The Travel Issue Wish You Were Here Contents the TRAVEL ISSUE 4 Calendar and Editor’S Choice What’S Doing in Moscow in November
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Peace Commission, PNLO Make Joint Visit to Ceasefire Area in Mon
SUPPREssION AND ERADICATION OF BLACK MARKET P-8 (OPINION) Vol. IV, No. 106, 9th Waxing of Wagaung 1379 ME www.globalnewlightofmyanmar.com Tuesday, 1 August 2017 N ATIONAL Tents of violent attackers discovered in Mayu Mountain PAGE-3 PARLIAMENT Ministry of Education to establish new MRTV channel PAGE-2 PARLIAMENT Amyotha Hluttaw debates Farmland Law, increased foreign investment in agriculture PAGE-2 A health official assists a schoolgirl in wearing mask following recommended precautionary measures in Kawthoung. PHOTO: KYAW SOE NATIONAL Three dead bodies found in Chook Pyin Creek, in Death toll from seasonal influenza reaches 12 Yathedaung Township PAGe-6 WITH two more deaths from of Health and Sports said yes- to Yankin Children’s Hospital more than 210 patients are re- H1N1 influenza yesterday, terday. and Waibargi specialist Hos- ceiving treatment for the severe the number of death toll has Two patients receiving pital on 28th July, said a state- acute respiratory infection at reached 12 or 5.6 per cent of treatment for the seasonal in- ment released by the Ministry hospitals nationwide, of them 62 those who have been confirmed fluenza A H1N1 positive died of Health and Sports. are contracted with the swine flu. to have the virus, the Ministry yesterday after being admitted The statement said that SEE PAGE-9 LOCAL BUSINEss Peace Commission, PNLO make joint Rubber production season comes to a close visit to ceasefire area in Mon State PAGE-5 THE Peace Commission Chair joint field visit to ceasefire areas lor Daw Aung San Suu Kyi and process funding in December LOCAL BUSINEss and members, Union and State in Thaton Township, Mon State comprising representatives of 2016. -
SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN the LINES by Olga Klimova Specialist Degree, Belarusian State University
SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES by Olga Klimova Specialist degree, Belarusian State University, 2001 Master of Arts, Brock University, 2005 Master of Arts, University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Olga Klimova It was defended on May 06, 2013 and approved by David J. Birnbaum, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Lucy Fischer, Distinguished Professor, Department of English, University of Pittsburgh Vladimir Padunov, Associate Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Aleksandr Prokhorov, Associate Professor, Department of Modern Languages and Literatures, College of William and Mary, Virginia Dissertation Advisor: Nancy Condee, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh ii Copyright © by Olga Klimova 2013 iii SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES Olga Klimova, PhD University of Pittsburgh, 2013 The central argument of my dissertation emerges from the idea that genre cinema, exemplified by youth films, became a safe outlet for Soviet filmmakers’ creative energy during the period of so-called “developed socialism.” A growing interest in youth culture and cinema at the time was ignited by a need to express dissatisfaction with the political and social order in the country under the condition of intensified censorship. I analyze different visual and narrative strategies developed by the directors of youth cinema during the Brezhnev period as mechanisms for circumventing ideological control over cultural production. -
