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Multimedia Figure X. Building a Relationship with Percussion Instruments

Bill Matney, Kalani Das, & Michael Marcionetti

Materials used with permission by Sarsen Publishing and Kalani Das, 2017 Building a relationship with percussion instruments

Going somewhere new can be exciting; it might also be a little intimidating or cause some anxiety. If I go to a party where I don’t know anybody except the person who invited me, how do I get to know anyone else?

My host will probably be gracious enough to introduce me to others at the party. I will get to know their name, where they are from, and what they commonly do for work and play. In turn, they will get to know the same about me. We may decide to continue our relationship by learning more about each other and doing things together.

As therapy students, we develop relationships with music instruments. We begin by learning instrument names, and by getting to know a little about the instrument. We continue our relationship by learning technique and by playing music with them!

Through our experiences and growth, we will be able to help clients develop their own relationships with instruments and music, and therefore be able to 1 strengthen the therapeutic process. Building a relationship with percussion instruments

Recognize the Know what the instrument is Know where the Learn about what the instrument by made out of (materials), and instrument instrument is or was common name. its shape. originated traditionally used for.

We begin by learning instrument names, and by getting to know a little about the instrument.

• When learning about instruments, we begin with those that are most common in music therapy practice and literature. We will also include some instruments common to percussion performance and in this section (Tier One).

• We can then continue to develop our literacy with other percussion instruments (Tiers Two and Three).

2 Advanced

Knight & Matney, 2012; Matney, 2007; Matney, 2016;

Scheffel & Matney, 2015 musictherapy practice, world percussion literacypercussion world literature, and education. literature,and Continuing musictherapy Continuing literacypercussion world Instruments most common in Instrumentsmostcommon Tier Three Tier Two 3 Tier One Building a relationship with percussion instruments

Recognize the Know what the instrument is Know where the Learn about what the instrument by made out of (materials), and instrument instrument is or was common name. its shape. originated traditionally used for.

Find visuals of and information about these instruments: • Online (but double check your sources) • From books (e.g., Das, 2008; Matney, 2007) • Talking with your music therapy instructors and percussion instructors • Accessing your school’s instruments Large Hand Drums played with the Ngoma hands that stand on the Bougarabou Tubano ground Kpanlogo Funde Cajon

Goblet Drums Darbuka Tonbak Taajira Drums played with the Toubeleki hands that rest Doholla sideways on the legs

Double Headed/ Talking Drums Bata Drums Bongo Mrdngam Brekete Paired Hand Drums Naqara

Tier Three Tier Two 4 Tier One 4 Frame Drums Pandeira Pleneras • General Sakara Nave American Tamalin “Buffalo ” Ravanne Bodhran • Ornamented Ocean Drum a that uses rings Doira or other materials to enhance Ghaval sound quality.

General/ Muzhar a type of frame drum with Orchestral jingles; always has a head, or else called a “jingle ring.” Tamburello

Kilaut Tapou Paddle Drums General Uchiwa taiko Togo “Lollipop” Baijaogu

Tier Three Tier Two 5 Tier One 5 Duhulla Drums Tantan Baandu/Thunder Orchestral Rebolo Bomba Gathering Drum Table Drum Zabumba Drums Surdo

Sck Drums Snare Taiko Drums Ewe Drums Tom-Tom Sabar Drums Drum Set Krin Kuro Drums Candomble Sound Shapes Caixa Tongue Drum Repique

Tier Three Tier Two 6 Tier One 1 Shakers Ankle / Katsa Egg Shakers Ankle Rales Televi Ganza Pacay Kabamba Wrist Bells Jingle Sck

Rales Axatse Seed Pod Rale Chapchas Ankle Bells Jingle Ring Jingle Sck Wrist Bells

Tier Three Tier Two 7 Tier One Scrapers Guira Reco Reco Guiro Washboard Frog Rasp

Concussion Lummi Scks Instruments Rhythm Scks Ti Rikau Clapper “Kokiriko” Bones/Spoons / Binzasara Zils Finger

Tier Three Tier Two 8 Tier One Struck Ken ken Atoke - Metal (Unpitched) Tree Agogo Bell Chime Tree Babendi Gankoqui Gonge Triangle Guataca Susp. Clash Cymbal Hi-Hat Cymbal Flexatone

Wood Block Struck Idiophones Temple Blocks -Wood/Plasc Tongue Drum

Udu Quijada Jawbone Struck Idiophones - Other Tier Three Tier Two 9 Tier One Pitched Instruments •Orchestral: •World Bala/ Gyil Instr.

