RABINDRANATH TAGORE (7 May, 1861-7 August, 1941)
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2021 Banerjee Ankita 145189
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The Santiniketan ashram as Rabindranath Tagore’s politics Banerjee, Ankita Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 THE SANTINIKETAN ashram As Rabindranath Tagore’s PoliTics Ankita Banerjee King’s College London 2020 This thesis is submitted to King’s College London for the Degree of Doctor of Philosophy List of Illustrations Table 1: No of Essays written per year between 1892 and 1936. -
IP Tagore Issue
Vol 24 No. 2/2010 ISSN 0970 5074 IndiaVOL 24 NO. 2/2010 Perspectives Six zoomorphic forms in a line, exhibited in Paris, 1930 Editor Navdeep Suri Guest Editor Udaya Narayana Singh Director, Rabindra Bhavana, Visva-Bharati Assistant Editor Neelu Rohra India Perspectives is published in Arabic, Bahasa Indonesia, Bengali, English, French, German, Hindi, Italian, Pashto, Persian, Portuguese, Russian, Sinhala, Spanish, Tamil and Urdu. Views expressed in the articles are those of the contributors and not necessarily of India Perspectives. All original articles, other than reprints published in India Perspectives, may be freely reproduced with acknowledgement. Editorial contributions and letters should be addressed to the Editor, India Perspectives, 140 ‘A’ Wing, Shastri Bhawan, New Delhi-110001. Telephones: +91-11-23389471, 23388873, Fax: +91-11-23385549 E-mail: [email protected], Website: http://www.meaindia.nic.in For obtaining a copy of India Perspectives, please contact the Indian Diplomatic Mission in your country. This edition is published for the Ministry of External Affairs, New Delhi by Navdeep Suri, Joint Secretary, Public Diplomacy Division. Designed and printed by Ajanta Offset & Packagings Ltd., Delhi-110052. (1861-1941) Editorial In this Special Issue we pay tribute to one of India’s greatest sons As a philosopher, Tagore sought to balance his passion for – Rabindranath Tagore. As the world gets ready to celebrate India’s freedom struggle with his belief in universal humanism the 150th year of Tagore, India Perspectives takes the lead in and his apprehensions about the excesses of nationalism. He putting together a collection of essays that will give our readers could relinquish his knighthood to protest against the barbarism a unique insight into the myriad facets of this truly remarkable of the Jallianwala Bagh massacre in Amritsar in 1919. -
Journal of Bengali Studies
ISSN 2277-9426 Journal of Bengali Studies Vol. 6 No. 1 The Age of Bhadralok: Bengal's Long Twentieth Century Dolpurnima 16 Phalgun 1424 1 March 2018 1 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Journal of Bengali Studies (ISSN 2277-9426), Vol. 6 No. 1 Published on the Occasion of Dolpurnima, 16 Phalgun 1424 The Theme of this issue is The Age of Bhadralok: Bengal's Long Twentieth Century 2 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 ISSN 2277-9426 Journal of Bengali Studies Volume 6 Number 1 Dolpurnima 16 Phalgun 1424 1 March 2018 Spring Issue The Age of Bhadralok: Bengal's Long Twentieth Century Editorial Board: Tamal Dasgupta (Editor-in-Chief) Amit Shankar Saha (Editor) Mousumi Biswas Dasgupta (Editor) Sayantan Thakur (Editor) 3 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Copyrights © Individual Contributors, while the Journal of Bengali Studies holds the publishing right for re-publishing the contents of the journal in future in any format, as per our terms and conditions and submission guidelines. Editorial©Tamal Dasgupta. Cover design©Tamal Dasgupta. Further, Journal of Bengali Studies is an open access, free for all e-journal and we promise to go by an Open Access Policy for readers, students, researchers and organizations as long as it remains for non-commercial purpose. However, any act of reproduction or redistribution (in any format) of this journal, or any part thereof, for commercial purpose and/or paid subscription must accompany prior written permission from the Editor, Journal of Bengali Studies. -
