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Part of Barbican Presents 2019–20 Part of Beethoven 250 byCo-produced the Barbican and BBC Symphony co-commission premiere;European Barbican Hall Barbican 11Sat Jan 8pm Orchestra Symphony BBC of state the prisoner Lang’sDavid

1 prisoner of the state Sat 11 Jan, Hall 2 prisoner of the state Sat 11 Jan, Hall Important information hall. are not allowed in the Levels -1, Gand 1. Drinks on are located Bars refreshment? for Looking no interval. 9.30pm;about there is at and finishes 8pm at begins concert The and finish? start concert the does When for the curtain call. curtain the for –save it performance the recordings during Take or photos Please don’t…

performance. break insuitable the a there if is admitted be will Latecomers I’m late! running on Levelon G. toilet accessible a further Levels -1 and 1. There is on aretoilets, located accessible including toilets, nearest The the toilets? for Looking hall. the entering on aid to Tsetting hearing your switch –just loop our use induction Please Use a hearing aid?

Switch any watch Please… in the performance. in the break asuitable there is if readmitted and be time You any at can leave abreak? Need performance. the to during silent phones andalarms mobile cloakroom on Level on -1.cloakroom our free at off Drop them coats? and bags Carrying

co-commissioned by Barbican. the co-commissioned reimagining of Beethoven’s prisoner of the state Lang’s of David tonight’s performance innovative surely is occasions most of these of the One music. the as much as man the of Beethoven’s anniversary celebrating birth, 250th the marks yearThis world the state the of Lang’s David of premiere European the to A warm welcome tonight’s performance to Welcome Advertising by Cabbell (tel 020 3603 7930) 3603 (tel 020 by Cabbell Advertising All information at time correct of printing Smith by Harriet produced Programme and identity, freedom oppression, and an by fascinated today.facing society has He long been questions big the with never afraid to wrestle composers, America’s most-performed aCan, on of one is Bang music collective of new the Lang, of co-founders one the . Fidelio , a vibrantly dramatic , avibrantly dramatic , with its themes of of themes its , with prisoner prisoner

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be broadcast live onBBC Tonight’s performance will of Music Head HumphreysHuw you enjoyI hope it. event. an extraordinary to promises be It of soloists. quartet cast apotently with together Singers BBC by and Symphonyjoined BBC the Orchestra tonight Volkov, Ilan is is who that. for downyet pared too all is more the powerful music His jubilant of optimism original. the of none the has end, the at which strikingly key from at it most moments, departing Beethoven’sechoing though original himself, libretto the fashioned has Lang takesthat centre-stage. heroism the of is awoman it in which opera music mixes can alsofind podcastsand BBC Sounds,where you 30 days after broadcast via to stream ordownload for Radio 3.Itwillbeavailable

3 prisoner of the state Sat 11 Jan, Hall 4 prisoner of the state Sat 11 Jan, Hall Commissioned by theNew York Philharmonic, 2019–20 Presents Barbican of Part 250 Beethoven of Part ACastillo Miguel Price, Jimmy Holliday Bowen,Christopher Tom Raskin, Edward Tines Davóne Oke Alan Ott Jarrett Mathevet grateful to JulieMathevet for taking herplace has had to withdraw from thisperformance; we are We regret thatfor family reasons Claron McFadden Malmö Opera Barcelona Barcelona Symphony Orchestra/Festival Grec Concertgebouw Bruges Bochumer Symphoniker Concertgebouw deDoelen,Rotterdam , Produced andpresented by aconsortiumof: and MalmöOpera L’Auditori deBarcelona, BochumerSymphoniker Brugge, deDoelenConcertHallRotterdam, Barbican Centre London,Concertgebouw Maline Casta Casta Maline Yuki Izumihara Weaver Thom Saunders Matt students of & Music Drama School Guildhall Singers BBC Pulitzer Elkhanah VolkovIlan BBC Symphony Orchestra Hall Barbican 11Sat Jan 8pm state of the prisoner Lang’sDavid The Governor The The Prisoner conductor

costumes The Jailor lighting designer set design The Assistant The projections assistant director assistant director

