Historical Dictionary of Australian Aborigines
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Geography and Archaeology of the Palm Islands and Adjacent Continental Shelf of North Queensland
ResearchOnline@JCU This file is part of the following work: O’Keeffe, Mornee Jasmin (1991) Over and under: geography and archaeology of the Palm Islands and adjacent continental shelf of North Queensland. Masters Research thesis, James Cook University of North Queensland. Access to this file is available from: https://doi.org/10.25903/5bd64ed3b88c4 Copyright © 1991 Mornee Jasmin O’Keeffe. If you believe that this work constitutes a copyright infringement, please email [email protected] OVER AND UNDER: Geography and Archaeology of the Palm Islands and Adjacent Continental Shelf of North Queensland Thesis submitted by Mornee Jasmin O'KEEFFE BA (QId) in July 1991 for the Research Degree of Master of Arts in the Faculty of Arts of the James Cook University of North Queensland RECORD OF USE OF THESIS Author of thesis: Title of thesis: Degree awarded: Date: Persons consulting this thesis must sign the following statement: "I have consulted this thesis and I agree not to copy or closely paraphrase it in whole or in part without the written consent of the author,. and to make proper written acknowledgement for any assistance which ',have obtained from it." NAME ADDRESS SIGNATURE DATE THIS THESIS MUST NOT BE REMOVED FROM THE LIBRARY BUILDING ASD0024 STATEMENT ON ACCESS I, the undersigned, the author of this thesis, understand that James Cook University of North Queensland will make it available for use within the University Library and, by microfilm or other photographic means, allow access to users in other approved libraries. All users consulting this thesis will have to sign the following statement: "In consulting this thesis I agree not to copy or closely paraphrase it in whole or in part without the written consent of the author; and to make proper written acknowledgement for any assistance which I have obtained from it." Beyond this, I do not wish to place any restriction on access to this thesis. -
RAA-Belonging Final Lores
BELONG aGREATARTSSTORIES ING FROM REGIONAL AUSTRALIAb written from conversations with aLindy ALLEN SNAPSHOTS based on interviews with aHélène SOBOLEWSKI edited by aMoya SAYER-JONES 2 FOREWORD FOREWORD FOREWORD INTRODUCTION 3 Senator The Hon Tony GRYBOWSKI Dennis GOLDNER Lindy ALLEN George BRANDIS QC CHIEF EXECUTIVE OFFICER PRESIDENT EXECUTIVE DIRECTOR MINISTER FOR THE ARTS Australia Council for the Arts Regional Arts Australia Regional Arts Australia Belonging: Great Arts Stories from Regional Australia Australian artists are ambitious. They inspire us with Welcome to the fifth publication by Regional Arts The process of writing this book was far more complex will be a source of inspiration to artists and communities their storytelling and challenge us to better understand Australia (RAA) of great art stories from regional, remote than I had imagined. A lot of thought goes into across the country. ourselves, our environment and the rich diversity of our and very remote Australia. These collections have proved interviewing people who have created and driven projects nation. They are creative and innovative in their practice to be very effective for RAA in celebrating the stories of with their communities. We were looking for the idea, These remarkable projects demonstrate the important and daring in their vision. It is the work of our artists regionally-based artists and sharing them with those who the passion, the commitment that drives these artists contribution artists make to regional life, and how that will say the most about our time. support us because they understand our value. These and organisers, often against considerable odds, to realise involvement in arts projects can help to build more accounts clearly demonstrate how important the arts are their vision. -
Colonial Frontier Massacres in Australia 1788-1930: Sources
Colonial Frontier Massacres in Australia 1788-1930: Sources © Ryan, Lyndall; Pascoe, William; Debenham, Jennifer; Gilbert, Stephanie; Richards, Jonathan; Smith, Robyn; Owen, Chris; Anders, Robert J; Brown, Mark; Price, Daniel; Newley, Jack; Usher, Kaine, 2019. The information and data on this site may only be re-used in accordance with the Terms Of Use. This research was funded by the Australian Government through the Australian Research Council, PROJECT ID: DP140100399. http://hdl.handle.net/1959.13/1340762 Colonial Frontier Massacres in Australia 1788-1930: Sources 0 Abbreviations 1 Unpublished Archival Sources 2 Battye Library, Perth, Western Australia 2 State Records of NSW (SRNSW) 2 Mitchell Library - State Library of New South Wales (MLSLNSW) 3 National Library of Australia (NLA) 3 Northern Territory Archives Service (NTAS) 4 Oxley Memorial Library, State Library Of Queensland 4 National Archives, London (PRO) 4 Queensland State Archives (QSA) 4 State Libary Of Victoria (SLV) - La Trobe Library, Melbourne 5 State Records Of Western Australia (SROWA) 5 Tasmanian Archives And Heritage Office (TAHO), Hobart 7 Colonial Secretary’s Office (CSO) 1/321, 16 June, 1829; 1/316, 24 August, 1831. 7 Victorian Public Records Series (VPRS), Melbourne 7 Manuscripts, Theses and Typescripts 8 Newspapers 9 Films and Artworks 12 Printed and Electronic Sources 13 Colonial Frontier Massacres In Australia, 1788-1930: Sources 1 Abbreviations AJCP Australian Joint Copying Project ANU Australian National University AOT Archives of Office of Tasmania -
