oboe   (Cor Anglais)        sffz p

Bass Clarinet To Cl. Clarinet in Bb    (Bass Clarinet)          sffz pp

Bassoon    (Contrabassoon)         sffz p

Trumpet in Bb       

Trombone          sffz p

Snare Drum (snares off)  Percussion         pp sost.

2 3]         sffz Piano p sonore 2 3]              

Double Bass      p  

5 Fl.      

C. A.     

B. Cl.     

Bsn.      

Tpt.      

plunger  Tbn.         p

Perc.       

    

Pno.

    

SOLO, poco ad lib. 3  3 pizz., vib. 3 0            Db.                     p mf   mf slap damp 3

9 Fl.       

C. A.      

B. Cl.      

Bsn.         

con sord. harmon (stem in) 3  Tpt.           p

3 (half)  5    3         Tbn.             mf p  mf  

Vibraphone (motor off, plastic/wooden sticks) 3 Perc.                f

2 3] 3              Pno. sffz

     

5 0 3      Db.                       mp 4

A 3 13            Fl.           3 3 3 3   mf mf

3 C. A.                    3 3 3 mf mf

Clarinet in Bb 3        Cl.              3 3 3 3   mf mf

3              Bsn.          mf 3 3 3 mf

3 (half)  Tpt.            f p 

3       Tbn.               p sub.    mf p p

3 Perc.                       f  

2 3] 3               Pno. sffz       

5 3 Db.                     mf 5

17 3 3 3     Fl.              3 3  3 mp

3 3 3 3 3 3 C. A.                mp   

3 3 3 3 3 3 3 Cl.                 mp 

3 3 3 3 3 3 3 Bsn.                      mp

Tpt.             ff

  Tbn.            p poco

take bow bowed l.v. Perc.          mf

     Pno. pp            una corda

arco, trem.

     Db.            pp 6

5 21 3 3 3 3 3  Fl.                          mf

3 3 3 3 3 C. A.                  

3 3 3 3 3 Cl.                 

5 3 3 3 3   Bsn.                      p mf

Tpt.      

 Tbn.          

5 3 motor on, medium sticks  Perc.              mp              5 sub. Pno. f p (ord.) p mf                   inside the piano, 5 3 with nails    

(ord.) s.p. ord.    Db.            3    f p  7 p o c o a c c e l . flz. 5 25          Fl.          p

To Ob. C. A.      

To B. Cl.  Cl.      

  3 3  Bsn.            pp    f mp

Tpt.       

3 senza sord. 3 Tbn.                     mp f

Tam-Tam l.v. al niente Perc.            (weigh pedal down)   p deep boom                  3   Pno. pp sonore p                      3  

Db.                 molto! 8 B Più scorrevole Tempo I subito (h = c.52) 29 To Picc. Fl.        

C. A.       

Bass Clarinet in Bb To Cl. 3 3 B. Cl.                 f  molto

Bsn.                3 3 molto

SOLO, poco ad lib. con sord. harmon - always open  Tpt.            f brillante

plunger 3  Tbn.              pp sempre

Snare Drum (normal sticks, snares on) w. w. Perc.                    etc. - very fast morse code rhythms  (lift Vib. pedal weight) ppp

3                       Pno. mf              

pizz. arco, vib. 5 3 Db.                      molto  p f espress. 9

33 Fl.     

C. A.    

B. Cl.    

Bsn.     

3 3 5  5       Tpt.                        p f 3

 Tbn.        

w. w. w. Perc.    

    Pno.    

pizz. arco, vib. pizz. arco, vib. 5 3 5 3 Db.                  p   mf 10 hold the tension... 36 Fl.         

 C. A.       

B. Cl.          

 Bsn.          

"wah" 3 12 3   Tpt.                            p mf ff 

 Tbn.        

w. w.  Perc.            fff sub.

            ff Pno.         

pizz. arco, vib. pizz. 5 3  Db.                    mf C 11 q = q (q = c.104) 39 Piccolo  Picc.                                        f ritmico       

Oboe        Ob.                                  f ritmico   

Clarinet in Bb        Cl.                                  f ritmico  

                       Bsn.                     f ritmico

Tpt.       

Tbn.         

Vibraslap Crotales Perc.                               f mf

 cantabile                                            3 3 3 3 3 3 3 3 3 3 3 3 Pno. ff pp f p sub. f p sub. f p

       

Db.        12

44      Picc.                            

        Ob.                       

         Cl.                        

