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News Section
78 Tempo 62 (244) 78–81 © 2008 Cambridge University Press doi:10.1017/S0040298208000144 Printed in the United Kingdom news section Composers elliott carter Figment IV (première) – 18 March Notes of premières of new works run from three months Washington DC, Freer Gallery / Samuel Rhodes before to three months following publication of this issue, (vla). Clarinet Quintet (première) – 29 April New i.e. from 1 January to 30 June 2008. There is therefore a York, Juilliard School / Charles Neidich (cl), Juilliard three-month overlap between issues, and omissions and String Quartet. late news for the three ‘following’ months of the current chaya czernowin Pilgerfahrten for speaker, issue will be picked up in the three ‘prior’ months of the children’s choir and ensemble (première) next one. News of more distant forthcoming premières is – 2 February Munich, Herkulessaal / Dresden given more briefl y; full details will be found in subsequent Kreuzchor c. Roderich Kreile. issues. michael daugherty Troy Jam (première) – hans abrahamsen Schnee (première) – 26 April 18 May Washington DC, Kennedy Center / National Witten, Wittener Tage / Ensemble Recherche. Symphony Orchestra c. Leonard Slatkin. john adams Doctor Atomic Symphony (US première) brett dean Short Stories (UK première) – 13 February – 7 February St Louis, Missouri / Saint Louis Norwich, St Andrew’s Hall / Britten Sinfonia c. Symphony Orchestra c. David Robertson. Jacqueline Shave. Ariel’s Music (UK première) – louis andriessen 18 April London, Barbican / Michael Collins (cl), La Commedia (première) – BBC Symphony Orchestra c. John Storgårds. 12 June Amsterdam, Koninklijk theater Carre / Claron McFadden, Cristina Zavalloni, Jeroen luca francesconi Kubrick’s Bone (UK première) – Willems, Netherlands Opera dir. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
National Council on the Humanities Minutes, No. 11-15
Office of th8 General Counsel N ational Foundation on the Aria and the Humanities MINUTES OF THE ELEVENTH MEETING OF THE NATIONAL COUNCIL ON THE HUMANITIES Held Monday and Tuesday, February 17-18, 1969 U. S. Department of State Washington, D. C. Members present; Barnaby C. Keeney, Chairman Henry Haskell Jacob Avshalomov Mathilde Krim Edmund F. Ball Henry Allen Moe Robert T. Bower James Wm. Morgan *Germaine Br&e Ieoh Ming Pei Gerald F. Else Emmette W. Redford Emily Genauer Robert Ward Allan A. Glatthorn Alfred Wilhelmi Members absent: Kenneth B. Clark Charles E. Odegaard John M. Ehle Walter J. Ong Paul G. Horgan Eugene B. Power Albert William Levi John P. Roche Soia Mentschikoff Stephen J. Wright James Cuff O'Brien *Present Monday only - 2 - Guests present: *Mr. Harold Arberg, director, Arts and Humanities Program, U. S. Office of Education Dr. William Emerson, assistant to the president, Hollins College, Virginia Staff members present; Dr. James H. Blessing, director, Division of Fellowships and Stipends, and acting director, Division of Research and Publication, National Endowment for the Humanities Dr. S. Sydney Bradford, program officer, Division of Research and Publication, NEH Miss Kathleen Brady, director, Office of Grants, NEH Mr. C. Jack Conyers, director, Office of Planning and Analysis, NEH Mr. Wallace B. Edgerton, deputy chairman, NEH Mr. Gerald George, special assistant to the chairman, NEH Dr. Richard Hedrich, Director of Public Programs, NEH Dr. Herbert McArthur, Director of Education Programs, NEH Miss Nancy McCall, research assistant, Office of Planning and Analysis, NEH Mr. Richard McCarthy, assistant to the director, Office of Planning and Analysis, NEH Miss Laura Olson, Public Information Officer, NEH Dr. -
Boston Symphony Orchestra Concert Programs, Season
