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78 Tempo 62 (244) 78–81 © 2008 Cambridge University Press doi:10.1017/S0040298208000144 Printed in the United Kingdom news section Composers elliott carter Figment IV (première) – 18 March Notes of premières of new works run from three months Washington DC, Freer Gallery / Samuel Rhodes before to three months following publication of this issue, (vla). Clarinet Quintet (première) – 29 April New i.e. from 1 January to 30 June 2008. There is therefore a York, Juilliard School / Charles Neidich (cl), Juilliard three-month overlap between issues, and omissions and String Quartet. late news for the three ‘following’ months of the current chaya czernowin Pilgerfahrten for speaker, issue will be picked up in the three ‘prior’ months of the children’s choir and ensemble (première) next one. News of more distant forthcoming premières is – 2 February Munich, Herkulessaal / Dresden given more briefl y; full details will be found in subsequent Kreuzchor c. Roderich Kreile. issues. michael daugherty Troy Jam (première) – hans abrahamsen Schnee (première) – 26 April 18 May Washington DC, Kennedy Center / National Witten, Wittener Tage / Ensemble Recherche. Symphony Orchestra c. Leonard Slatkin. john adams Doctor Atomic Symphony (US première) brett dean Short Stories (UK première) – 13 February – 7 February St Louis, Missouri / Saint Louis Norwich, St Andrew’s Hall / Britten Sinfonia c. Symphony Orchestra c. David Robertson. Jacqueline Shave. Ariel’s Music (UK première) – louis andriessen 18 April London, Barbican / Michael Collins (cl), La Commedia (première) – BBC Symphony Orchestra c. John Storgårds. 12 June Amsterdam, Koninklijk theater Carre / Claron McFadden, Cristina Zavalloni, Jeroen luca francesconi Kubrick’s Bone (UK première) – Willems, Netherlands Opera dir. -
MMXVII RUHE the Diary of the One Who Disappeared Private View MUZIEKTHEATER TRANSPARANT LUIGI DE ANGELIS ЗМЕЯ
WIM HENDERICKX Aquarius’ Dream Revelations LIESA VAN DER AA ParadiseHell MUZIEKTHEATER TRANSPARANT ANNELIES VAN PARYS And you must suffer MMXVII RUHE The Diary of the One Who Disappeared Private View MUZIEKTHEATER TRANSPARANT TRANSPARANT MUZIEKTHEATER LUIGI DE ANGELIS ЗМЕЯ IVO VAN HOVE Kings of War The Diary of the One Who Disappeared Roman Tragedies MM WOUTER VAN LOOY X Earth diver VI I Die Zauberflöte Revelations NAOMI BEELDENS WWW.TRANSPARANT.BE La Voix humaine CLARON MCFADDEN Secrets Lilith Nightshade: Aubergine WENDE SNIJDERS Wende CONTENTS A house full of voices 3 Artists 4 Partners & co-producers 5 NEW PRODUCTIONS Earth diver 6 Die Zauberflöte 8 Nightshade: Aubergine 10 Wende 12 The Diary of the One Who Disappeared 14 ЗМЕЯ 16 Aquarius’ Dream 18 Revelations 20 ON TOUR La Voix humaine 22 Secrets 23 Lilith 24 Listen to the silence 25 And you must suffer 26 Polar Night 27 Kings of War 28 RUHE 29 Private View 30 Roman Tragedies 31 Le coupeur d’eau 32 TRANSLAB Windischgrätz 42 Abendrot 42 ParadiseHell 43 Medeamaterial 44 Matterhonger 45 Matterhorn 46 Opera21 47 Songbook 48 Info 57 Calendar 59 A HOUSE FULL OF VOICES WIM HENDERICKX 18 Aquarius’ Dream “Over the past 20 years, Muziektheater Transparent has charted an impres- 20 Revelations sive course in which there has been room for both experimentation and established values.” This remark was part of the Music-Theatre’s Assessment Committee’s preliminary advice on our plan for the 2017-2021 period. This LIESA VAN DER AA 43 ParadiseHell motivates us even more for the future. As our aim is to profile ourselves even more pronouncedly as a music-theatre company in which the voice plays a central role, we are inviting artists whose practice centres on vocal work: ANNELIES VAN PARYS 26 And you must suffer Claron McFadden, Naomi Beeldens, Els Mondelaers, Liesa Van der Aa and 29 RUHE Wende Snijders, as well as our in-house composers Wim Henderickx and 14 The Diary of the One Who Disappeared Annelies Van Parys. -