                     Bsn.          

con sord. straight 5 Tpt.            p f

Tbn.      

Perc.               

                                          3 3 3 3 3 3 3 3 3 3 3 3 Pno. fp fp fpfpfp fp     

Db.      13

48   Picc.                             sub.     mp

      Ob.                           mp sub.

     Cl.                          mp sub.

                   Bsn.           

3       Tpt.                3 p f

Tbn.      

Perc.                

                                   3 3 3 3 3 3 3 3 3 Pno. f p agitato             

arco Db.            p agitato 14 D 52    Picc.       

5              Ob.         mf

5              Cl.         mf

Bsn.      

Tpt.     

Tbn.     

Perc.     

    Pno.                                 

 Db.                         15

55      Picc.             3 4 3 p f ff

4          Ob.              3 f 3

4          Cl.              3 f 3

5 5 Bsn.            p  mp mf

Tpt.     

senza sord. 5 5 Tbn.            p mp mf

Perc.     

    Pno. c r e s c . p o c o a p o c o                             

Db.                          c r e s c . p o c o a p o c o 16

3 58      Picc.            3 3 p mp

 3           Ob.              3 3 3 3 p mp

 3           Cl.              3 3 3 3 p mp

5 5 Bsn.                   mp

Tpt.     

5 5 Tbn.           

Perc.     

    Pno.                         

   Db.                            mf p 17

61          Picc.            f ff ff

          Ob.         f ff ff

             Cl.         f ff ff

    Bsn.                     ff

big band fall    Tpt.             ff

flz. Tbn.               ff

Tenor Drum 3 3 3 Perc.                     ff   

                           ff Pno. f                                 

just behind the bridge   (a metallic shriek!)    Db.                    ff  ff 18 E 65                  Picc.                  f ritmico

      Ob.                           f ritmico  

           Cl.                   f ritmico   

              Bsn.                    f ritmico

 Tpt.      p    sfz

3 Tbn.           sfz sfz

Vibraslap Tubular Bells l.v. Pedal Bass Drum 3 Perc.             f f f

 h h. h.   etc. - very fast morse code rhythm (same note)             Pno. f 3           sffz mf 

arco III 3 Db.          sffz sfz 19  flz. 69                 Picc.                       

           Ob.                     

9      Cl.                              ff

                Bsn.                  

flz. snarl! Tpt.            p  ff

Tbn.           

3 3 3 Perc.                     mp f

h. h. h. q   stop!     Pno.         

Db.         20 F

73 q. = h (h = c.68) Picc.      

Ob.     

SOLO - wild and wailing!                Cl.    

3 Bsn.               p mp

Tpt.      

3 Tbn.             p mp

Bongos (medium vibe sticks)      Perc.                   f

5  3                      mp Pno. f p 3           poco ped.       

3 5  pizz.        Db.                         mf f mf f   21

77 Picc.      

Ob.     

3 5               Cl.                       mf sub. ff

3 Bsn.             f

Tpt.      

3 Tbn.              f

5   Perc.                 

3 5                          Pno.  f p f                3 

0 arco pizz. 0       Db.                   5  p f 22

81 Picc.      

Ob.     

5 5  3                           Cl.             5 

3 3             Bsn.    pp mp mf

Tpt.      

3 3      Tbn.             pp mp mf

5  3   Perc.                    p f p

3 3                Pno.      p (p)                  3 f

arco 5  3            Db.                 ff G 23 Poco meno mosso espress. 5 84 Flute 3 5         Picc.     f mp mf

Ob.    

    To B. Cl. Cl.               10 espress. 3         Bsn.     f p mp

Tpt.     

 Tbn.        

mf mf Vibraphone (medium sticks, motor on)     Perc.                  Vibraslap  mf mp 

         Pno. mf mp

                       3      

   Db.        24

87 3 5 3 3 3 3            Fl.                 mp f

     Ob.         p f

Cl.      

3           Bsn.      p

  Tpt.            p f

Tbn.        

mf     Perc.                    p mp p     trem.              Pno. p f                         

Db.       H 25 h = q. (ma a tempo, q = c.104) 91 To Picc.    Fl.       pp

cantabile          Ob.    mf

Bass Clarinet in Bb Cl.                          p

To Cbsn. Bsn.         

Tpt.       

Tbn.         

Bongos  Perc.                 p

           Pno.       

Db.                                    p     26

96 Fl.       

       Ob.     

           B. Cl.                                

Bsn.       

