Religious Ecstasy
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Ecstatic Melancholic: Ambivalence, Electronic Music and Social Change Around the Fall of the Berlin Wall
Ecstatic Melancholic: Ambivalence, Electronic Music and Social Change around the Fall of the Berlin Wall Ben Gook The Cold War’s end infused electronic music in Berlin after 1989 with an ecstatic intensity. Enthused communities came together to live out that energy and experiment in conditions informed by past suffering and hope for the future. This techno-scene became an ‘intimate public’ (Berlant) within an emergent ‘structure of feeling’ (Williams). Techno parties held out a promise of freedom while Germany’s re-unification quickly broke into disputes and mutual suspicion. Tracing the historical movement during the first years of re-unified Germany, this article adds to accounts of ecstasy by considering it in conjunction with melancholy, arguing for an ambivalent description of ecstatic experience – and of emotional life more broadly. Keywords: German re-unification, electronic dance music, structure of feeling, intimate publics, ambivalence. Everybody was happy Ecstasy shining down on me ... I’m raving, I’m raving But do I really feel the way I feel?1 In Germany around 1989, techno music coursed through a population already energised by the Fall of the Berlin Wall. The years 1989 and 1990 were optimistic for many in Germany and elsewhere. The Cold War’s end heralded a conclusion to various deadlocks. Young Germans acutely felt this release from stasis and rushed to the techno-scene.2 Similar scenes also flourished in neighbouring European countries, the United States and Britain around the 1 ‘Raving I’m Raving,’ Shut up and Dance (UK: Shut Up and Dance Records, 1992), vinyl. Funding from the ARC Centre of Excellence for the History of Emotions Associate Investigator (CE110001011) scheme helped with this work. -
Russian Orthodoxy and Women's Spirituality In
RUSSIAN ORTHODOXY AND WOMEN’S SPIRITUALITY IN IMPERIAL RUSSIA* Christine D. Worobec On 8 November 1885, the feast day of Archangel Michael, the Abbess Taisiia had a mystical experience in the midst of a church service dedicated to the tonsuring of sisters at Leushino. The women’s religious community of Leushino had recently been ele vated to the status of a monastery.1 Conducting an all-women’s choir on that special day, the abbess became exhilarated by the beautiful refrain of the Cherubikon hymn, “Let us lay aside all earthly cares,” and envisioned Christ surrounded by angels above the iconostasis. She later wrote, “Something was happening, but what it was I am unable to tell, although I saw and heard every thing. It was not something of this world. From the beginning of the vision, I seemed to fall into ecstatic rapture Tears were stream ing down my face. I realized that everyone was looking at me in astonishment, and even fear....”2 Five years later, a newspaper columnistwitnessedasceneinachurch in the Smolensk village of Egor'-Bunakovo in which a woman began to scream in the midst of the singing of the Cherubikon. He described “a horrible in *This book chapter is dedicated to the memory of Brenda Meehan, who pioneered the study of Russian Orthodox women religious in the modern period. 1 The Russian language does not have a separate word such as “convent” or nunnery” to distinguish women’s from men’s monastic institutions. 2 Abbess Thaisia, 194; quoted in Meehan, Holy Women o f Russia, 126. Tapestry of Russian Christianity: Studies in History and Culture. -
How Can Spirituality Be Marian? Johann G
Marian Studies Volume 52 The Marian Dimension of Christian Article 5 Spirituality, Historical Perspectives, I. The Early Period 2001 How Can Spirituality be Marian? Johann G. Roten University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/marian_studies Recommended Citation Roten, Johann G. (2001) "How Can Spirituality be Marian?," Marian Studies: Vol. 52, Article 5. Available at: https://ecommons.udayton.edu/marian_studies/vol52/iss1/5 This Article is brought to you for free and open access by the Marian Library Publications at eCommons. It has been accepted for inclusion in Marian Studies by an authorized editor of eCommons. For more information, please contact [email protected], [email protected]. Roten: Spirituality Spirituality HOW CAN SPIRITUALITY BE MARIAN? Johann G. Roten, S.M.