I Silenti the Next Creation of Fabrizio Cassol and Tcha Limberger Directed by Lisaboa Houbrechts
I SILENTI THE NEXT CREATION OF FABRIZIO CASSOL AND TCHA LIMBERGER DIRECTED BY LISABOA HOUBRECHTS Notre Dame de la détérioration © The Estate of Erwin Blumenfeld, photo Erwin Blumenfeld vers 1930 THE GOAL For several years Fabrizio Cassol has been concentrating on this form, said to be innovative, between concert, opera, dance and theatre. It brings together several artistic necessities and commitments, with the starting point of previously composed music that follows its own narrative. His recent projects, such as Coup Fatal and Requiem pour L. with Alain Platel and Macbeth with Brett Bailey, are examples of this. “I Silenti proposes to be the poetical expression of those who are reduced to silence, the voiceless, those who grow old or have disappeared with time, the blank pages of non-written letters, blindness, emptiness and ruins that could be catalysers to other ends: those of comfort, recovery, regeneration and beauty.” THE MUSIC Monteverdi’s Madrigals, the first vocal music of our written tradition to express human emotions with its dramas, passions and joys. These Madrigals, composed between 1587 and 1638, are mainly grouped around three themes: love, separation and war. The music is rooted, for the first time, in the words and their meaning, using poems by Pétraque, Le Tasse or Marino. It is during the evolution of this form and the actual heart of these polyphonies that Monteverdi participated in the creation of the Opera as a new genre. Little by little the voices become individualized giving birth to “arias and recitatives”, like suspended songs prolonging the narrative of languorous grievances. -
2015 Spring Commencement 3 Best Wishes from the President
CROWN 422 ALMA MATER Washington, my Washington, the Crimson and the Gray! CROWN 790 ‘Tis the song of memory that we sing today. When the sad hours come to you and sorrows ’round you play, Just sing the songs of Washington, the Crimson and the Gray! Just sing the songs of Washington, the Crimson and the Gray! SPRING COMMENCEMENT SATURDAY, MAY NINTH Celebrating ONE HUNDRED NINETEENTH ANNUAL SPRING COMMENCEMENT SATURDAY, MAY 9, 2015 BEASLEY COLISEUM WASHINGTON STATE UNIVERSITY PULLMAN, WASHINGTON Commencement Mission Statement Commencement at Washington State University represents the culmination of a student’s academic achievement. It is a time for celebration and reflection for students, families, faculty, and staff. It brings together the campus community to share the joy of the accomplished goals of our students. The commencement ceremony at Washington State University serves a dual purpose: to mark a point of achievement, thus completing a chapter in the lives of students and those who support them, and to encourage continued pursuit of learning, personal fulfillment, and engagement with their local and worldwide communities. P hot o: WS U campus , Thompso n Hall and Brya n Cloc k Tow er in foregr ound Contents 148526 4/15 TABLE OF CONTENTS Best Wishes from the President 4 President’s Ceremonial Stole and Chain of Offce 5 Best Wishes from the Faculty Senate and Administrative Professional Advisory Council Chairs 6 Greetings from the GPSA, ASWSU, and ASWSU Global Presidents 7 Order of Exercises 8:00 a m Ceremony 8 College of Arts and -
Rereading Paul on Circumcision, Torah, and the Gentiles Asha K
