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Владимир Малышев / Vladimir Malyshev

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История международных History of VGIK International Владимир Малышев / Vladimir Malyshev киношкол ВГИКа Summer Schools Президент Международной Летней Киношколы, Во ВГИКе уже становится традицией ежегодное про- It has become a tradition at VGIK to hold annual Interna- заслуженный работник культуры Российской ведение международных летних киношкол. Основная tional Summer Schools. Their main purpose is to establish цель Международной летней киношколы ВГИК состоит academic and artistic contacts with the students of film Федерации, доктор искусствоведения, Академик РАО, в установлении учебных и творческих связей со and drama schools from European countries and CIS, ac- лауреат Гос. премии РФ / студентами школ кино и театра стран Европы и СНГ, quaintance with the life and culture of the participating The President of the VGIK International Summer School, ознакомлении с жизнью и культурой стран-участников, countries as well as creating visual images by students Honored Worker of Culture of the Russian а также создании визуальных образов студентами from different countries during summer training. киношкол разных стран в процессе летнего обучения. Federation, Doctor of Fine Arts, Academic RAE, Laureate of the The 1st Summer Film School – July, 2009, The City of Svetl- 1-я Летняя киношкола – июль 2009 г, г. Светлогорск ogorsk (was devoted to the 90th VGIK anniversary). State Prize of RF (приурочена к 90-летию ВГИК) The 2nd Summer Film School - August, 2010, the City of Россия / Russia 2-я Летняя киношкола — август 2010г, г. Азов. З-я Летняя киношкола — июль 2011г, г. Казань. Azov. Ректор ВГИК / VGIK Rector 4-я Летняя киношкола — июль 2012г, г. Ярославль. The 3rd Summer Film School — July, 2011, the City of Kazan. 5-я Летняя киношкола — июль 2013г, г. Владимир. The 4th Summer Film School — July, 2012, the City of Ya- Окончил экономический факультет Всесоюзного A graduate of the Economics Department of the All- 6-я Летняя киношкола — июль 2014г, г. Москва. roslavl. государственного института кинематографии (ВГИК) Union State Institute of Cinematography (VGIK), 1975. 7-я Летняя киношкола — июль 2015г, Киров. The 5th Summer Film School — July, 2013, the City of в 1975 г. Продюсер. Член Международной федерации Producer. Member of the International Federation of В рамках работы секции документального кино Vladimir. киноархивов (ФИАФ) и Европейской ассоциации Film Archives (FIAF) and the European Association of Film проводились мастер-классы ведущих мировых The 6th Summer Film School — July, 2014, the City of Moscow. киноархивов, действительный член Российской Archives, full member of the Russian Academy of Motion режиссёров и продюсеров, таких как Кшиштоф Занусси The 7th Summer Film School — July, 2015, the City of Kirov. Академии кинематографических искусств и наук Picture Arts and Sciences “The Golden Eagle” and the Film (Польша), Анджей Фидык (Польша), Адрианн Сиюффо As part of the Documentary Section, masterclasses were «Золотой орел» и Киноакадемии «Ника». Автор и Academy “Nika”. The founder and the first president of (США), Стэн Ньюманн (Франция), Любомир Халачев given by world’s leading directors and producers, such первый президент Кинофестиваля архивного кино the National Film Archive festival “Belye Stolby” and the (Болгария), Лео де Бур (Нидерланды), Марк Айзекс as Krzysztof Zanussi (Poland), Andrzej Fidyk (Poland), «Белые Столбы» и кинофестиваля «Балтийские festival “Baltic Debuts”. (Великобритания), Йорг Лангер (Германия), Берт Бейенс Adrianne Suffo (USA), Stan Neumann (France), Lyubomir дебюты». From September 1990 to 2001 — General director of the (Бельгия), Срджан Саренач (Босния и Герцеговина), а Halachev (Bulgaria), Leo de Boer (Netherlands), Marc С сентября 1990 г. по 2001 г. — генеральный Russian National Film Archive. In this period the Archive также признанных мастеров российского кинематографа: Isaacs (UK), Jorg Langer (Germany), Bert Beyens (Bel- директор Госфильмофонда России. В этот период народного артиста России В.П. Фокина, кинооператора gium), Srdjan Sarenac (Bosnia and Herzegovina) and got the status of National Heritage site and obtained a С.Е. Мокрицкого, реж. В.И. Хотиненко, реж. А.И. Гутмана, Госфильмофонд получает статус особо ценного new 10 –storey building for the Film library and the Fes- renowned Russian filmmakers: V. Fokin, People’s Artist кинооператора И.С. Клебанова, реж. С. Ландо. of Russia, Director of Photography S. Mokritsky, Director объекта культурного наследия, обретает tival Culture Center. In April, 2004 , V.S. Malyshev was В рамках секции анимации прошли мастер- V. Khotinenko, Director A. Gutman, Director of Photogra- новое 10-этажное здание фильмохранилища, appointed the Deputy Head of the Federal Agency for классы ведущих российских и зарубежных Фестивальный культурный центр. В апреле phy I. Klebanov, DOP S. Lando. Culture and Cinema. режиссеров анимационных фильмов, художников- The Animation Section comprised masterclasses of Russian 2004 г. В.