Tpt.       

con sord. straight Tbn.            p mf

   Perc.                        mf p mf

bell-like         Pno. p sempre

      

 Db.                                   27

101 Fl.       

   Ob.          

         B. Cl.                            

Contrabassoon Bsn.            pp poss.

Tpt.       

Tbn.              p

3    Perc.                         p f 

           Pno.          p sonore   

         Db.                             28

106 Fl.       

3        Ob.               p mf p

                    B. Cl.         

3 Cbsn.          

Tpt.       

3   Tbn.                 p mf

 Perc.           

           Pno. 3           

lirico subito

Db.                          mf 29

111 I Fl.       

3 5  3 5         Ob.                         f sempre

                        B. Cl.         5

3 Cbsn.             pp

Tpt.       

3 3 Tbn.                mf

Crotales bowed l.v. Perc.             mp pp poco

         Pno. p sonore 3            

Db.            f 30

116 Fl.       

5 5 5           lip bend Ob.                          fp

                B. Cl.                     3 3 3 3 3 3 3 3 3 3 3 3  cresc. poco a poco

Cbsn.         

Tpt.       

Tbn.            p

Perc.        

      Pno.           

 Db.        J 31 120 Piccolo     Fl.                         p 

3         Ob.                    f p

           B. Cl.           3 3   mf p

Cbsn.           

senza sord. Tpt.                         p 

Tbn.            mf

Chinese Cymbal (scraped) l.v. Crotales l.v. Perc.                   p p

           Pno. p            

 Db.            32     125                            Picc.         5  mp

          Ob.       mp p

             B. Cl.        p sub.

Cbsn.          

Tpt.                

Tbn.          

v e r y s l o w g l i s s . Flexatone  h. h.   Perc.       mp p   

3                           Pno. p

      

Db.       33

130                                              Picc.      

         Ob.     

     To Cl. B. Cl.      

Cbsn.            p solenne

Tpt.             

      Tbn.     p solenne

h. h. h. h. h. Perc.   

3 3              Pno.           p solenne

          Db.     p solenne 34 K 135                     Picc.                  

Ob.        

Clarinet in Bb B. Cl.                 p

 Cbsn.             p sonore (with D.B. and Pno.)

Tpt.         

  Tbn.        

h Tam-Tam l.v. Perc.            p deep boom

depress silently                        pp Pno.          Middle Pedal   (to b.156) p sonore (with Cbsn. and D.B.)

  Db.        p sonore (with Cbsn. and Pno.) 35

140 Picc.       

Ob.      

Cl.                              

3 3 Cbsn.                

Tpt.       

Tbn.       

Tenor Drum 3 3 3 3 3 3 3 3 Perc.                                           p f p f

                                                Pno. 3 3                              

3 3   Db.              36 L 145 Picc.       

Ob.      

flz.

Cl.                            f

           Cbsn.                   f unruly

Tpt.       

 senza sord.                  Tbn.           p molto! ff unruly

3 3 Perc.                        f 

                                               3 3 3 3 3 3 Pno. (pp sempre)               

    Db.      37

150 Picc.       

Ob.      

Cl.      

              Cbsn.                         

Tpt.       

                      Tbn.            

Tambourine 3 3 3  3 3  Perc.                                      f fp  p fp f

h. h. h. h. h.  ad lib. very fast morse code rhythm as before (same note)   Pno.      

Db.       38

155 Picc.       

Ob.      

3 3 3 3 3 3 Cl.                             3     3 3 3  3 mf          Cbsn.                   f 

3 3 3 3 3 3 Tpt.                               3      ff brillante 

               Tbn.               ff

  Perc.                 f 

   h. q         Pno. ff             

      Db.                f f  39 M 160 Picc.      

Ob.     

3    Cl.             3 3 3 ff

3 3 Cbsn.                    ff 

3 3 3 3 3 3 3 3 3    Tpt.                                      cresc. mf

3 3    Tbn.                 

Snare Drum (snares on) h. h. Perc.             very fast morse code rhythms as before  pp

     Pno. ff 3 3                    

  Db.              mp  mf 40 N    164     Picc.              3 5 ff

Ob.           ff 

Cl.           ff 

Cbsn.       

3 3 3 3 3 3 3  3 3 3 3    Tpt.                                        5   ff

flz. 3 3 3 Tbn.                       mp ff

h. h. h. h. Perc.         mf molto! ff

  3  3 3   gliss.                     Pno. p f    3 3 3                 

   Db.               f ff 41   169     Picc.             ff

       Ob.                    

               Cl.              

Cbsn.      