TIWARI-DISSERTATION-2014.Pdf
Copyright by Bhavya Tiwari 2014 The Dissertation Committee for Bhavya Tiwari Certifies that this is the approved version of the following dissertation: Beyond English: Translating Modernism in the Global South Committee: Elizabeth Richmond-Garza, Supervisor David Damrosch Martha Ann Selby Cesar Salgado Hannah Wojciehowski Beyond English: Translating Modernism in the Global South by Bhavya Tiwari, M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2014 Dedication ~ For my mother ~ Acknowledgements Nothing is ever accomplished alone. This project would not have been possible without the organic support of my committee. I am specifically thankful to my supervisor, Elizabeth Richmond-Garza, for giving me the freedom to explore ideas at my own pace, and for reminding me to pause when my thoughts would become restless. A pause is as important as movement in the journey of a thought. I am thankful to Martha Ann Selby for suggesting me to subhead sections in the dissertation. What a world of difference subheadings make! I am grateful for all the conversations I had with Cesar Salgado in our classes on Transcolonial Joyce, Literary Theory, and beyond. I am also very thankful to Michael Johnson and Hannah Chapelle Wojciehowski for patiently listening to me in Boston and Austin over luncheons and dinners respectively. I am forever indebted to David Damrosch for continuing to read all my drafts since February 2007. I am very glad that our paths crossed in Kali’s Kolkata. -
Visva-Bharati, Santiniketan Title Accno Language Author / Script Folios DVD Remarks
www.ignca.gov.in Visva-Bharati, Santiniketan Title AccNo Language Author / Script Folios DVD Remarks CF, All letters to A 1 Bengali Many Others 75 RBVB_042 Rabindranath Tagore Vol-A, Corrected, English tr. A Flight of Wild Geese 66 English Typed 112 RBVB_006 By K.C. Sen A Flight of Wild Geese 338 English Typed 107 RBVB_024 Vol-A A poems by Dwijendranath to Satyendranath and Dwijendranath Jyotirindranath while 431(B) Bengali Tagore and 118 RBVB_033 Vol-A, presenting a copy of Printed Swapnaprayana to them A poems in English ('This 397(xiv Rabindranath English 1 RBVB_029 Vol-A, great utterance...') ) Tagore A song from Tapati and Rabindranath 397(ix) Bengali 1.5 RBVB_029 Vol-A, stage directions Tagore A. Perumal Collection 214 English A. Perumal ? 102 RBVB_101 CF, All letters to AA 83 Bengali Many others 14 RBVB_043 Rabindranath Tagore Aakas Pradeep 466 Bengali Rabindranath 61 RBVB_036 Vol-A, Tagore and 1 www.ignca.gov.in Visva-Bharati, Santiniketan Title AccNo Language Author / Script Folios DVD Remarks Sudhir Chandra Kar Aakas Pradeep, Chitra- Bichitra, Nabajatak, Sudhir Vol-A, corrected by 263 Bengali 40 RBVB_018 Parisesh, Prahasinee, Chandra Kar Rabindranath Tagore Sanai, and others Indira Devi Bengali & Choudhurani, Aamar Katha 409 73 RBVB_029 Vol-A, English Unknown, & printed Indira Devi Aanarkali 401(A) Bengali Choudhurani 37 RBVB_029 Vol-A, & Unknown Indira Devi Aanarkali 401(B) Bengali Choudhurani 72 RBVB_029 Vol-A, & Unknown Aarogya, Geetabitan, 262 Bengali Sudhir 72 RBVB_018 Vol-A, corrected by Chhelebele-fef. Rabindra- Chandra -
Metaphors in Jhumpa Lahiri's Fiction