Content Report $0/5&/5 3&1035 $0
$*4$C0/5&/5ONTENT$C0/5&/53R3&1035EPORT&1035 $C 3FWJFXPGBVEJPWJTVBMDPOUFOUQSPEVDUJPOBOEEJTUSJCVUJPOJOUI¥¸¾ÅÇÄŹÅÈɼÀÇÒÄÁ·ÆÇÅ¿¾¹Å»Èɹ·¿»¿ÈÉÇ¿¸ÊÍ¿¿·Ê»¿Å¹¿¾Ê·ÂÓÄźОбзор новостей рынка производства и дистрибуции аудиовизуальногF$*4DPVOUSJFTÅÁÅÄɼÄÉ·о контента Media«»¥М¡ЕДИ ResourcesА ©Рª¬©ª´ЕСУРСЫ ¥МManagement¦¥¦«ЕНЕДЖМЕНТ Í¾»É¹ÄØ ØÆ»¹ÉØ №2 1 April, 2011 §¡¢£¡¥ÇºÁµÂÃÁºÅµfocus ¦ ££¥«DearÆÀ÷Ãź¹µ¿Ë½ colleagues½ ƹÐÁ˾ÄÕƹØйÊËÕŹ˾ÉÁ¹Äǻʾ¼Ç½ÆØÑƾ¼Ç¬¿¾It¬¿¾ is our »» ȾɻԾȾɻԾ great pleasure ½ÆÁ½ÆÁ ÆǻǼÇÆÇ»Ç¼Ç to present ¼Ç½¹¼Ç½¹ ƹŠƹŠtoday ɾ½¹ÃÏÁÁɾ½¹Ã the secÏÁÁ- ˾ÎÆÁÃǦǾÊÄÁ¿¾¼Ç»ÇÉÁËÕÇùоÊË»¾ÊǨ¾É»ÔÂdramatically–¨¾É»Ô ÆÇžÉÆÇÅ¾É it become $POUFOU$POUFOU 3FQPSUstronger3FQPSU »ÔÎǽÁË»ÔÎǽÁË in terms »» of ùÆÌÆà ¹ÆÌpurÆ- RКe¢£§§¥ ±¢°ИНОТЕ v i v a l АТРo f a АЛЬНЫ n i m a tЙ i o n ÆÇžɹ$POUFOU3FQPSU ÊɹÀÌÊ˹ÄÇÈÇÆØËÆÇ ÐËÇ»Åond$POUFOU issue3FQPSU ÈÇÊ»ØҾƹ of CIS:ÊɹÀÌ ContentÊ˹ÄÇ Ë¾Ä¾»ÁÀÁÇÆÆÇÅÌ Report.ÈÇÆØËÆÇ ThankÐËÇ» ÈÉǽ¹Ã you forÅ ½¾É¿¹Ë¾ÄÕÆǼǪ˹ÉǼǦǻǼǼǽ¹ ÃÇËÇÉÔ ƹÃÇƾÏËÇ À¹chaseªË¹ÉÇ¼Ç abilities,¦Ç»Ç¼Ç more ƹÈÇÄƾÆÁؼǽ¹ interestingÃÇËÇÉÔ Á ƹÃÇƾÏËÇ ÊÅÔÊĹin terms ÈÉÇÁÀof coÀ¹- £g¥°¢£РЫН e£ n ¥RОe§ ¢ ±¢ Кin В ¨R УuК s¥¢Р s АИН i a aЕ n£: d £ ÑÆÌÈɾ¿½¾»Ê¾¼ÇÖËÇÀ¹Å¾ËÆÇÁÀÃÇÄÁоÊË»¹»Ê¾ÅԺ̽¾ÅÌʾɽÆÇÁƾÌÊ˹ÆÆÇËÉ̽ÁËÕÊØ ¹your»Ê¾ÅÔ kindºÌ½¾Å repliesÌʾɽÆÇ and registrationsÁƾÌÊ˹ÆÆÇ ËÉ̽ÁËÕÊØfor free trials. -
Дмитрий (Rodrigez) Тел Моб. – +7-918-77777-80 Тел Моб
1 СПИСОК МУЗЫКАЛЬНЫХ КОМПОЗИЦИЙ 1 ТАНЦЕВАЛЬНЫЕ ХИТЫ–50/50 2 РОССИЙСКАЯ ЭСТРАДА 3 РУССКИЕ НАРОДНЫЕ 4 СОВЕТСКАЯ ЭСТРАДА 5 РОССИЙСКИЕ МЕДЛЕННЫЕ 6 GOLDEN-DISCO 7 RЕMIX 8 ЗАРУБЕЖНАЯ ЭСТРАДА 9 КЛУБНАЯ МУЗЫКА 10 HEAVY METAL 11 HIP-HOP 12 LATIN HOUSE 13 LATINOS 14 ROMANTIC 15 TARANTINO 16 ВАЛЬСЫ 17 ВЕРКА СЕРДЮЧКА 18 ДЕТСКИЕ 19 ДЖАЗ 20 ИНСТРУМЕНТАЛ 21 КАНТРИ 22 МУЗЫКА ИЗ КИНО 23 КЛАССИКА 24 МАРШИ 25 МИНУСОВКИ 26 МОДНО 27 НОВЫЙ ГОД 28 НАЦИОНАЛЬНЫЕ 29 ПЕСНИ О ПРОФЕССИЯХ 30 ПЕСНИ О ВОЙНЕ 31 ПЕСНИ О СТАВРОПОЛЕ 32 РЕТРО 33 РЕГГИ 34 РЕТРО-80-Х-90-Х 35 РОК-Н-РОЛЛ 36 РОМАНСЫ 37 СПОРТ 38 ТАНГО 39 ТАНЦЫ-90-Х 40 ШАНСОН 41 ШКОЛЬНЫЕ ПЕСНИ Дмитрий (Rodrigez) Тел моб. – +7-918-77777-80 Тел моб. - 690-777 Музыкальное и световое E-mail: [email protected] оформление Вашего торжества 2 1. ТАНЦЕВАЛЬНЫЕ ХИТЫ – 50/50 2. 23-45 - & 5 IVESTA FAMILY - Я БУДУ 3. AKCENT - ON AND ON 4. ANTOINE MONTANA - PALQUE 5. ARASH - PURE LOVE FEAT HELENA 6. ARASH - PURE LOVE FEAT HELENA 7. АRMIN VAN BUUREN FEAT SHARON DEN ADEL - IN & OUT OF LOVE 8. AYSEL & ARASH - ALWAYS (RADIO MIX) 9. BASIC ELEMENT - TOUCH YOU RIGHT NOW 10. BOB SINCLAR - GIVE ME SOME MORE 11. BOB SINCLAR - LA LA SONG (TOCADISCO REMIX 12. BRITNEY SPEARS - CIRCUS 13. BRITNEY SPEARS - RADAR 14. BIG ALI FT DOLLARMAN - HIT THE FLOOR ---SNAP 15. C&C MUSIC FACTORY & KULCHA DON - WORK THAT BODY 16. CENTR - ГОРОД 17. CHRISTINA AGUILERA - KEEPS GETTIN BETTER 18. CRAIG DAVID - INSOMNIA 19. DA GROOVE DOCTORS - ALL WE NEED IS LOVE 20. -
The World Knows Latvia By… Latvia: Smart and Stylish
FACT SHEET ON LATVIA Nations have long understood that their greatest treasure is their people. Latvia is an exceptional example of how great people and great ideas are born in relatively small countries. The World Knows Latvia By… Latvia: Smart and Stylish Over the centuries, Latvia’s geopolitical situation has been shaped by its strategic Baltic Sea location, at the crossroads of trade and conflicting power interests. The dynamic forces that forged Latvia’s turbulent history have produced a unique set of values, traits, and characteristics in its people, and have led to their recognition