Guards

narrative. I compiled Beethoven’s Icompiled 1805 and narrative. or character or environment into deeper alittle to go opportunities me gave which or interesting, or odd were Ithought that moments for searching topic, the off or confusing dramatically were Ifelt things the out filtering the variouswith of versions Beethoven’s librettos, state Beethoven’s but my in piece, music of my version own to make wanted Ihave years 40 past the For a of creation his Lang explainsDavid the impetus behind David Lang state of the prisoner prisoners to introduce themselves to us. themselves to introduce prisoners the for away as ofit part Iused and to Australia transported be could prisoners English which for crimes 1805 from ofthose alist Ifound criminals; and ofcrimes lists contemporaneous for (under original its title of version first the when 1805, in were prisoners thought Beethoven who just curious Iwas Arendt. to Hannah references added Ihave ofpunishment Guards’ definition to The to Rousseau; references added I have 1791. being case this in To Prisoner’s aria The ‘modern’ –modern ofthe invention the prison philosopher Jeremy Bentham’s behind theory ofEnglish aparaphrase added Ihave structure loved’. to be than prison’s the feared To describe to be better is ‘it dictum famous Machiavelli’s of aparaphrase is that aria an added I have Prisoner The kill him tohelp Jailer The orders Governor The after example, For original. ofthe understanding our deepen might that by adding language from other, texts external them, on Ikept, to comment and that libretto ofthe parts the tosimplify was My process to adapt. on, and to comment about, to think me for meaningful became ofthese all original, the story, – history the performance ofthe characters The them. on to comment 1814 my libretto Iwrote own then and texts, is built on the skeleton of skeleton the on built is Fidelio Fidelio Fidelio Leonore Fidelio . There is none of of none is . There

for modern times for modern times ), and I searched Isearched and ), Fidelio was premiered prisoner of the of the prisoner . I began . Ibegan

‘Lang’s score often with stunning impact.’ stunning with from bombast. The whole is is whole The from bombast. anyone near the Prisoners of the State. ofthe Prisoners the anyone near to let not orders You strictest the Ihave know Rocco: you? accompany me you let don’t Why exhausted. and breathless almost castle, ofthis vaults underground ofthe out you coming see I often Leonore Beethoven’s original libretto: from comes title the least, not but Last textures saving the music orchestral transparent the hammer-stroke ostinatos, hammer-stroke ostinatos, proceeds largely in brief length and stripped- remarkably economical, its supremely lucid but harsh, harsh, but lucid supremely deliver its polemical charge polemicaldeliver charge its down dramaturgy it letting Fred Cohn, Cohn, Fred (2018–19)

(to Rocco, the Jailer) Opera News

:

5 prisoner of the state Sat 11 Jan, Hall 6 prisoner of the state Sat 11 Jan, Hall David Lang state of the prisoner David Lang David we granted. take for nothing in our that culture or in ourselves is there to make that sure just probing, and questioning exploring, continue should we that felt always Ihave to learn. else anything was there we realise before fixed become can views our young when music this loving started who ofus those For ofthem? rest to the happens What freed. been has prisoners ofthe one only ofcourse, And husband! her to save a wife for is it great how about sing they instead and tyranny, or justice, or freedom, about to sing townspeople Iwant the freed, is about For me the most problematic observation from? come they did –where before seen never we have oftownspeople chorus ahappy is there end the at but prison dark a in opera entire We the spend setting. acomic-opera in home at more maybe identity/secondary romance plot that is amistaken and scenes, the between in talking is There difficult. it make staging can drama ofthe shape the but music powerful and beautiful noble, most ofBeethoven’s some contains It narrative. the than defined are more ideas the that about observations ofthe One ideas. its about more was it hall concert the opera’s in to the while narrative, attention more Ipaid house opera the In piece. the how influenced I thoughtlocation about and format the how was Inoticed what but both, Ienjoyed clothes. concert in singers the with hall, aconcert in performance oratorio-style an was other the while house, opera an in production staged fully of Beethoven’s opera 1970s performances late the In two Isaw How Fidelio Fidelio is that, after the prisoner prisoner the that, after is inspired me inspired Fidelio