A Seal of Faith: Rereading Paul on Circumcision, Torah, and the Gentiles Asha K. Moorthy Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Asha K. Moorthy All rights reserved ABSTRACT A Seal of Faith: Rereading Paul on Circumcision, Torah, and the Gentiles Asha K. Moorthy It is generally held that the Apostle Paul dismissed the rite of circumcision for Gentiles. This dissertation, however, offers a different perspective. Through examination of relevant sources regarding the role of circumcision in conversion along with consideration of Philo of Alexandria’s depiction of Abraham as an exemplar of and for the proselyte, this project will suggest that Paul, in Rom 4:11‐ 12, uses the example of Abraham in order to explain the value of circumcision for Jews as well as for Gentiles. It will be argued, moreover, that Paul’s objections to circumcision, as found in Romans as well as in Galatians, Philippians, and 1 Corinthians, were not to the rite per se but rather to the notion that circumcision was necessary for entering the Abrahamic covenant, “becoming a Jew,” justification, salvation, spiritual transformation, protection or identity in Christ. A case will be made, moreover, that in Paul’s day there were two competing forms of circumcision and that Paul was opposed to the more radical procedure. Finally, divergences in Paul’s handling of the topic of circumcision in different letters will be explained through attention to particular audience concerns. TABLE OF CONTENTS Chapter 1: Introduction 1 1. -
Liebman Expansions
MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world. -
Úrovne Podmienok Pre Zdravie a Zdravotné Potreby Vo Vylúčených
Záverečná správa zo vstupného Úrovne podmienok merania hodnotenia a systematického stanovenia potrieb pre zdravie a zdravotné cieľových lokalít Národného projektu potreby vo vylúčených Zdravé komunity 2A rómskych osídleniach na Slovensku Andrej Belák Organizácia Zdravé regióny je štátnou príspevkovou organizáciou Ministerstva zdravotníctva SR, ktorej poslaním je realizácia a rozvoj dočasných vyrovnávacích opatrení v oblasti zdravia. Jednou z nosných činností v tomto smere je realizácia Národného projektu Zdravé komunity. Tento projekt sa realizuje vďaka podpore z Európskeho sociálneho fondu v rámci Operačného programu Ľudské zdroje. Úrovne podmienok pre zdravie a zdravotné potreby vo vylúčených rómskych osídleniach na Slovensku Záverečná správa zo vstupného merania hodnotenia a systematického stanovenia potrieb cieľových lokalít Národného projektu Zdravé komunity 2A Obsah správy © Andrej Belák & Univerzita P. J. Šafárika v Košiciach, 2020 Dizajn a grafická úprava © Matúš Hnát, 2020 Maľba na obálke © Michaela Moravčíková, 2020 Andrej Belák Obsah Prehľad základných pojmov a použitých 007 ČASŤ III Metodika vstupného merania úrovne 167 skratiek Postupy podmienok pre zdravie Zhrnutie 009 Metodika stanovenia zdravotných potrieb 183 Summary 019 Literatúra 185 ČASŤ I Úvod 031 ČASŤ IV Zhrnutie výsledkov 191 Súhrn výsledkov Zhrnutie výsledkov vstupného merania Obyvateľstvo vylúčených rómskych 039 a odporúčania Odporúčania 193 úrovní podmienok pre osídlení zdravie Realizačný tím 197 A) Správanie súvisiace so zdravím 051 Poďakovanie 199 B) Psychická -
MOSCOW STATE RADIO SYMPHONY ORCHESTRA Zellerbach Hall Alexei Kornienko, Chief Conductor, Laureate of International Competitions
