Luo Word Eng. Gloss Plural/ Notes [Bilabial Click] Call to a Dog Or Cat
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Lyonia 8(1) 2005
Lyonia 8(1) 2005 Volume 8(1) July 2005 ISSN: 0888-9619 Introduction Lyonia, Volume 8(1), July 2005 Editorial Board Editor-in-Chief Rainer Bussmann Contact Information Surface mail: Lyonia Harold L. Lyon Arboretum 3860 Manoa Rd.Honolulu, HI 98622 USA Phone: +1 808 988 0456 e-mail: [email protected] Editorial Board Balslev, Henrik, University of Aarhus, Denmark Brandt, Kirsten, Denmark Bush, Marc, Florida Institure of Technology, USA Cleef, Antoine, University of Amsterdam, Netherlands Cotton, Elvira, University of Aarhus, Denmark Goldarazena, Arturo, NEIKER, Spain Geldenhuys, Coert, FORESTWOOD, South Africa Goikoetxea, Pablo G., NEIKER, Spain Gradstein, Rob, University of Goettingen, Germany Gunderson, Lance, Emory University, USA Hall, John B., University of Bangor, United Kingdom Janovec, John, BRIT, USA Joergensen, Peter, Missouri Botanical Garden, USA Kilpatrick, Alan, San Diego State University, USA Kueppers, Manfred, University of Hohenheim, Germany Lovett, Jon C., University of York, United Kingdom Lucero Mosquera, Hernan P., Universidad Tecnica Particular Loja, Ecuador Matsinos, Yiannis G., University of the Aegean, Greece Miller, Marc, Emory University, USA Navarete Zambrano, Hugo G., Pontifica Universidad Catholica Quito, Ecuador Onyango, John C., Maseno University, Kenya Pritchard, Lowell, Emory University, USA Pitman, Nigel, Duke University, USA Pohle, Perdita, University of Giessen, Germany Poteete, Amy R., University of New Orleans, USA Sarmiento, Fausto, University of Georgia, USA Sharon, Douglas, University of California -
Abschlusspublikation Zum Herunterladen
SONDERPROGRAMM ZENTRALASIEN ABSCHLUSSPUBLIKATION SPECIAL PROGRAMME CENTRAL ASIA FINAL PUBLICATION DIE GERDA HENKEL STIFTUNG BOT IN DEN JAHREN 2004 BIS 2013 EIN PROGRAMM ZUR FÖRDERUNG VON HERAUSRAGENDEN WISSENSCHAFTLERN AN, DIE SICH AUF DIE REGION ZENTRALASIEN KONZENTRIEREN. ZIEL DES PROGRAMMS WAR ES, FORSCHUNGSARBEITEN INSBESONDERE IM BEREICH DER ARCHÄOLOGIE UND DER KUNSTGESCHICHTE, ABER AUCH IN DEN DISZIPLINEN GESCHICHTE, HISTORISCHE ISLAMWISSENSCHAFT, ARCHITEKTUR UND KUNSTWISSENSCHAFT ANZUREGEN. BESONDERS BERÜCKSICHTIGT WURDEN WISSENSCHAFTLER AUS DER REGION ZENTRALASIEN. EBENFALLS GEFÖRDERT WURDEN KOOPERATIONSPROJEKTE ZWISCHEN WISSENSCHAFTLERN AUS DEN ZIELLÄNDERN UND EUROPÄISCHEN ZENTRALASIEN-FORSCHERN. DIE FÖRDERUNG DES WISSENSCHAFTLICHEN NACHWUCHSES WAR DABEI EIN BESONDERES ANLIEGEN DER STIFTUNG. FROM 2004 TO 2013, THE GERDA HENKEL FOUNDATION OFFERED A PROGRAMME TO SUPPORT OUTSTANDING SCHOLARS, WHOSE RESEARCH IS FOCUSED ON CENTRAL ASIA. THE PROGRAMME AIMED TO STIMULATE ACADEMIC RESEARCH PROJECTS IN THE AREAS OF ARCHAEOLOGY AND ART HISTORY AS WELL AS PROJECTS IN THE FIELDS OF HISTORY, HISTORIC ISLAMIC STUDIES, ARCHITECTURE, AND THE FINE ARTS. SCIENTISTS FROM CENTRAL ASIAN COUNTRIES WERE INVITED TO APPLY FOR THIS PROGRAMME. MOREOVER, IT SUPPORTED PROJECTS THAT IDEALLY WERE BASED ON COOPERATION BETWEEN SCHOLARS FROM THE TARGETED REGION AND EUROPEAN EXPERTS SPECIALIZED IN CENTRAL ASIA. A SPECIAL CONCERN OF THE FOUNDATION WAS THE ADVANCEMENT OF POSTGRADUATES. VORWORT FOREWORD Seit ihrer Gründung im Jahr 1976 unterstützt die Gerda Henkel -
How to Edit IPA 1 How to Use SAMPA for Editing IPA 2 How to Use X
version July 19 How to edit IPA When you want to enter the International Phonetic Association (IPA) character set with a computer keyboard, you need to know how to enter each IPA character with a sequence of keyboard strokes. This document describes a number of techniques. The complete SAMPA and RTR mapping can be found in the attached html documents. The main html document (ipa96.html) comes in a pdf-version (ipa96.pdf) too. 1 How to use SAMPA for editing IPA The Speech Assessment Method (SAM) Phonetic Alphabet has been developed by John Wells (http://www.phon.ucl.ac.uk/home/sampa). The goal was to map 176 IPA characters into the range of 7-bit ASCII, which is a set of 96 characters. The principle is to represent a single IPA character by a single ASCII character. This table is an example for five vowels: Description IPA SAMPA script a ɑ A ae ligature æ { turned a ɐ 6 epsilon ɛ E schwa ə @ A visual represenation of a keyboard shows the mapping on screen. The source for the SAMPA mapping used is "Handbook of multimodal an spoken dialogue systems", D Gibbon, Kluwer Academic Publishers 2000. 