•Orff • Soprano • Alto • Tenor • Bass • Soprano • Alto • Tenor • Bass Bass Bars Contrabass Bars Tier Three Tier Two 10 Tier One /Hand Pan Gamelan Tongue Drum Pitched Idiophones Vibratone Tank Drum Singing Bowls Percussion instruments with Steel Pan Drum tonal pitches. Hand Chimes Boomwhackers

Lamellophones Kalimba Agidigbo Percussion instruments that are plucked to produce sound. Opochawa Kouxian Khim Chordophones Hammer Dulcimer Santoor Percussion instruments that have strings. Vibraphone Sawblade Bowed Percussion Cymbal Using a violin or bow on a creates unique sounds.

Tier Three Tier Two 11 Tier One Building a relationship with percussion instruments

We continue our relationship with instruments by learning Music good technique and by playing music with them!

Study and practice the Become aware of and be Listen to and/ Learn basic, traditional music of the able to play the and or watch the traditional instrument via teachers, pitches of the instrument traditional playing classes, books, videos in comparison to similar music of the techniques for and other resources. instruments. instrument. the instrument.

Learn creative, non-traditional ways to Learn how to accompany yourself singing all play the instrument (KPAS). kinds of songs on the instrument

Each of these tasks help us not only develop our musicianship, but also help us connect our musicianship with clinical intentions.

12 13 technique following slides promote musicianship through to most relevant ourinstruments that are work. The therapists, we As want to begin learning to play Knight & Matney, 2012; Matney, 2007; Matney, 2016; Scheffel & Matney, 2015 on instrumentation. relevant beginning

Beginning technique on instruments most common in music therapy practice and literature Beginning Technique and Instruments that Use Them Large Hand Drums Djembe Conga* Tubano Ashiko Ngoma Funde Timba Cajon

Goblet Drums Darbuka

Double Headed/ Paired Hand Drums Bongos

General Paddle Drums “Lollipop”

14 * While more advanced traditional play of the conga focuses on different technique, the beginning technical ideas/basic sounds are similar enough Frame Drums Basic Holds, Beginning Technique, and the Instruments that Use Them • General Pleneras (Single Hand Hold) Larger Frame Drums (Lap Style Hold) Tar Frame Drums (Tar Style Hold)

• Ornamented Ocean Drum

• Tambourines General/Gospel

15 Bass Drums Dunun Drums Shakers Maracas Surdo Egg Shakers Tantan Ganza Concert Bass Caxixi

Sck Drums Snare Rales Axatse Tom-Tom Shekere Drum Set Jingle Ring Tongue Drum Jingle Sck Wrist Bells

17 Scrapers Cabasa Struck Idiophones Cowbell Guiro - Metal (Unpitched) Agogo Bell Frog Rasp Gankoqui Triangle Susp. Cymbal Clash Cymbal Hi-Hat Cymbal Gong Flexatone Concussion Claves Instruments Rhythm Scks Struck Idiophones Wood Block Castanets -Wood/Plasc Temple Blocks “Kokiriko” Vibraslap Chime/Mark Tree Zils Finger Cymbals

18 19 Pitched Mallet Instruments Tongue Drum •Orchestral: Xylophone Pitched Idiophones Tank Drum Marimba Percussion instruments with Steel Pan Drum Vibraphone tonal pitches. Hand Chimes Glockenspiel Boomwhackers

Xylophones Kalimba •Orff • Soprano Percussion instruments that • Alto are plucked to produce sound. • Tenor • Bass Metallophones • Soprano • Alto • Tenor • Bass Bass Bars Contrabass Bars

21 Building a relationship with percussion instruments

Recognize the Know what the instrument is Know where the Learn about what the instrument by made out of (materials), and instrument instrument is or was common name. its shape. originated traditionally used for.

Study and practice the Become aware of and be Listen to and/ Learn basic, traditional music of the able to play the timbres and or watch the traditional instrument via teachers, pitches of the instrument traditional playing classes, books, videos in comparison to similar music of the techniques for and other resources. instruments. instrument the instrument.

Learn creative, non-traditional ways to Learn how to accompany yourself singing all play the instrument (KPAS) kinds of songs on the instrument

Learn how to communicate and use this information in general.

Reflect on how to communicate and use this information with others in clinical context.

22 (Das, 2011; Gardstrom, 2007; Knight & Matney, 2012; Matney, 2007) References

Das, K. (2011). The way of music: Creating sound connections in music therapy. Denton, TX: Sarsen Publishing.

Gardstrom, S. (2007). Music therapy improvisation for groups: Essential leadership skills. Gilsum, NH: Barcelona.

Kalani (2008). All about . Van Nuys, CA:Alfred Publishing.

Matney, B. (2007). Tataku: The use of percussion in music therapy. Denton, TX: Sarsen Publishing.