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By Dan Moore Advanced - 5:23 / 9 Players “Foremost In Marching And Concert Percussion Literature” P.O. Box 292671 l Nashville, TN 37229 l 1-800-624-8001 l FAX 1-615-885-0370 l www.rowloff.com Vibe-a-licious, Drums-a-Go Go by Dan Moore advanced - 5:23 / 9 Players Instrumentation Bells, Xylophone, Vibraphone, (3) Marimbas (one 4 1/3 Octave), Bass Guitar, Snare Drum, Suspended Cymbal, Timbales w/Cowbell, Triangle, Guiro, (2) Cowbells, Flexatone, Shaker, Vibraslap, Drum Set, Minimum of (2) Floor Toms & (2) Splash/Crash Cymbals "Vibe-a-licious, Drums-a-Go Go" by Dan Moore © 2020 by Row-Loff Productions International Copyright Secured All Rights Reserved Program Note: Vibe-a-licious, Drums-a-Go Go is a groovy love letter to the great vibes players who led the way for future generations of aspiring vibists. In the 1930s the vibraphone (or vibraharp) was just being discovered by jazz musicians. Red Norvo is often credited as the first jazz musician to make the leap from the xylophone - popular in ragtime and vaudeville - to the vibes. But it was Lionel Hampton, or “Hamp” as he was known, who popularized the instrument through his association with Louis Armstrong, Benny Goodman, and Gene Krupa. The original “Big Four” vibes players included Hamp, Red Norvo, Milt Jackson, and later on, Terry Gibbs. Vibe-a-licious, Drums- a-Go Go celebrates the pioneering vibes players from the 1930s to the 1960s. In this fun and challenging percussion ensemble you can hear hints of Milt Jackson’s “Bags Groove,” Terry Gibbs’s “My Friend Buddy,” Cal Tjader’s “Soul Sauce,” and Lionel Hampton’s rendition of “Sing, Sing, Sing.” You can also hear the Latin Jazz influence of my teacher Dave Samuels, as well as contributions from Mike Mainieri, Bobby Hutcherson, Dave Pike, Gary Burton, and others. Performance Notes: Vibe-a-licious, Drums-a-Go Go features a Lionel Hampton/Gene Krupa style drum battle for two or more players (even numbers). For every pair of players added, you need two additional floor toms and one additional cymbal. The players move around in a circle trying to “cut” in front of each other to get their licks in. Have fun battling it out with your floor tom partner. Set the instruments up in a line in front of the ensemble for the best visual effect. So, if you really want to be hep, or hip, far out, or groovy, be sure to listen to recordings of the artists listed above to get a feel for the different musical styles found in Vibe-a-licious, Drums-a-Go Go . Vibe-a-licious, Drums-a-Go Go drum battle set up: (Audience) set-up for two players to add more players. Cymbal Cymbal Cymbal Large Small Large Small Floor Tom Floor Tom Floor Tom Floor Tom Vibe-a-licious, Drums-a-Go Go to the great vibes players who led the way. by Dan Moore Ballad = 76-82 ASCAP q {A} bells 2 3 4 bells/Xylo ˙ ˙ ˙ œ œ œ nœ nw (snare drum) b 4 w & b b 4 Œ Ó n˙ ˙ ˙ œ œ œ nœ p œ vibes œ nœ ˙ œ œ ˙ œ œ # œ œ œ œ nœ n œ n˙. œ b œ nœ (Floor tom) b 4 nœ nœ œ nœ & b b 4 ˙ n˙ n˙ b˙ œ F marimba 1 (Floor tom) b æw nœ œ œ & b b 4 Œ Œ œ nœ œœ w œ nœ œ œ œ œ œ Œ œ nœ œ 4 œ nœ æ nœ œ œ P marimba 2 (Floor tom) b b b 4 Œ ∑ Œ œ œ œœ œœ œ œ œ œ nœ œ nœ ˙. Œ & 4 œ œ æ æ œ #œ æ P b b b 4 Œ æ æ nœ nwæ marimba 3 & 4 nw ˙. œ nœ œ œ œ w (low A) n w ˙ nœ n œ œ (Floor tom) P F w ? 