Black Wars and White Settlement: the Conflict Over Space in the Australian Commemorative Landscape Matthew Graves, Elizabeth Rechniewski
Black Wars and White Settlement: the Conflict over Space in the Australian Commemorative Landscape Matthew Graves, Elizabeth Rechniewski To cite this version: Matthew Graves, Elizabeth Rechniewski. Black Wars and White Settlement: the Conflict over Space in the Australian Commemorative Landscape. E-rea - Revue électronique d’études sur le monde an- glophone, Laboratoire d’Études et de Recherche sur le Monde Anglophone, 2017, 10.4000/erea.5821. hal-01567433 HAL Id: hal-01567433 https://hal-amu.archives-ouvertes.fr/hal-01567433 Submitted on 23 Jul 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. E-rea Revue électronique d’études sur le monde anglophone 14.2 | 2017 1. Pastoral Sounds / 2. Histories of Space, Spaces of History Black Wars and White Settlement: the Conflict over Space in the Australian Commemorative Landscape Matthew GRAVES and Elizabeth RECHNIEWSKI Publisher Laboratoire d’Études et de Recherche sur le Monde Anglophone Electronic version URL: http://erea.revues.org/5821 DOI: 10.4000/erea.5821 Brought to you by Aix-Marseille Université ISBN: ISSN 1638-1718 ISSN: 1638-1718 Electronic reference Matthew GRAVES and Elizabeth RECHNIEWSKI, « Black Wars and White Settlement: the Conflict over Space in the Australian Commemorative Landscape », E-rea [Online], 14.2 | 2017, Online since 15 June 2017, connection on 23 July 2017. -
Len Mckenzie Seagrass-Watch HQ
Seagrass-Watch Proceedings of a Workshop for Mapping and Monitoring Seagrass Habitats in North East Arnhem Land, Northern Territory th th 18 – 20 October 2008 Len McKenzie Seagrass-Watch HQ First Published 2008 ©Seagrass-Watch HQ, 2008 Copyright protects this publication. Reproduction of this publication for educational or other non-commercial purposes is authorised without prior written permission from the copyright holder provided the source is fully acknowledged. Reproduction of this publication for resale or other commercial purposes is prohibited without prior written permission of the copyright holder. Disclaimer Information contained in this publication is provided as general advice only. For application to specific circumstances, professional advice should be sought. Seagrass-Watch HQ has taken all reasonable steps to ensure the information contained in this publication is accurate at the time of the survey. Readers should ensure that they make appropriate enquires to determine whether new information is available on the particular subject matter. The correct citation of this document is McKenzie, LJ (2008). Seagrass-Watch: Proceedings of a Workshop for Mapping and Monitoring Seagrass Habitats in North East Arnhem Land, Northern Territory, 18–20 October 2008. (Seagrass-Watch HQ, Cairns). 49pp. Produced by Seagrass-Watch HQ Front cover illustration: Len McKenzie Enquires should be directed to: Len McKenzie Seagrass-Watch Program Leader Northern Fisheries Centre, PO Box 5396 Cairns, QLD 4870 Australia 2 Table of Contents OVERVIEW -
Aboriginal Agency, Institutionalisation and Survival
2q' t '9à ABORIGINAL AGENCY, INSTITUTIONALISATION AND PEGGY BROCK B. A. (Hons) Universit¡r of Adelaide Thesis submitted for the degree of Doctor of Philosophy in History/Geography, University of Adelaide March f99f ll TAT}LE OF CONTENTS ii LIST OF TAE}LES AND MAPS iii SUMMARY iv ACKNOWLEDGEMENTS . vii ABBREVIATIONS ix C}IAPTER ONE. INTRODUCTION I CFIAPTER TWO. TI{E HISTORICAL CONTEXT IN SOUTH AUSTRALIA 32 CHAPTER THREE. POONINDIE: HOME AWAY FROM COUNTRY 46 POONINDIE: AN trSTä,TILISHED COMMUNITY AND ITS DESTRUCTION 83 KOONIBBA: REFUGE FOR TI{E PEOPLE OF THE VI/EST COAST r22 CFIAPTER SIX. KOONIBBA: INSTITUTIONAL UPHtrAVAL AND ADJUSTMENT t70 C}IAPTER SEVEN. DISPERSAL OF KOONIBBA PEOPLE AND THE END OF TI{E MISSION ERA T98 CTIAPTER EIGHT. SURVTVAL WITHOUT INSTITUTIONALISATION236 C}IAPTER NINtr. NEPABUNNA: THtr MISSION FACTOR 268 CFIAPTER TEN. AE}ORIGINAL AGENCY, INSTITUTIONALISATION AND SURVTVAL 299 BIBLIOGRAPI{Y 320 ltt TABLES AND MAPS Table I L7 Table 2 128 Poonindie location map opposite 54 Poonindie land tenure map f 876 opposite 114 Poonindie land tenure map f 896 opposite r14 Koonibba location map opposite L27 Location of Adnyamathanha campsites in relation to pastoral station homesteads opposite 252 Map of North Flinders Ranges I93O opposite 269 lv SUMMARY The institutionalisation of Aborigines on missions and government stations has dominated Aboriginal-non-Aboriginal relations. Institutionalisation of Aborigines, under the guise of assimilation and protection policies, was only abandoned in.the lg7Os. It is therefore important to understand the implications of these policies for Aborigines and Australian society in general. I investigate the affect of institutionalisation on Aborigines, questioning the assumption tl.at they were passive victims forced onto missions and government stations and kept there as virtual prisoners. -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Gladys Nicholls: an Urban Aboriginal Leader in Post-War Victoria