around the world. This is just a brief look at the achievements and contributions of some of the world’s most famous artists, musicians, athletes, scientists, designers, and scientists whose lives originated or where influenced by Latvia. Also notable are those exhibiting a characteristically Latvian attribute – a passion for exploration, innovation, and adventure. Culture Mezzo-soprano Elīna Garanča (1976) appearances at the Royal Opera House Covent Garden, the Metropolitan Opera Endowed with a magnificent mezzo-soprano in New York, Wiener Staatsoper, and Deutsche Staatsoper. He also makes regular voice, Elīna Garanča became a finalist in the 2001 appearances at such summer festivals as Lucerne Festival, BBC Proms and Berliner BBC’s Cardiff Singer of the World Competition and Festspiele. soon after made her solo recording debut. In 2005 Garanča signed an exclusive contract with Deutsche Composer Ēriks Ešenvalds (1977) Grammophon. Currently a soloist at the Vienna Opera, Ēriks Ešenvals is one of the most popular she has appeared at the world’s major opera houses and beloved Latvian composers of the new and concert venues and established herself as one of generation. -
LATVIA Latvia 171 © Lonelyplanetpublications Expecting Littleandleaveexpecting Overwhelmed, They’Ve Uncovered Certain Long-Buriedtreasure
© Lonely Planet Publications 171 www.lonelyplanet.com LATVIA •• Highlights 172 HIGHLIGHTS HOW MUCH ? Rīga ( p187 ) Wander cobbled medieval streets, slide past Art-Nouveau flourishes Cup of coffee from 0.50Ls and watch the sun rise over a skyline of Latvia Taxi fare per kilometre 45Ls to 65Ls spires and turrets. Gauja Valley ( p227 ) Get your adrena- Public transport ticket 0.2Ls line rushing by bungee jumping, bob- Bicycle hire (daily) 4.50Ls sleighing or skiing amid this exquisite If you’re yearning to hit Europe’s untrodden jackpot, cash in your chips in Latvia (Latvija). landscape. Sauna per hour 10Ls Still undiscovered by the tourism masses, this sizzling Baltic sexpot is poised to become the Jūrmala ( p220 ) Soak up sun and Baltic Sea continent’s next A-list star. A country in transition, hellbent on shedding its stalwart old- vistas in this boisterous resort area. LONELY PLANET INDEX Liepāja (p261 ) Discover the heart and soul Soviet image, the Latvia of today is vibrant, enigmatic and altogether mesmerising. Refresh- Litre of petrol 0.54Ls of Latvia’s rock ’n’ roll scene in this pro- LATVIA ingly unpretentious, Latvia manages to tantalise even the most jaded traveller. Many arrive gressive city poised to become a major Litre of bottled water 0.50Ls expecting little and leave overwhelmed, certain they’ve uncovered long-buried treasure. Baltic hot spot. 50cl bottle of beer 0.40Ls LATVIA Cape Kolka ( p253 ) Feast on fresh fish, Bustling Rīga, with its pumping nightlife, cobbled streets and marvellous Art-Nouveau gulp mouthfuls of crisp air and savour Souvenir T-shirt 5Ls architecture is one of Eastern Europe’s most fun cities. -
RAFA 2015.Pdf
www.mkrf.ru RAFA is Russian animated film association. RAFA represents the interests of the Russian animation industry and helps to create favorable conditions for the effective development of anima tion in Russia and worldwide. RAFA represents the interests of animation studios of all sizes, as well as individual flmmakers working in animation, including indep endent directors, production designers, animators etc. The association also includes organizations which are involved in animation: TV networks with an interest in