// BOSTON T /?, SYMPHONY ORCHESTRA THURSDAY B SERIES EIGHTY-SEVENTH SEASON 1967-1968 wgm _«9M wsBt Exquisite Sound From the palace of ancient Egyp to the concert hal of our moder cities, the wondroi music of the harp hi compelled attentio from all peoples and a countries. Through th passage of time man changes have been mac in the original design. Tl early instruments shown i drawings on the tomb < Rameses II (1292-1225 B.C were richly decorated bv lacked the fore-pillar. Lato the "Kinner" developed by tl Hebrews took the form as m know it today. The pedal hai was invented about 1720 by Bavarian named Hochbrucker an through this ingenious device it b came possible to play in eight maj< and five minor scales complete. Tods the harp is an important and familij instrument providing the "Exquisi* Sound" and special effects so importai to modern orchestration and arrang ment. The certainty of change mak< necessary a continuous review of yoi insurance protection. We welcome tl opportunity of providing this service f< your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description EIGHTY-SEVENTH SEASON 1967-1968 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. HENRY B. CABOT President TALCOTT M. BANKS Vice-President JOHN L. THORNDIKE Treasurer PHILIP K. ALLEN E. MORTON JENNINGS JR ABRAM BERKOWITZ EDWARD M. KENNEDY THEODORE P. -
MMXVII RUHE the Diary of the One Who Disappeared Private View MUZIEKTHEATER TRANSPARANT LUIGI DE ANGELIS ЗМЕЯ
WIM HENDERICKX Aquarius’ Dream Revelations LIESA VAN DER AA ParadiseHell MUZIEKTHEATER TRANSPARANT ANNELIES VAN PARYS And you must suffer MMXVII RUHE The Diary of the One Who Disappeared Private View MUZIEKTHEATER TRANSPARANT TRANSPARANT MUZIEKTHEATER LUIGI DE ANGELIS ЗМЕЯ IVO VAN HOVE Kings of War The Diary of the One Who Disappeared Roman Tragedies MM WOUTER VAN LOOY X Earth diver VI I Die Zauberflöte Revelations NAOMI BEELDENS WWW.TRANSPARANT.BE La Voix humaine CLARON MCFADDEN Secrets Lilith Nightshade: Aubergine WENDE SNIJDERS Wende CONTENTS A house full of voices 3 Artists 4 Partners & co-producers 5 NEW PRODUCTIONS Earth diver 6 Die Zauberflöte 8 Nightshade: Aubergine 10 Wende 12 The Diary of the One Who Disappeared 14 ЗМЕЯ 16 Aquarius’ Dream 18 Revelations 20 ON TOUR La Voix humaine 22 Secrets 23 Lilith 24 Listen to the silence 25 And you must suffer 26 Polar Night 27 Kings of War 28 RUHE 29 Private View 30 Roman Tragedies 31 Le coupeur d’eau 32 TRANSLAB Windischgrätz 42 Abendrot 42 ParadiseHell 43 Medeamaterial 44 Matterhonger 45 Matterhorn 46 Opera21 47 Songbook 48 Info 57 Calendar 59 A HOUSE FULL OF VOICES WIM HENDERICKX 18 Aquarius’ Dream “Over the past 20 years, Muziektheater Transparent has charted an impres- 20 Revelations sive course in which there has been room for both experimentation and established values.” This remark was part of the Music-Theatre’s Assessment Committee’s preliminary advice on our plan for the 2017-2021 period. This LIESA VAN DER AA 43 ParadiseHell motivates us even more for the future. As our aim is to profile ourselves even more pronouncedly as a music-theatre company in which the voice plays a central role, we are inviting artists whose practice centres on vocal work: ANNELIES VAN PARYS 26 And you must suffer Claron McFadden, Naomi Beeldens, Els Mondelaers, Liesa Van der Aa and 29 RUHE Wende Snijders, as well as our in-house composers Wim Henderickx and 14 The Diary of the One Who Disappeared Annelies Van Parys. -
The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176 -
Roach and Barker Are Elected President, Vice-President Of
VOLUME XLV VIRGINIA MILITARY INSTITUTE, LEXINGTON, VIRGINIA, JANUARY 17, 1955 NUMBER 14 Eugene List^ Famous Pianist Two '53 Grads Roach And Barker Are Elected To Concertize In Lexington To Be Air Tacs Two 1953 graduates of Virginia President, Vice-President Of OGA For Rockbridge Concert Series Military Institute have been select- ed for duty on the tactical staff Last Tuesday evening, immediately following the Corps One of the most widely Itnown' of the new Air Force Academy, Meeting, the Officer of the Guard Association met for the and praised of American pianists On Lee's Birthday according to an announcen\ent