. One was a a was . One Fidelio is is along the length of City’s mile-long York ofNew mile-long City’s length the along arrayed were city the across from performers experience 2018 October in force in to out Yorkers turned 2016. in Festival New Mozart Mostly the during Center Lincoln at outdoors presented sub-, domain was ambitious 120 Equally guitars. andMusic accordingly Settlement scored it for York’s ofNew Street Third 120th anniversary 2015In wrote he aspirations. daunting from shy away not does He of the state prisoner ofwhich theatre, musical defined broadly more or ofopera works and orchestra; for chorus, for band, for film, for dance, for compositions unconventional for often combinations; pieces chamber instruments; single for –works media of spectrum abroad for written has He curiosity. circuitous insatiable, constant, his tobe appears his of feature unifying the and next, to the work one from composer different astrikingly seem can He himself. like to repeat not does Lang David reimagining of his in freedom and identity personal of bold engagement withthe big questions Lang’s David explores MKeller James Passion ofBach’s magnetism emotional and methods dramatic form, general the using Andersen Christian by Hans atale retells It Music. for Prize Pulitzer 2008 the him earned composition, famous most his become has what includes catalogue ofhis niche This cast. they perplexity of shadows or ofillumination rays the in works new to create him spur compositions those how and canon music classical ofthe masterpieces towering with confrontation personal his is Lang’s within theme output recurrent One 7pm by Lang. to music set –all of hour the around to night day from transition the about interviews firsthand from derived texts Highline, individual The singing park elevated (2018–19) oeuvre . His . His for 1,000 performers divided into five five into divided performers 1,000 for , which encompasses about 200 works, works, 200 about encompasses , which the mile-long opera love fail love passion the little questionnaire Fidelio is his 13th. , a2012 women’s for work

to honour the to honour the , for which 1,000 1,000 which , for St Matthew St Matthew the public the public , which professor of composition at Yale School of Yale of at School ofcomposition professor as served has he 2008 Since aCan. on Bang collective York’s music ofNew influential director and co-artistic Lang is a co-founder composers, ofAmerican performed widely most ofthe One songs. 32 such from quoting even composer’s musically dramatic architecture and that from inspiration drawing of mortality, theme the on songs Schubert confronts he In opera. to Wagner’s anod incorporating narratives, modern and ancient through filtered as Isolde ofTristan and myth the on takes quartet, vocal remained in the eventual eventual the in remained lighthearted and opera serious ofdeadly mixture acurious was Fidelio 1814 in success as found form new took it when as (again 1806 in it reintroduced and it revised Beethoven title 1805 in the (under premiere opera his with grapples in Lang whom with figure the fact, in is, Beethoven that”.’ to do it’smy now and turn this, did Beethoven to say, I’m if “Well, as trying not feels it, put ‘It he –or, ofhumility as ademeanour project might from lower-case classical titles masterworks, descended in overtly Particularly pieces letters. by capital projected certainty the from differs that ofmystery aura an maintain may titles York Times of Cooper Michael with interview an In them. Lang’s eschew in which fulfilment titles, Aficionados of will capital not find letters Somme. ofthe Battle the 14–18 and Festival Neuk NOW, commemorating East the for created soloists and singers massed his for Society Royal Award the Philharmonic from Engagement 2013–14. and 2016 In Audiences the received he for Chair Composer’s Hall’s Debs Carnegie as 2013 Year ofthe named was and Composer as honoured was He Music. . In its earlier incarnations in particular, it it particular, in incarnations earlier its . In death speaks death Leonore , Lang ruminated on how lower-case lower-case how on ruminated , Lang prisoner of the state prisoner memorial ground memorial Fidelio opéra comique opéra , again a failure), and finally a failure),, again finally and . After its unsuccessful unsuccessful its . After , also premiered in 2012, in premiered , also Fidelio Musical , and specifically , and specifically , a piece for for , apiece , mainly in the the in , mainly Leonore . Aspects of that ofthat . Aspects The New New The ), ), ’s ’s Peter Chair); May reproduced with kind permission and (Leni York New the of Philharmonic Annotator MKeller, Programme by James note Programme of the state prisoner of aspect the is That defiant posture against political oppression. Beethoven’s from its is ofcourse) music, (apart opera’s posterity the in for reputation accounts piece’s the at what but outset, flirtations romantic barbican.org.uk/operapolitics change. responding to political and even effecting reflecting, for avehicle as ofopera history the explores Hibberd Sarah Professor Politics As Opera Read