* "There is nothing better than true devotion to Mary, con, ceived as an ever more complete following of her example, to in, troduce one to the joy ofbelieving."1 Can this statement, formu, lated with the spiritual formation of future priests in mind, be applied to all Christians? Is it true that sound Marian devotion is "an essential aspect of Christian spirituality"F Or must we con, cede that Marina Warner's prophecy has come true, namely, that the "reality of her [Mary's] myth is over; the moral code sheaf, firms has been exhausted"?3 While reducing Marian devotion to an expression of the "traditionalist counter,movement," a recent sociological study reached a different conclusion: "With the weight of the history I reviewed ... firmly supporting the following con, elusion, I contend that Marian devotion will continue well into the next millennium. -
Ecstasy and Mysticism by HANS HOF
Iv Ecstasy and Mysticism By HANS HOF The task I set myself in this paper is that of finding and understanding the structures in human consciousness which characterise the experience of certain kinds of ecstasy. The context in which I try to perform this task is an outline of fundamental changes in consciousness brought about by those methods of meditation which, under optimal conditions, give rise to mysti- cal experience. I define the terms "ecstasy" and "mysticism" within the scope of this outline. My presentation will be divided into three sections. In the first section I discuss a method of finding and interpreting structures of consciousness relevant for understanding the phenomena of ecstasy and mysticism. In the second section I present the results of an investigation based on the given method: an outline of the realms of human consciousness where different ecstatic and mystical phenomena can be placed. In the third section I offer some considerations regarding the phenomenological method that I recom- mend for examining the structures of consciousness of ecstasy and mysti- cism. 1. Concerning an experimental method in study of ecstasy and mysticism Phenomena such as ecstasy and mysticism display both psychological and physical features. We find their defining features within the psychological sphere: what makes ecstasy ecstasy or mysticism mysticism is their psy- chologically describable features and not the physical ones. The physical features which are a part of these phenomena are usually regarded as secondary in relation to the psychological ones. This relation entails a methodological problem. How does one go about an experimental investi- gation of phenomena whose main features are to be found in subjective experience? How can one find intersubjective criteria? 16—Religious Ecstasy 242 HANS HOF A useful approach in obtaining an answer to these questions is shown by the experiences afforded us through the so called "meditation" of the last two decades. -
Birkbeck Institutional Research Online
Birkbeck ePrints BIROn - Birkbeck Institutional Research Online Enabling open access to Birkbeck’s published research output Queer Walsingham Book chapter (Author’s draft) http://eprints.bbk.ac.uk/4244 Citation: Janes, D. (2010) Queer Walsingham – In Janes, D.; Waller, G. - Walsingham in Literature and Culture from the Middle Ages to Modernity pp.147-166 (ISBN: 9780754669241) © 2010 Ashgate Publisher version ______________________________________________________________ All articles available through Birkbeck ePrints are protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. ______________________________________________________________ Deposit Guide Contact: [email protected] 209 Chapter 10 Queer Walsingham Dominic Janes A banner reading “The Bible. Cure for Sodomy” was deemed to be sufficiently inflammatory that the police escorting the National Pilgrimage of Our Lady of Walsingham in 2004 required that it be taken down (fig. 9).1 Disgust at this official line can be found, as a component of a substantial campaign of vilification of the shrine, on the website of the European Institute of Protestant Studies (EIPS) which is housed in the Paisley Jubilee Complex of the Martyrs‟ Memorial Free Presbyterian Church in Belfast. Its President is Ian Paisley, until recently First Minister of Northern Ireland, founder and moderator of the Free Presbyterian Church in Belfast and possessor of an Honorary Doctorate from the evangelical Bob Jones University in Greenville, South Carolina. The purpose of the institute is to “expound the Bible and expose the Papacy” and it offers courses which include “showing Roman Catholics the way to Christ,” “False doctrines of Roman Catholicism,” and “The Church of Rome and Politics (an exposure of the Vatican conspiracy to overthrow civil government from the twelfth century to the present, with particular emphasis on the history of Papal assaults against Britain and Rome's contemporary involvement in the European Union).”2 [Fig. -
CHURCH and PEOPLE " Holyrussia," the Empire Is Called, and the Troops of The
CHAPTER V CHURCH AND PEOPLE " HOLYRussia," the Empire is called, and the troops of the Tsar are his " Christ-loving army." The slow train stops at a wayside station, and..among the grey cot- The Church. tages on the hillside rises a white church hardly supporting the weight of a heavy blue cupola. The train approaches a great city, and from behind factory chimneys cupolas loom up, and when the factory chimneys are passed it is the domes and belfries of the churches that dominate the city. " Set yourselves in the shadow of the sign of the Cross, O Russian folk of true believers," is the appeal that the Crown makes to the people at critical moments in its history. With these words began the Manifesto of Alexander I1 announcing the emancipation of the serfs. And these same words were used bfthose mutineers on the battleship Potenzkin who appeared before Odessa in 1905. The svrnbols of the Orthodox Church are set around Russian life like banners, like ancient watch- towers. The Church is an element in the national conscious- ness. It enters into the details of life, moulds custom, main- tains a traditional atmosphere to the influence of which a Russian, from the very fact that he is a Russian, involuntarily submits. A Russian may, and most Russian intelligents do, deny the Church in theory, but in taking his share in the collective life of the nation he, at many points, recognises the Ch'urch as a fact. More than that. In those borcler- lands of emotion that until life's end evade the control of toilsomely acquired personal conviction, the Church retains a foothold, yielding only slowly and in the course of generations to modern influences. -
St. Catherine of Bologna Church
1 ST.ST. CATHERINECATHERINE OFOF BOBOLOGNALOGNA TWENTY-SIXTH SUNDAY IN ORDINARY TIME OCTOBER 1, 2017 READINGS FOR SUNDAY: EZ 18:25-18; PS 25,4-9; PHIL 2,1-11; MT 21,28-32 112 Erskine Rd, Ringwood, NJ 07456, Phone: (973) 962-7032 [email protected], www.stcatherineofbologna.org Parish office: Monday-Thursday 9:30am-3:00pm MASS SCHEDULE PRAYER TO ST. CATHERINE OF BOLOGNA Weekdays Monday-Friday 9:00am St. Catherine of Bologna, patron of artists and of our parish, Saturday I humbly ask you to intercede on my behalf 9:00am, 5:00pm (Vigil Mass) to gain for me, my family and our parish Sunday the grace of love and trust, peace and forgiveness. 7:30am 9:00am O Dear St. Catherine, 11:00am Let your uncorrupt body be a sign of God’s 6:00pm presence in our midst and of the unconditional love our crucified Lord has for each one of us. CONFESSION Saturdays May your art inspire us 8:30am-9:00am, 4:00pm-4:30pm and may the Franciscan spirit of humility, First Fridays simplicity, and obedience, 6:00pm-7:00pm so close to your heart, EUCHARISTIC ADORATION be present in our words, actions and thoughts at every moment. Fridays 9:30am-10:30am St. Catherine of Bologna - pray for us! First Fridays 9:30am-1:00pm, 6:00pm-7:00pm 2 TWENTY-FIFTHSIXTH SUNDAYSUNDAY IN IN ORDINARY ORDINARY TIME TIME SEPTEMBER OCTOBER 24, 1, 2017 MASS INTENTIONS PRAY FOR OUR MILITARY For those in the military serving overseas & their families that TWENTY-SIXTH SUNDAY IN ORDINARY TIME October 1 they complete their mission & return home safely. -
YASIIN BEY Formerly Known As “Mos Def”