animation,distribution companies and Internet companies, that is, all organizations whose business is related to the field of animation and who are interested in joining forces. • If you need to communicate with any Russian studio, organization or animator, • If you need assistance in participation in festivals and film markets in Russia, • If you need to organize the presentation of your services to Russian partners, • If you need talents and studios for co-production JUST CONTACT RAFA! RAFA is proud to present opportunity of Russian animation to you. Today RAFA is 40 best Russian studios that able for cooperation with you and 200 animators, composers, producers etc that would like to join your team. 4 5 CONTENTS RAFA 3 OPENING WORD 7 RUSSIAN ANIMATION TODAY 8 STUDIOS 10 SHORTS 180 ALPHABETICAL LIST 200 ON THE CATALOG WORKED 203 6 7 Dear friends, Russian Animated Film Association offers you the fourth edition of a catalogue of current animated films. In the new release, you will find information on all latest releases in the Russian animated film industry in 2014 and early in 2015. The new catalogue fundamentally differs from its predecessors. -
Annual Report
ANNUAL REPORT on most significant events of 2014 radio year and core trends in streaming broadcast and music industry' development of 2015 Part 1 – RADIO STARS & RADIO HITS ООО “СОВРЕМЕННЫЕ МЕДИА ТЕХНОЛОГИИ”, 127018 РОССИЯ, МОСКВА, СТАРОПЕТРОВСКИЙ ПРОЕЗД, ДОМ 11, КОРП. 1, ОФИС 111, +7 (495) 645 78 55, +44 20 7193 7003, +1 (347) 274 88 41, +49 69 5780 1997, WWW.TOPHIT.RU CONTENTS Introduction.………………….…………………………………………………………………………………………………………………. 2 Radio stars and radio hits…………………………………………………………………………………………………………………. 4 Artists and songs – Top Hit Music Awards 2015 winners…….…………………………………………………….……… 6 Achievements of record labels in 2014…………………………………………………………………………………………….. 7 Top 10 of Companies with biggest number of spins on radio air……………………..……………………………….. 8 Top 10 Companies with biggest number of songs on radio air …………………………………………………………. 9 Top 10 Companies with biggest number of spins per each song………………………………………………………. 10 Top 10 Companies with biggest number of songs on TOP HIT 100 radio chart…………………………………. 11 Top 10 Companies with best song test results …………………………………………………………………………………. 12 Top 100 of most frequently rotated local and foreign songs on Moscow radio air 2014…………………… 13 Top 20 of hot rotation playlists, set music trends on Moscow radio air 2014.…………………………………… 15 2015: Top Hit 3.0 ……………………………………………………………………………………………………………………………… 19 About the author……………………………………………………………………………………………………………………………… 20 1 ООО “СОВРЕМЕННЫЕ МЕДИА ТЕХНОЛОГИИ” 125130 РОССИЯ МОСКВА СТАРОПЕТРОВСКИЙ ПРОЕЗД, 11, КОРП. 1, ОФИС 102 +7 495 645 7855 +44 20 7193 7003 +1 347 274 8841 +49 69 5780 1997 WWW.TOPHIT.RU Introduction Every day hundreds of millions of people listen to radio, driving their cars. Music, news, programs and advertising are delivered in single information flows to listeners. Today the radio air brodcast is gradually replaced by the Internet streaming, and the place of customary radiostations and TV sets is more often taken by desktops, tablet PCs and smartphones with various entertainment apps in them. -
Moldova Country Situation
