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Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Xian, Qiao-Shuang, "Rediscovering Frédéric Chopin's "Trois Nouvelles Études"" (2002). LSU Doctoral Dissertations. 2432. https://digitalcommons.lsu.edu/gradschool_dissertations/2432 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. REDISCOVERING FRÉDÉRIC CHOPIN’S TROIS NOUVELLES ÉTUDES A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Qiao-Shuang Xian B.M., Columbus State University, 1996 M.M., Louisiana State University, 1998 December 2002 TABLE OF CONTENTS LIST OF EXAMPLES ………………………………………………………………………. iii LIST OF FIGURES …………………………………………………………………………… v ABSTRACT …………………………………………………………………………………… vi CHAPTER 1. INTRODUCTION…………………………………………………………….. 1 The Rise of Piano Methods …………………………………………………………….. 1 The Méthode des Méthodes de piano of 1840 -
Steinway Duo-Art
CHAPTER OFFICERS INTERNATlONAL OFFICERS NO. CALIFORNIA Pres.: Phil McCoy Vice Pres.: Isadora Koff PRESIDENT Sec.: David Fryman Bob Rosencrans Treas.: Bob Wilcox 36 Hampden Rd. Reporter: Sharon Bartlett Upper Darby, PA 19082 SO. CALIFORNIA VICE PRESIDENT Pres.: Francis Cherney Bill Eicher Vice Pres.: Mary Lilien 465 Winding Way Sec.: Greg Behnke Dayton, OH 45429 Treas.: Roy SheIso SECRETARY Reporter: Bill Toeppe Jim Weisenborne TEXAS 73 Nevada St. Pres.: Carole Beckett Rochester, MI 48063 Vice Pres.: Sal Mele AMICA MEMBERSHIP RATES: PUBLISHER Sec/Treas.: Doyle Cassel Tom Beckett Reporter: Kay & Merrill Baltzley Continuing Members: $15 Dues 6817 Cliffbrook Dallas, TX 75240 MIDWEST New Members, add $5 processing fee Pres.: Bennet Leedy MEMBERSHIP SECRETARY Vice Pres.: Jim Prendergast (New memberships and Sec.: Jim Weisenborne mailing problems) Treas.: Alvin Wulfekuhl Bobby Clark Jr Reporter: Molly Yeckley P. O. Box 172 Columbia SC 29202 PHILADELPHIA AREA Pres Mike Naddeo THE AMICA NEWS BULLETIN TREASURER Vice Pres.: John Berry Jack & Mary Riffle Sec. Dick Price Published by the Automatic Musical Instrument Collectors' Association, a non 5050 Eastside Calpella Rd. Treas.: Claire Lambert profit club devoted to the restoration, distribution and enjoyment of musical Ukiah, CA 95482 Reporter: Allen Ford instruments using perforated paper musIc rolls. BOARD REPRESENTATIVES SOWNY (So. Ontario, West NY) Contributions: All subjects of interest to readers of the Bulletin are N. Cal. Howie Koff Pres.: Jeff Depp encouraged and invited by the pUblisher All articles must be received by the S. Cal.: Dick Rigg Vice Pres: Bruce Bartholomew 10th of the preceeding month. Every attempt will be made to publish all artiCles Texas: Wade Newton Sec.: Mike Walter of general interest to AMICA members at the earliest possible time..and at the Phil.: Bob Taylor Treas.: Stella Gilbert Midwest: Bill Eicher Reporter: Jim Brewer discretion of the publisher. -
Hoedowner Tunes of the Month
Hoedowner Tunes of the Month 2021 Jun Sierra Swing Jul Arkansas Traveler Aug In the Good Old Summertime Apr Soldier's Return Jun Kentucky Waltz Jul Pretty Maid Milking a Cow Mar Speed the Plough May Flop-Eared Mule Jun After You've Gone Feb Earl's Waltz May Halting March Jan Gil's Schottische May Sally Goodin 2013 Apr April Showers Sep Lily Dale Mar Midnight on the Water Aug Waverly 2-Step Mar Maid Behind the Bar Jul Moonbeams Clear Feb Valentine Jun Springfield Jan Cotton Patch Rag Apr Sugar in the Gourd 2020 Mar Drommon om Elen Dec Kitchen Girl Feb The No C Polka Nov Honeymoon Reel Jan Billy in the Lowground Oct Old French 2012 Sep Ben Hill Dec Peach Blossom Aug Texas Gals Nov Whip and Spur Gallop Jul Walking in My Sleep Oct Shenandoah Falls, Rev. Jun Seneca Square Dance Sep Step Around Johnny May Under the Greenwood Tree