Tpt.      

3 3 3 3 3 3 3 3 3      3             Tbn.                                      3 3

Chinese Cymbal   Perc.                          Pedal Bass Drum  

3 3 3 3 3 3 3 3    3 3        3 3                                                        Pno.   3 3 3 3 3 3 3 3 3 3 3 3                                       

just behind the bridge (as before) pizz. arco pizz.   Db.                       ff   ff   42       173            Picc.                      3  3 3 ff

  3 3           3 Ob.                       

                 Cl.                  3  3 3

3 3 3 Cbsn.                   ff 

3 3 3 Tpt.                     ff 

3 3 3 3 3 3   3 3               3 Tbn.                               3   

  Perc.                       

3 3 3 3 3 3 3  3 3 3                                                                Pno.   3 ff 3 3 3 3 3 3 3                                                    3   3

arco 3 3 3       Db.                             ff 43

177   3                 Picc.                                    3 3 3   3 3 3 3 3 3 3 3

3 3    3               Ob.                                        3   3 3 3 3 3 3 3 3

  3                 Cl.                                   3 3 3   3 3 3 3 3 3 3 3

3 3  3     3       Cbsn.                                             3 3   3 3 3 3   3  3

3 3 3 3 3 3  3 3   3               Tpt.                                         3   3 3

3 3 3 3   3 3 3  3 3 3 3 3 Tbn.                                                      

Swanee Whistle Perc.               ff

3 3 3 3 3 3 3 3 3  3   3 3                                                                        3 3     3 3 Pno. 3 3 3   3 3  3 3          3                                                                   

3 3 3 3 3 3  3 3 3     3   3 3    Db.                                              44 O (e = e) molto rit. 181  To Fl.       Picc.                mf sub.

           Ob.                mf

  Cl.         

  Cbsn.                      f  

           Tpt.                         f

 Tbn.                   f  

 Chinese Cymbal     Perc.                      f

                                     gliss.           Pno.   mf sub. mp f f                         

   Db.                      f   P 45 A tempo (h = 52) 185 Flute Fl.        p sost.

Ob.        p

Cl.           p f pp

To Bsn. Cbsn.             

con sord. harmon (stem in)  Tpt.       p 

Tbn.        

Vibraphone (motor off, plastic/wooden sticks) 5  Gong (scraped) l.v. Perc.                  p mf  f f (weigh down pedal)   5   5  3                                     Pno.  ff f ff mf 3                    

3 Db.                 sffz 46

189 5 Fl.            p

3 3 Ob.             mf

3 Cl.       p    

Cbsn.      

 4  5 3  Tpt.                      pp mf

con sord. harmon (stem in)     Tbn.          mp 3

Vibraphone (medium sticks) 4 3 Perc.             

     Pno. p sonore 3         

3 Db. 

p  poco   47

193 To Picc. Fl.            

3 3 3   Ob.                             f   ff

   Cl.           ff

Cbsn.          

"wah" "wah"   Tpt.          ff "wah" "wah" 3   3          Tbn.                          mf f ff

Tam-Tam (scraped) Perc.                 f

    g l i   s      s    .  Pno. ff                       

h (ord.) sul pont. Db.                  ff 48 Q 197 Fl.     

Ob.    

Cl.                 f   Bassoon 5 5 Bsn.              f aggressivo  

Tpt.     

always open 5 5 Tbn.              f aggressivo 

l.v. Perc.        

                   Pno. g f aggressivo l is s.                              

5 pizz. 3 3  Db.                       f aggressivo 49

200 Fl.     

Ob.    

Cl.                          

5 5 5 Bsn.              

Tpt.     

5 5 5 Tbn.              

Perc.      

                              

Pno.

                          

5 3 5 Db.                  50

203 Fl.     

Ob.    

Cl.                                

  Bsn.                           

Tpt.     

flz.  5 Tbn.               ff 

Perc.      

                           Pno.                                

3 5 5 Db.                 ff  51

206 Fl.      

Ob.     

  Cl.                               

         Bsn.                          

Tpt.      

5 5 Tbn.                   

Perc.        

