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A Nickel for Music in the Early 1900'S
A Nickel for Music in the Early 1900’s © 2015 Rick Crandall Evolution of the American Orchestrion Leading to the Coinola SO “Super Orchestrion” The Genesis of Mechanical Music The idea of automatic musical devices can be traced back many centuries. The use of pinned barrels to operate organ pipes and percussion mechanisms (such as striking bells in a clock) was perfected long before the invention of the piano. These devices were later extended to operate music boxes, using a set of tuned metal teeth plucked by a rotating pinned cylinder or a perforated metal disc. Then pneumatically- controlled machines programmed from a punched paper roll became a new technology platform that enabled a much broader range of instrumentation and expression. During the period 1910 to 1925 the sophistication of automatic music instruments ramped up dramatically proving the great scalability of pneumatic actions and the responsiveness of air pressure and vacuum. Usually the piano was at the core but on larger machines a dozen or more additional instruments were added and controlled from increasingly complicated music rolls. An early example is the organ. The power for the notes is provided by air from a bellows, and the player device only has to operate a valve to control the available air. Internal view of the Coinola SO “orchestrion,” the For motive most instrumented of all American-made machines. power the Photo from The Golden Age of Automatic Instruments early ©2001 Arthur A. Reblitz, used with permission. instruments were hand -cranked and the music “program” was usually a pinned barrel. The 'player' device became viable in the 1870s. -
Bulletin Germany/Holland 2007 July 5Th Ð 20Th
THE www.amica.org Volume 44, Number 2 AMICA March/April 2007 AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION BULLETIN GERMANY/HOLLAND 2007 JULY 5TH – 20TH Tour Historic Germany and Holland with your fellow AMICANs. Visit Munich with its clock tower, Hofbrau House and many interesting attractions. See world-class museums with wonderful collections of automatic musical instruments. Bus through scenic countryside, with quaint towns full of wonderfully painted buildings. Shop in wood carving centers. Tour King Ludwig’s Linderhof Castle. Visit organ factories and private collections. Stroll through the Historic walled city of Rothenburg. Cruise the Beautiful Rhein River, with castles lining the waterway. Listen to dance organs, pianos, Dutch Street Organs and more. Enjoy the pumper contest, with contestants using Conrad Adenauer’s grand piano. There’s so much more to see and do. Applications will be coming soon, and you need to register right away….remember, registration is limited. Questions? Call Frank at 818-884-6849 ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens • Editor Emeritus: Robin Pratt VOLUME 44, Number 2 March/April 2007 AMICA BULLETIN FEATURES Display and Classified Ads Articles for Publication Visit to San Sylmar’s Auto/Musical Collection . -
Mechanical Instruments and Phonography: the Recording Angel of Historiography”, Radical Musicology, No Prelo
Silva, João, “Mechanical instruments and phonography: The Recording Angel of historiography”, Radical Musicology, no prelo. Mechanical instruments and phonography: The Recording Angel of historiography This article strives to examine the established historical narrative concerning music recording. For that purpose it will concentrate on the phonographic era of acoustic recording (from 1877 to the late 1920s), a period when several competing technologies for capturing and registering sound and music were being incorporated in everyday life. Moreover, it will analyse the significant chronological overlap of analogue and digital media and processes of recording, thus adding a layer of complexity to the current historical narratives regarding that activity. In order to address that set of events, this work will mainly recur to the work of both Walter Benjamin and Slavoj Žižek. Benjamin’s insight as an author that bore witness to and analysed the processes of commodification that were operating in the period in which this article concerns is essential in a discussion that focuses on aspects such as modernity, technology, and history. Furthermore, his work on history presents a space in which to address and critique the notion of historicism as an operation that attempts to impose a narrative continuity to the fragmentary categories of existence within modernity, a stance this article will develop when analysing the historiography of music and sound recording. The work of Žižek is especially insightful in tracing a distinction between historicism -
The Big Picture - Welte’S Instruments, Rolls, Recording, Digital Editing