Aug Shenandoah Falls Apr Sam and Elzie Jul Rat Cheese Rag Mar Rocky Road to Jordan Jun Jamie Allen Feb Rainbow May Paddy on the Railroad Jan Five Miles of Ellum Wood Apr Money Musk 2019 Mar Sandy River Belle Dec Wink the Other Eye Feb Elk River Blues Nov Johnny Lover's Gone Jan Green Sleeves Oct Step Around Johnny 2011 Aug Johnny Don't Come Home Drunk Dec Indian Point Jul Possum's Tail is Bare Nov Braunla Jun Pinedale Waltz Oct Hummingbird Hornpipe May Climbing the Golden Stairs Sep Nancy Feb After Christmas Waltz Aug Joys of Quebec Jan Eighth of January Jul Whistling Rufus 2018 Jun Soldier's Joy Dec Breaking Up Christmas May Swallowtail Jig Nov I Hate to Say Goodbye Apr Sleeping Giant Two Step Oct Sarah Armstrong's -
Tunes of the Month--Historical Date Tune May-07 Flop Eared Mule Jun
Tunes of the Month--Historical Date Tune May-07 Flop Eared Mule Jun-07 Kentucky Waltz Jul-07 Arkansas Traveler Aug-07 Texarkana Waltz Sep-07 Red Haired Boy Oct-07 Manitoba's Golden Boy Nov-07 Whiskey Before Breakfast Dec-07 Ash Grove Jan.-08 Me and My Fiddle Feb-08 Turkey in the Straw Mar-08 Golden Fiddle Waltz Apr-08 Put Your Little Foot May-08 Kathlene Jun-08 Sleeping Giant Two Step Jul-08 Angeline the Baker Aug-08 Knee Cracker Sep-08 Horse and Buggy Oct-08 Red River Valley Nov-08 Huckleberry Rag Dec-08 Jimmy Brown Polka Jan.-09 Red Wing Feb-09 Granny Will Your Dog Bite? Mar-09 Alex and Maureen's Two-Step Apr-09 Carpenter of Sollas May-09 Mexican Waltz Jun-09 Rainbow Schottische Jul-09 Father Kelly's Aug-09 Champion Hornpipe Sep-09 Hull's Victory Oct-09 Clear Water Stomp Nov-09 Me and My Fiddle Dec-09 Missouri Waltz Jan.-10 Gum Tree Canoe Feb-10 River John Sunset Waltz Mar-10 Sunny San Juan Apr-10 Angeline the Baker May-10 Flop Eared Mule Jun-10 Gravel Walk Jul-10 Crooked Stove Pipe Aug-10 Sailor's Hornpipe Sep-10 Crooked Stove Pipe Oct-10 History list of songs***** Nov-10 In the Mood Dec-10 Jingle Bells Jan.-11 South Wind Feb-11 Bay of Fundy Mar-11 Tombigbee Waltz Apr-11 Sleeping Giant Two Step May-11 Swallowtail Jig Jun-11 Soldier's Joy Jul-11 Whistling Rufous Aug-11 Joys of Quebec Sep-11 Nancy Oct-11 Hummingbird Hornpipe Nov-11 Braunla Dec-11 Indian Point Jan-12 Green Sleeves Feb-12 Elk River Blues Mar-12 Sandy River Belle Apr-12 Money Mush May-12 Paddy on the Railroad Jun-12 Jayme Allen Jul-12 Rat Cheese Aug-12 Shenandoah Falls Revised -
The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION JANUARY/FEBRUARY 2002 VOLUME 39, NUMBER 1 Mooluriil's MAGAZINE
The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION JANUARY/FEBRUARY 2002 VOLUME 39, NUMBER 1 MoOLURIil'S MAGAZINE The Self-Playing Piano is It People who have watched these things closely have noticed that popular favor is toward the self-playing piano. A complete piano which will ornament your drawing-room, which can be played in the ordinary way by human fingers, or which. -'\ can be played by a piano player concealed inside the case, is the most popular musical instrument in the world to-day. The Harmonist Self-Playing Piano is the instrument which best meets these condi tions. The piano itself is perfect in tone and workmanship. The piano player at tachment is inside, is operated by perforated music, adds nothing to the size of the piano. takes up no room whatever, is always ready, is never in the way. We want everyone who is thinking of buying a piano to consider the great advan tage of getting a Harmonist, which combines the piano and the piano player both. It costs but little more than a good piano. but it is ten times as useful and a hundred times as entertaining. Write for particulars. ROTH ~ENGELHARDT Proprietors Peerless Piano Player Co. Windsor Aroade. Fifth Ave.. New York Please mention McClure·s when you write to ad"crtiscrt. 77 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. -