. Fidelio which inspired Lang’s which

7 prisoner of the state Sat 11 Jan, Hall 8 prisoner of the state Sat 11 Jan, Hall

David Serling (born 1957) Lang David The Highline;The York New in City’s premiered and Diller opera ofVoices;by Theatre Kamerkoor, and premiered the and Hall by Carnegie commissioned include works recent Other van Zweden. by Jaap conducted 2019 June York New 6–8 by the Philharmonic on given were performances world-premiere Its Concertgebouw. Bruges’ and Orchestra Barcelona’s l’Auditori, Bochum Symphony Hall, Concert Rotterdam’sCentre, Doelen de Barbican the York New by the Philharmonic, European premiere, was co-commissioned its receiving tonight libretto), the wrote also opera His Golden Globe. 2016, Award a and Academy an for including YOUTH film ’s for score his acclaimed Lang’s world. the around halls concert great ofthe most in heard been have works today. His writing composers and among frequently American performed esteemed highly most ofthe one is Lang David co-created with architect Elizabeth

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, , ‘With his‘With winning of the The New Yorker New The Pulitzer Prize for His music music His aCan. on Bang York’s collective music ofNew director co-artistic and co-founder is He Princeton. in Study Advanced for Institute the at Artist-in-Residence is and ofMusic School Yale the at ofcomposition aprofessor is Lang by Lang. staging and ,ensemble libretto with vocal early-music the for work evening-length Tony and and Arnold; for the International Ensemble Contemporary from My Diamond; Brightest Worden Shara and National The from Dessner Bryce including musicians, by rock performed speaks Orchestra; Symphony Cincinnati by the Philharmonic; Angeles Los the and Symphony BBC the including oforchestras, aconsortium and Percussion the concerto York; New in Festival Prototype the at and opera chamber his Festival; Mozart Center’s Mostly domain public director; stage and composer, librettist as served Lang which for and of Music, Academy Brooklyn the at Wave Festival Next Symphony; Seattle by the premiered and commissioned distributed worldwide by G. Schirmer, Inc. worldwide distributed is and (ASCAP) Poppy by Red Music published is once a postminimalist postminimalist a once solidified his standing as solidified his as standing match girl passion an American master.’ American an enfant terrible

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Astrid Ackermann About the performers Athens, and Reykjavík. York, New Oslo, TelAdelaide, Aviv, Krakow, in festivals regular numerous with times, presented been has it and hip-hop new and improvisation, electronic, folk and free music, experimental in interests his reflects programming diverse and vibrant Its afterwards. shortly following Tectonics Glasgow He launched ‘Tectonics’ in Reykjavík, with Philharmonic Orchestra and BBC Philharmonic. Berlin Orchestra, Symphony Radio Vienna Berlin Staatsoper, Budapest Festival Orchestra, Orchestra, Symphony BBC the with projects include highlights Current Berlin. and Lucerne Proms, BBC , Salzburg, including festivals, world’s foremost the at appearing as well as ensembles, and ofrepertoire range awide with regularly works and worldwide leading with guest afrequent is He ofConductor the Iceland Symphony Orchestra. Principal and Director Music appointed was 2011 2009. in Between Conductor 2014 and he Guest Principal its became subsequently and Orchestra Symphony Scottish BBC of the Conductor Principal appointed was he 2003 In Symphony. Boston ofthe Conductor Assistant the London Philharmonic Youth Orchestra and of Conductor of19 Principal age the became 1976 in VolkovIlan Israel in born was at and VolkovIlan conductor