METAPHORS IN JHUMPA LAHIRI’S FICTION: A STUDY A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF DOCTOR OF PHILOSOPHY BY MD SOHAIL AHMED Roll No. 06614105 DEPARTMENT OF HUMANITIES AND SOCIAL SCIENCES INDIAN INSTITUTE OF TECHNOLOGY GUWAHATI GUWAHATI, INDIA August 2011 We have all come out of Gogol’s Overcoat Fyodor Dostoevsky TH-1053_06614105 Indian Institute of Technology Guwahati Department of Humanities and Social Sciences Guwahati 781039 Assam, India DECLARATION I hereby declare that the thesis entitled “Metaphors in Jhumpa Lahiri’s Fiction: A Study” is the result of investigation carried out by me at the Department of Humanities and Social Sciences, Indian Institute of Technology Guwahati, under the supervision of Dr Liza Das and Prof Krishna Barua. The work has not been submitted either in whole or in part to any other university / institution for a research degree. Md Sohail Ahmed August 2011 IIT Guwahati TH-1053_06614105 Indian Institute of Technology Guwahati Department of Humanities and Social Sciences Guwahati 781039 Assam, India CERTIFICATE This is to certify that Md Sohail Ahmed has prepared the thesis entitled “Metaphors in Jhumpa Lahiri’s Fiction: A Study” for the degree of Doctor of Philosophy at the Indian Institute of Technology Guwahati. The work was carried out under our general supervision and in strict conformity with the rules laid down for the purpose. It is the result of his investigation and has not been submitted either in whole or in part to any other university / institution for a research degree. Liza Das Krishna Barua Supervisor Co-Supervisor August 2011 IIT Guwahati TH-1053_06614105 Preface and Acknowledgements The elegant, chiselled and to an extent tempered and understated prose through which Jhumpa Lahiri mostly paints varied shades of gray over her Bengali-American story worlds, has already earned her much popular and critical acclaim. -
Nandan Gupta. `Prak-Bibar` Parbe Samaresh Basu. Nimai Bandyopadhyay
BOOK DESCRIPTION AUTHOR " Contemporary India ". Nandan Gupta. `Prak-Bibar` Parbe Samaresh Basu. Nimai Bandyopadhyay. 100 Great Lives. John Cannong. 100 Most important Indians Today. Sterling Special. 100 Most Important Indians Today. Sterling Special. 1787 The Grand Convention. Clinton Rossiter. 1952 Act of Provident Fund as Amended on 16th November 1995. Government of India. 1993 Vienna Declaration and Programme of Action. Indian Institute of Human Rights. 19e May ebong Assame Bangaliar Ostiter Sonkot. Bijit kumar Bhattacharjee. 19-er Basha Sohidera. Dilip kanti Laskar. 20 Tales From Shakespeare. Charles & Mary Lamb. 25 ways to Motivate People. Steve Chandler and Scott Richardson. 42-er Bharat Chara Andolane Srihatta-Cacharer abodan. Debashish Roy. 71 Judhe Pakisthan, Bharat O Bangaladesh. Deb Dullal Bangopadhyay. A Book of Education for Beginners. Bhatia and Bhatia. A River Sutra. Gita Mehta. A study of the philosophy of vivekananda. Tapash Shankar Dutta. A advaita concept of falsity-a critical study. Nirod Baron Chakravarty. A B C of Human Rights. Indian Institute of Human Rights. A Basic Grammar Of Moden Hindi. ----- A Book of English Essays. W E Williams. A Book of English Prose and Poetry. Macmillan India Ltd.. A book of English prose and poetry. Dutta & Bhattacharjee. A brief introduction to psychology. Clifford T Morgan. A bureaucrat`s diary. Prakash Krishen. A century of government and politics in North East India. V V Rao and Niru Hazarika. A Companion To Ethics. Peter Singer. A Companion to Indian Fiction in E nglish. Pier Paolo Piciucco. A Comparative Approach to American History. C Vann Woodward. A comparative study of Religion : A sufi and a Sanatani ( Ramakrishana). -
Celebrates Rabindranath Tagore in Song Music & Dance
International Centre Goa and Information and Resource Center, Singapore Celebrates Rabindranath Tagore in Song Music & Dance Building a Better Asia In honour of the Visiting Delegates from various Asian countries 7.15 pm AT THE INTERNATIONAL CENTER GOA Dona Paula The Nippon Group of Foundations PROGRAMME 7:15 pm Inauguration of the Musical Evening with felicitation of artists at the hands of Smt. Vijayadevi Rane , Chairperson, Bal Bhavan 7:25 pm Welcome song by young artists from Goa 7: 30 pm Tagore songs by Smt. Swastika Mukhopadhyay Sangeet Bhavan, Viswa Bharati Univeristy, Shantiniketan 8:00 pm Recitation of Tagore’s Poem in English 8:05 pm Theme Dance – Ritu Ranga by Shri. Arup Mitra, Smt. Sujata Mitra, Smt. Anusuya Das & Shri. Saikat Mukherjee Viswa Bharati