by is young Eugene List, who accord- purpose of electing new officers. Bill Maddox, the Retiring Colonel Robert M. Stillman, Air ing to international critical ac- Seven score to an added eight President, announced his decision to relinquish his position Force Academy Commandant. claim, is destined for music's per- Years bence, was upon this date, because of his desire to apply him- manent "Who's Who." He will ap- They are Lieutenants Harry C. A Virginian bom on the creat of self more diligently to his studies. pear here in concert on February Gornto, HI, of Norfolk, and Charles fate. Law Would Deepen "Basically, we hope to have the R. Steward, of Coolidge, Ariz., both 3 at Lexington High School unde^ The South has cause to same objectives as before: first of- of whom entered the Air Force the auspeces of the Rockbridge commemmrate. all, to enforce the Class System; pilot training program following Army Reserves Concert Series. -
Volume 75, Number 01 (January 1957) Guy Mccoy
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1957 Volume 75, Number 01 (January 1957) Guy McCoy Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation McCoy, Guy. "Volume 75, Number 01 (January 1957)." , (1957). https://digitalcommons.gardner-webb.edu/etude/79 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. • ••• BEST "tell then certainInlvy yvou want •a Progressive Series Plan teacher. us a story ... " I ke a career of private P~ogressive .Series te~~le~a:a excellent music backgrounds ~~~n~h:eya~~~~;l~~v~tm~ the high standa~s ref~~redto (an Ada Richter musical story, of course I) be eligible for an Appointment as a teu: er 0 e Progressive, Series Plan' of Music Education. piano beginners ••. why not a musical story? Yes. YOJ.lrchild deserves the best, he deserves a (like all children) love the magic of storyland. Bright Progressive Series Plan teacher. Every year more piano teachers turn to musical stories eyes grow brighter-interest reaches a new high at I h.ild receives the BEST to enhance their regular piano lessons. -
Contemporary Music Score Collection
UCLA Contemporary Music Score Collection Title Trance Organics Permalink https://escholarship.org/uc/item/2bq6n4q2 Author Podgursky, Jeremy Publication Date 2020 eScholarship.org Powered by the California Digital Library University of California Full Score TRANCE ORGANICS (2018) for Flute, Clarinet in B-flat, Bassoon, Piano, and String Quartet JEREMY PODGURSKY © 2018 Jeremy Podgursky - All Rights Reserved Published by Turbo Tekkamaki Press (ASCAP) www.jeremypodgursky.com TRANCE ORGANICS (2018) by Jeremy Podgursky Commissioned for premiere on August 11th, 2018 at the Pike Falls Chamber Music Festival In Memoriam David Bowie INSTRUMENTATION: Flute (doubling piccolo) Clarinet in B flat Bassoon Piano Violin 1 Violin 2 Viola Cello Score is in C Duration: 12:00 Special Thanks to Susanna Loewy, Richard Scerbo, my family, Melissa Arnold, John Gibson, Alicyn Warren, Don Freund, Claude Baker, Sven-David Sandström, David Dzubay, Jeffrey Hass, and Franz the Schnauzer Mutt. PERFORMANCE NOTES: * all grace notes happen BEFORE the beat * square note-heads in clarinet are sub-tone * all string playing is on the string unless marked with staccato * all harmonics on strings are notated with their sounding pitch when they first occur * please have fun, at all costs For more info or contact, visit www.jeremypodgursky.com regularly. © 2018 Jeremy Podgursky – All Rights Reserved. Published by Turbo Tekkamaki Press (ASCAP) PROGRAM NOTES TRANCE ORGANICS (2018) is a sequel to TRANCE MECHANICS (2014). The source musical material for the latter was from four real and imaginary mechanical devices that were presented in alternating movements that evolved throughout the piece. In contrast, TRANCE ORGANICS derives all of its source material from a relatively simple, crooning clarinet melody that appears in the penultimate section of the piece (THE ARRIVAL). -
You're Invited to Play Your Part!
