DOCSLIB.ORG

Toons Metadata

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Toons Metadata TOONS - DATA SHEET FILENAME DESCRIPTION BT BOING Didgeridoo Boing Low.wav BOING DIDGERIDOO TONAL Hitting the top of a didgeridoo with flat hand. Processed pitch envelope. Ascending pitch. Low. BT BOING Jaw Harp High Short.wav BOING INSTRUMENT HIGH Playing Jew's harp. Short and wobbling. BT BOING Jaw Harp Low Short.wav BOING INSTRUMENT LOW Playing Jew's harp. Short and wobbling. BT BOING Mouth Drip.wav BOING MOUTH DRIP Flicking with fingers against cheek, imitating water dripping. Snappy impact. BT BOING Mouth Harp Metal Big Jump.wav BOING METAL JUMP Playing Jew's harp while pressing air out of mouth. Shaping sound with mouth. Ascending and descending pitch. BT BOING Mouth Harp Metal Big.wav BOING METAL BIG Playing Jew's harp. Shaping the sound with the mouth and adding timbre by pressing air. Ascending and descending pitch. BT BOING Pipe In Water.wav BOING PIPE WATER Quickly putting plastic pipe in water bucket. Ascending pitch. BT BOING Plastic String High.wav BOING STRING HIGH Plucking string on. Ascending pitch. High and short. BT BOING Rope Down.wav BOING TONAL DOWN Plucking rope. Descending pitch. Low and tubby. BT BOING Rope Multiple Up.wav BOING TONAL MULTIPLE Plucking rope multiple times. Ascending pitch. Some wobbling. Low and tubby. BT BOING Rope Up.wav BOING TONAL UP Plucking rope. Ascending pitch. Low and tubby. BT BOING Rope Wobble.wav BOING WOBBLE LOW Plucking rope. Wobbling pitch. Low and tubby. BT BOING Rubber Band Down.wav BOING RUBBER DOWN Plucking elastic band. Descending pitch. Low and tubby. BT BOING Rubber Band Rattle.wav BOING RUBBER RATTLE Plucking elastic band multiple times. Ascending pitch. Low and tubby. BT BOING Rubber Band Swing.wav BOING RUBBER HIGH Plucking elastic band. Wobbling pitch and high tension. BT BOING Rubber Band Up Down.wav BOING RUBBER UP DOWN Plucking elastic band. Ascending pitch. Low and tubby. BT BOING Rubber Band Up.wav BOING RUBBER UP Plucking elastic band. Ascending pitch. Low and tubby. BT BOING Wobble Bowl Small.wav BOING WOBBLE SMALL Hitting metallic bowl in water with drum stick. Ascending and descending pitch. Some wobbling. BT BOING Wobble Singing Bowl.wav BOING WOBBLE BOWL Hitting singing bowl in water with drum stick. Ascending and descending pitch. Low and wobbling. BT CREAK Balloon Inflated Handling.wav CREAK RUBBER BALLOON Stretching, pulling and releasing inflated party balloon. Snapping and creaking. BT CREAK Balloon Rub Creak.wav CREAK RUBBER BALLOON Rubbing two party balloons against each other. Creaking and squeaking. BT CREAK Balloon.wav CREAK RUBBER BALLOON Rubbing and handling party balloon. Creaking and squeaking. BT CREAK Rubber Glove Inflated.wav CREAK RUBBER GLOVE Rubbing and handling inflated rubber glove. Creaking and squeaking. BT CREAK Rubber Glove Stretch.wav CREAK RUBBER GLOVE Stretching and handling rubber glove. Creaking and squeaking. BT CREAK Wood Small.wav CREAK WOOD HIGH Creaking small wooden box. High, slightly moaning. BT EXPLOSION Balloon.wav EXPLOSION BALLOON LOW Bursting balloon in reverberant room. Pitched down. BT EXPLOSION Big.wav EXPLOSION BIG LONG Massive explosion with long tail. Dull, rumbling debris. Reverberant. BT EXPLOSION Burst.wav EXPLOSION BURST LOW Burning and sizzling elements. Light reverberant. BT EXPLOSION Echoing.wav EXPLOSION ECHOING LONG Burning cord before detonation. Long, echoing tail. Reverberant. BT HORN Bicycle Beep.wav HORN BICYCLE BEEP Honking bicycle horn. From once to multiple times. BT HORN Car Horn Oldtimer High.wav HORN OLDTIMER HIGH Honking vintage car horn. From once to multiple times. Low and tinny. One long honk. BT