The big picture - Welte’s instruments, rolls, recording, digital editing by David Rumsey The Welte Philharmonie - or Philharmonic to most English-speakers - was an ingenious musical instrument. Its origins lay in both the pneumatics and acoustics of the ancient Greeks, to say nothing of their mechanics, hydraulics or music. In the 20th century, both the “Phil”, as it is affectionately known in some circles, and aeronautical engineering, brought human arts and sciences of using air to their zenith. Pneumatic organ actions were then transformed to electric actions although there was a later reaction back to mechanics. For the aviation industry it was seminal: aircraft now replaced steam engines and organs as the most complex technology known to civilisation. The many ages and stages between the ancient Greeks, and Welte’s early 20th century automatic instruments, produced a train of incremental invention. Each epoch found ways of making organs play and sound the way it wanted them to. That changed with every new aesthetic from gothic, renaissance, baroque, “neo- classical” late 18th century, through the romantic era and on to a second, “neo- classical” phase, in the 20th century. It differed from country to country, culture to culture, even language to language: whether French, German, Italian, English or Netherlands, organs were also expressions of national ethos. By the early 19th century, the means of controlling the aesthetic qualities of organ pipes had long been established by empirical means: if it sounded good, then that was the way it was done. Sounding good, of course, differed according to Welte’s original proposal for the appearance of whether you were a medieval Britannic’s Philharmonie on board Netherlander, a renaissance Spaniard, a baroque Saxon, or your language and culture were “classical” French. -
A History of Rhythm, Metronomes, and the Mechanization of Musicality
THE METRONOMIC PERFORMANCE PRACTICE: A HISTORY OF RHYTHM, METRONOMES, AND THE MECHANIZATION OF MUSICALITY by ALEXANDER EVAN BONUS A DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Department of Music CASE WESTERN RESERVE UNIVERSITY May, 2010 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of _____________________________________________________Alexander Evan Bonus candidate for the ______________________Doctor of Philosophy degree *. Dr. Mary Davis (signed)_______________________________________________ (chair of the committee) Dr. Daniel Goldmark ________________________________________________ Dr. Peter Bennett ________________________________________________ Dr. Martha Woodmansee ________________________________________________ ________________________________________________ ________________________________________________ (date) _______________________2/25/2010 *We also certify that written approval has been obtained for any proprietary material contained therein. Copyright © 2010 by Alexander Evan Bonus All rights reserved CONTENTS LIST OF FIGURES . ii LIST OF TABLES . v Preface . vi ABSTRACT . xviii Chapter I. THE HUMANITY OF MUSICAL TIME, THE INSUFFICIENCIES OF RHYTHMICAL NOTATION, AND THE FAILURE OF CLOCKWORK METRONOMES, CIRCA 1600-1900 . 1 II. MAELZEL’S MACHINES: A RECEPTION HISTORY OF MAELZEL, HIS MECHANICAL CULTURE, AND THE METRONOME . .112 III. THE SCIENTIFIC METRONOME . 180 IV. METRONOMIC RHYTHM, THE CHRONOGRAPHIC -
Mechanical Music Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments
MECHANICAL MUSIC Journal of the Musical Box Society International Devoted to All Automatic Musical Instruments Volume 60, No. 3 May/June, 2014 65th Annual Meeting October 7 - 12, 2014 at the Bonaventure Resort & Spa in Weston, Florida "Our Backyard Museum" - The Jancko Collection Step back in time as you tour "Our Backyard Museum", the collection of Joel and Pam Jancko. Joel and Pam Jancko started their collection in the early 1990’s with only one building to house a couple of vehicles. This collection has grown through the years with additional buildings to encompass displays of an old town, a war room, a saloon, a soda fountain, a game room, a log cabin, a service station, a bicycle display, a fire station, a cinema, a street scene, a farm scene, a street clock, a steam engine, and even a fort. The Museum complex contains artifacts from the Civil War to WW1 and features many innovations from this time. Of most interest to our MBSI group will be the Music Room with a wide variety of instruments, including an Imhof & Mukle, a Seeburg H, a Wurlitzer CX, a Double Mills Violano, a Cremona K, a Weber Unika, an Encore Banjo, a Model B Harp, a Bruder band organ, a Limonaire band organ, a Bruder monkey organ, an American Photo Player and a classic Mortier, as well as a variety of cylinder and disc music boxes, organettes and phonographs. Making its debut at this meeting will be their newly acquired and installed 3 manual/11 rank Wurlitzer Opus 1616 theatre organ (model 235SP), expanded to 22 ranks. -
Beethoven by George Alexander Fischer