Gladys Nicholls: An Urban Aboriginal Leader in Post-war Victoria Patricia Grimshaw School of Historical and Philosophical Studies, University of Melbourne, Parkville, VIC. 3010 [email protected] Abstract: Gladys Nicholls was an Aboriginal activist in mid-20 th century Victoria who made significant contributions to the development of support networks for the expanding urban Aboriginal community of inner-city Melbourne. She was a key member of a talented group of Indigenous Australians, including her husband Pastor Doug Nicholls, who worked at a local, state and national level to improve the economic wellbeing and civil rights of their people, including for the 1967 Referendum. Those who knew her remember her determined personality, her political intelligence and her unrelenting commitment to building a better future for Aboriginal people. Keywords: Aboriginal women, Aboriginal activism, Gladys Nicholls, Pastor Doug Nicholls, assimilation, Victorian Aborigines Advancement League, 1967 Referendum Gladys Nicholls (1906–1981) was an Indigenous leader who was significant from the 1940s to the 1970s, first, in action to improve conditions for Aboriginal people in Melbourne and second, in grassroots activism for Indigenous rights across Australia. When the Victorian government inscribed her name on the Victorian Women’s Honour Roll in 2008, the citation prepared by historian Richard Broome read as follows: ‘Lady Gladys Nicholls was an inspiration to Indigenous People, being a role model for young women, a leader in advocacy for the rights of Indigenous people as well as a tireless contributor to the community’. 1 Her leadership was marked by strong collaboration and co-operation with like-minded women and men, both Aboriginal and non-Aboriginal, who were at the forefront of Indigenous reform, including her prominent husband, Pastor (later Sir) Doug Nicholls. -
Stretch Reconciliation Action Plan
Reconciliation Action Plan 2018 – 2020 Underwater Garden by Timeisha Simpson Timeisha Simpson is an emerging artist from Port Lincoln who has exhibited both on the West Coast and in Adelaide. She was studying in Year 9 when she created this work as part of Port Lincoln High School’s (PLHS) Aboriginal Arts Program. The PLHS Arts Program is an outlet for young artists to express themselves creatively. Local artist Jenny Silver has been working with the Arts Program for some time and has built strong relationships with all of the participating young artists. Many of the art works produced explore connections with culture, identity, family and place. It provides opportunities for the artists to be part of exhibitions across the state and their success at these exhibitions has created positive discussions with the wider community. An important aspect of the program is the emphasis on enterprise and the creation of individual artist portfolios. Jenny worked with Timeisha to create Underwater Garden, an acrylic painting that celebrates the richness and health of the water around Port Lincoln. Both artists spend a lot of time in the ocean and chose seaweed to represent growth and movement. Timeisha and Jenny developed authentic relationships with the community while on country which was integral in initial ideation for this piece. Timeisha says, ”The painting celebrates all the different bright coloured seaweeds in the ocean, I see these seaweeds when I go diving, snorkelling and fishing at the Port Lincoln National Park with my friends and family. I really enjoy going to Engine Point because that is where we go diving and snorkelling off the rocks, and for fishing we go to Salmon Hole and other cliff areas”. -
Fiona Foley Stud Gins.Backup.Fm Page 1 Sunday, August 21, 2016 11:04 AM