С. Малышев назначен заместителем From May, 2007 he is the Rector of VGIK. Under his мультипликаторов и кинокритиков: декана факультета руководителя Федерального агентства по культуре и and international animation directors, animation artists guidance the VGIK Students’ Film Studio has been анимации BFA-MCMC Дуань Цзя (Китай), Клер Китсон and film critics: Duan Jia, Dean of the Animation Faculty of кинематографии. fully renovated. The new building of the University (Великобритания), А.К. Петрова, Г.Я. Бардина, С мая 2007 года — ректор ВГИКа. Под его С.М. Соколова, А.А. Штыхина, В.М. Монетова, BFA-MCMC (China), Clair Kitson (UK), A. Petrov, G. Bardin, has been built. V.S. Malyshev has a long-term teach- S. Sokolov, A. Shtykhin, V. Monetov, L. Pozhidayev, N. Da- руководством была полностью переоснащена ing experience and heads the work-shop according Л.Г. Пожидаева, Н.Б. Дабижа, также были проведены учебная киностудия ВГИК. В настоящее время практические занятия по анимационным технологиям bizha, as well as hands-on classes in animation techniques to the program “Film and Television Producer”. For held by E. Yaremenko, Dean of the Animation and Multime- идет строительство нового корпуса университета. his activities in the field of culture and pedagogy под руководством декана факультета Е.Г. Яременко. В.С. Малышев имеет большой педагогический стаж, Проведение 8-й Международной летней киношколы dia Department. V.S. Malyshev earned a number of various Russian and руководит мастерской по программе «Продюсер кино запланировано с 4 июля по 24 июля 2016г. в The work of the 8th International Summer School is и телевидения». foreign awards. These are: the Order of Friendship г. Петрозаводск. На участие в секции документального planned in Petrozavodsk from 4th of July to 24th of July, Деятельность В.С. Малышева в области культуры (1999), the Orders of Merit for Country of the IVth De- кино поступило свыше 100 заявок из 34 стран. На участие в 2016. We received over 100 applications from 34 countries и педагогики отмечена различными российскими и gree (2005) and the IIIth Degree (2009), the Order of секции анимации поступило большое количество заявок to participate in the Documentary Section as well as nu- международными наградами. Это Орден Дружбы Arts and Letters of the French Republic. V.S. Malyshev из Швейцарии, России, Китая, Египта, ФРГ, Армения. merous applications for participation in the Animation (1999), ордена "За заслуги перед Отечеством" IV-й is a Laureate of the Government Prize of the Russian В рамках киношколы планируется провести мастер- Section from the countries such as Switzerland, Russia, (2005) и III-й (2009) степени, Орден Словесности и Federation in the field of culture (2007), member of классы ведущих преподавателей, признанных мастеров China, Egypt, Germany, Armenia. Masterclasses of leading искусств Французской Республики. В.С. Малышев — the Russian Federation President’s Culture and Arts документального кино: режиссёра Горана Радовановича masters are planned to be held within the framework of (Сербия), оператора Тимо Хейнанена (Финляндия), Лауреат премии Правительства РФ в области Council (2008), President of the Association of Educa- The Summer School: Director Goran Radovanovic (Serbia), tional institutions for arts and culture. продюсера Кшиштофа Копчински (Польша), режиссера- Director of Photography Timo Heinänen (Finland), Produc- культуры (2007), Член Совета по культуре и искусству аниматора Отто Алдера (Швейцария), режиссера- при Президенте РФ (2008), Президент Ассоциации In 2011 he received the highest award of the Russian er Krzysztof Kopczynski (Poland), Animation Director Otto Government — the State Prize of the Russian Federa- аниматора Михаила Тумеля (Беларусь). Alder (Switzerland), Animation Director Michael Tumelya учебных заведений искусства и культуры. В Президент Международной летней киношколы — 2011 г. удостоен высшей награды Российского tion for the contribution to maintaining and popu- (Republic of Belarus). Ректор ВГИК, В.С. Малышев. The President of the VGIK International Summer School is правительства — Государственной премии РФ за larizing the cultural heritage, for the development Директор Международной летней киношколы — Rector of VGIK V. Malyshev; вклад в сохранение и популяризацию культурного of traditions and modernization of film education in Первый Проректор ВГИК И.В. Зернова. The Director of the VGIK International Summer School is Vice- наследия, развитие традиций и модернизацию Russia. Художественный руководитель секции документального In 2012 V.S. Malyshev was honored with the title of Rector
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    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
  • Moldova Country Situation