2 How to use X-SAMPA for editing IPA The multi-character extension to SAMPA has also been developed by John Wells (http://www.phon.ucl.ac.uk/home/sampa/x-sampa.htm). The basic principle used is to form chains of ASCII characters, that represent a single IPA character, e.g. This table lists some examples Description IPA X-SAMPA beta β B small capital B ʙ B\ lower-case B b b lower-case P p p Phi ɸ p\ The X-SAMPA mapping is in preparation and will be included in the next release. -
Building a Universal Phonetic Model for Zero-Resource Languages
Building a Universal Phonetic Model for Zero-Resource Languages Paul Moore MInf Project (Part 2) Interim Report Master of Informatics School of Informatics University of Edinburgh 2020 3 Abstract Being able to predict phones from speech is a challenge in and of itself, but what about unseen phones from different languages? In this project, work was done towards building precisely this kind of universal phonetic model. Using the GlobalPhone language corpus, phones’ articulatory features, a recurrent neu- ral network, open-source libraries, and an innovative prediction system, a model was created to predict phones based on their features alone. The results show promise, especially for using these models on languages within the same family. 4 Acknowledgements Once again, a huge thank you to Steve Renals, my supervisor, for all his assistance. I greatly appreciated his practical advice and reasoning when I got stuck, or things seemed overwhelming, and I’m very thankful that he endorsed this project. I’m immensely grateful for the support my family and friends have provided in the good times and bad throughout my studies at university. A big shout-out to my flatmates Hamish, Mark, Stephen and Iain for the fun and laugh- ter they contributed this year. I’m especially grateful to Hamish for being around dur- ing the isolation from Coronavirus and for helping me out in so many practical ways when I needed time to work on this project. Lastly, I wish to thank Jesus Christ, my Saviour and my Lord, who keeps all these things in their proper perspective, and gives me strength each day. -
Gonkar Gyaco És a Tibeti Önazonosság
KELÉNYI BÉLA Gonkar Gyaco és a tibeti önazonosság 2003 októberében, a kortárs művészetet bemutató londoni October Galleryben módja. A neveltetésem miatt soha nem értet- nyílt meg az a nepáli, tibeti, mongol és angol művészek alkotásait bemutató tár- tem meg teljesen a Buddha-rajz mögött rejlő lat, melyet a hagyományos tibeti művészet szakértője, Robert Beer válogatott, súlyos vallási jelentőséget. Valamennyire részt és a tibeti művészettel foglalkozó művészettörténész, Zara Fleming rendezett.1 vettem a hagyományos thangkaképzésen, ami- A kiállításon, amely először mutatta be a modern tantrikus művészetet Angliában, kor az emigrációba érkeztem és Dharamsálában a szokásos technikával, de sajátos stílusban megfestett thangkák mellett külö- éltem, de ezek csak bevezető ismeretek vol- nös jelentőséget kapott egy 1992-ben Angliába emigrált tibeti művész, Gonkar tak. Így hát számba vettem, hogy mit tudok a Gyaco (tib. Gong dkar rgya mtsho) munkája, aki Azonosságom (2003) címmel egy buddhizmusról, és összehasonlítottam azzal, négy részből álló fotóegyüttest is bemutatott. A képeken önmagát mint hagyomá- amit a nyugati kultúráról tudok – a buddhizmus nyos tibeti thangka-festőt, egy Mao-képen dolgozó vörös gárdistát, a Dalai Láma számos értelmezésen ment keresztül, a divat- arcképét festő, Indiában élő menekültet, végül egy sejtelmes, nonfiguratív képet tól és a trendektől függően.”2 Mindazonáltal alkotó modern művészt ábrázolta. Gyaco műve azonban nemcsak azt jeleníti meg, Gonkar Gyacónak nem elsősorban meghök- hogy hányféle személyiség, illetve -