PREFACE This regional study on the Situation of and challenges in the region and in Cinema and the Audiovisual Industries individual countries. in the Eastern Partnership (EaP) Region is part of the project ‘Short term high The study has been implemented by quality studies to support activities the study team under the leadership of under the Eastern Partnership – Mr Terry Sandell who was supported on HiQSTEP, EuropeAid/132574/C/SER/ data collection by Ms Maria Mirzoyan Multi’, carried out by an international (Armenia), Mr Jahangir Selimkhanov consortium under the leadership of (Azerbaijan), Mr Anton Sidarenka Kantor Management Consultants to (Belarus), Ms Lana Ghvinjilia (Georgia), support the activities of Platform 4 Mr Ion Bunduchi (Moldova) and Ms `Contacts between people`. Julia Sinkevych (Ukraine). In the context of Creative Europe and Overall supervision of the study has of the EaP Platform 4 Work Programme been carried out by Przemysław this mapping study was supposed to Musiałkowski, Team Leader of the enhance the EaP countries knowledge HiQSTEP Project. of the regional context in which their industries operate and of the situation Sincere thanks go to the national in other countries. It was also supposed stakeholders in the Eastern Partnership to help the European Commission Countries who provided information to structure the discussions under in interviews and responses to Platform 4 and readjust its actions questionnaires. to better address the actual needs July 2015 TABLE OF CONTENTS Objectives . 2 Study background . .2 Current practices of the Eastern Partnership Audiovisual Industries . 3 Cinema and Film: Priority Areas in All the EaP Countries . 3 Dealing with the Past and Common Needs and Themes . -
Mediaobrazovanie) Media Education (M Ediaobrazovanie
Media Education (Mediaobrazovanie) Has been issued since 2005. ISSN 1994–4160. E–ISSN 1994–4195 2020, 60(1). Issued 4 times a year EDITORIAL BOARD Alexander Fedorov (Editor in Chief ), Prof., Ed.D., Rostov State University of Economics (Russia) Imre Szíjártó (Deputy Editor– in– Chief), PhD., Prof., Eszterházy Károly Fõiskola, Department of Film and Media Studies. Eger (Hungary) Ben Bachmair, Ph.D., Prof. i.r. Kassel University (Germany), Honorary Prof. of University of London (UK) Oleg Baranov, Ph.D., Prof., former Prof. of Tver State University Elena Bondarenko, Ph.D., docent of Russian Institute of Cinematography (VGIK), Moscow (Russia) David Buckingham, Ph.D., Prof., Loughborough University (United Kingdom) Emma Camarero, Ph.D., Department of Communication Studies, Universidad Loyola Andalucía (Spain) Irina Chelysheva, Ph.D., Assoc. Prof., Anton Chekhov Taganrog Institute (Russia) Alexei Demidov, head of ICO “Information for All”, Moscow (Russia) Svetlana Gudilina, Ph.D., Russian Academy of Education, Moscow (Russia) Tessa Jolls, President and CEO, Center for Media Literacy (USA) Nikolai Khilko, Ph.D., Omsk State University (Russia) Natalia Kirillova, Ph.D., Prof., Ural State University, Yekaterinburg (Russia) Sergei Korkonosenko, Ph.D., Prof., faculty of journalism, St– Petersburg State University (Russia) Alexander Korochensky, Ph.D., Prof., faculty of journalism, Belgorod State University (Russia) W. James Potter, Ph.D., Prof., University of California at Santa Barbara (USA) Robyn Quin, Ph.D., Prof., Curtin University, Bentley, WA (Australia) Alexander Sharikov, Ph.D., Prof. The Higher School of Economics, Moscow (Russia) Vladimir Sobkin, Acad., Ph.D., Prof., Head of Sociology Research Center, Moscow (Russia) Kathleen Tyner, Assoc. Prof., Department of Radio– Television– Film, The University of Texas at Austin (USA) Svetlana Urazova, PhD., Assoc. -
ARTIGOS • LIVRE Imagens De Muçulmanos E Budistas Nos Filmes