HORN Car Horn Oldtimer Low.wav HORN OLDTIMER LOW Honking vintage car horn. From once to multiple times. Some metallic rattling. © 2016 by BOOM Library GbR 1 TOONS - DATA SHEET FILENAME DESCRIPTION BT HORN Elk Caller Up Down Long.wav HORN UP DOWN LONG Blowing elk caller with high voice. Ascending and descending in pitch. Long. BT HORN Elk Caller Up Down Short.wav HORN UP DOWN SHORT Blowing elk caller with high voice. Ascending and descending in pitch. Short. BT HORN Elk Caller Up Down Trill Long.wav HORN TRILL LONG Blowing elk caller with high voice and trilling articulation. Ascending and descending in pitch. Long. BT HORN Elk Caller Up Down Trill Short.wav HORN TRILL SHORT Blowing elk caller with high voice and trilling articulation. Ascending and descending in pitch. Short. BT HORN Hooter.wav HORN HOOTER TONAL Blowing a hooter whistle. Slightly fluttering. BT HORN Orchestral High.wav HORN TONAL HIGH Honking orchestral horn. From once to multiple times. Differing in speed. High. BT HORN Orchestral Low.wav HORN TONAL LOW Honking orchestral horn. From once to multiple times. Differing in speed. Low. BT HORN Orchestral Medium.wav HORN TONAL MEDIUM Honking orchestral horn. From once to multiple times. Differing in speed. Medium. BT HORN Party Blower No Paper.wav HORN TONAL PARTY Blowing party horn without paper snake. Differing in length and strength. Tonal. Varying Pitch. BT HORN Party Blower.wav HORN TONAL PARTY Blowing party horn. Unrolling paper rustling. Tonal with varying Pitch. BT HORN Party.wav HORN PLASTIC TONAL Blowing party pipe. Made out of plastic and paper. BT HUMAN Fart Arm Long.wav HUMAN FART LONG Pressing mouth against arm, then blowing with high pressure. BT HUMAN Fart Arm Pit.wav HUMAN FART SHORT Holding hand under arm pit and pressing air through it. BT HUMAN Fart Arm Short.wav HUMAN FART SHORT Pressing mouth against arm, then blowing with high pressure. BT HUMAN Fart Cheek Long.wav HUMAN FART LONG Making a farting noise by pressing air trough both cheeks. Wet and squishy. BT HUMAN Fart Cheek Short.wav HUMAN FART SHORT Making a farting noise by pressing air trough both cheeks. Wet and squishy. BT HUMAN Fart Lip Long.wav HUMAN FART LONG Pressing lips together, then blowing with high pressure. BT HUMAN Fart Lip Medium.wav HUMAN FART SHORT Pressing lips together, then blowing with high pressure. BT HUMAN Mouth Flaps Continuous.wav HUMAN MOUTH FLAPS Flapping lips and making noise with voice. Continuous sequence, differing in pitch. BT HUMAN Mouth Flaps Short Up Down.wav HUMAN MOUTH UP DOWN Flapping lips and making noise with voice. Continuous sequence, ascending and descending pitch. BT HUMAN Mouth Shake Fast.wav HUMAN MOUTH VOICE Shaking mouth and lips and making noise with voice similar to a horse. BT HUMAN Mouth Swallow.wav HUMAN MOUTH SWALLOW Human gulping down a big peace of food. Low and slightly tonal. BT HUMAN Mouth Water Slurp.wav HUMAN MOUTH WATER Slurping water. Differing in length and speed. BT HUMAN Pingu Noot Noot Talking.wav HUMAN TALKING HIGH Crazy talking voice, imitating the famous Pingu. Short and long sequences. BT HUMAN Quack Cheek.wav HUMAN QUACK CHEEK Making quacking noise by pressing air through cheeks. Differing in length and varying pitch. BT HUMAN Quack Shaking Fast.wav HUMAN QUACK SHAKING Making quacking noise and shaking head to imitate duck. Fast. BT HUMAN Quack Shaking Very Fast.wav HUMAN QUACK FAST Making quacking noise and shaking head to imitate duck. Very fast. BT HUMAN Quack Talking.wav HUMAN QUACK TALKING Making quacking noise and shaking head to imitate duck. Long sequences. BT HUMAN Quack.wav HUMAN QUACK DUCK Making quacking noise. Similar to a duck. Short. BT HUMAN Tongue Click.wav