CAL PERFORMANCES PRESENTS ORCHESTRA ROSTER Saturday, March 20, 2010, 8pm MOSCOW STATE RADIO SYMPHONY ORCHESTRA Zellerbach Hall Alexei Kornienko, Chief Conductor, Laureate of International Competitions Moscow State Radio Symphony Orchestra Robert Cole, conductor Robert Cole, conductor Violin I Cello Bassoon with Igor Khvalev, Concertmaster Alexey Shulgin, Principal Evgeny Evstafyev, Principal Alexander Sinchuk, piano Alexader Torsukov Alla Makova Mikhail Velichenko Elena Abdullina Liubov Kotsiubenko and Liudmila Zhukova Alexander Koptsov Horn Julian Schwarz, cello Igor Kiselenko Yulia Tretiakova Nikolay Kumarin, Principal Tatiana Revedinskaya Tatiana Barykina Dmitry Babintsev Julia Maklakova Mikhail Yakovlev Dmitri Kouznetsov PROGRAM Evgeniya Badaeva Lyubov Kozhemiatova Victor Platonov Boris Markosyan Sergey Zheltov Nataliya Mikhalkina Double Bass Vladimir Efimenko Pyotr Il’yich Tchaikovsky (1840–1893) Romeo and Juliet, Fantasy-Overture Yury Zhogas Evseviy Kirnitskiy, Principal Natalia Alexeeva Andrey Knyazev Trumpet (1869; rev. 1870, 1880) Olena Kostaniants German Chernyavskiy Evgeny Kudryavtsev, Principal Ekaterina Khoroshilova Vladimir Prikhodko Yury Poliakov Alexandr Serdyukov Nikolay Aseev Serge Rachmaninoff (1873–1943) Rhapsody on a Theme of Paganini Violin II Svetlana Rodionovskaya Nikita Tokarev for Piano and Orchestra, Op. 43 (1934) Nina Rumyantseva, Principal Alexander Sinchuk, piano Mikhail Karapetyan Flute Trombone Leonid Tobolev Vladimir Maydanovich, Principal Konstantin Baev, Principal Anna Venina Albert Ratsbaum Alexander -
Keeping the Tradition by Marilyn Lester © 2 0 1 J a C K V
AUGUST 2018—ISSUE 196 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM P EE ING TK THE R N ADITIO DARCY ROBERTA JAMES RICKY JOE GAMBARINI ARGUE FORD SHEPLEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2018—ISSUE 196 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : ROBERTA GAMBARINI 6 by ori dagan [email protected] Andrey Henkin: [email protected] Artist Feature : darcy james argue 7 by george grella General Inquiries: [email protected] ON The COver : preservation hall jazz band 8 by marilyn lester Advertising: [email protected] Encore : ricky ford by russ musto Calendar: 10 [email protected] VOXNews: Lest We Forget : joe shepley 10 by anders griffen [email protected] LAbel Spotlight : weekertoft by stuart broomer US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 31 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, Event Calendar 32 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mathieu Bélanger, Marco Cangiano, Ori Dagan, George Grella, George Kanzler, Annie Murnighan Contributing Photographers “Tradition!” bellowed Chaim Topol as Tevye the milkman in Fiddler on the Roof. -
Missional Apologetics Draft
Liberty University Rawlings School of Divinity Missional Apologetics: An Examination of Essential Elements in the Apologetic Approaches of Early Christian Era Apologists in Light of the Mission of Christ to a Pluralistic World. A Dissertation Presented to the Faculty of Liberty University Rawlings School of Divinity in Candidacy for the Degree of Doctor of Philosophy by George B. Bannister, Sr. Lynchburg, Virginia December 2018 Copyright © 2018 by George Benjamin Bannister, Sr. All rights reserved Approval Sheet MISSIONAL APOLOGETICS: AN EXAMINATION OF ESSENTIAL ELEMENTS IN THE APOLOGETIC APPROACHES OF EARLY CHRISTIAN ERA APOLOGISTS IN LIGHT OF THE MISSION OF CHRIST TO A PLURALISTIC WORLD. George Benjamin Bannister, Sr. Read and approved by: Chairperson: ____________________________________ Date: ______________________________ To the Lord Jesus Christ, my Savior and Lord, whose grace never ceases to amaze me. To Lisa, my bride, best friend, and holder of my heart; who has loved and supported me for many years and has been the best wife and partner and ministry co-laborer any man could wish for. Without you, I would not have achieved this milestone. To my sons and their brides who have encouraged me to stay the course and pursue the goal of completing this task. Thank you, Ben and Cindy, Dan and Liliana, and Bob and Deborah. I am a man who has been blessed beyond measure and far more than I could ever deserve! Contents Figures ......................................................................................................................................... -