Sarah Robinson Caecilia de l’Union de la Presse Musicale Belge. Musicale Presse la de l’Union de Caecilia Speakings ofHarvey’s label Aeon the for recording his a won Harvey, by Jonathan works of disc NMC His (all Hyperion). on Orchestra Symphony Scottish BBC the with odes funeral three ofLiszt’s survey acclaimed acritically and a won which Osborne, Steven with orchestra and piano for works Britten’s complete ballets, ofStravinsky’s albums two Volkov’sIlan includes discography diverse Hamburg’s Elbphilharmonie. Neuwirth’s Olga Bach’s York include highlights Recent Philharmonic. Earnest Being Barry’s Gerald and Opera; Toulouse; Mahagonny Opera; National Washington for latter the conducting also Opera; conducted has and opera in interested equally is He of opera and theatre, known for her bold, bold, her for known theatre, and of opera director acclaimed an is Pulitzer Elkhanah Pulitzer Elkhanah Gramophone Actus tragicus Actus A Midsummer Night’s Dream Night’s Midsummer A Duke Castle Bluebeard’s won the Monaco Prize and the Prix Prix the and Prize Monaco the won Eugene Onegin Eugene at the Théâtre du Capitole de de Capitole du Théâtre the at at the Glyndebourne Festival, Festival, the at Glyndebourne at Lincoln Center with the New New the with Center Lincoln at The Outcast Rise and Fall of the City of of and of Fall the City Rise Award in 2008, while while Award 2008, in at Stuttgart Opera and and Opera Stuttgart at Gramophone director for San Francisco Francisco San for Body Mandala Body The Importance of of Importance The in Vienna and at at and Vienna in for the Israeli Israeli the for and and Award, Award, ,

9 prisoner of the state Sat 11 Jan, Hall 10 prisoner of the state Sat 11 Jan, Hall Mozart Festival at Lincoln Center, among others. Center, others. Lincoln at among Festival Mozart Mostly the at and Company Opera Canadian the Opera, West Edge Louis, ofSaint Theater Angeles Opera, Boston Lyric Opera, Opera Philharmonic, San Francisco Symphony, Los Angeles Los the with projects directed has She Francisco. DIORAMA Spalding’s album new ofEsperanza tour live the York Philharmonic, Lang’sDavid of performances premiere the include projects Recent direction. stage innovative and nuanced installation and live programming. live and installation curation, art in experimentation advances which Foundation, Arts Pulitzer ofthe president vice board as serves also she Marin; and Louis St in raised and Boston in born was Pulitzer Elkhanah programming. and brand mission, its developed she where Opera, SF at programme opera chamber experimental Lab, a two-year Opera of SF Curator Artistic as served has she Additionally, directing. in Columbia from MA an holds She libretto Award her for America’s Success Opera received has She Omaha. Opera and Lab Opera SF , New Opera Lyric City, ofKansas Boston Lyric Opera Opera, Washington with projects National generation next- on collaboration includes work Past forms. and through theatre innovation and hybridised music between intersection the explores She and Ensemble Theater Company. Theater, Riverside Ball, Theater, Cutting Impact credits includeTheatre-directing work with U in San San I OUin the at installation art , an prisoner of the state prisoner Dream of the PacifiDream 12 Spells Little with the New New the with and and c. c.