Buddha on a Midnight Sea
This fascinating collection by Buddhist writer Francesca Hampton explores modern situations in both India and America through the prism of Tibetan Buddhist teachings. From a lonely paddle boarder contemplating suicide on the dark Pacific, to a wayward Tibetan lama on a Greyhound bus, to a journalist who reconnects with a journey begun in a previous life in an interview with the Dalai Lama, it is a welcome addition to the emerging genre of Buddhist fiction. Buddha on a Midnight Sea Order the complete book from Booklocker.com http://www.booklocker.com/p/books/6347.html?s=pdf or from your favorite neighborhood or online bookstore. Your Free excerpt appears below. Enjoy! Buddha on a Midnight Sea Short Stories by Francesca Hampton Copyright © 2012 Francesca Hampton ISBN 978-1-62141-748-4 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author. BookLocker.com, Inc. 2012 First Edition Buddha on a Midnight Sea is strokes felt clean in the cool silvered water, strong and H determined. With each pull, the paddleboard streamed forward, following a broad sparkling path of moonlight over the slow rising swells. He had traveled miles since he left the shelter of the small yacht harbor where he had parked the van. -
The Brill Typeface User Guide & Complete List of Characters
The Brill Typeface User Guide & Complete List of Characters Version 2.06, October 31, 2014 Pim Rietbroek Preamble Few typefaces – if any – allow the user to access every Latin character, every IPA character, every diacritic, and to have these combine in a typographically satisfactory manner, in a range of styles (roman, italic, and more); even fewer add full support for Greek, both modern and ancient, with specialised characters that papyrologists and epigraphers need; not to mention coverage of the Slavic languages in the Cyrillic range. The Brill typeface aims to do just that, and to be a tool for all scholars in the humanities; for Brill’s authors and editors; for Brill’s staff and service providers; and finally, for anyone in need of this tool, as long as it is not used for any commercial gain.* There are several fonts in different styles, each of which has the same set of characters as all the others. The Unicode Standard is rigorously adhered to: there is no dependence on the Private Use Area (PUA), as it happens frequently in other fonts with regard to characters carrying rare diacritics or combinations of diacritics. Instead, all alphabetic characters can carry any diacritic or combination of diacritics, even stacked, with automatic correct positioning. This is made possible by the inclusion of all of Unicode’s combining characters and by the application of extensive OpenType Glyph Positioning programming. Credits The Brill fonts are an original design by John Hudson of Tiro Typeworks. Alice Savoie contributed to Brill bold and bold italic. The black-letter (‘Fraktur’) range of characters was made by Karsten Lücke. -
Uu Clicks Correlate with Phonotactic Patterns Amanda L. Miller
Tongue body and tongue root shape differences in N|uu clicks correlate with phonotactic patterns Amanda L. Miller 1. Introduction There is a phonological constraint, known as the Back Vowel Constraint (BVC), found in most Khoesan languages, which provides information as to the phonological patterning of clicks. BVC patterns found in N|uu, the last remaining member of the !Ui branch of the Tuu family spoken in South Africa, have never been described, as the language only had very preliminary documentation undertaken by Doke (1936) and Westphal (1953–1957). In this paper, I provide a description of the BVC in N|uu, based on lexico-statistical patterns found in a database that I developed. I also provide results of an ultrasound study designed to investigate posterior place of articulation differences among clicks. Click consonants have two constrictions, one