The Project Gutenberg eBook, Beethoven, by George Alexander Fischer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Beethoven Author: George Alexander Fischer Release Date: February 22, 2005 [eBook #15141] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK BEETHOVEN*** E-text prepared by Juliet Sutherland, Karina Aleksandrova, Ralph Janke, and the Project Gutenberg Online Distributed Proofreading Team Note: Project Gutenberg also has an HTML version of this file which includes sound files and the original illustrations. See 15141-h.htm or 15141-h.zip: (http://www.gutenberg.net/dirs/1/5/1/4/15141/15141-h/15141-h.htm) or (http://www.gutenberg.net/dirs/1/5/1/4/15141/15141-h.zip) Transcriber's Notes: 1. Corrected spelling of Maelzel's invention in one place from 'Panharmonican' to 'Panharmonicon'. 2. In the index, corrected 'Krumpholtz' to 'Krumpholz', 'Origen of the dance' to 'Origin of the dance', and 'Neafe' to 'Neefe'. BEETHOVEN A Character Study together with Wagner's Indebtedness to Beethoven by GEORGE ALEXANDER FISCHER Es kann die Spur von meinen Erdentagen Nicht in Aeonen untergehn. GOETHE. New York Dodd, Mead and Company The Trow Press, New York 1905 [Illustration: BEETHOVEN] TO THE MEMORY OF My father CONTENTS CHAPTER I. Early Promise II. The Morning of Life III. The New Path IV. -
Howe Collection of Musical Instrument Literature ARS.0167
http://oac.cdlib.org/findaid/ark:/13030/c8cc1668 No online items Guide to the Howe Collection of Musical Instrument Literature ARS.0167 Jonathan Manton; Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Howe Collection of ARS.0167 1 Musical Instrument Literature ARS.0167 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: Howe Collection of Musical Instrument Literature Identifier/Call Number: ARS.0167 Physical Description: 438 box(es)352 linear feet Date (inclusive): 1838-2002 Abstract: The Howe Collection of Musical Instrument Literature documents the development of the music industry, mainly in the United States. The largest known collection of its kind, it contains material about the manufacture of pianos, organs, and mechanical musical instruments. The materials include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The collection was created, and originally donated to the University of Maryland, by Richard J. Howe. It was transferred to the Stanford Archive of Recorded Sound in 2015 to support the Player Piano Project. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076”. Language of Material: The collection is primarily in English. There are additionally some materials in German, French, Italian, and Dutch. Arrangement The collection is divided into the following six separate series: Series 1: Piano literature. Series 2: Organ literature. Series 3: Mechanical musical instruments literature. Series 4: Jukebox literature. Series 5: Phonographic literature. Series 6: General music literature. Scope and Contents The Howe Musical Instrument Literature Collection consists of over 352 linear feet of publications and documents comprising more than 14,000 items. -
Bulletin Convention
PLAYER PIANOS o NICKELODEONS o PIANO ROLLS REPRODUCING PIANOS THE www.amica.org Volume 45, Number 2 April/May 2008 VIOLIN PLAYERS AMICA AUTOMATIC MUSICAL INSTRUMENT o COLLECTORS’ ASSOCIATION BULLETIN o WELTE-MIGNON BAND ORGANS o o AMPICO ORCHESTRIONS o o DUO-ART DUO-ART o o ORCHESTRIONS AMPICO o o BAND ORGANS WELTE-MIGNON o o VIOLIN PLAYERS CONVENTION ‘08 REPRODUCING PIANOS PLAYER PIANOS o NICKELODEONS o PIANO ROLLS CONVENTION 2008 YOU’RE INVITED TO A PARTY! THE AMICA SOUTHERN CALIFORNIA CHAPTER CONVENTION THAT IS! July 1-6, 2008 - Woodland Hills, California Tour the Nethercutt Museum which includes their wonderful antique car museum, an antique train, and one of the finest collections anywhere with everything from music boxes, nickelodeons, orchestrions, fine reproducing pianos and a theater organ. Visit The Nix Collection with instruments from small music boxes to large orchestrions and fairground organs. Tour The Ames Collection Including some wonderful instruments - the huge Mortier, the Dutch Street Organ, the newly restored Weber Solea, and a fascinating display of instruments showing the capabilities of the midi system. Visit The Schack Collection All top of the line instruments in perfect playing condition, in a magnificent setting with a view of the Pacific Ocean. Tour The Choate Collection Mostly American nickelodeons and a great collection of juke boxes of all kinds, and more. Visit the Ronald Reagan Library and walk through Air Force One. Enjoy the Fourth of July evening at the Hollywood Bowl for patriotic music performed by the L.A. Philharmonic Orchestra and fireworks. There will be lots of entertainment, including the Pumper Contest and of course, a mart! Questions? Call Frank at 818-884-6849 ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. -
Dutch Street Organs (A Brief History)
