78 Tempo 62 (244) 78–81 © 2008 Cambridge University Press doi:10.1017/S0040298208000144 Printed in the United Kingdom

news section

Composers elliott carter Figment IV (première) – 18 March Notes of premières of new works run from three months Washington DC, Freer Gallery / Samuel Rhodes before to three months following publication of this issue, (vla). Clarinet Quintet (première) – 29 April New i.e. from 1 January to 30 June 2008. There is therefore a York, Juilliard School / Charles Neidich (cl), Juilliard three-month overlap between issues, and omissions and String Quartet. late news for the three ‘following’ months of the current chaya czernowin Pilgerfahrten for speaker, issue will be picked up in the three ‘prior’ months of the children’s choir and ensemble (première) next one. News of more distant forthcoming premières is – 2 February Munich, Herkulessaal / Dresden given more briefl y; full details will be found in subsequent Kreuzchor c. Roderich Kreile. issues. michael daugherty Troy Jam (première) – hans abrahamsen Schnee (première) – 26 April 18 May Washington DC, Kennedy Center / National Witten, Wittener Tage / Ensemble Recherche. Symphony Orchestra c. Leonard Slatkin. john adams Doctor Atomic Symphony (US première) brett dean Short Stories (UK première) – 13 February – 7 February St Louis, Missouri / Saint Louis Norwich, St Andrew’s Hall / Britten Sinfonia c. Symphony Orchestra c. David Robertson. Jacqueline Shave. Ariel’s Music (UK première) – louis andriessen 18 April London, Barbican / Michael Collins (cl), La Commedia (première) – BBC Symphony Orchestra c. John Storgårds. 12 June Amsterdam, Koninklijk theater Carre / Claron McFadden, Cristina Zavalloni, Jeroen luca francesconi Kubrick’s Bone (UK première) – Willems, dir. Hal Hartley, Arnold 31 January London, Royal Festival Hall / Philharmonia Orchestra c. André de Ridder. Schoenberg Ensemble c. Reinbert de Leeuw. craig armstrong Gesualdo (première) – detlev glanert Doppelkonzert (première) 29 February Glasgow, Oran Mor / Scottish Opera c. – 15 March Glasgow, City Hall / Simon Crawford- Derek Clark. Phillips, Philip Moore (pnos), BBC Scottish SO c. luke bedford Martyn Brabbins. Nijinskys Tagebuch (première) Good Dream She Has (première) – – 6 April Aachen, Theater / dir. Ludger Engels, c. 14 April Birmingham, CBSO Centre / Angela Daniel Jakobi. Tunstall (sop), Susan Bickley (mezzo), Alan Belk (ten), Birmingham Contemporary Music Group c. philip glass Waiting for the Barbarians (UK première) Oliver Knussen. – 12 June London, Barbican Centre / soloists, frank michael beyer Orchestra and Chorus of Erfurt Theatre c. Dennis Meridian (première) – Russell Davies. 2 March Potsdam, Nikolaisaal / Emmanuel Pahud (fl), Kammerakademie Potsdam c. Michael orlando gough city:zen (première) – 24 January Sanderling. Metamorphosen (première) – 3 March London, Artsdepot / The Shobana Jeyasingh Dance Berlin / Viviane Hagner (vln). Lichtspuren (première) Company. – 11 March Kempen / Trio Wanderer. Zu den Inseln hk gruber Busking (German première) – 21 May (première) – 1 April Munich, Akademie der schönen Essen, Philharmonie / Håkan Hardenberger (tpt), Künste / Ensemble Oktopus c. Konstantia Gouri. Amsterdam Sinfonietta c. composer.

harrison birtwistle The Minotaur (première) – georg friedrich haas Melancholia (première) – 15 April London, Royal Opera House / John 9 June Paris, Palais Garnier / Soloists, Vokalensemble Tomlinson, dir Stephen Langridge, c. Antonio Nova, Klangforum Wien c. Emilio Pomárico. Pappano. String Quartet: The Tree of Strings (première) – 27 April Witten / Arditti Quartet. cristóbal halffter Lazaro (première) – 4 May Kiel / Kiel Philharmonic Orchestra c. Georg Fritzsch. peter bruun Concerto Grosso (première) – 21 January Copenhagen, Tivoli Concert Hall / hans werner henze Phaedra (Austrian première) 4elements, Sjaellands Symfonieorkester c. Morten – 31 May Vienna, Theatre an der Wien / dir. Peter Ryelund. Musbach, Ensemble Modern c. Michael Boder;

