June 2020 Volume 87 / Number 6
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
December 1992
VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F. -
Where to Study Jazz 2019
STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life. -
Mesia Austin, Percussion Received Much of the Recognition Due a Venerable Jazz Icon
and Blo win' The Blues Away (1959), which includes his famous, "Sister Sadie." He also combined jazz with a sassy take on pop through the 1961 hit, "Filthy McNasty." As social and cultural upheavals shook the nation during the late 1960s and early 1970s, Silver responded to these changes through music. He commented directly on the new scene through a trio of records called United States of Mind (1970-1972) that featured the spirited vocals of Andy Bey. The composer got deeper into cosmic philosophy as his group, Silver 'N Strings, recorded Silver 'N Strings School of Music Play The Music of the Spheres (1979). After Silver's long tenure with Blue Note ended, he continued to presents create vital music. The 1985 album, Continuity of Spirit (Silveto), features his unique orchestral collaborations. In the 1990s, Silver directly answered the urban popular music that had been largely built from his influence on It's Got To Be Funky (Columbia, 1993). On Jazz Has A Sense of Humor (Verve, 1998), he shows his younger SENIOR RECITAL group of sidemen the true meaning of the music. Now living surrounded by a devoted family in California, Silver has Mesia Austin, percussion received much of the recognition due a venerable jazz icon. In 2005, the National Academy of Recording Arts and Sciences (NARAS) gave him its President's Merit Award. Silver is also anxious to tell the Theresa Stephens, clarinet Brian Palat, percussion world his life story in his own words as he just released his autobiography, Let's Get To The Nitty Gritty. -
Jazzweek Jazz Album Chart Jan
airplay data JazzWeek Jazz Album Chart Jan. 28, 2008 powered by TW LW 2W Peak Artist Release Label TP LP +/- Weeks Stations Adds 1 1 1 1 Steve Nelson Sound-Effect HighNote 211 210 1 13 56 1 2 11 NR 2 Eliane Elias Something For You: Eliane Elias Sings & Blue Note 196 128 68 2 49 14 Plays Bill Evans 3 5 9 2 Deep Blue Organ Trio Folk Music Origin 194 169 25 15 52 1 4 2 NR 2 Hendrik Meurkens Sambatropolis Zoho Music 166 185 -19 2 54 13 5 4 2 2 Jim Snidero Tippin’ Savant 154 172 -18 11 53 1 6 6 33 6 Monterey Jazz Festival 50th Aniversary Live At The 2007 Monterey Jazz Festival Monterey Jazz Fest 145 154 -9 3 43 8 All-Stars 7 7 7 6 Bob DeVos Playing For Keeps Savant 142 145 -3 11 47 0 8 3 5 3 Andy Bey Ain’t Necessarily So 12th Street Records 137 182 -45 10 49 0 9 20 34 9 Ron Blake Shayari Mack Avenue 136 94 42 3 46 11 10 7 14 7 Joe Locke Sticks And Strings Jazz Eyes 132 145 -13 7 37 5 11 14 11 2 Herbie Hancock River: The Joni Letters Verve Music Group 125 114 11 17 50 0 12 12 8 8 John Brown Terms Of Art Self Released 123 127 -4 11 32 0 13 28 NR 13 Pamela Hines Return Spice Rack 117 84 33 2 43 14 14 10 3 3 Houston Person Thinking Of You HighNote 115 139 -24 13 38 2 15 18 38 15 Brad Goode Nature Boy Delmark 112 97 15 3 29 6 16 22 21 3 Cyrus Chestnut Cyrus Plays Elvis Koch 110 93 17 16 37 1 17 16 6 6 Stacey Kent Breakfast On The Morning Tram Blue Note 101 101 0 16 33 0 18 NR NR 18 Frank Kimbrough Air Palmetto 100 NR 100 1 36 31 19 24 11 1 Eric Alexander Temple Of Olympic Zeus HighNote 94 90 4 18 39 0 20 15 4 2 Gerald Wilson Orchestra Monterey -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON School of Humanities: Music Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Thesis for the degree of Doctor of Philosophy October 2012 i UNIVERSITY OF SOUTHAMPTON ABSTRACT Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Josef Zawinul (1932-2007) holds a rare place in the world of jazz in view of the fact that as a European he forged a long and distinguished musical career in America. Indeed, from a position of relative obscurity when he arrived in New York in 1959, he went on to become one of contemporary jazz’s most prolific and commercially successful composers. The main focus of this dissertation will be Zawinul’s rise to prominence in American jazz during the 1960s and 1970s. -
Guest Artist Recital: Sara Caswell, Jazz Violin Sara Caswell