HUMAN CLICK TONGUE Human clicking tongue. Differing in pitch. Short. BT HUMAN Trumpet High Double.wav HUMAN TRUMPET HIGH Pressing air through lips. Making elephant like sound. High, twice. BT HUMAN Trumpet High Single.wav HUMAN TRUMPET HIGH Pressing air through lips. Making elephant like sound. Short. © 2016 by BOOM Library GbR 2 TOONS - DATA SHEET FILENAME DESCRIPTION BT HUMAN Trumpet Low Double.wav HUMAN TRUMPET LOW Pressing air through lips. Making elephant like sound. Low. BT HUMAN Trumpet Low Long.wav HUMAN TRUMPET LONG Pressing air through lips. Making elephant like sound. Low and long. BT HUMAN Trumpet Low Short.wav HUMAN TRUMPET SHORT Pressing air through lips. Making elephant like sound. Low and short. BT IMPACT Ball Bounce Metal Bin.wav IMPACT BALL METAL Ball bouncing on and in metal bin until the end. Slightly tonal. BT IMPACT Balloon Flat Snap.wav IMPACT BALLOON FLAT Stretching flat party balloon and let it snap. Shooting with rubber. BT IMPACT Balloon Inflated Snap Bottom.wav IMPACT BALLOON INFLATED Stretching the bottom of an inflated party balloon and let it snap. Flabby. BT IMPACT Balloon Inflated Snap Top High.wav IMPACT BALLOON HIGH Stretching the top of a fully inflated party balloon and let it snap. BT IMPACT Balloon Inflated Snap Top Low.wav IMPACT BALLOON LOW Stretching the top of an inflated party balloon and let it snap. BT IMPACT Balloon Inflated Snap.wav IMPACT BALLOON INFLATED Stretching inflated party balloon and let it snap. Flabby decay. BT IMPACT Metal Bin.wav IMPACT METAL MEDIUM Hitting metal bin. Resonating tail. Tinny. BT IMPACT Metal Bins Rattle.wav IMPACT METAL RATTLE Throwing and moving bin on floor. Rattling elements. Tinny. BT IMPACT Metal Bowl.wav IMPACT METAL BOWL Hitting metallic big metallic bowl with wood and metal stick. BT IMPACT Metal Box.wav IMPACT METAL BOX Hitting big metal box. Lasting tone. Tonal and low BT IMPACT Metal Cap Roll.wav IMPACT METAL ROLL Dropping two small lids on ground. Lids rolling on the floor. Tonal impact. BT IMPACT Metal Cap.wav IMPACT METAL DROP Dropping two small lids on ground. Several tonal impacts. BT IMPACT Metal Car Crash.wav IMPACT METAL CRASH Majorly car parts, but also a lot of other metal and glass pieces dropped on the floor. Lots of debris. BT IMPACT Metal Crash Boxes Jump.wav IMPACT METAL JUMP Lifting and dropping metallic boxes.
Load more

Recommended publications
  • The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
    The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below).
    [Show full text]
  • Leihmaterial Bote & Bock
    Leihmaterial Bote & Bock - Stand: November 2015 - Komponist / Titel Instrumentation Komp. / Dauer Aa, Michel van der 2 After Life B 2S,M,A,2Ba; 2005-06/ 95' Oper nach dem Film von Hirokazu Kore-Eda 0.1.1.BKl.0-0.1.0.1-Org(=Cemb)-Str(3.3.3.2.2); 2009 elektr Soundtrack; Videoprojektionen 1 The Book of DisquietB 1.0.1.1-0.1.0.0-Perc(1): 2008 75' Musiktheater für Schauspieler, Ensemble und Film Vib/Glsp/3Metallstücke/Cabasa/Maracas/Egg Shaker/ 4Chin.Tomt/grTr/Bambusglocken/Ratsche/Peitsche(mi)/ HlzBl(ti)/2Logdrum/Tri(ho)/2hgBe-4Vl.3Va.2Vc.Kb- Soundtrack(Laptop,1Spieler)-Film(2Bildschirme) 0 Here [enclosed] B 0.0.1.1-0.1.1.0-Perc(1)-Str(6.6.6.4.2)- 2003 17' für Kammerorchester und Soundtrack Soundtrack(Laptop, 1Spieler); Theaterobjekt K Here [in circles] B Kl.BKl.Trp-Perc(1)-Str(1.1.1.1.1); 2002 15' für Sopran und Ensemble kl Kassetten-Rekorder (z.B. Sony TCM-939) 0 Here [to be found]B 0.0.1.1-0.1.1.0-Perc(1)-Str(6.6.6.4.2)- 2001 18' für Sopran, Kammerorchester und Soundtrack Soundtrack(Laptop, 1 Spieler) Here Trilogy B 2001-03 50' siehe unter Here [enclosed], Here [in circles], Here [to be found] F Hysteresis B Fg-Trp-Perc(1)-Str*; Soundtrack(Laptop,1 Spieler); 2013 17' für Solo-Klarinette, Ensemble und Soundtrack *Streicher: 1.0.1.1.1 (alle vertärkt) oder 4.0.3.2.1 oder 6.0.5.4.2; Kb mit tiefer C-Saite 2 Imprint B 2Ob-Cemb-Str(4.4.3.2.1); 2005 14' für Barock-Orchester Portativ-Orgel zu spielen vom Solo-Violinisten; Historische Instrumente (415 Hz Stimmung) oder moderne Instrumente in Barock-Manier gespielt 1 Mask B 1.0.1.0-1.1.1.0-Perc(1)-Str(1.1.1.1.1)-