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(Italian première) – 5 June Florence, Maggio elena kats-chernin Ornamental Air (première) – Musicale Fiorentino / c. Roberto Abbado. 10 April Chapel Hill, NC / Michael Collins (cl), North Carolina Symphony. kenneth hesketh Like the sea, like time (première) – 19 January Liverpool, Philharmonic Hall / Liverpool aaron jay kernis Newly Drawn Sky (UK première) Philharmonic Youth Choir, Roberto Prosseda (pno), – 8 April London, Barbican / BBC Symphony Royal Liverpool Philharmonic Choir and Orchestra Orchestra c. Andrew Litton. c. Harry Bicket. oliver knussen Symphony No. 4 (première) robin holloway Five Temperaments (première) – 11 April Pittsburgh PA / Pittsburgh Symphony – 31 January Leeds, The Venue / Britten Sinfonia. Orchestra c. Sir . Whar can it be? (première) – 29 February Cambridge, rued langgaard St Catherine’s College / The Clerks c Edward (d. 1951) Sfaerenes Musik (US Wickham. String Quartet No. 2 (première) – 11 June première) – 1 June , Avery Fisher Hall / Madrid / Sacconi Quartet; (UK première) – 17 June American Symphony Orchestra. Brancaster, Houghton Hall / Sacconi Quartet. john mccabe Cello Concerto, Songline (première) david horne Restless Feeling (première) – 1 March – 17 January Manchester, Bridgewater Hall / Truls Oporto, Casa da Musica / Remix Ensemble. Mork (vlc) Hallé Orchestra c. Mark Elder. karl jenkins Stabat Mater (première) – 15 March steven mackey Time Release (US première) Liverpool, Anglican Cathedral / Royal Liverpool – 7 February Baltimore, MD / Colin Currie (perc), Philharmonic Orchestra c. composer. Baltimore Symphony Orchestra c. Marin Alsop. giya kancheli Concerto for violin and oboe james macmillan The Sacrifice: Three Interludes (première) – 15 February London, Barbican / (première) – 22 February Manchester, Bridgewater Lisa Batiashvili (vln), Francois Leleux (ob), BBC Hall / BBC Phiharmonic c. composer. The Song of Symphony Orchestra c. Lionel Bringuier. the Lamb (première) – 9 March St Paul, Minnesota /

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Nancy Lancaster (org), Motet Choir of the House joby talbot Hovercraft (première) – 12 January of Hope Presbyterian Church c. Andrew Altenbach. Canberra, School of Music / Canberra Girls’ … fiat mihi … (première) – 21 March Wells Cathedral Grammar School, Australian Youth Orchestra. / Bath Camerata c. Nigel Perrin. String Quartet No. Mandala (Australian première) – 17 January 3 (première) – 21 May London, Royal Festival Hall / Canberra, National Library of Australia / Australian Takacs String Quartet. Youth Orchestra Harp Ensemble.