                                 Pno.                                       

5 5 Db.                   R 52 Piccolo 209    Fl.      ff

    Ob.     ff 3 flz.        Cl.       ff 3

       Bsn.       ff   sffz

senza sord.    Tpt.        ff

senza sord.    Tbn.       ff 3

Referee's Whistle Chinese Cymbal p ff  l.v. sempre  Perc.              ff   Snare Drum (snares on) f Pedal Bass Drum

 15                               Pno. fff               sffz  arco Db.             ff   sffz 53 3 212       Picc.   

       Ob.         5 5 3 5

          Cl.   5 5 3 5

  3  Bsn.      ff   ff  sffz sffz

3    Tpt.      

          Tbn.    5 5 3 5

f p ff   p ff   Perc.             f f 3  

 15                                 6  Pno. fff    6 6 3                sffz sffz   

3 Db.         ff   ff sffz sffz 54 3 214       Picc.   

      Ob.           3 3 3 3

           Cl.     3 3 3 3

3   Bsn.          ff ffp 

    Tpt.      

           Tbn.      3 3 3 3

3 p   Perc.           p ff  f

            3 Pno. fff 7 5 3 3                                  f cresc. sffz 

3 Db.           ff ffp   molto! 55  216   To Fl.    Picc.      

        Ob.    

growl         Cl.        

      Bsn.        ff

   Tpt.          mf ff

        Tbn.       

ff   Perc.               

5                  9       5  5 Pno.   fff              

Db.            fff 56 S 218 Flute 3 3 3 3 3 To Picc. Picc.                    mf mp

Ob.     

3 3 3 3 3 Cl.                   mf mp

5   poco animato     3 3 Bsn.               mf mp mf   

Tpt.      

poco animato 3 3 Tbn.                  pp mf

Vibraphone (motor on) pp bowed Perc.              f plastic/wooden sticks   5  mf 

          Pno. pp        una corda

5 pizz.   Db.                 mf mp mf 57

221 Piccolo   Fl.            mp

Ob.       

 Cl.       mp

3 3 3 Bsn.                       sffz

Tpt.         p

3 Tbn.                   3  3     sffz

Snare Drum (snares off)  Perc.              3 pp sost.

3                         Pno. f p 3                

arco trem. pizz.    Db.                   mp 58

225   Picc.                 pp mf pp pp

 Ob.       pp

 Cl.             pp mf pp

3 3 Bsn.                p pp

Tpt.               pp mp pp

3 3 Tbn.               p pp

  Perc.         

3  3                        Pno. mp pp 3 3 3                     

 3 3   Db.            p mf    pp T 59 q. = h molto delicato (h = c.68) lontano, senza colore 229     Picc.               

lontano, senza colore

   Ob.       

Cl.      

Bsn.           

Tpt.       

Tbn.               

  Perc.            

            Pno. ppp                       una corda

Db.           60

234 # (  ) 3  Picc.                   

§ (  ) Ob.            

senza colore #  Cl.               ppp pp

Bsn.        

Tpt.        

Tbn.        

Vibraphone (motor off) bowed     Perc.      ppp (poco) P sempre

       Pno.

             

Db.        61

240   To Fl. Picc.         

poco a poco più colore

Ob.         p    

poco a poco più colore

3 ( ) Cl.           p  

 Bsn.       pp

luminoso, senza vib. 3 Tpt.                  ppp mp p

Tbn.       

very soft sticks 3   bowed Perc.               pp poco ppp pp 

3              Pno. pp sonore

          3   una corda sempre (to b.262)

dolce 3 Db.              pp sonore ppp 62

245 Picc.       

Ob.      

Cl.           #     Bsn.        p

poco a poco più vib. (  ) Tpt.              

3    Tbn.           pp sonore ppp mp

very soft sticks 3 bowed Perc.               poco     ppp poco

3               Pno.

           3   (U.C. >) 

Db.              mp p 63 rit. 250 Picc.       

Ob.      

(  ) 3 Cl.        

(  ) 3 Bsn.         

Tpt.            

   ( ) Tbn.          p

very soft sticks 3 Perc.               ppp 

3         Pno.   ppp 3               3     P sempre (to b.262) (U.C. >) 

 Db.                   64 U Tempo I, flessibile (h = 52) 255 Flute Fl.               pp

Ob.     

Cl.          pp pp

Bsn.        pp

smokey vib. plunger        Tpt.                  p p p p

Tbn.       pp

Perc.      

                            Pno. pp 3 3 3 3                       poco  poco sim.  (Ped. >) (U.C. >)

pizz.  Db.               pp 65

259    Fl.        p f

         Ob.      p mp mf f

Cl.           pp mp f 

Bsn.          pp

 3 5     Tpt.                  p

Tbn.      