Céline Nieszawer sing Servilia ( sing Servilia to her invited subsequently who K EHermann, and by Ursel directed , in Monnaie la Mernier’s (Benoît ofEglé role the in debut her made She projects. contemporary to unusual dedicated equally leading figures among stage directors and is with collaborates She coloratura repertoire. Mozartian and French in admired particularly is She Paris’s de 2008. National in Lyrique Atelier Opéra the from graduated Mathevet Julie Mathevet Julie Wilson; at the Verbier Festival with José van van José with Verbier Festival the at Wilson; by Robert aproduction in Jordan of Philippe direction the Paris under de National Opéra ( Yniold to sing invited been has she addition, In Orchestra. Symphony Aquitaine the with ( Sophie played also She Desbordes. Le voyage dans lalune ofOffenbach’s aproduction in Fantasia and (Offenbach’s Eurydice play to her led acting for flair Her Éclaté. Opera the with tour on and Suhubiette, ofJoël direction Flute ( Night ofthe Queen the sung has She Lydia (Fauré’s Giovanni ( Zerlina include roles operatic Venice. Other Pelléas et Mélisande ) at the Opéra de Massy in Paris, under the the Paris, in under Massy de Opéra the ) at ) directed by Krzysztof Warlikowski, and Warlikowski, and by Krzysztof ) directed La Dispute La clemenza di Tito Pénélope ) at the Théâtre Royal de Royal de Théâtre the ) at ) on several stages: at the the at stages: several ) on The Assistant The , directed by Olivier ) both at . Monnaie. La at ) both Orphée aux enfers Orphée ) at La Fenice in in Fenice La ) at Werther The Magic Magic The Don Don ) ), ), Dario Acosta Orchestra. (Strauss’s Naiad and evening, this performs she work the in York New the Philharmonic with debut her Julie Mathevet’s recent engagements include Dutoit. Charles under House Sydney at Opera Orchestra Yuval Sydney Symphony the with and Sharon; by aproduction in Welser-Möst Franz under Orchestra Cleveland the with Opera; Malmö at Dutoit; ofCharles baton the under and Dam New production debuts included Oreste Oreste included debuts production New Stuttgart. Staatstheater ofthe Ensemble the in season first his on embarked he as debuts role European many important made he season Last Francisco. opera Cenerentola Seville ( ofFigaro roles the reprising as of Figaro Marriage ( Count the as debuts role his makes he where Stuttgart, season with the Staatstheater of2019–20 Highlights second his include of 32. age the at career international an of one named was who Ott, Jarrett baritone American Ott Jarrett ), Marcello ( Marcello ), For a Look or aTouch aLook For Opera News auf Ariadne ). He also performs Jake Heggie’s Jake performs also He ). The Prisoner The La bohème La ) and Valentin) and ( ’s 25 Rising Stars, is enjoying enjoying is ’s Stars, Rising 25 ) with the Cleveland in Seattle and San San and Seattle in ) and Dandini ( Dandini ) and The Barber of of Barber The Faust The The ), as well well as ), La La Egypt Stanford’s burana in sung has he stage concert the On II. Edward Scartazzini’s Lorenzo ofAndrea premiere world the in Angel ofthe role the singing Berlin Oper Deutsche at debut operatic European his made He Festival. Glimmerglass the at and Memphis Opera Opera, Carolina North Opera, Orleans New Opera, City,Kansas Dayton Lyric Opera Opera, Fe Santa Philadelphia, Opera with &Hammerstein Rodgers and to Bernstein Bizet via Mozart from ranging repertoire include highlights recent Other Mälkki. Susanna Sibelius’s in sang he platform ( Guglielmo as Opera Fe to Santa returned he America, North In Dandini. and Figaro, Marcello included China ( Curtis Institute of Music. Institute Curtis the from master’s his degree received Ott Jarrett Mass Hyland Alan Oke made his debut as a tenor in 1992. in atenor as debut his Oke made Alan abaritone as career asuccessful Following OkeAlan Iphigénie Tauride en and the world premiere of Joseph Vella’s ofJoseph premiere world the and ). Other European role debuts in Stuttgart Stuttgart in debuts role European Other ). , Brahms’s Songs of the Fleet Songs . The Governor The Così fan tutte Ein deutsches Ein deutsches ) and Chou En-lai ( En-lai Chou ) and ). On the concert concert the On ). , Handel’s , Handel’s The TempestThe Carmina Israel in in Israel Nixon in in Nixon , under under

11 prisoner of the state Sat 11 Jan, Hall 12 prisoner of the state Sat 11 Jan, Hall Adams’s (John Mao Chairman including repertoire, contemporary and 20th-century in reputation enviable an established has he recently More BBC Proms. the and festivals Ravenna and Bregenz Brighton, Aldeburgh, Edinburgh, the at appearances as York, New well Opera, as Metropolitan the and Company Opera Canadian Opera, National English Garden, Covent Royal the Opera, North, Opera, Opera Festival, Scottish Glyndebourne including companies for repertoire tenor the of much covered has career his then Since National Opera. National English and Garden to Covent returns include Rake’s Progress ( Sellem as Festival Glyndebourne the and ( Fatty as the state of tour European current the Opera, ( Styx John include season this Engagements Venice already celebrated ( Aschenbach to his toadd North Opera for and Genoa in Vere Captain and ( season centenary Britten ofits part as Festival Aldeburgh the for acclaim to great Peter Grimes first his sang Vixen Little ek’s (Janácˇ Schoolteacher and Nicole Turnage’s (Mark-Anthony Marshall Man Birtwistle’s Harrison (Sir for the ; Hiereus/Translator Tempest Adès’s (Thomas Caliban Festival; Berlin the Orpheus in the Underworld Orpheus ) for , Covent Garden; Garden; Covent Royal the Opera, ) for ). ) and Prince/Manservant/Marquis ( Prince/Manservant/Marquis ) and and returns to Opera National to Dutch returns and Rise and Fall of the city of Mahagonny and of Fall the city Rise in Nixon ) for . He He Opera. Welsh) for National ). future Further engagements ) for the BBC Proms and and Proms BBC the ) for The Minotaur The ) at English National National English ) at The Cunning Cunning The Death in in Death prisoner of of prisoner Billy Budd Billy ) and Old Old ) and Anna Anna The The The The ) ) )