sir peter maxwell davies The Seas of Kirk Swarf john tavener Requiem (première) – 28 February for bass clarinet and strings (première) – 10 January Liverpool, Metropolitan Cathedral / Josephine London, St John’s Smith Square / City Side Sinfonia Knight (vlc), Andrew Kennedy (ten), Royal Liverpool c. Steven Joyce. Philharmonic Orchestra and Choir c. Vassily Petrenko and Ian Tracey. thea musgave Points of View (première) – 23 mark-anthony turnage Juno; The Torino Scale (US February Manchester, RNCM / Gillian Keith, Stefan première) – 5 June San Francisco, Davies Hall / San Loges / Manchester Camerata c. Nicholas Kraemer. Francisco Symphony c. James Gaffigan. michael nyman gdm (UK première) – 5 April unsuk chin Rocaná (première) – 3 March Montreal Liverpool, Philharmonic Hall / Colin Currie (perc), / Orchestre Symphonique de Montreal c. Kent RLPO c. Mischa Damev. Nagano. steve reich Double Sextet (première) – 26 March param vir Hayagriva (Austrian première) – University of Rochester, VA / eighth blackbird. 5 May Vienna, Konzerthaus / Klangforum Wien c. Johannes Kalitzke. ned rorem Symphony No. 2 (UK première) – errolyn wallen 19 January London, Hampstead Garden Suburb Cello Concerto (première) Free Church / Helios Chamber Orchestra c. Owen – 26 January Bradford-on-Avon, Wiltshire Music Leech. Centre / Orchestra of the Swan. Wallen has been commissioned by Welsh National Opera to create kaija saariaho Adriana Mater (Finnish première) with writer John Binias a new work about South – 23 February Helsinki / Finnish National Opera Wales’s history, landscape and people. Carbon 12 – A c. Ernest Martinez-Izquierdo; (UK première) – Choral Symphony will be premièred in Cardiff on 6 24 April London, Barbican / Solveig Kringelborn June 2008. (sop), Monica Groop (mezzo), Gordon Gietz (ten), judith weir Concrete (première) – 20 January Jyrki Korhonen (bass), BBC Singers, BBC Symphony London, Barbican / BBC Singers, BBC Symphony Orchestra c. Edward Gardner. Mirage (première) – Orchestra and Chorus c. Martyn Brabbins. 13 March Paris / Karita Mattila (sop), Anssi Kartunen (vlc), Orchestre de Paris c. Christoph Eschenbach; herbert willi Schlafes Bruder (première) – (UK première) – 19 March London, Barbican / same 2 February Klagenfurt, Stadttheater / c. Michael soloists, BBC Symphony Orchestra c. Jirˇi Beˇlohlávek. Brandstätter. Notes on Light (German première) – 29 May Kiel / ian wilson Spilliaert’s Beach (première) – 19 March Anssi Karttunen (vlc), NDR Symphony Orchestra c. London, St. James’ Piccadilly / Matthew Schellhorn Sylvain Cambreling (pno). haddad saed Quelques Essais sur ‘je ne sais pas quoi’ hugh wood Clarinet Quintet (première) – (première) – 10 February Terneuzen, Netherlands / 13 April London, Conway Hall / Nicholas Cox (cl), Duo Amuse-Oreille. La Mémoire et l’Inconnu; On Love Chilingirian Quartet. II (premières) – 23 February Stockholm, New Music Festival / Elia Khoury (oud), KammerensembleN c. Franck Ollu. Books Received johannes maria staud Im Lichte (première) – (A listing in this column does not preclude a review in a 31 January Salzburg / Pierre Laurent Aimard, future edition of Tempo) Tamara Stefanovich (pnos), Camerata Academica Norbert von Hannenheim. Die Suche nach dem Salzburg c. Jonathan Nott. siebenbürgischen Komponisten und seinem Werk by ronald stevenson Ben Dorain (première) – Herbert Henck. Kompost-Verlag, E 12.68. 19 January Glasgow, City Halls, Celtic Connections The Proms: A New History edited by Jenny Doctor and Festival / BBC Scottish Symphony Orchestra and David Wright, consultant editor Nicholas Kenyon. Chorus. Thames & Hudson, £24.95.

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Zemlinsky Studies edited by Michael Frith. Middlesex Alun Hoddinott compiled by Stewart R. Craggs. University Press, £15.00. Ashgate, £55.00. The Cambridge Companion to Electronic Music edited John Ireland – Catalogue, Discography, Bibliography by Nick Collins and Julio d’Escriván. Cambridge edited by Stewart R. Craggs. Ashgate, £55.00. University Press, £48.00 (hardback), £17.99 (paperback). John Cage by David Nicholls. University of Illinois Press, $35.00. Malcolm Williamson: A Mischievous Muse by Anthony Meredith and Paul Harris. Omnibus Press, £19.95. Composing for the Films by Theodor W. Adorno and Hanns Eisler, with a new introduction by Graham Unsettling Opera by David J Levin. University of McCann. Continuum Impacts, £14.99 Chicago Press, £22.50. Peter Sculthorpe – the making of an Australian composer Malcolm Arnold – A composer of real music by Raphael by Graeme Skinner. University of new South Wales D Thone. Edition Wissenschaft, £13.95. Press, A$59.95. The Making of Music by James Naughtie. John Murray, £20.00. Staking out the Territory by Hugh Wood, with an Introduction by Bayan Northcott. Plumbago, Webern by Alain Galliari. Editions Favard, E 35.00. £40.00.