    [Show full text]
  • Steinway Duo-Art
    CHAPTER OFFICERS INTERNATlONAL OFFICERS NO. CALIFORNIA Pres.: Phil McCoy Vice Pres.: Isadora Koff PRESIDENT Sec.: David Fryman Bob Rosencrans Treas.: Bob Wilcox 36 Hampden Rd. Reporter: Sharon Bartlett Upper Darby, PA 19082 SO. CALIFORNIA VICE PRESIDENT Pres.: Francis Cherney Bill Eicher Vice Pres.: Mary Lilien 465 Winding Way Sec.: Greg Behnke Dayton, OH 45429 Treas.: Roy SheIso SECRETARY Reporter: Bill Toeppe Jim Weisenborne TEXAS 73 Nevada St. Pres.: Carole Beckett Rochester, MI 48063 Vice Pres.: Sal Mele AMICA MEMBERSHIP RATES: PUBLISHER Sec/Treas.: Doyle Cassel Tom Beckett Reporter: Kay & Merrill Baltzley Continuing Members: $15 Dues 6817 Cliffbrook Dallas, TX 75240 MIDWEST New Members, add $5 processing fee Pres.: Bennet Leedy MEMBERSHIP SECRETARY Vice Pres.: Jim Prendergast (New memberships and Sec.: Jim Weisenborne mailing problems) Treas.: Alvin Wulfekuhl Bobby Clark Jr Reporter: Molly Yeckley P. O. Box 172 Columbia SC 29202 PHILADELPHIA AREA Pres Mike Naddeo THE AMICA NEWS BULLETIN TREASURER Vice Pres.: John Berry Jack & Mary Riffle Sec. Dick Price Published by the Automatic Musical Instrument Collectors' Association, a non­ 5050 Eastside Calpella Rd. Treas.: Claire Lambert profit club devoted to the restoration, distribution and enjoyment of musical Ukiah, CA 95482 Reporter: Allen Ford instruments using perforated paper musIc rolls. BOARD REPRESENTATIVES SOWNY (So. Ontario, West NY) Contributions: All subjects of interest to readers of the Bulletin are N. Cal. Howie Koff Pres.: Jeff Depp encouraged and invited by the pUblisher All articles must be received by the S. Cal.: Dick Rigg Vice Pres: Bruce Bartholomew 10th of the preceeding month. Every attempt will be made to publish all artiCles Texas: Wade Newton Sec.: Mike Walter of general interest to AMICA members at the earliest possible time..and at the Phil.: Bob Taylor Treas.: Stella Gilbert Midwest: Bill Eicher Reporter: Jim Brewer discretion of the publisher.
    [Show full text]
  • This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Electric Amateurs Literary encounters with computing technologies 1987-2001 Dorothy Butchard PhD in English Literature The University of Edinburgh 2015 DECLARATION is is to certify that the work contained within has been composed by me and is entirely my own work. No part of this thesis has been submitted for any other degree or professional quali"cation. ABSTRACT is thesis considers the portrayal of uncertain or amateur encounters with new technologies in the late twentieth century. Focusing on "ctional responses to the incipient technological and cultural changes wrought by the rise of the personal computer, I demonstrate how authors during this period drew on experiences of empowerment and uncertainty to convey the impact of a period of intense technological transition. From the increasing availability of word processing software in the 1980s to the exponential popularity of the “World Wide Web”, I explore how perceptions of an “information revolution” tended to emphasise the increasing speed, ease and expansiveness of global communications, while more doubtful commentators expressed anxieties about the pace and effects of technological change.