    Moldova Country Situation

    PREFACE This regional study on the Situation of and challenges in the region and in Cinema and the Audiovisual Industries individual countries. in the Eastern Partnership (EaP) Region is part of the project ‘Short term high The study has been implemented by quality studies to support activities the study team under the leadership of under the Eastern Partnership – Mr Terry Sandell who was supported on HiQSTEP, EuropeAid/132574/C/SER/ data collection by Ms Maria Mirzoyan Multi’, carried out by an international (Armenia), Mr Jahangir Selimkhanov consortium under the leadership of (Azerbaijan), Mr Anton Sidarenka Kantor Management Consultants to (Belarus), Ms Lana Ghvinjilia (Georgia), support the activities of Platform 4 Mr Ion Bunduchi (Moldova) and Ms `Contacts between people`. Julia Sinkevych (Ukraine). In the context of Creative Europe and Overall supervision of the study has of the EaP Platform 4 Work Programme been carried out by Przemysław this mapping study was supposed to Musiałkowski, Team Leader of the enhance the EaP countries knowledge HiQSTEP Project. of the regional context in which their industries operate and of the situation Sincere thanks go to the national in other countries. It was also supposed stakeholders in the Eastern Partnership to help the European Commission Countries who provided information to structure the discussions under in interviews and responses to Platform 4 and readjust its actions questionnaires. to better address the actual needs July 2015 TABLE OF CONTENTS Objectives . 2 Study background . .2 Current practices of the Eastern Partnership Audiovisual Industries . 3 Cinema and Film: Priority Areas in All the EaP Countries . 3 Dealing with the Past and Common Needs and Themes .
  • Finalspjw17momentsre-Edit Copy

    Finalspjw17momentsre-Edit Copy

    Red Front Saturday 6 June 2020 May 9 - June 13 17 Moments of Spring(1973) Dir Tatiana Lioznova Tatiana Lioznova’s 17 Moments of Spring begins with the image of there are moments of high anxiety and action intertwined with migrating birds, who, we come to assume, are heading East. The nervous stasis. When Kat gives herself away as Russian and camera pans to the subtle expression of Max Stirlitz, asMikhail Himmler takes a personal interest in Stirlitz, he finds himself Tariverdiev’s soundtrack, rife with wistfulness and longing plays. balancing many plates. With a collected exterior he walks briskly Only his eyes give away a sense of longing. There is no doubt the and seemingly assuredly through the Reich Chancellery, into the show’s success is due Stirlitz’s inscrutable demeanour and offices of other officials and masterfully manipulates them. ineffable cool. He holds his own against other beloved espionage Clandestine meetings with his informants take him to churches figures, like James Bond or Harry Radcliffe. However, whilst the on the edges of the city, or wooded areas and his mission even various James Bond depictions and Michael Caine embody the takes him across the border and into Switzerland. His necessity to same masculine charm, what makes 17 Moments of Spring utterly deceive and manipulate becomes active and constant, Stirlitz unique is the depiction of espionage’s impenetrable loneliness. remains brisk but unhurried and his unflinching exterior through This spy is closer to John Le Carre’s George Smiley. a series of tribulations betrays very little. The moments of intrigue are often explained by the narrator, who gives insight Stephen Coates has attributed this haunting impression of into the coded language the characters speak in, or the loneliness to the power of Tariverdiev’s music.