Gong (scraped) Crotales (bowed) l.v. Perc.            pp mp

                         f Pno. 3 3 3 3                        (Ped. >) (U.C. >)  

arco Db.           pp poco 66

3 5 (lip) 263    3                  Fl.          3 mf pp

     Ob.         3 mf 

(lip) 3 5 3      Cl.                        3 mf pp

Bsn.         

Tpt.        

Tbn.         

l.v. Crotales (bowed) 3 Perc.                ppp

3            Pno. pp

       

Db.        V 67 (q = q) 268 5 5 5 5 5           Fl.                             (pp)

Ob.      

5 5 5 5 5            Cl.                 (pp)

Bsn.         

Tpt.       

Tbn.         

l.v. Perc.          poco

                 Pno. ppp        una corda

Db.        68

273 5 5 5 5 5           Fl.                              poco

Ob.      

5 5 5 5 5             Cl.                 poco

3 3 Bsn.                   p warm poco

Tpt.       

Tbn.                   3 p warm poco 3

Pedal B.D. (with soft stick) 3 3 Perc.                  p p

sim.   3 3                        p Pno. 3 3                 

       arpeggiate  on the beat     

3 3 Db.                 p warm poco  69 W 278 5 5 5       Fl.                       poco p        

Ob.      

5 5 5        3 3 3 3 3 3 Cl.           poco              p    

        Bsn.         p     poco 

con sord. straight Tpt.                              p       

Tbn.        poco

Perc.        

3 3                  Pno.            

5 5     Db.           poco p 70

283 Fl.                   

5     Ob.        p

3 3 3 3 3 3 3 3 3 Cl.                            

            Bsn.      

Tpt.                                      

Tbn.     

Perc.      

5            Pno. mf         arco 5 5              Db.         p mf 71

286 Fl.                              f

5 5        Ob.        mp mf

3 3 3 3 3 3 3 3 3 Cl.                              

            Bsn.       f

Tpt.                                        

Tbn.       

Gong  Perc.         pp

5 5                   Pno. f

       

5 5            Db.            p f mf 72 X 3 289     Fl.         f

3 3             Ob.    f mf f

3 3 3 3 5                         Cl.      3 mf f f

Bsn.        

Tpt.             f 

Tbn.        

3 Vibraphone (motor off, bowed) 3 Perc.              mp damp pp  (P)

 3            Pno. p

       

Db.       73

293 3 3   Fl.           mp

 Ob.     

3 To B. Cl.    Cl.     

Bsn.                   p dolce pp

Tpt.      

Tbn.                   p dolce pp

Perc.       

     Pno.     

Db.      74

297 3     Fl.         p

Ob.       

Bass Clarinet in Bb 3 3 Cl.                 pp

3 3 3 Bsn.                    pp

Tpt.        

3 Tbn.           

3 Perc.           

       Pno. mp p 3 3                          3            Db.       p 75 Y * 302 Fl.      

 Ob.      

 B. Cl.         

 Bsn.        

Tpt.        

 Tbn.           Crotales l.v. sempre 5                p ppp poss. Vibraphone Perc. Chinese Cymbal (motor off, very soft sticks) bowed (scraped) 3 5                       pp ppp ppp P sempre

                       lontano Pno. ppp                                                 etc. every h una corda - to the end!

   Db.      

* The overall effect here, with the grace notes, arpeggiations and percussion colourings, should be that of a strange, distant music box. 76

305 Fl.       

 Ob.     

 B. Cl.     

 Bsn.      

Tpt.       

 Tbn.      

3 3 5                   Perc. very soft sticks bowed very soft sticks 3 3   5              ppp  

                                      Pno.                               

       

 Db.      77

308 Fl.        

 Ob.      

 B. Cl.      

 3 Bsn.            pp

Tpt.        

 Tbn.        

Tam-Tam 3 3 Perc.            ( ) pp   

                           Pno.                                            3 

 3 Db.          p 78

Z 3 311 5 5         Fl.         mp p

Ob.      

B. Cl.      

5     Bsn.           mp 

Tpt.       

Tbn.       

l.v. al niente Perc.        

      Pno.      

Db.       AA 79 rit. A tempo

316    Fl.       pp

Ob.      

B. Cl.      

Bsn.       

Tpt.       

Tbn.       

Snare Drum (snares off)  Perc.         ppp

3 3 3                          Pno. pp       

Db.            pp sempre 80

321 Fl.       

 Ob.     

 B. Cl.     

 Bsn.      

Tpt.       

 Tbn.      

  Perc.           p o c o a p o c o ff

3 3                      Pno. ppp pppp         

pizz.  Db.               mf