The Apollo Theater and the Kennedy Center Present Final U.S. Performances for Hip-Hop Legend YASIIN BEY Formerly Known as “Mos Def” The Apollo Theater Tuesday, December 21st, 2016 The Kennedy Center New Year’s Eve Celebration at the Kennedy Center Concert Hall Saturday, December 31st, 2016 – Monday, January 2, 2017 (Harlem, NY) – The Apollo Theater and The John F. Kennedy Center for the Performing Arts announced today that they will present the final U.S. performances of one of hip hop’s most influential artists - Yasiin Bey (formerly known as Mos Def). These special engagements follow Bey’s announcement earlier this year of his retirement from the music business and will kick-off at the Apollo Theater on Tuesday, December 21st, culminating at The Kennedy Center from Saturday, December 31st through Sunday, January 2, 2017. Every show will offer a unique musical experience for audiences with Bey performing songs from a different album each night including The New Danger, True Magic, The Ecstatic, and Black on Both Sides, alongside new material. He will also be joined by surprise special guests for each performance. Additionally, The Kennedy Center shows will serve as a New Years Eve celebration and will feature a post-show party in the Grand Foyer. Yasin Bey has appeared at both the Apollo Theater and Kennedy Center multiple times throughout his career. “We are so excited to collaborate with the Kennedy Center on what will be a milestone moment in not only hip-hop history but also in popular culture. The Apollo is the epicenter of African American culture and has always been a nurturer and supporter of innovation and artistic brilliance, so it is only fitting that Yasiin Bey have his final U.S. -
The Spirit of Dancehall: Embodying a New Nomos in Jamaica Khytie K
The Spirit of Dancehall: embodying a new nomos in Jamaica Khytie K. Brown Transition, Issue 125, 2017, pp. 17-31 (Article) Published by Indiana University Press For additional information about this article https://muse.jhu.edu/article/686008 Access provided by Harvard University (20 Feb 2018 17:21 GMT) The Spirit of Dancehall embodying a new nomos in Jamaica Khytie K. Brown As we approached the vicinity of the tent we heard the wailing voices, dominated by church women, singing old Jamaican spirituals. The heart beat riddim of the drums pulsed and reverberated, giving life to the chorus. “Alleluia!” “Praise God!” Indecipherable glossolalia punctu- ated the emphatic praise. The sounds were foreboding. Even at eleven years old, I held firmly to the disciplining of my body that my Catholic primary school so carefully cultivated. As people around me praised God and yelled obscenely in unknown tongues, giving their bodies over to the spirit in ecstatic dancing, marching, and rolling, it was imperative that I remained in control of my body. What if I too was suddenly overtaken by the spirit? It was par- ticularly disconcerting as I was not con- It was imperative that vinced that there was a qualitative difference between being “inna di spirit I remained in control [of God]” and possessed by other kinds of my body. What if of spirits. I too was suddenly In another ritual space, in the open air, lacking the shelter of a tent, heavy overtaken by the spirit? bass booms from sound boxes. The seis- mic tremors radiate from the center and can be felt early into the Kingston morning. -
The Rise and Fall of the Pentecostals
ANDREW SINGLETON The rise and fall of the Pentecostals The role and significance of the body in Pentecostal spirituality he body has always been centrally important to Christianity. Michael TFeatherstone (1991a: 182) observes that prior to the twentieth century, Christians predominantly glorified the soul and suppressed the body. For close to two thousand years, in the pursuit of greater intimacy with God, the physical body has been ordered in particular ways during worship (e.g. kneel- ing during prayer), or disciplined and denied as part of daily religious prac- tice (e.g. fasting, self-flagellation). Giuseppe Giordan (2009: 228) notes that Christianity has controlled the body ‘through a complex system of rules, rules governing everything from sexuality to dreams, from food to desire, from work to emotions, from medicine to dress, from birth until death, including even the celebration of mourning’. In the final century of the millennium, however, a discernible shift