Univeristy, Shantiniketan Music Director: Swastika Mukhopadhyay Choreographer: Arup Mitra 8:50 pm Recitation of Tagore’s Poem in English 9:00 pm Sitar Recital & Fusion Music by Shri Manab Das , Goa College of Music, Goa Accompanied by Shri Vishu Shirodkar, Shri Mayuresh Vast, Shri Prakash Amonkar & Shri Prakash Khutwalkar 9:30 pm End of the programme The programme is presented by the Information & Resource Center and the International Centre Goa with the cooperation of PRATIDHWANI – A Bengali cultural group of artists from Bengal and Goa. BABA 2008 Goa “BUILDING A BETTER ASIA: FUTURE LEADERS’ DIALOGUE” 2007-08 Theme “BUILDING THE COMMON GOOD IN ASIA” 16-24 February, 2008 (Goa, India) www.buildingabetterasia.com The ultimate objective of the Building a Better Asia: Future Leaders’ Dialogue is to nurture future leaders for Asia so that they can contribute to the building of a better Asia in the future. -
Elective English - III DENG202
Elective English - III DENG202 ELECTIVE ENGLISH—III Copyright © 2014, Shraddha Singh All rights reserved Produced & Printed by EXCEL BOOKS PRIVATE LIMITED A-45, Naraina, Phase-I, New Delhi-110028 for Lovely Professional University Phagwara SYLLABUS Elective English—III Objectives: To introduce the student to the development and growth of various trends and movements in England and its society. To make students analyze poems critically. To improve students' knowledge of literary terminology. Sr. Content No. 1 The Linguist by Geetashree Chatterjee 2 A Dream within a Dream by Edgar Allan Poe 3 Chitra by Rabindranath Tagore 4 Ode to the West Wind by P.B.Shelly. The Vendor of Sweets by R.K. Narayan 5 How Much Land does a Man Need by Leo Tolstoy 6 The Agony of Win by Malavika Roy Singh 7 Love Lives Beyond the Tomb by John Clare. The Traveller’s story of a Terribly Strange Bed by Wilkie Collins 8 Beggarly Heart by Rabindranath Tagore 9 Next Sunday by R.K. Narayan 10 A Lickpenny Lover by O’ Henry CONTENTS Unit 1: The Linguist by Geetashree Chatterjee 1 Unit 2: A Dream within a Dream by Edgar Allan Poe 7 Unit 3: Chitra by Rabindranath Tagore 21 Unit 4: Ode to the West Wind by P B Shelley 34 Unit 5: The Vendor of Sweets by R K Narayan 52 Unit 6: How Much Land does a Man Need by Leo Tolstoy 71 Unit 7: The Agony of Win by Malavika Roy Singh 84 Unit 8: Love Lives beyond the Tomb by John Clare 90 Unit 9: The Traveller's Story of a Terribly Strange Bed by Wilkie Collins 104 Unit 10: Beggarly Heart by Rabindranath Tagore 123 Unit 11: Next Sunday by -
Studies in the History of Prostitution in North Bengal : Colonial and Post - Colonial Perspective
STUDIES IN THE HISTORY OF PROSTITUTION IN NORTH BENGAL : COLONIAL AND POST - COLONIAL PERSPECTIVE A THESIS SUBMITTED TO THE UNIVERSITY OF NORTH BENGAL FOR THE AWARD OF DOCTOR OF PHILOSOPHY IN HISTORY DEPARTMENT OF HISTORY BY TAMALI MUSTAFI Under the Supervision of PROFESSOR ANITA BAGCHI DEPARTMENT OF HISTORY UNIVERSITY OF NORTH BENGAL RAJA RAMMOHUNPUR DARJEELING, PIN - 734013 WEST BENGAL SEPTEMBER, 2016 DECLARATION I declare that the thesis entitled ‘STUDIES IN THE HISTORY OF PROSTITUTION IN NORTH BENGAL : COLONIAL AND POST - COLONIAL PERSPECTIVE’ has been prepared by me under the guidance of Professor Anita Bagchi, Department of History, University of North Bengal. No part of this thesis has formed the basis for the award of any degree or fellowship previously. Date: 19.09.2016 Department of History University of North Bengal Raja Rammohunpur Darjeeling, Pin - 734013 West Bengal CERTIFICATE I certify that Tamali Mustafi has prepared the thesis entitled ‘STUDIES IN THE HISTORY OF PROSTITUTION IN NORTH BENGAL : COLONIAL AND POST – COLONIAL PERSPECTIVE’, of the award of Ph.D. degree of the University of North Bengal, under my guidance. She has carried out the work at the Department of History, University of North Bengal. Date: 19.09.2016 Department of History University of North Bengal Raja Rammohunpur Darjeeling, Pin - 734013 West Bengal ABSTRACT Prostitution is the most primitive practice in every society and nobody can deny this established truth. Recently women history is being given importance. Writing the history of prostitution in Bengal had already been started. But the trend of those writings does not make any interest to cover the northern part of Bengal which is popularly called Uttarbanga i.e. -