ARTIGOS • LIVRE Imagens de Muçulmanos e budistas nos filmes soviéticos sobre a Segunda Guerra (1950 -89) Moisés Wagner Franciscon * Dennison de Oliveira † Resumo A URSS, apesar de oficialmente ateia e possuir a maioria de sua população sem uma crença religiosa, possuía importantes minorias adeptas de algum credo. Ancorados em sua diversidade demográfica, muçulmanos e budistas representavam uma importante fatia dessa minoria. Ao contrário dos ortodoxos eslavos, esses grupos não eram considerados confiáveis pelo regime duplamente: como não eslavos e integrantes de cultos vistos como perigosamente reacionárias e explosivos. O cinema bélico costuma ser importante vetor de ideias nacionalistas ou pró- regime. No caso soviético, esse gênero cinematográfico portava as impressões oficiais sobre ambos os credos – apesar das ambiguidades de alguns diretores. A sócio-história cinematográfica de Marc Ferro permite uma melhor compreensão das relações do poder político e diplomático dos diferentes grupos da sociedade e do filme de guerra na União Soviética. Sua concepção de cinema como produto social com mensagens latentes e lapsos conscientes ou inconscientes mostram um quadro mais complexo do que o de uma estrutura de poder piramidal que suprimiria sentimentos religiosos na sociedade. Os filmes de guerra selecionados (14 filmes produzidos entre 1950-89) são ambientados na Segunda Guerra e possuem como protagonistas ou coadjuvantes personagens caracterizados como membros das populações de tradição muçulmana ou budista dentro das fronteiras soviéticas, ou filmes produzidos por diretores e estúdios localizados nas repúblicas associadas com estas religiões. Palavras -chave: História social do cinema, filme de guerra, religião, União Soviética. Abstrac t The USSR, although officially atheist and possessing the majority of its population without a religious belief, possessed important minorities adhering to some creed. -
Cultural Developments in Belarus: There Are a Lot Of
Vilnius, Lithuania Issue 2(12), March 2010 THE BRIGHT SIDE OF BELARUS Let’s admit it, little is said about good things that Considering the topics of the articles mentioned take place in Belarus. So rarely we hear anything above, cultural life in Belarus is the sphere experi- positive about this country that one might even encing an upturn: new ideas are appreciated, art wonder – is there a bright side of Belarus? After experiments are feasible and international coopera- receiving a good few of articles, I have no doubts tion is productive. that yes, there is. Here we publish the articles that looked at the positive aspects of life in Belarus from As Olga Tomashevskaya puts it in her contribu- original, seldom discussed point of view. Aliaksei tion, economic and political life in Belarus does Shota’s contribution overviews cultural develop- not flounder either. We see the bright side here ments in 2009 presenting new trends in Belarusian in changing mentality, the coming of a positive cinematography and music, uprise of new art spaces estimation of private entrepreneurship. and media platforms created to talk about as well All three authors end their pieces by expressing as promote Belarusian art. their wish that good aspects of life in Belarus would Ekaterina Glod in turn goes deeper in analysing new endure, develop and push their way into other tendencies in Belarusian cinema. The film festival spheres. I join the contributors of the current issue Listapad could be a touchstone when assessing the by encouraging to find and to contribute to good quality of Belarusian cinematography and when things in Belarus.