4 w ˙. œ œ œ nœ #œ w bbb 4 Œ w ˙. œ œ œ n œ Bass or Synth bass ? b 4 Œ . œ nœ #œ w b b 4 ˙. œ ˙ œ œ sus cym P percussion 1 2 3 4 sus cym y Y y Y Y. Timbales ÷ 4 Œ ∑ Œ Floor tom 4 æ æ æ percussion 2 p triangle P Triangle Guiro ˙ ˙ œ œ œ œ w Cowbell ÷ 4 Œ Ó Ó Flexatone 4 shaker p Floor tom cymbals/ad Lib drum set y y y y y y y y y y y y y y y y (vibraslap) 4 ÷ 4 Œ p "VIBE-A-LICIOUS, DRUMS-A-GO GO" by Dan Moore © 2020 by Row-Loff Productions All Rights Reserved International Copyright Secured Vibe-a-licious, Drums-a-Go Go pg. 3 {B} to xylo 9 10 11 12 bells/Xylo (snare drum) b & b b ∑ ∑ ∑ ∑ vibes œ nœ œ œ œ nœ œ nœ œ œ œ nœ (Floor tom) b œ œ ‰ œ œ œ œ œ ‰ œ œ œ & b b œ œ Ó œ œ Ó marimba 1 (Floor tom) b & b b ∑ ∑ ∑ ∑ marimba 2 (Floor tom) b & b b ∑ ∑ ∑ ∑ bb marimba 3 & b (low A) (Floor tom) ? bbb Ó Œ œ nœ F Bass or Synth bass ? bbb ∑ ∑ ∑ Ó Œ œ nœ timbales & cowbellF percussion 1 9 10 11 12 sus cym > Timbales œ œ Floor tom ÷ ∑ ∑ ∑ Ó æ percussion 2 F guiro Triangle Guiro œ œ œ œ œ œ œ œ œ œ œ œ Cowbell - . - . - . - . Flexatone ÷ ∑ ∑ shaker Floor tom vibraslap F drum set (vibraslap) > ÷ ∑ Ó Œ œ ∑ ∑ ~~~ f Vibe-a-licious, Drums-a-Go Go pg. 4 13 14 15 16 bells/Xylo (snare drum) b & b b ∑ ∑ ∑ ∑ vibes œ nœ œ œ œ nœ œ nœ œ œ œ nœ (Floor tom) b œ œ ‰ œ œ œ œ œ ‰ œ œ œ & b b œ œ Ó œ œ Ó F marimba 1 (Floor tom) b & b b ∑ ∑ ∑ ∑ marimba 2 (Floor tom) b & b b ∑ ∑ Œ Œ ‰ œ œ œ œ œ œ œ œ nœ F bbb j Œ j Œ marimba 3 & œ œ œ œ œ œ œ œ œ œ œ œ (low A) (Floor tom) j j ? œ œ nœ œ œ œ œ nœ œ œ nœ œ œ œ œ nœ bbb œ œ œ nœ œ œ œ nœ Bass or Synth bass ? b œ œ œ œ œ œ œ œ œ œ œ œ Œ b b œ. J J J œ Œ œ nœ œ. J J J œ œ nœ percussion 1 13 14 15 16 sus cym 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 Timbales œ Floor tom ÷ percussion 2 P Triangle Guiro œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Cowbell - . - . - . - . - . - . - . - . Flexatone ÷ shaker Floor tom drum set (vibraslap) ÷ ∑ ∑ ∑ ∑ Vibe-a-licious, Drums-a-Go Go pg. 5 17 18 19 20 bells/Xylo (snare drum) b & b b ∑ ∑ ∑ ∑ vibes œ nœ œ œ œ nœ œ (Floor tom) b œ œ ‰ œ œ œ œ & b b œ œ Ó ∑ Ó ‰ œ p F marimba 1 > > (Floor tom) b œ œ œ œ œ œ œ œ œ œ œ œ œ & b b Œ œ nœ œ Œ œ œ nœ ‰ œ nœ œ œ nœ œ Œ œ œ nœ Ó F f marimba 2 (Floor tom) b > > & b b Œ œ ‰ œ œ Œ œ Ó œ œ œ œ œ œ œ œ œ nœ œ œ œ œ œ œ œ f > > bbb j Œ j Ó marimba 3 & œ œ œ œ œ œ œ œ œ œ œ œ (low A) (Floor tom) j j ? œ œ nœ œ œ œ œ nœ œ œ nœ œ œ œ œ nœ bbb œ œ œ nœ œ œ f Bass or > > Synth bass ? b œ œ œ œ œ œ œ œ œ œ œ œ Ó b b œ. J J J œ Œ œ nœ œ. J J J œ f percussion 1 17 18 19 20 sus cym 1 1 1 1 1 1 1 1 1 1 1 1 > Timbales œ œ œ œ Floor tom ÷ œ Ó percussion 2 f Triangle Guiro œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Cowbell - . - . - . - . - . - . - . Flexatone ÷ Ó shaker Floor tom drum set (vibraslap) ÷ ∑ ∑ ∑ ∑ Vibe-a-licious, Drums-a-Go Go pg. 6 {C} 21 22 23 24 bells/Xylo (snare drum) b & b b ∑ ∑ ∑ ∑ vibes w œ (Floor tom) b œ œ & b b Ó ‰ œ œ w Ó ‰ œ marimba 1 (Floor tom) b œ œ œ œ œ œ œ œ œ œ œ œ & b b Œ œ nœ œ Œ œ œ nœ Ó Œ œ nœ œ Œ œ œ nœ Ó F marimba 2 (Floor tom) bbb Œ Œ Ó Œ Œ Ó & œ œ œ œ œ œ œ œ œ œ œ œ F bbb j Ó j Ó marimba 3 & œ œ œ œ œ œ œ œ œ œ œ œ (low A) (Floor tom) F j j ? œ œ nœ œ œ œ œ nœ œ œ nœ œ œ œ œ nœ bbb œ œ œ œ Bass or Synth bass ? b œ œ œ œ œ œ œ œ œ œ œ œ Ó b b œ. J J J œ Ó œ. J J J œ F percussion 1 21 22 23 24 sus cym 1 111 1 1 111 1 1 111 1 1 111 1 Timbales Floor tom ÷ percussion 2 P Triangle Guiro œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Cowbell - .
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