Matt Jenkins
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 6-5-2008 The George-Anne Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation "The George-Anne" (2008). The George-Anne. 2082. https://digitalcommons.georgiasouthern.edu/george-anne/2082 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. The George-Anne Daily • Serving Georgia Southern University and the Statesboro Community Since 1927 • Questions? Call 912-681-5246 GEORGE- THURSDAY, JUNE 5,2008 • VOLUME 81 • ISSUE 23 COVERING THE CAMPUS LIKE A SWARM OF GNATS FEATURES PRESIDENT OBAMA? By Claire Gallam News Editor The democratic primaries are over and the party has chosen their representative. Senator Barack Obama was named the nominee for the Special Photo democratic party Tuesday, making him the first African American ever to head a major political WEEZER FANS SEE RED party. Geek rock pioneers Weezer The first-term senator captured the Democratic return with album number nomination by beating out Sen. Hillary Clinto and six, another self-titled effort there is still talk around Washingtonaboutwhether nicknamed "The Red Album." or not she will be a VP candidate for Obama. Page 11 According to CNN, Obama and Clinton traveled nationwide participating in more than NEWS 26 debates, which brought with them nearly 35 million supporters to the polls. -
EIAB MAGAZINE Contributions from the EIAB and the International Sangha · August 2019
EIAB MAGAZINE Contributions from the EIAB and the international Sangha · August 2019 Contents 2 The Path of the Bodhisattva 41 An MBSR Teacher at the EIAB 85 We can take a leaf out of their book 6 Bells 43 The Ten Commandments – when it comes to living generosity newly formulated 86 How the Honey gets to the EIAB 7 Opening Our Hearts by Taking Root In Ourselves 44 Inner Clarity, Inner Peace 88 Amidst the noble sangha: Interviewing Sr. Song Nghiem 16 “From discrimination to 46 Retreat “time limited ordination, inclusiveness” being a novice at EIAB” 90 Love in Action 19 Honoring Our Ancestors 49 No More War 91 Time-limited Novice Program 23 Construction Management and 50 ‘The only thing we really need is 107 In Memoriam Thầy Pháp Lượng Planning for the 2nd + 3rd Stages of your transformation’ the Renovation of the EIAB 54 Impermanence or the Art of Letting 25 Working Meditation on the Go Construction Project for the Ashoka 56 Slow Hiking and Time in Nature (I) Building 58 Slow Hiking and Time in Nature (II) 27 Every Moment is a Temple European Institute of 60 The Path of Meditation 29 Interview with the Dharma Teacher Applied Buddhism gGmbH 73 Singing at the EIAB Annabelle Zinser from Berlin Schaumburgweg 3 | 51545 Waldbröl 75 It’s a Game + 49 (0)2291 9071373 32 Mindfulness in Schools 77 The weight of the air [email protected] | [email protected] 34 Look Deeply! www.eiab.eu 79 The Dharma of youth – Examples 36 20 Years Intersein-Zentrum from the Wake Up generation Editorial: EIAB. -
~Tate of M:Enne~~Ee
~tate of m:enne~~ee HOUSE JOINT RESOLUTION NO. 695 By Representative Shepard and Senators Crowe, Herron A RESOLUTION to honor the professional achievements of musician John Rich. WHEREAS, it is fitting that the members of this body should pause to honor those exemplary citizens who contribute significantly to the reputation of Tennessee throughout the world as the center of the music industry universe and home of the most generous and compassionate citizenry by helping to reinforce the "Volunteer State" nickname; and WHEREAS, one such citizen is John Rich who has garnered high acclaim as a singer, songwriter, record producer, and television personality over the course of his illustrious and storied career in the music and entertainment industry; and WHEREAS, Mr. Rich, born on January 7, 1974, in Amarillo, Texas, moved to middle Tennessee in the early 1990s, where he attended and graduated from Dickson County Senior High School with the class of 1992, making lifelong friends and ties with the community; and WHEREAS, after high school, Mr. Rich chose to forego college to pursue his dream of becoming a country music recording artist. In the summer of 1992, he was chosen by executives at Opryland USA to be a performer in the Nashville-based theme park's daily variety show entitled "Country Music USA," wherein Mr. Rich performed songs by country music superstars such as George Jones, Garth Brooks, George Strait, and Vince Gill; and WHEREAS, during his time at Opryland USA, Mr. Rich met fellow performer Dean Sams, who along with Mr. Rich and two other fellow Texans formed a band named Texassee. -
Song List - by Song - Mr K Entertainment
Main Song List - By Song - Mr K Entertainment Title Artist Disc Track 02:00:00 AM Iron Maiden 1700 5 3 AM Matchbox 20 236 8 4:00 AM Our Lady Peace 1085 11 5:15 Who, The 167 9 3 Spears, Britney 1400 2 7 Prince & The New Power Generation 1166 11 11 Pope, Cassadee 1657 4 17 Cross Canadian Ragweed 803 12 22 Allen, Lily 1413 3 22 Swift, Taylor 1646 15 23 Mike Will Made It & Miley Cyrus 1667 16 33 Smashing Pumpkins 1662 11 45 Shinedown 1190 19 98.6 Keith 1096 4 99 Toto 1150 20 409 Beach Boys, The 989 7 911 Jean, Wyclef & Mary J. Blige 725 4 1215 Strokes 1685 12 1234 Feist 1125 12 1929 Deana Carter 1636 15 1959 Anderson, John 1416 7 1963 New Order 1313 1 1969 Stegall, Keith 1004 13 1973 Blunt, James 1294 16 1979 Smashing Pumpkins 820 4 1982 Estefan, Gloria 153 1 1982 Travis, Randy 367 5 1983 Neon Trees 1522 14 1984 Bowie, David 1455 14 1985 Bowling For Soup 670 5 1994 Aldean, Jason 1647 15 1999 Prince 182 9 Dec-43 Montgomery, John Michael 1715 4 1-2-3 Berry, Len 46 13 # Dream Lennon, John 1154 3 #1 Crush Garbage 215 12 #Selfie Chainsmokers 1666 6 Check Us Out Online at: www.AustinKaraoke.com Main Song List - By Song - Mr K Entertainment (I Know) I'm Losing You Temptations 1199 5 (Love Is Like A) Heatwave Reeves, Martha And The Vandellas 1199 6 (Your(The Angels Love Keeps Wanna Lifting Wear Me) My) Higher Red Shoes And Costello, Elvis 1209 4 Higher Wilson, Jackie 1199 8 (You're My) Soul & Inspiration Righteous Brothers 963 7 (You're) Adorable Martin, Dean 1375 11 1 2 3 4 Feist 939 14 1 Luv E40 & Leviti 1499 9 1, 2 Step Ciara & Missy Elliott 746 5 1, 2, 3 Redlight 1910 Fruitgum Co. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