Fiona_Foley_Stud Gins.backup.fm Page 1 Sunday, August 21, 2016 11:04 AM F IONA FOLEY S TUD GINS Fiona_Foley_Stud Gins.backup.fm Page 2 Sunday, August 21, 2016 11:04 AM F ACT, FANTASY AND FRAUD ON AUSTRALIAN FRONTIERS—PROFESSOR ANNA HAEBICH The recent History Wars in Australia, as in similar earlier disputes in Europe and North America, proved a bloody battleground over historical truth. Revisionists publicly condemned discomforting accounts of systematic violence and oppression documented by historians from the 1970s as a combination of political agendas and dishonest scholarship and heralded a return to earlier celebratory national myths of peaceful settlement and benevolent progress. Politicians joined the fray. Conservative Prime Minister John Howard praised the nation’s record of ‘heroic achievement’ and quoted historian Geoffrey Blainey’s epithet ‘black armband history’ to encapsulate what many Australians considered an ‘excessive emphasis … on past wrongs’. The heated exchanges in Australia’s History Wars were proof of the high stakes involved and reflected mounting public anxiety over related matters confronting the nation—Native title, sovereignty, Aboriginal deaths in custody, Mabo, the Stolen Generations and more recently Stolen Wages—debates that prompted a crisis in national conscience and identity. U NSAFE SEX The grey rectangular blankets issued as welfare to Aboriginal people by Australian governments along with rations of flour, tea and sugar, have their own meanings in colonial history and within Foley’s evolving oeuvre. Onto these blank, grey, rectangular screens are projected imaginings of neglectful charity, patronage and control; disease, death and ghostly tallies of declining Aboriginal populations; furtive sexual couplings; and distorted exchanges of blankets for land, resources and women. -
What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?
What Killed Australian Cinema & Why is the Bloody Corpse Still Moving? A Thesis Submitted By Jacob Zvi for the Degree of Doctor of Philosophy at the Faculty of Health, Arts & Design, Swinburne University of Technology, Melbourne © Jacob Zvi 2019 Swinburne University of Technology All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. II Abstract In 2004, annual Australian viewership of Australian cinema, regularly averaging below 5%, reached an all-time low of 1.3%. Considering Australia ranks among the top nations in both screens and cinema attendance per capita, and that Australians’ biggest cultural consumption is screen products and multi-media equipment, suggests that Australians love cinema, but refrain from watching their own. Why? During its golden period, 1970-1988, Australian cinema was operating under combined private and government investment, and responsible for critical and commercial successes. However, over the past thirty years, 1988-2018, due to the detrimental role of government film agencies played in binding Australian cinema to government funding, Australian films are perceived as under-developed, low budget, and depressing. Out of hundreds of films produced, and investment of billions of dollars, only a dozen managed to recoup their budget. The thesis demonstrates how ‘Australian national cinema’ discourse helped funding bodies consolidate their power. Australian filmmaking is defined by three ongoing and unresolved frictions: one external and two internal. Friction I debates Australian cinema vs. Australian audience, rejecting Australian cinema’s output, resulting in Frictions II and III, which respectively debate two industry questions: what content is produced? arthouse vs. -
Indigenous Women's Preferences for Climate Change Adaptation And
Indigenous women’s preferences for climate change adaptation and aquaculture development to build capacity in the Northern Territory Final Report Lisa Petheram, Ann Fleming, Natasha Stacey, and Anne Perry Indigenous women’s preferences for climate change adaptation and aquaculture development to build capacity in the Northern Territory Charles Darwin University Northern Territory Government Australian National University LISA PETHERAM, ANN FLEMING, NATASHA STACEY AND ANNE PERRY Published by the National Climate Change Adaptation Research Facility ISBN: 978-1-925039-55-9 NCCARF Publication 84/13 © 2013 Charles Darwin University This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced by any process without prior written permission from the copyright holder. Please cite this report as: Petheram, L, Fleming, A, Stacey, N and Perry, A 2013 Indigenous women’s preferences for climate change adaptation and aquaculture development to build capacity in the Northern Territory, National Climate Change Adaptation Research Facility, Gold Coast, pp. 44. Acknowledgement This work was carried out with financial support from the Australian Government (Department of Climate Change and Energy Efficiency) and the National Climate Change Adaptation Research Facility. The views expressed herein are not necessarily the views of the Commonwealth or NCCARF, and neither the Commonwealth nor NCCARF accept responsibility for information or advice contained herein. The role of NCCARF is to lead the research community in a national interdisciplinary effort to generate the information needed by decision-makers in government, business and in vulnerable sectors and communities to manage the risk of climate change impacts. The authors would like to express their gratitude to the Warruwi community for their participation and support in this project.