    [Show full text]
  • WORKSHOP: Around the World in 30 Instruments Educator’S Guide [email protected]
    WORKSHOP: Around The World In 30 Instruments Educator’s Guide www.4shillingsshort.com [email protected] AROUND THE WORLD IN 30 INSTRUMENTS A MULTI-CULTURAL EDUCATIONAL CONCERT for ALL AGES Four Shillings Short are the husband-wife duo of Aodh Og O’Tuama, from Cork, Ireland and Christy Martin, from San Diego, California. We have been touring in the United States and Ireland since 1997. We are multi-instrumentalists and vocalists who play a variety of musical styles on over 30 instruments from around the World. Around the World in 30 Instruments is a multi-cultural educational concert presenting Traditional music from Ireland, Scotland, England, Medieval & Renaissance Europe, the Americas and India on a variety of musical instruments including hammered & mountain dulcimer, mandolin, mandola, bouzouki, Medieval and Renaissance woodwinds, recorders, tinwhistles, banjo, North Indian Sitar, Medieval Psaltery, the Andean Charango, Irish Bodhran, African Doumbek, Spoons and vocals. Our program lasts 1 to 2 hours and is tailored to fit the audience and specific music educational curriculum where appropriate. We have performed for libraries, schools & museums all around the country and have presented in individual classrooms, full school assemblies, auditoriums and community rooms as well as smaller more intimate settings. During the program we introduce each instrument, talk about its history, introduce musical concepts and follow with a demonstration in the form of a song or an instrumental piece. Our main objective is to create an opportunity to expand people’s understanding of music through direct expe- rience of traditional folk and world music. ABOUT THE MUSICIANS: Aodh Og O’Tuama grew up in a family of poets, musicians and writers.
    [Show full text]
  • Music K-8 Marketplace 2021 Spring Update Catalog
    A Brand New Resource For Your Music Classroom! GAMES & GROOVES FOR BUCKET BAND, RHYTHM STICKS, AND LOTS OF JOYOUS INSTRUMENTS by John Riggio and Paul Jennings Over the last few years, bucket bands have grown greatly in popularity. Percussion is an ideal way to teach rhythmic concepts and this low-cost percussion ensemble is a great way to feel the joy of group performance without breaking your budget. This unique new product by John Riggio and Paul Jennings is designed for players just beyond beginners, though some or all players can easily adapt the included parts. Unlike some bucket band music, this is written with just one bucket part, intended to be performed on a small to medium-size bucket. If your ensemble has large/bass buckets, they can either play the written part or devise a more bass-like part to add. Every selection features rhythm sticks, though the tracks are designed to work with just buckets, or any combination of the parts provided. These change from tune to tune and include Boomwhackers®, ukulele, cowbell, shaker, guiro, and more. There are two basic types of tunes here, games and game-like tunes, and grooves. The games each stand on their own, and the grooves are short, repetitive, and fun to play, with many repeats. Some songs have multiple tempos to ease learning. And, as you may have learned with other music from Plank Road Publishing and MUSIC K-8, we encourage and permit you to adapt all music to best serve your needs. This unique collection includes: • Grizzly Bear Groove • Buckets Are Forever (A Secret Agent Groove) • Grape Jelly Groove • Divide & Echo • Build-A-Beat • Rhythm Roundabout ...and more! These tracks were produced by John Riggio, who brings you many of Plank Road’s most popular works.