Tagore & Cinema
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/286452770 Tagore, Cinema and the Poetry of Movement Article · March 2015 CITATIONS READS 0 957 1 author: Indranil Chakrabarty LV Prasad Film & TV Academy 8 PUBLICATIONS 1 CITATION SEE PROFILE Some of the authors of this publication are also working on these related projects: Narrative Strategies in the Postmodern Biopic: History and Counter History View project All content following this page was uploaded by Indranil Chakrabarty on 11 December 2015. The user has requested enhancement of the downloaded file. This essay, published in ‘Lensight’ (Jan-Mar, 2015 issue), was presented at a JNU conference titled ‘Rethinking Tagore’ in November, 2011.The essay that follows is a modified version of that presentation. TAGORE, CINEMA AND THE POETRY OF MOVEMENT Indranil Chakravarty Introduction It must have been almost impossible to be a writer in the twentieth century in any part of the world without some kind of response to the new and emerging narrative form called cinema or ‘motion pictures’. As cinema’s birth coincided with the onset of the 20th century, its own development and growth as an art form as well as an industry went almost hand-in-hand with the vicissitudes of social, political and cultural developments in the past century. The popular and frivolous base of cinema led most ‘high brow’ writers to turn their back towards it and many of them were oblivious of the extraordinary narrative experimentations that were being explored in this new form of expression. Whether cinema could at all be considered a valid ‘art form’ was debated till the 1960s though through the 1920s and 1930s, there was a sporadic phenomenon – mainly in Europe and USA - of painters, theatre directors and writers collaborating on film projects. -
Here Is No Peace for Our Director, ACN Community
UPRISE Deh Salei Ek Somare Aadie CONTENTS >Message from Director ……… 1 >Special message from Chakma > Prince Aryadev Roy Chakma ………. 2 >Message from Chief Published by: Arunachal Chakma News Adviser, APCSU ………. 4 (ACN) Write to us at: > From the editorial board ………. 5 [email protected], For Comments: >Article Section ………. 6-29 [email protected] >Stories and Poetries ………. 30-44 > Pride of the Chakma Published in April 2015 Community ……... 45 © ACN, 2015 No part of this publication > Chakmas on musical can be reproduced without Vibes .….…. 46 the prior permission of ACN > Chakma community in Delhi-NCR welcomes Bizu …….. 47 Cover designed by Romel Chakma (Bangalore) UPRISE Deh Salei Ek Somare Aadie 1 Message from Director, ACN Dear Readers, bring about a new harmonious commu- nity that we may feel proud to be from It is with much joy and anticipa- Chakma community in others apprecia- tion that we (Arunachal Chakma News) tion. going to be publish the magazine during this year Bizu. On behalf of the ACN Finally, I wish to encourage more Team, I would like to extend a very contributions from the entire community warm wishes and greetings, “A VERY and especially from the youth to show HAPPY BIZU TO ENTIRE COMMUNITY”. I their creative talent and ensure a contin- take this opportunity to say thanks to all ued success of the Arunachal Chakma of whom have volunteered to contribute News and its forthcoming publications. to the success of the magazine. I am Authors, reviewers and guest editors are also grateful and thankful to Upasak always welcome. We also welcome com- Punya and Upasak Tejang for making ments and suggestions that could im- the magazine a reality.