ONLINE JAZZ PARTY & FUNDRAISER SPONSOR PACKAGES You’re Invited to Play your Part! The Nashville Jazz Workshop (NJW) is a nonprofit organization dedicated to enriching people’s lives through jazz education and performance. For 20 years the NJW has delivered world class performances and music education to Nashville audiences and jazz fans around the country and the world. 2020 has been a challenging year for cultural institutions everywhere as they seek to fulfill their missions and remain financially viable. Fortunately, the internet has enabled the NJW to continue serving audiences and students – over 20,000 people have subscribed to the NJW’s YouTube channel to view live and archived performances and hundreds have enrolled in virtual classes since social distancing restrictions began in March. Jazzmania is the NJW’s annual jazz party and fundraiser. As a live event it has been “the jazz party of the year” and one of the city’s most engaging and fun charity events. As with other charity events, the event is moving online this year as a virtual event. On October 24, 2020 the Workshop will host Jazzmania as an online jazz party and evening of world class jazz performances. We will share our love of jazz, celebrate the Workshop’s 20th anniversary and ask our devoted fans to open their hearts and wallets to support the Workshop. The streaming event will also be targeted to a global audience, to build awareness of the NJW and engagement with jazz fans around the world. Proceeds from the event will support the NJW’s Music Education, Performance Series and Community Outreach. -
An African-American Contribution to the Percussion Literature in the Western Art Music Tradition
Illuminating Silent Voices: An African-American Contribution to the Percussion Literature in the Western Art Music Tradition by Darrell Irwin Thompson A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved April 2012 by the Graduate Supervisory Committee: Mark Sunkett, Chair Bliss Little Kay Norton James DeMars Jeffrey Bush ARIZONA STATE UNIVERSITY May 2012 ABSTRACT Illuminating Silent Voices: An African-American Contribution to the Percussion Literature in the Western Art Music Tradition will discuss how Raymond Ridley's original composition, FyrStar (2009), is comparable to other pre-existing percussion works in the literature. Selected compositions for comparison included Darius Milhaud's Concerto for Marimba, Vibraphone and Orchestra, Op. 278 (1949); David Friedman's and Dave Samuels's Carousel (1985); Raymond Helble's Duo Concertante for Vibraphone and Marimba, Op. 54 (2009); Tera de Marez Oyens's Octopus: for Bass Clarinet and one Percussionist (marimba/vibraphone) (1982). In the course of this document, the author will discuss the uniqueness of FyrStar's instrumentation of nine single reed instruments--E-flat clarinet, B-flat clarinet, alto clarinet, bass clarinet, B-flat contrabass clarinet, B-flat soprano saxophone, alto saxophone, tenor saxophone, and B-flat baritone saxophone, juxtaposing this unique instrumentation to the symbolic relationship between the ensemble, marimba, and vibraphone. i ACKNOWLEDGMENTS I first want to thank God, for guiding my thoughts, hands, and feet. I am grateful, for the support, understanding, and guidance I have received from my parents. I also want to thank my grandmother, sister, brother, and to the rest of my family for being one of the best support groups anyone could have. -
National Council on the Humanities Minutes, No. 21-25
6fftce of tha Caoara! Couris National rctiiiu^iion o-i the ArU and th Hurr.anstiS^ MINUTES OF THE TWENTY-FIRST MEETING OF THE NATIONAL COUNCIL ON THE HUMANITIES Held Thursday and Friday, October 21-22, 1971 10th Floor Conference Room Veterans Administration Building . 810 Vermont Avenue, N.W. Washington, D. C. Members present: Wallace B. Edgerton, Acting Chairman Jacob Avshalomov Paul G. Horgan Edmund F. Ball Leslie Koltai Lewis White Beck Mathilde Krim Robert T. Bower Walter J . Ong Gerald F. Else . Rosemary Park Leslie H. Fishel Arthur L. Peterson Allan A. Glatthom Eugene B. Power Henry Haskell Robert Ward Stephen J . Wright Members absent: Kenneth B. Clark James Wm. Morgan Albert William Levi Robert 0. Anderson Soia Mentschikoff Sherman E. Lee Charles E. Odegaard Herman H. Long 21:2 Guests present Professor Richard D. Lambert, Department of South Asia Studies, University of Pennsylvania Dr. William D. Schaefer, Executive Secretary of the M o d e m Language Association Dr. Edmund Pellegrino, Vice President for Medical Affairs of the State University of New York at Stony Brook Dr. Daniel Callahan, Director of the Institute of Society, Ethics, and the Life Sciences Mr. John Lively, Budget Examiner, Office of Management and Budget Mr. G. Phillips Hanna,Chief,Community Development Program Unit, Office of Management and Budget Staff Members present Dennis Atwood, Personnel Management Specialist, NFAH John Barcroft, Director, State and Community Programs, NEH Betty L. Barnes, Grants Specialist, Office of Grants, NEH, NFAH Janet W. Berls, Program Assistant, Division of Education, NEH Paul P. Berman, Director of Administration, NFAH James H.