    [Show full text]
  • Electrophonic Musical Instruments
    G10H CPC COOPERATIVE PATENT CLASSIFICATION G PHYSICS (NOTES omitted) INSTRUMENTS G10 MUSICAL INSTRUMENTS; ACOUSTICS (NOTES omitted) G10H ELECTROPHONIC MUSICAL INSTRUMENTS (electronic circuits in general H03) NOTE This subclass covers musical instruments in which individual notes are constituted as electric oscillations under the control of a performer and the oscillations are converted to sound-vibrations by a loud-speaker or equivalent instrument. WARNING In this subclass non-limiting references (in the sense of paragraph 39 of the Guide to the IPC) may still be displayed in the scheme. 1/00 Details of electrophonic musical instruments 1/053 . during execution only {(voice controlled (keyboards applicable also to other musical instruments G10H 5/005)} instruments G10B, G10C; arrangements for producing 1/0535 . {by switches incorporating a mechanical a reverberation or echo sound G10K 15/08) vibrator, the envelope of the mechanical 1/0008 . {Associated control or indicating means (teaching vibration being used as modulating signal} of music per se G09B 15/00)} 1/055 . by switches with variable impedance 1/0016 . {Means for indicating which keys, frets or strings elements are to be actuated, e.g. using lights or leds} 1/0551 . {using variable capacitors} 1/0025 . {Automatic or semi-automatic music 1/0553 . {using optical or light-responsive means} composition, e.g. producing random music, 1/0555 . {using magnetic or electromagnetic applying rules from music theory or modifying a means} musical piece (automatically producing a series of 1/0556 . {using piezo-electric means} tones G10H 1/26)} 1/0558 . {using variable resistors} 1/0033 . {Recording/reproducing or transmission of 1/057 . by envelope-forming circuits music for electrophonic musical instruments (of 1/0575 .
    [Show full text]
  • Physics 1240: Sound and Music
    Physics 1240: Sound and Music Today (7/25/19): Vibrating Air Columns, Organs Next time: Woodwinds, Brass Instruments Student performance: flute Review Types of Instruments (Hornbostel–Sachs classification) • Chordophones: vibrating strings • Aerophones: vibrating columns of air • Idiophones: vibrating the whole instrument • Membranophones: vibrating membrane/skin • Electrophones: vibrating loudspeaker Review Chordophones • Zithers • Lutes = • Harps / 2 • How to create waves: initial displacement, velocity, or both BA Clicker Question 12.1 If you pluck a string at its halfway point, which of the first five harmonics will be present? A) 1, 3, 4, 5 B) 1, 3, 5 C) 1 D) 2, 4 E) 1, 2, 3, 4, 5 BA Clicker Question 12.1 If you pluck a string at its halfway point, which of the first five harmonics will be present? A) 1, 3, 4, 5 1st B) 1, 3, 5 2nd C) 1 D) 2, 4 3rd E) 1, 2, 3, 4, 5 4th 5th BA Clicker Question 12.2 If the string on a grand piano for the note that plays middle C is 4 feet long, how long would the string for the lowest C (three octaves down) need to be if no changes are made to the string’s tension or gauge? A) 0.5 ft B) 4 ft C) 8 ft D) 16 ft E) 32 ft BA Clicker Question 12.2 If the string on a grand piano for the note that plays middle C is 4 feet long, how long would the string for the lowest C (three octaves down) need to be if no changes are made to the string’s tension or gauge? A) 0.5 ft B) 4 ft C) 8 ft = / D) 16 ft If goes down three octaves (decreases by a E) 32 ft 2 factor of 23=8), must increase by a factor of 8
    [Show full text]
  • Dayton C. Miller Flute Collection
    Guides to Special Collections in the Music Division at the Library of Congress Dayton C. Miller Flute Collection LIBRARY OF CONGRESS WASHINGTON 2004 Table of Contents Introduction...........................................................................................................................................................iii Biographical Sketch...............................................................................................................................................vi Scope and Content Note......................................................................................................................................viii Description of Series..............................................................................................................................................xi Container List..........................................................................................................................................................1 FLUTES OF DAYTON C. MILLER................................................................................................................1 ii Introduction Thomas Jefferson's library is the foundation of the collections of the Library of Congress. Congress purchased it to replace the books that had been destroyed in 1814, when the Capitol was burned during the War of 1812. Reflecting Jefferson's universal interests and knowledge, the acquisition established the broad scope of the Library's future collections, which, over the years, were enriched by copyright
    [Show full text]
  • Pvc Pipe Instrument Instructions
    Pvc Pipe Instrument Instructions Oaken Nealon fannings finitely and prescriptively, she metricates her twink guzzle unpopularly. Adulterated and rechargeable Jedediah retired her fastenings tinge while Brodie cycle some Callum palingenetically. Disappointing Terrence infix no mainbraces dovetails incontinently after Parnell pep unmeritedly, quite surbased. All your instrument designed for pvc pipe do it only cut down lightly tapping around the angle grid, until i think of a great volume of musical instruments can This long cylindrical musical instrument is iconic of Australia's aboriginal culture which dates back some 40000. Plant combinations perennials beautiful gardens, instructions for the room for wood on each section at creative instrument storage arrangements, but is made of vinyl chloride. Instruments in large makeover job. Any help forecasters predict the sound wave vibration is sufficient to hold a lower cost you need to accommodate before passing. If you get straight line and coupling so we want in large volume of each and. Hand-held Hubble PVC instructions HubbleSite. Make gorgeous Balloon Bassoon a beautiful reed musical instrument. Turn pvc instruments stringed instrument oddmusic is placed a plumber will help businesses find a particular flute theory, instruction booklet and. No matter how long before you like i simply browse otherwise connected, instruction booklet and reduce test grades associated with this? The pipe and the instrument is. Shipping Instructions David Kerr Violin Shop Inc. 4 1 inch length PVC pipes PVC pipe is sold at Lowe's Home Improvement. Then drain and family a commentary on. Building and Analysis of a PVC Pipe Instrument Using. Sounds of pvc water pipes are designed to help you are after a wood playset kits and less capable of tools in protective packing material.