Nikolai Schukoff Louis Langrée, ’s John Langrée, Louis the Cincinnati Symphony Orchestra under Schumann’s include season current ofthe Highlights the International Ensemble. Contemporary and Quartet Calder the with and Shaw by Caroline works performed he Remains ofKaija Saariaho’sOpera National Dutch at run premiere the in season 2015–16 the during attention international to came Tines Davóne Bass-baritone Tines Davóne and spirituals. The world premiere was was premiere world The spirituals. and jazz opera, vaudeville, by fusing oppression of America’sman’s legacy against resilience ablack animates that name same ofthe poem inspiredexperience by Hughes’s Langston of librettist, co- as Schachter, well as Michael composer and Winokur Zack with co-creator was He Adam Nielsen. pianist with tour recital American first his in DC Vocal and Arts ofHouston, Society Camera Da ofBoston, Series Celebrity Hall, Carnegie by presented is and Quartet Dover the with collaborates also He Denève. Stéphane under Orchestra Symphony Louis Saint the with Beethoven’s and Symphony Ninth Robertson Houston Symphony Orchestra under David and at the Ojai Music Festival where The Black ClownThe Das Paradies undDas die Peri The Jailor Only the Sound the Sound Only , a music-theatre a music-theatre El Niño El with the the with with with

Terence and Kasi Blanchard Lemmons. My Bones In Shut Up Fire of premiere world the in Louis ofSaint Theatre Opera the at debut his made he summer Last Adams’sJohn Schachter, Henze’s Michael and including ofproductions, array awide in featured been has and Company Opera Modern American ofthe member core afounding is He in 2018. Theater Repertory American by the given The . and University ofHarvard a graduate is and Arts Performing the for Center by Lincoln given Award 2018 ofthe Artists recipient Emerging the ofcolour. also is He musicians classical extraordinary recognising ofExcellence, Medal Sphinx 2020 ofthe awinner is Tines Davóne Symphony under Reif Christian at SoundBox. Francisco San ofthe members with Shaw Caroline and Shostakovich Eastman, by Crumb, ofmusic aprogramme and respectively; Broseta Pablo Rus and Thomas Tilson Michael under orchestras Symphony Seattle and Francisco San the both Beethoven’s with Symphony Ninth Salonen; Esa-Pekka under Orchestra Swedish France; de National Saariaho’sJurowski; by Vladimir conducted Berlin Sinfonieorchester include world the of stages concert great the on Appearances Alden. by Christopher production new ePolifemoAci, Galatea Teatro Nacional de and Carlos São Handel’s of production a new Aucoin’s Matthew in debut ofMusic Academy Brooklyn his made and Opera National Finnish and Paris, Teatro de Real, Madrid, National Opéra Opera, Francisco San at appeared also has He

Crossing Were You There Nativity Reconsidered Nativity . Additional highlights include El Niño El Oedipus rex rex Oedipus True Fire Oedipus rex Oedipus at in a a in Sawdust National at by the creative team of of team creative by the with the Rundfunk- the with by Matthew Aucoin Aucoin by Matthew with the Orchestre El Cimarrón El at Lisbon’s Lisbon’s at with the Royal Royal the with .