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-22-2003 Guest Artist Recital: Sara Caswell, jazz violin Sara Caswell Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Caswell, Sara, "Guest Artist Recital: Sara Caswell, jazz violin" (2003). All Concert & Recital Programs. 3044. https://digitalcommons.ithaca.edu/music_programs/3044 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Improvisation and You Series "Brown Bag Jazz Lunch Concert" Sara Caswell, jazz violin and IC Rhythm Section Steve Brown, guitar Adam Kurland, piano Brian Krauss, bass Tom Kline, drums Swingin' At The Haven Ellis Marsalis Isfahan Edward Kennedy "Duke" Ellington/Billy Strayhorn Useless Landscape Antonio Carlos Jobim/Joao Gilberto Voyage Kenny Barron It Could Happen To You Johnny Burke/Jimmy Van Heusen Kentucky Oysters David Baker Sometime Ago Sergio Mihanovich First Song Charlie Haden Wail Bud Powell or e Fury Sara Caswell Theodore Presser Foundation Rehearsal Hall Tuesday, April 22, 2003 12:00 M. Sara Caswell is an award-winning classical and jazz violinist who spent her formative years under the tutelage of two internationally renowned teachers: Josef Gingold en classical violin and David Baker on jazz improvisation. Her success in both arenas has led Baker to refer to Ms. Caswell as "a brilliant world-class violinist en the threshold of a major career as a classical solo artist" as well as "one of the very best of the present generation of emerging young jazz stars." A graduate o~ Indiana University, which she attended under full scholarship as a Well's Scholar, Sara received Bachelor of Music degrees with High Distinction and an Artist Diploma in both classical violin performance and jazz studies. -
Matt Jenkins
NEWSSTAND PRICE 56.50 MAY 27, 2005 `We Belong' In M.I.P. Territory Islard /IDJMG artist Mariah Carey rocket up the Pop chart this week: We Belong Together," tie latest single from her new album, The Art & Science Of Management The Emancipah9n of Mimi, scores Most Increased This week R &R's format editors cevote their columns Plays at the folma-. with to a wide variety of artist managers in an effort to in the music industry are 1,233 addition il plays and, uncover how changes way they do business. You'll learn how as a result, clir bs 16 -6 *. affecting the and .companies, work Carey will perf arm on The managers brand their artists finesse what they need MTV Movie A ards, airing RAD/0 Ñ ilE88h/hS with radio to get more airplay, much, much more. June 9. www.radioandrecords.com from the labels and MATT JENKINS Men will lay on the couch and laugh! Women will laugh all the way home 'Cause it's true! PLAY IT JUNE 6TH! Produced by Tony Brown www universal- UNIVERSAL south.com - SOUTH - N T E R T 1 1 N NI E N l www mattjenkinsmusi.;.com Management: Vector Management E www.americanradiohistory.com ON YOUR DESK NOW www.bizarresworld.com www sanctuarygroup.com www.americanradiohistory.com INSIDE MAY 27, 2005 A REPORT FROM OVERSEAS GOOD SPORTS The Music Managers Forum is a coalition of worldwide artist managers who have joined forces to deal with Boston may well be the best damn issues that affect the sports city in America, and it has o Music careers of the artists they of the best damn Sports stations in Managers represent. -
Vocal Jazz in the Choral Classroom: a Pedagogical Study
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-2019 Vocal Jazz in the Choral Classroom: A Pedagogical Study Lara Marie Moline Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Moline, Lara Marie, "Vocal Jazz in the Choral Classroom: A Pedagogical Study" (2019). Dissertations. 576. https://digscholarship.unco.edu/dissertations/576 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2019 LARA MARIE MOLINE ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School VOCAL JAZZ IN THE CHORAL CLASSROOM: A PEDAGOGICAL STUDY A DIssertatIon SubMItted In PartIal FulfIllment Of the RequIrements for the Degree of Doctor of Arts Lara Marie MolIne College of Visual and Performing Arts School of Music May 2019 ThIs DIssertatIon by: Lara Marie MolIne EntItled: Vocal Jazz in the Choral Classroom: A Pedagogical Study has been approved as meetIng the requIrement for the Degree of Doctor of Arts in College of VIsual and Performing Arts In School of Music, Program of Choral ConductIng Accepted by the Doctoral CoMMIttee _________________________________________________ Galen Darrough D.M.A., ChaIr _________________________________________________ Jill Burgett D.A., CoMMIttee Member _________________________________________________ Michael Oravitz Ph.D., CoMMIttee Member _________________________________________________ Michael Welsh Ph.D., Faculty RepresentatIve Date of DIssertatIon Defense________________________________________ Accepted by the Graduate School ________________________________________________________ LInda L. Black, Ed.D. Associate Provost and Dean Graduate School and InternatIonal AdMIssions Research and Sponsored Projects ABSTRACT MolIne, Lara Marie. -
Ron Mcclure • Harris Eisenstadt • Sackville • Event Calendar