    [Show full text]
  • Georgian Country and Culture Guide
    Georgian Country and Culture Guide მშვიდობის კორპუსი საქართველოში Peace Corps Georgia 2017 Forward What you have in your hands right now is the collaborate effort of numerous Peace Corps Volunteers and staff, who researched, wrote and edited the entire book. The process began in the fall of 2011, when the Language and Cross-Culture component of Peace Corps Georgia launched a Georgian Country and Culture Guide project and PCVs from different regions volunteered to do research and gather information on their specific areas. After the initial information was gathered, the arduous process of merging the researched information began. Extensive editing followed and this is the end result. The book is accompanied by a CD with Georgian music and dance audio and video files. We hope that this book is both informative and useful for you during your service. Sincerely, The Culture Book Team Initial Researchers/Writers Culture Sara Bushman (Director Programming and Training, PC Staff, 2010-11) History Jack Brands (G11), Samantha Oliver (G10) Adjara Jen Geerlings (G10), Emily New (G10) Guria Michelle Anderl (G11), Goodloe Harman (G11), Conor Hartnett (G11), Kaitlin Schaefer (G10) Imereti Caitlin Lowery (G11) Kakheti Jack Brands (G11), Jana Price (G11), Danielle Roe (G10) Kvemo Kartli Anastasia Skoybedo (G11), Chase Johnson (G11) Samstkhe-Javakheti Sam Harris (G10) Tbilisi Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Workplace Culture Kimberly Tramel (G11), Shannon Knudsen (G11), Tami Timmer (G11), Connie Ross (G11) Compilers/Final Editors Jack Brands (G11) Caitlin Lowery (G11) Conor Hartnett (G11) Emily New (G10) Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Compilers of Audio and Video Files Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Irakli Elizbarashvili (IT Specialist, PC Staff) Revised and updated by Tea Sakvarelidze (Language and Cross-Culture Coordinator) and Kakha Gordadze (Training Manager).
    [Show full text]
  • The Nunn Organ Collection
    Carousel Organ, Issue No. 32 — July, 2007 The Nunn Organ Collection Bill Nunn hen I met Diane, she had a small collection of porce- ing Ragtime Calliope. I thought, “If it’s not too expensive…” lain carousel music boxes she received as birthday Well, I had a lot of fun with that calliope, repairing it and adding Wand Christmas gifts. For the next few years I contin- drums and a glockenspiel. That fall we went to see someone ued the tradition, once buying a music box with the name Looff who was selling a Parker carousel with a Wurlitzer 125 trumpet and a date of 1910. I thought “there is more to this than just a band organ. Seeing that organ was love at first sight, but the box that plays music.” So I searched for and found a book on owner was leaving for Florida for the winter. I thought about the history of carousel animals. We read about the talented that organ all winter and when he came back I bought one immigrant carvers and the different carousel companies and Parker carousel horse in pieces, the 125 organ and a carving styles. We were hooked. We said “someday we will get Wellershaus organ in pieces. We put the Wurlitzer 125 in the a real antique carousel horse.” A year later, at a garage sale, house and if you went outside to listen, the volume was just Diane found a little Herschell Spillman horse with no legs or about right. Diane’s dad came to see our new acquisition and ears.
    [Show full text]