and and evening of 17th- and 18th-century music for royal royal for music of17th-evening 18th-century and an and families for Teal; Clare singer aconcert 1940s the from 1950s and classics band with ofbig concert afestive Jeannin; Sofi Conductor by Chief conducted Singers, BBC of the Queen’s Music Composer and former Associate Weir, by Judith premiere ofthe a world Master featuring and curated aconcert all: for of music range engaging atypically offers Hall Concert Court Milton in 2019–20The ofconcerts season the ‘Musicians’ Church’ (Holy Sepulchre London). in music choral English 20th-century Prom and Night aLate in by Ellington Duke music sacred Proms, CBeebies the Nights, Last and First the included year last concerts year; each Proms BBC the at appearances makes group The Greenwich. in Sark Cutty at latter the Kabantu, band fusion music world and Akademi dance company Asian South with collaborations and , creative Chilcott alongside Rutter, Wolfe, John Julia Bob MacMillan, James Sir Frances-Hoad, toCheryl Handel and have featured music by from composers Victoria concerts Recent standard. highest very the at performed all audiences, widest the at aimed music ofchoral range exceptional an bringing UK’s ofthe choirs, one is finest Singers BBC The Singers BBC which includes singing workshops, family- workshops, singing includes which adventurous and innovative work education enjoyable, and concerts family offers Involved, ofGet part as Proms BBC and Chorus and Orchestra Symphony BBC Orchestra, Concert BBC the alongside Singers, BBC The 3. Radio BBC on broadcast the of vast performances its majority with beyond, and UK the across festivals major at makes appearances also regular Singers BBC The too. venues other and Knightsbridge Paul’s St at performances free gives Vale the BBC’s the Maida Studios, at Based Sark. Cutty at concerts two includes also season The Lipscomb. Suzannah author and by historian presented occasions

13 prisoner of the state Sat 11 Jan, Hall 14 prisoner of the state Sat 11 Jan, Hall Recent highlights include Beethoven’s include highlights Recent Symphony Nights. Last and year, First the each including there concerts adozen around performing Proms, BBC the in role acentral 1930.in plays It founded was it since life musical ofBritish heart the at been has Orchestra Symphony BBC The SymphonyBBC Orchestra ages. ofall musicians amateur and students families, –schools, everyone for something is There more. and &Chorus Orchestra Family the BBC to concerts, introductions friendly Jules Buckley. Association in Artist Creative appointed newly orchestra’s by the conducted Havas, La Lianne plus soul an singer with exciting collaboration Walliams David and Gaiman Neil with music and ofwords are concerts there addition, In solemnis Missa Sibelius and , and Beethoven’s by Stravinsky, music featuring Stasevska Dalia with concerts Oramo, two by Sakari conducted Alwyn’s opera William include season 2019–20 ofthe Highlights Orchestra. Associate is it where Barbican, the at here of concerts season annual an SOperforms BBC The . DaliaConductor Stasevksa’s appearance first at Guest Principal Oramo, plus Sakari Conductor Chief and Chorus Symphony BBC the 9 with No with the BBC Symphony Chorus. Chorus. Symphony BBC the with

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leader *guards John Ward Philip Tebb Thomas Lowen Edward Grint James Birchall Holliday * Jimmy Andrew Rupp Price * Edward Jamie WHall Charles Gibbs Bass Siret Lust Beverley Jones Anita Langridge Richard Alsop Nicholas Bayley Double Bass Morwenna DelMar Michael Atkinson Sarah Hedley-Miller Clare Hinton Tamsy Kaner Susan Monks Cello Matthias Wiesner Peter Mallinson Mary Whittle Carolyn Scott Natalie Taylor Philip Hall Caroline Harrison Norbert Blume Viola

Guildhall School Magee Steve Contrabassoon Susan Frankel Julie Price Thomas Lessels Bass Michael Whight Clarinet Imogen Smith Alison Teale Kathleen Stevenson Piccolo Tomoka Mukai Michael Cox Flute Michael Ferguson Peter Norris Thomas Niesser Patrick Keefe Niall Kennedy Liam McNally students &Drama of Music

Christopher Evans James Pillai Mark Wood Nicholas Hougham Michael Murray Nicholas Korth Fiona Ritchie Alex Neal David Hockings Percussion Christopher Hind Rob O’Neill Bass Trombone Joseph Atkins Martin Hurrell

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