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contributors Piano and Pianist in the UK, Fanfare in the USA and Klassisk in Norway. He publishes books on music as Marilyn Nonken is Assistant Professor of Music and Toccata Press; his CD label, Toccata Classics, was Music Education and Director of Piano Studies at inaugurated in 2005. New York University. A graduate of the Eastman School who received her Ph.D. from Columbia Guy Rickards is a regular contributor to a vari- University, she specializes in the performance and ety of periodicals, including Gramophone, Tempo, analysis of 20th and 21st century music. She has International Piano and Nordic Sounds. He is the author recorded the complete piano music of Tristan Murail of two biographical studies (Hindemith, Hartmann (Metier) and upcoming releases include works of and Henze and Jean Sibelius, both for Phaidon Press) Brian Ferneyhough, David Rakowski, and Chris and is engaged on a life-and-works study of Harold Dench. Truscott. Lionel Pike is Director and Organist of the Chapel Paul Conway is a freelance writer and music critic. Choir of Royal Holloway University of London, He reviews for the Independent and is studying for a where he teaches. His publications on music range MPhil at Sheffield University. He is currently writ- from the Renaissance to the present day. ing a book on the music of Arthur Butterworth for Janet Obi-Keller is a pianist and scholar specializing in Comus Edition. the music of Henri Dutilleux. She has held a wide range of teaching and lecturing posts and is current- Evan Johnson composer and writer, received his Ph.D. ly Head of Music at the City Lit. in 2006 from the State University of New York at Buffalo. Currently a postdoctoral teaching associate Rodney Lister, composer-pianist, lives in Boston, in music theory and composition at Northeastern Massachusetts, and teaches at the New England University, he contributed the booklet note to a Conservatory and at Boston University. Somewhere Mode Records release of Peter Ablinger’s 33–127, To Get To, a CD of his recent music, was released in and is currently writing a series of works for the 2005 by Arsis Audio. Australian ensemble ELISION. John Wheatley is an architect, and a Committee mem- ber of the London Sinfonietta. Peter Reynolds is a composer, writer and lecturer on music living in Cardiff. He is Artistic Director of PM David Matthews’s Sixth Symphony was premièred at Ensemble and the Lower Machen Festival and is a the 2007 Proms to considerable critical acclaim. He part-time member of the academic staff at the Royal is currently writing a piece for James Gilchrist, Julius Welsh College of Music and Drama. He is currently Drake and the Emperor Quartet, and an Eleventh working on a book of interviews with contemporary String Quartet for the Carducci Quartet. Welsh composers. Jill Barlow is a freelance writer, music critic and pian- ist, based in the St Albans and London area. After Bernard Hughes is a composer living in London. eight years as weekly music critic for the St Albans Recent pieces include a children’s opera on a story Observer she has now moved on to specialize more in from the Bengali collection Tun-tunir Boi. covering contemporary music and has reviewed for Tempo since 1999. Bret Johnson is a practicing solicitor. His main musi- cal activities are as an organist and choir director, and Malcolm Miller is a musicologist and pianist, currently he regularly contributes articles for leading journals Associate Lecturer at the Open University, Director and newspapers on American music. of the ‘Forum for Israeli Music’ of the Jewish Music Institute, SOAS, University of London, lecturer at Huron University (USA) and the City Lit. He is Peter Palmer has contributed to numerous music peri- editor of Arietta, Journal of the Beethoven Piano odicals since 1971 as well as New Grove and MGG. Society of Europe, and a contributor to a wide vari- He was founding editor of The Bruckner Journal. He ety of jounals. has undertaken translation work for music publish- ers in the USA and Europe, currently Carus-Verlag Martin Anderson, after 20 years in economics, writes Stuttgart. His special interests include Symbolism on music for a variety of publications, including The circa 1900 and 20th-century German and English Independent, International Record Review, International songs.

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