Interpreting Tempo and Rubato in Chopin's Music
Interpreting tempo and rubato in Chopin’s music: A matter of tradition or individual style? Li-San Ting A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales School of the Arts and Media Faculty of Arts and Social Sciences June 2013 ABSTRACT The main goal of this thesis is to gain a greater understanding of Chopin performance and interpretation, particularly in relation to tempo and rubato. This thesis is a comparative study between pianists who are associated with the Chopin tradition, primarily the Polish pianists of the early twentieth century, along with French pianists who are connected to Chopin via pedagogical lineage, and several modern pianists playing on period instruments. Through a detailed analysis of tempo and rubato in selected recordings, this thesis will explore the notions of tradition and individuality in Chopin playing, based on principles of pianism and pedagogy that emerge in Chopin’s writings, his composition, and his students’ accounts. Many pianists and teachers assume that a tradition in playing Chopin exists but the basis for this notion is often not made clear. Certain pianists are considered part of the Chopin tradition because of their indirect pedagogical connection to Chopin. I will investigate claims about tradition in Chopin playing in relation to tempo and rubato and highlight similarities and differences in the playing of pianists of the same or different nationality, pedagogical line or era. I will reveal how the literature on Chopin’s principles regarding tempo and rubato relates to any common or unique traits found in selected recordings. -
Grapes of Wrath - These Days Capitol -96727 (Capitol Comp
WEEKLY $3.00 $2.80 plus .20 GST Volume 54 No. 8 kDII July 27, 1991 the Grapesof Wrath 2 - RPM - July 27, 1991 Agreement is reached on the future of DAT (US) financial compensation is not very high." How- ever, Robertson views the deal as "a step The emergence of DAT (digital audio tape) only compound the home taping problem, forward in the relations between the hardware recorders, which have been relentlessly op- estimated to be costing the record industry manufacturers and the record industry." He posed by the record industry, could become a millions of dollars in lost royalties. goes on to reveal that the relationship between reality by next year. The Recording Industry Sony, a leading manufacturer of DAT, is the two industries "has always been tenuous, Association of America (RIAA) would appear ready to launch its Mini Disc. Philips, which and I think this is the first sign in improving to have given the nod to the controversial and first introduced the compact disc, is also ready relations." verythornyissueofdigitalaudiotape to move with its Digital Compact Cassette, a Robertson is already starting discussions recorders. A deal was struck recently in New system described as "combining the benefits with the hardware representatives in Canada to, York that would allow Philips and Sony to and success factors of Compact Cassette and as he suggests, "try and see if they would be proceed with their plans to introduce new Compact Disc into a single new sound carrier." willing to jointly go with us to Ottawa to initiate digital music formats in 1992. -
Marquetry on Drawer-Model Marionette Duo-Art