Carousel Organ , Issue No. 13 October, 2002 Dutch Street Organs (A Brief History) Hans van Oost* ontrary to popular belief the origins of what we now call firms of Gasparini and Gavioli; later, after 1910, many orche- the Dutch street organ are not lying in Holland 1 at all, strophone style organs were bought from Limonaire & fils Cnot even in the Netherlands. In the early days, before (Figure 3 ). These Limonaire organs, with 48 to 56 keys and about 1900, the concept of a Dutch street organ as it is known with eight bass keys, 10 accompaniment keys and 22 melody today did not yet exist. Street organs were, like in most other keys, were very well built and with their various solo registers countries of Europe, small hand-cranked instruments that were they were very popular as street organs in the 1910s. [ The pro- supported by a strap gression of conversion of Engelenkast can be followed in around the neck and Figure 4 (1932) and a current photo (back cover) of De leaned against the Engelenkast in the collection of Henk Veeningen, De Wijk, belly ( buikorgel ), or Holland, photo: Ed ] were supported by a post ( pootorgel , Figure 1 ). Some of the larger organs were mounted on a small three-wheeled cart. All of these organs were played, like in the old days, by means of pinned cylinders or barrels. Most of the early street organs in the Netherlands were of German origin and were built by firms like Figure 1. Hein de Bruin, the last street musi- Wellershaus, Wrede, cian in Amsterdam using a pootorgel, around Bacigalupo, Bruder or 1920. -
PDF Download Player Piano Ebook, Epub
PLAYER PIANO PDF, EPUB, EBOOK Kurt Vonnegut | 341 pages | 01 Mar 1999 | Bantam Doubleday Dell Publishing Group Inc | 9780385333788 | English | New York, United States Player Pianos - Yamaha Pianos - Piano Distributors Piano New Used Not All Player Pianos are Alike. Talk to our friendly staff who have over Years of combined experience with Player Pianos. Make any piano you select a Self Playing Piano. A Used Player Piano, player system is inspected, tested and the pedals are adjusted. We offer the most current Player Pianos and Features available. Contact Us for a Shipping Quote. Amazing value! A classic Steinway with restoration work performed. Handsome figured mahogany Recently restored to wonderful playing condition. Rich American tone, classic traditional figured Excellent condition, privately owned. Remarkably bold and powerful tone for its size with State of A lovely late-model midsize Yamaha grand piano in stunning white! Beautiful bold tone. Shopping for a pink piano? A well-built Japan-made Yamaha player baby grand at an affordable price. Plays itself with real A handsome decorator instrument that plays itself! Gorgeous tone. A phenomenal performance instrument with a full, rich, and bold tone. Our most popular upright piano with a brand-new polished white finish! Reconditioned to like-new The world's most popular piano. Choose from our very large inventory - An extraordinary value! Heirloom Performance Economy. Preowned Reconditioned. A masterpiece of artistry and engineering in your home, Spirio enables you to enjoy performances captured by great pianists — played with such nuance, power and passion that they are utterly indistinguishable from a live performance. A revolutionary blend of artistry, craftsmanship, and technology, Spirio r provides powerful new tools of expression and new ways to access, share and experience performance. -
CSUMC Master Arts Series 2019-2020
O GOD, BEYOND ALL PRAISING Master Arts Series 2019/2020 Church Street United Methodist Church Knoxville, Tennessee ear Friends of Music and the Arts, Another outstanding year of Church Street Music and Arts awaits the Knoxville community with the 2019–2020 series, O God, Beyond All Praising. This year will highlight the choirs and soloists of Church Street in a Service of Compline and two services of Choral Evensong. We are thrilled to host Jack Mitchener and Edie Johnson at the Church Street organ along Dwith concerts by several local choirs: community, college and high school. A delightful musical treat near the end of the season will be Songs of Faith – an Evening of Jazz with Greg Tardy and Craig Brann. During the Christmas season, we will host an exquisite dinner in the Parish Hall prior to the December 12 concert by the Knoxville Choral Society Chorale and West High School Singers. Instructions are included to make a reservation. O God, Beyond All Praising is made possible thanks to donations by many in our church and community. One hundred percent of your donation is used to offset the expense of each musical program, enabling us to offer all musical events at no charge to all who wish to attend. We hope you will consider making a gift today. Tim Ward & Edie Johnson May 31 through June 11, 2020 MUSIC OF EUROPE TOUR Explore the Music of Europe led by Tim Ward and Jeff Davis of TourPros, Knoxville Destinations include Prague, Vienna, Salzburg, Munich and Paris Experience the culture and hear classical music performances in each city including Rigoletto by the Paris National Opera.