Aaron Joseph Lington
AARON JOSEPH LINGTON E-Mail: [email protected] EDUCATION University of North Texas, Denton, Texas August 2005 DMA Saxophone Performance – G.P.A. 4.0/4.0 Dissertation: The Improvisational Vocabulary of Pepper Adams: A Comparison of the Relationship of Selected Motives to Harmony in Four Improvised Solos University of North Texas, Denton, Texas August 2001 MM Jazz Studies – G.P.A. 4.0/4.0 University of Houston, Moores School of Music, Houston, Texas May 1998 BM Music Education, Magna cum laude CURRENT POSITIONS Full Professor, San José State University 2004-present Coordinator of Jazz Studies TEACHING EXPERIENCE Director of the San José Jazz High School All Stars 2005-2006, Teaching responsibilities: conduct rehearsals; choose and program 2011-present repertoire; prepare ensemble for public performances San José State University: Full Professor, Coordinator of Jazz Studies 2004-present Teaching responsibilities: coordinate all activities in the jazz studies department; oversee activities of part-time faculty; classroom instruction in jazz arranging and composition; direct the San José State University Jazz Orchestra; teach undergraduate and graduate courses in jazz history; teach courses in world music; teach applied jazz saxophone and applied jazz composition; advise students in the jazz studies department; various school and university level committee service Texas Wesleyan University: Adjunct Faculty in Jazz Arranging 2003-2004 Teaching responsibilities: classroom instruction in jazz arranging/ composition; coaching of saxophone -
EASTMAN NOTES JUNE 2005 Draft: Web Date: July 5, 2005 INSIDE
NOTES JUNE 2005 A MAGAZINE FOR ALUMNI OF THE EASTMAN SCHOOL OF MUSIC FROM THE EDITOR Loss, love, and legacies Dear Eastman Alumni: More than any time since I began editing Eastman Notes, the winter and spring of 2004¬2005 was marked by a sense of loss, with the deaths of two inimitable NOTES figures in Eastman’s history: Frederick Fennell and Ruth Watanabe, who died in Volume 23, Number 2 December 2004 and February 2005 respectively. June 2005 It’s representative of their importance, not just to the School but to the musical world in general, that everyone reading this magazine, no matter when they at- Editor tended, knows who Frederick Fennell and Ruth Watanabe are. Both are indelibly David Raymond associated with two monuments of the School—the Wind Ensemble and the Sib- Assistant editor ley Library. Fennell built a new model for wind band playing—and a repertory— Juliet Grabowski pretty much from scratch; while Ruth Watanabe didn’t found the Sibley Library, Contributing writers she certainly developed it to its present eminence over a 40-year career. (See Martial Bednar Christine Corrado pages 6 and 8 for more Susan Hawkshaw on their remarkable ca- Contributing photographers reers.) Both continued Richard Baker to be generous with Kurt Brownell their time and talent Bob Klein well after retirement— Gelfand-Piper Photography Amy Vetter Fennell visiting Eastman numerous times to con- Photography coordinators Nathan Martel duct, Watanabe as the Amy Vetter School’s historian. Design These two people were Steve Boerner Typography & Design definitely respected as professionals, but they Frederick Fennell Ruth Watanabe Published twice a year by the Office of were also loved as people— Communications, Eastman School of Music, 26 Gibbs Street, Rochester, NY, see the brief tributes to Fennell by his successors Don Hunsberger and Mark 14604, (585) 274-1050.