Marquetry on Drawer-Model Marionette Duo-Art This piano began life as a brown Recordo. The sound board was re-engineered, as the original ribs tapered so soon that the bass bridges pushed through. The strings were the wrong weight, and were re-scaled using computer technology. Six more wound-strings were added, and the weights of the steel strings were changed. A 14-inch Duo-Art pump, a fan-expression system, and an expression-valve-size Duo-Art stack with a soft-pedal compensation lift were all built for it. The Marquetry on the side of the piano was inspired by the pictures on the Arto-Roll boxes. The fallboard was inspired by a picture on the Rhythmodic roll box. A new bench was built, modeled after the bench originally available, but veneered to go with the rest of the piano. The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION SEPTEMBER/OCTOBER 2005 VOLUME 42, NUMBER 5 Teresa Carreno (1853-1917) ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens VOLUME 42, Number -
Hupfeld Helios Orchestrion
TheAMICA News Bulletin of the Automatic Musical Instrument Collectors' Association September/October, 1985 Volume 22 Number 7 AMlCAlnternational JVews Bulletin DOROTHY BROMAGE, PUBLISHER POB275 CCB (207) 767-4446 Cape Elizabeth, ME 04107 Published by the Automatic Musical Instrument Collectors' CHAPTER OffICERS Association, a non-profit club devoted to the restoration, FOUNDING CHAPTER IOWA distribution and enjoyment of musical instruments using per Pres: phil McCoy Pres: George Apland forated paper music rolls, AMICA was founded in San Francisco Vice Pres: Isadora Koff Vice Pres: E.H. Breckenfelder in 1963. Treas: Bob Wilcox SeclTreas: Marjorie Apland Sec/Reporter: lack & Dianne Reporter: Jack Niewoehner Edwards SOUTHERN CALIFORNIA BOSTON AREA 1986 CONVENTION Pres: Warren & Rosemary Pres: Judy Welsh Deasy Vice Pres: Michael Potash PHILADELPHIA, PENN. Vice Pres: Jerry Pell Sec: Bill Koenigsberg Sec: John Candido Treas: Philip Konop Treas: larry Norman Reporter: Donald Brown HOST: Philadelphia Area Chapter Reporter: Jerry Pell TEXAS NORTHERN LIGHTS Pres: Wade Newton Pres: Jerrilyn Boehland Vice Pres: lorane Smith Vice Pres: Tom Wordeman SeclTreas: Carole Beckett Sec: Tracy Tolzmann ADVERTISING Reporter: Janet Tonnesen Treas: Robert & Katheryn Classified: 10¢ per word, $1.50 minimum. Duma • All copy must reach the publisher by the 10th of the preceding Reporter: Ruby Ahneman month. Payment must accompany order. Make checks payable MIDWEST SIERRA-NEVADA Pres: Edwin Ward Pres: Bob Patton to: AMICA INTERNATIONAl.. Vice Pres: liz Barnhart Vice Pres: Vicki Mahr • Checks or money orders from advertisers in foreign countries Sec: lawrence & Margaret SeclTreas: Audrey Winters must be drawn on a U.S. bank. Frazer Reporter: Bob and Sonja leomon Treas: Alvin Wulfekuhl Display Advertising Reporter: Sue Ricca Full Page 7V2"x10" $100.00 PHILADELPHIA AREA CHICAGO AREA Half page 7V2"x43/4" SO.OO Pres: Bob Taylor Pres. -
The Leludion Story
Carousel Organ, Issue No. 8 — July, 2001 The LeLudion Story Eve Crasse The Beginnings have been made by a grandfather for his grandson's enjoyment he story of LeLudion started with the crossing of the or a divining machine by the fairman's hands, following the paths of two people with a passion for mechanical music. movement of a figure's wand - up and down. The Cartesian TThe place was the first district of Paris - a chance meet- diver seems to answer the publics’ question. ing in front of an antique dealer who specialized in organ Cartesian Diver clocks. Both students were interested in the same type of music Best described as a toy for the junior high school laboratory, it is sim- - one was enchanted with fairground music and the merry-go- ply a near-floating object in a closed plastic bottle that dives and rises round and the other was fascinated with the mechanism that according to pressure on the bottle. It involves physical forces of made this wonderful