SETH ROGEN Talks to Versus About “Observe and Report,” How He Gets Into Character and What It’S Like Not to Have a Grand Plan
VerThe Vanderbilt Hustler’s Arts & su Entertainment Magazine s APRIL 15—APRIL 21, 2009 VOL. 47, NO. 13 SETH ROGEN talks to Versus about “Observe and Report,” how he gets into character and what it’s like not to have a grand plan. Check out page 9 for the whole story. Run with Bulls’ Brad Sample thought we were cool enough to meet at Fido. We think he’s cool right back. Flip to page 6 for the interview. Everything you need to know about Rites of Spring is on page 8. Seriously. PLACES TO GO, PEOPLE TO SEE THURSDAY, APRIL 16 FRIDAY, APRIL 17 SATURDAY, APRIL 18 The Regulars Urban Acoustic League — Edgehill Studios Cafe T.I., Q-Tip, Santigold and more — Vanderbilt University supre X — The Rutledge THE RUTLEDGE With just enough misspelling and strange capitalization style to The Urban Acoustic League was founded as a place for songwriters With Rites of Spring weekend finally upon us, what better way to 410 Fourth Ave. South 37201 irritate me infinitely, as well as weird song names like “Traenor” and acoustic instrumentalists to unite and hone their craft. The kick it off than heading over to Alumni lawn for a great afternoon/ 782-6858 League aims to overturn today’s overproduced, commercialized evening of performances?! Apart from the always swagger-tastic and “Stunkuf,” this is one of those bands that will probably cater to those who are much more hip and emo and all that than I am. music scene with a return to attention to artistry and craft in Q-Tip and T.I., crowd pleasers like Santigold, Okkervil River and THE MERCY LOUNGE/CANNERY music. -
Canceled: Positionality and Authenticity in Country Music's
Graduate Theses, Dissertations, and Problem Reports 2021 #Canceled: Positionality and Authenticity in Country Music’s Cancel Culture Gabriella Saporito [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Ethnomusicology Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Musicology Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Social Media Commons Recommended Citation Saporito, Gabriella, "#Canceled: Positionality and Authenticity in Country Music’s Cancel Culture" (2021). Graduate Theses, Dissertations, and Problem Reports. 8074. https://researchrepository.wvu.edu/etd/8074 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. #Canceled: Positionality and Authenticity in Country Music’s Cancel Culture Gabriella Saporito Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Musicology Travis D. Stimeling, Ph.D., Chair Jennifer Walker, Ph.D. Matthew Heap, Ph.D. -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
La Pasiva Perifrastica #2
La Pasiva PerifrAstica #2 Mexican Fagzine / Letras Cuir Septiembre 2016 INDICE 3 La derecha está en campaña contra los derechos humanos de la co- munidad LGBT+… Por un hablador irresponsable 7 Contarte en lésbico de Elena Madrigal Héctor 11 Colección de encabezados Por un hablador desconocido 13 Katleen Hanna, Riot Grrl hasta el final Lidia Gatica 9 Title 1 xJvlivsx 19 Sex is not the enemy! Supervixen Está terminantemente permitida y es alentada la reproducción total o parcial de este documento. Nota del Editor Este número resultó en algo muy chingón. Para mí, la perfecta combinación de política y música. Con lo que ha pasado este mes, con tanta marcha por la familia heteronormada y el Trump que se quiere comer a los Estados Unidos y jodernos a los mexicanos en el pro- ceso, uno no puede evitar encabronarse, ¿pero saben qué hay que hacer cuando uno está encabronado, triste o ambos (estado catártico al que llamo emputristeza)? Escu- char punk. No sólo punk, pero mi subgénero favorito: queercore y la música de las Riot Grrls. Súbele el volumen, grita, patalea, arma un slam en tu cuarto y mientras tanto, léete esta zine y checa lo que les traemos ahora. Un colaborador que ha hecho llamar Hablador Irresponsable nos manda una muy bien hecha y muy necesitada crítica a los políticos de izquierda que no se han pronunciado ni en contra del FNF ni a favor de la comunidad LGBTQIA+, mientras que los de dere- cha armaban sus pedas llenas de cisexismo y homofobia. Una vez más, Héctor nos trae una reseña literaria, esta vez de un poemario lésbico, del cual me dejó leer un poema bastante cómico, pero él lo explica mejor que yo, ¡chéquenlo en la página 7! Lidia Gatica ha escrito un artículo sobre Katleen Hanna, para mí, la Riot Grrl más em- blemática, vocalista de Bikini Kill, banda que me enseñó lo que era el queer punk. -
Rap in the Context of African-American Cultural Memory Levern G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to