has taken place in popular religious practice away from ordered asceticism to an eager ‘consumption’ of the power of God, especially in the Pentecostal and charismatic churches. In Australia, the UK and Western Europe, Pentecostals are one of the few Protestant groups to have grown in the past two decades. Within this tradition the body is not subordinated to attain a higher spiritual- ity, rather spiritual experiences are openly signified through the ‘out-of-con- trol’ body. The body is the site where the ‘power’ of God is manifested through the believer (as is the case with speaking in tongues). With experiences of this kind the worshipper is overcome by the ‘power’ of God, rather than in- stigating the bodily experience themselves, as is the case with swaying during prayer, fasting or liturgical dancing. -
Final Corrected Diss4-28
21ST CENTURY MOJO: THE PRACTICE OF RITUAL AND HIP HOP AMONG BRIGHT, BLACK UNIVERSITY STUDENTS AT A PREDOMINANTLY WHITE UNIVERSITY by J. SEAN CALLAHAN (Under the direction of Tarek C. Grantham and Elizabeth A. St. Pierre) ABSTRACT In this qualitative project, I interviewed eight Black male and female students, ages 22-30, to explore how they engage hip hop culture within the social, cultural, political, and historical conditions specific to the southeastern flagship university they attend. By focusing on their everyday lives and the interactions that are possible within the multiple social spaces of the university, my purpose was to better understand how these students use hip hop culture to make sense of their experiences on campus. More specifically, my dissertation locates the ritual practices that these students perform in the process of constructing and negotiating the socio-cultural terrain of the university; addresses the methodological issues that arise when conducting qualitative research that focuses on gifted, Black students; and explores the educative value of practicing hip hop. The significance of this work lies with its attention to the intersection where the processes of cultural production meet giftedness as well as its emphasis on the socio-emotional development of gifted and talented Black university students. INDEX WORDS: Interdisciplinary research, Hip hop, Culture, Gifted black students, Qualitative research, Ethnography, Gifted education, Curriculum, Performativity, Conjure, Rituals, Spirituality, Identity, Socio- emotional development 21ST CENTURY MOJO: THE PRACTICE OF RITUAL AND HIP HOP AMONG BRIGHT, BLACK UNIVERSITY STUDENTS AT A PREDOMINANTLY WHITE UNIVERSITY by J. SEAN CALLAHAN B.A., University of West Georgia, 1998 M.Ed., University of Georgia, 2004 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2012 © 2012 J. -
Ecstatic Encounters Ecstatic Encounters
encounters ecstatic encounters ecstatic ecstatic encounters Bahian Candomblé and the Quest for the Really Real Mattijs van de Port AMSTERDAM UNIVERSITY PRESS Ecstatic Encounters Bahian Candomblé and the Quest for the Really Real Mattijs van de Port AMSTERDAM UNIVERSITY PRESS Layout: Maedium, Utrecht ISBN 978 90 8964 298 1 e-ISBN 978 90 4851 396 3 NUR 761 © Mattijs van de Port / Amsterdam University Press, Amsterdam 2011 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Contents PREFACE / 7 INTRODUCTION: Avenida Oceânica / 11 Candomblé, mystery and the-rest-of-what-is in processes of world-making 1 On Immersion / 47 Academics and the seductions of a baroque society 2 Mysteries are Invisible / 69 Understanding images in the Bahia of Dr Raimundo Nina Rodrigues 3 Re-encoding the Primitive / 99 Surrealist appreciations of Candomblé in a violence-ridden world 4 Abstracting Candomblé / 127 Defining the ‘public’ and the ‘particular’ dimensions of a spirit possession cult 5 Allegorical Worlds / 159 Baroque aesthetics and the notion of an ‘absent truth’ 6 Bafflement Politics / 183 Possessions, apparitions and the really real of Candomblé’s miracle productions 5 7 The Permeable Boundary / 215 Media imaginaries in Candomblé’s public performance of authenticity CONCLUSIONS Cracks in the Wall / 249 Invocations of the-rest-of-what-is in the anthropological study of world-making NOTES / 263 BIBLIOGRAPHY / 273 INDEX / 295 ECSTATIC ENCOUNTERS · 6 Preface Oh! Bahia da magia, dos feitiços e da fé.