NEW YORK FebruaryVANGUARD 2010 | No. 94 Your FREE Monthly JAZZ Guide to the New ORCHESTRA York Jazz Scene newyork.allaboutjazz.com a band in the vanguard Ron McClure • Harris Eisenstadt • Sackville • Event Calendar NEW YORK We have settled quite nicely into that post-new-year, post-new-decade, post- winter-jazz-festival frenzy hibernation that comes so easily during a cold New York City winter. It’s easy to stay home, waiting for spring and baseball and New York@Night promising to go out once it gets warm. 4 But now is not the time for complacency. There are countless musicians in our fair city that need your support, especially when lethargy seems so appealing. To Interview: Ron McClure quote our Megaphone this month, written by pianist Steve Colson, music is meant 6 by Donald Elfman to help people “reclaim their intellectual and emotional lives.” And that is not hard to do in a city like New York, which even in the dead of winter, gives jazz Artist Feature: Harris Eisenstadt lovers so many choices. Where else can you stroll into the Village Vanguard 7 by Clifford Allen (Happy 75th Anniversary!) every Monday and hear a band with as much history as the Vanguard Jazz Orchestra (On the Cover). Or see as well-traveled a bassist as On The Cover: Vanguard Jazz Orchestra Ron McClure (Interview) take part in the reunion of the legendary Lookout Farm 9 by George Kanzler quartet at Birdland? How about supporting those young, vibrant artists like Encore: Lest We Forget: drummer Harris Eisenstadt (Artist Feature) whose bands and music keep jazz relevant and exciting? 10 Svend Asmussen Joe Maneri In addition to the above, this month includes a Lest We Forget on the late by Ken Dryden by Clifford Allen saxophonist Joe Maneri, honored this month with a tribute concert at the Irondale Center in Brooklyn. -
Oshman Family JCC Welcomes the John Pizzarelli Quartet
MEDIA ALERT Oshman Family JCC Welcomes the John Pizzarelli Quartet Who: Famed jazz guitarist and singer John Pizzarelli, one of the prime interpreters of the Great American Songbook. What: Performing in concert When: Friday, December 11 | 8:00 PM Where: Schultz Cultural Arts Hall of the Oshman Family JCC in Palo Alto, CA Why: Pizzarelli has been called “madly creative” by the Los Angeles Times and “the genial genius of the guitar” by the Toronto Star. After his smash success with the Boston Pops, he was hailed by the Boston Globe for “reinvigorating the Great American Songbook and re-popularizing jazz.” The Seattle Times called him “a tour de force” and “a rare entertainer of the old school.” Using performers like Nat “King” Cole, Frank Sinatra and Joao Gilberto and the songs of composers from Richard Rodgers, George Gershwin to James Taylor, Antonio Carlos Jobim and Lennon & McCartney as touchstones, John Pizzarelli has established himself as one of the prime interpreters of the Great American Songbook and beyond, bringing to his work the cool jazz flavor of his brilliant guitar playing and singing. In addition to being a bandleader and solo performer, John has been a special guest on recordings for major pop artist such as James Taylor, Natalie Cole, Kristin Chenoweth, Tom Wopat, Rickie Lee Jones and Dave Von Ronk, as well as leading jazz artists like Rosemary Clooney, Ruby Braff, Johnny Frigo, Buddy DeFranco, Harry Allen and, of course, Bucky Pizzarelli. He was featured opposite Donna Summer, Jon Secada and Roberta Flack on the GRAMMY® Award-winning CD, Songs from the Neighborhood: The Music of Mr. -
Arthur Blythe Quintet
Arthur Blythe Quintet Thanks to woessner for sharing the Arthur Blythe Quintet (New York) and Ran Blake show at Dime. woessner noted in 2013: On June the 3, 2013, [jazz saxophonist] Arthur Blythe went into the USC Keck Center to have a large benign tumor removed from his right Kidney. The operation was serious, as Arthur spent one week after the procedure in an induced coma in their ICU unit. His health has been a challenge for him for several years now. The Parkinson’s (Arthur has been living with Parkinson’s for eight years) has developed more rapidly and at this time he is in a rehabilitation center in Lancaster, CA. His goal is to be back home (?) within the next 30 days. The recent operation he underwent diminished his ability to walk and swallow foods. He is fighting hard each day to gain his strength back. Donate to the Arthur Blythe Parkinson’s Fund here: http://gusttsilis.com/arthurblythe/ Thanks also to Lewojazz and to rillenheini for sharing the Berlin track at Dime. Lineage: Public Theater, New York, NY; May 4, 1979 New York: FM > cassette > Total Recorder > HD > CD Wave Editor > CD > EAC > FLAC Philharmonie, Berlin, Germany; November 1, 1980 Berlin: rbb Kultur radio broadcast (.mp2, 320 kb/s, 48 kHz) > HDD > Ran Blake 1979 (?) Audacity (edits, fades, boost + 8,0 dB, flac) MP3 Version New York 1979 Arthur Blake Quartet 01. Radio Introduction 0:07 Philharmonie, Berlin, Germany 02. Spirits In The Field 4:46 November 1, 1980 1979 York Arthur Blythe Quintet New 03. Lenox Avenue Breakdown 18:03 10.