music. weight, pressure, gravity, vacuum and water. Several years passed before realizing the workshop as it is known today but the chance meeting was the start. Being able to teach the craft of mechanical music as well as working with great customers all added to the experience over the last 25 years. The craft of mechanical music? In France there was no formal school, not even for organ building. You had to learn from retired professionals. Today it is different in that there is a unique school near Strasbourg (in the eastern part of France) where the apprentice can find good teachers. -
A Nickel for Music in the Early 1900'S
A Nickel for Music in the Early 1900’s © 2015 Rick Crandall Evolution of the American Orchestrion Leading to the Coinola SO “Super Orchestrion” The Genesis of Mechanical Music The idea of automatic musical devices can be traced back many centuries. The use of pinned barrels to operate organ pipes and percussion mechanisms (such as striking bells in a clock) was perfected long before the invention of the piano. These devices were later extended to operate music boxes, using a set of tuned metal teeth plucked by a rotating pinned cylinder or a perforated metal disc. Then pneumatically- controlled machines programmed from a punched paper roll became a new technology platform that enabled a much broader range of instrumentation and expression. During the period 1910 to 1925 the sophistication of automatic music instruments ramped up dramatically proving the great scalability of pneumatic actions and the responsiveness of air pressure and vacuum. Usually the piano was at the core but on larger machines a dozen or more additional instruments were added and controlled from increasingly complicated music rolls. An early example is the organ. The power for the notes is provided by air from a bellows, and the player device only has to operate a valve to control the available air. Internal view of the Coinola SO “orchestrion,” the For motive most instrumented of all American-made machines. power the Photo from The Golden Age of Automatic Instruments early ©2001 Arthur A. Reblitz, used with permission. instruments were hand -cranked and the music “program” was usually a pinned barrel. The 'player' device became viable in the 1870s. -
The Nunn Organ Collection
Carousel Organ, Issue No. 32 — July, 2007 The Nunn Organ Collection Bill Nunn hen I met Diane, she had a small collection of porce- ing Ragtime Calliope. I thought, “If it’s not too expensive…” lain carousel music boxes she received as birthday Well, I had a lot of fun with that calliope, repairing it and adding Wand Christmas gifts. For the next few years I contin- drums and a glockenspiel. That fall we went to see someone ued the tradition, once buying a music box with the name Looff who was selling a Parker carousel with a Wurlitzer 125 trumpet and a date of 1910. I thought “there is more to this than just a band organ. Seeing that organ was love at first sight, but the box that plays music.” So I searched for and found a book on owner was leaving for Florida for the winter. I thought about the history of carousel animals. We read about the talented that organ all winter and when he came back I bought one immigrant carvers and the different carousel companies and Parker carousel horse in pieces, the 125 organ and a carving styles. We were hooked. We said “someday we will get Wellershaus organ in pieces. We put the Wurlitzer 125 in the a real antique carousel horse.” A year later, at a garage sale, house and if you went outside to listen, the volume was just Diane found a little Herschell Spillman horse with no legs or about right. Diane’s dad came to see our new acquisition and ears.