anterior, and one posterior. Thus, they have two places of articulation. Phoneticians since Doke (1923) and Beach (1938) have described the posterior place of articulation of plain clicks as velar, and the airstream involved in their production as velaric. Thus, the anterior place of articulation was thought to be the only phonetic property that differed among the various clicks. The ultrasound results reported here and in Miller, Brugman et al. (2009) show that there are differences in the posterior constrictions as well. Namely, tongue body and tongue root shape differences are found among clicks. I propose that differences in tongue body and tongue root shape may be the phonetic bases of the BVC. The airstream involved in click production is described as velaric airstream by earlier researchers. -
1455189355674.Pdf
THE STORYTeller’S THESAURUS FANTASY, HISTORY, AND HORROR JAMES M. WARD AND ANNE K. BROWN Cover by: Peter Bradley LEGAL PAGE: Every effort has been made not to make use of proprietary or copyrighted materi- al. Any mention of actual commercial products in this book does not constitute an endorsement. www.trolllord.com www.chenaultandgraypublishing.com Email:[email protected] Printed in U.S.A © 2013 Chenault & Gray Publishing, LLC. All Rights Reserved. Storyteller’s Thesaurus Trademark of Cheanult & Gray Publishing. All Rights Reserved. Chenault & Gray Publishing, Troll Lord Games logos are Trademark of Chenault & Gray Publishing. All Rights Reserved. TABLE OF CONTENTS THE STORYTeller’S THESAURUS 1 FANTASY, HISTORY, AND HORROR 1 JAMES M. WARD AND ANNE K. BROWN 1 INTRODUCTION 8 WHAT MAKES THIS BOOK DIFFERENT 8 THE STORYTeller’s RESPONSIBILITY: RESEARCH 9 WHAT THIS BOOK DOES NOT CONTAIN 9 A WHISPER OF ENCOURAGEMENT 10 CHAPTER 1: CHARACTER BUILDING 11 GENDER 11 AGE 11 PHYSICAL AttRIBUTES 11 SIZE AND BODY TYPE 11 FACIAL FEATURES 12 HAIR 13 SPECIES 13 PERSONALITY 14 PHOBIAS 15 OCCUPATIONS 17 ADVENTURERS 17 CIVILIANS 18 ORGANIZATIONS 21 CHAPTER 2: CLOTHING 22 STYLES OF DRESS 22 CLOTHING PIECES 22 CLOTHING CONSTRUCTION 24 CHAPTER 3: ARCHITECTURE AND PROPERTY 25 ARCHITECTURAL STYLES AND ELEMENTS 25 BUILDING MATERIALS 26 PROPERTY TYPES 26 SPECIALTY ANATOMY 29 CHAPTER 4: FURNISHINGS 30 CHAPTER 5: EQUIPMENT AND TOOLS 31 ADVENTurer’S GEAR 31 GENERAL EQUIPMENT AND TOOLS 31 2 THE STORYTeller’s Thesaurus KITCHEN EQUIPMENT 35 LINENS 36 MUSICAL INSTRUMENTS -
Gyógynövénygyógyászat Vizsgára Felkészítő Segédanyag 2010
FITOTERÁPIA Gyógynövénygyógyászat Vizsgára felkészítő segédanyag 2010. Fitoterápia Szerkesztette, és a fotókat készítette: Mester Ildikó A jegyzet segítséget nyújt a fitoterapeuta szakmai vizsgára való felkészülésben. Köszönet Dr. Bíró Hilda orvos természetgyógyász kollegámnak, akivel együtt tanítjuk a jövő nemzedékének fitoterapeutáit! Ráléphetsz az első lépcsőfokra. Megállsz, ott maradsz, visszafordulsz? Vagy - elindulsz fölfelé … Mester Ildikó 2010. Mester Ildikó Meddő a tudás, ha nem adjuk tovább 2 Fitoterápia Tartalomjegyzék Bevezető 6. I. A Fitoterápia általános ismeretei 7. - A fitoterápia története 8. - A gyógynövények jellemzői, felosztása 13. - Oki és tüneti kezelés a fitoterápiában 19. - A receptúra képzésének szabályai a fitoterápiában 22. - A gyógynövények ellenjavallatai és mellékhatásai 25. - Apiterápia fogalma, termékei 27. - Apiterápia javallatai és ellenjavallatai 28. - A gyógynövények alkalmazási módjai 29. - Az aromaterápia módszerei, az illóolajok általános jellemzői, hatásai 36. - Gyógyító fűszernövények, gyógyító gombák 38. - Gyógyító tápláléknövények, gyógyító levek 43 - A gyógynövények gyűjtésének, kezelésének alapszabályai 49. - Életkori és élettani állapot szerinti javallatok és ellenjavallatok 52. - Anamnézis készítés szabályai, dokumentációs feladatok 55. - Egyénre szabott terápiás terv elkészítése, javallatok összeállítása 58. II. A Fitoterápia hatóanyag szerinti felosztása, jellemzői, felhasználásuk a fitoterápiában 59. - Alkaloid tartalmú drogok jellemzése és fő felhasználási területek 60. - Glikozid tartalmú -
Disszertáció Tóth Erzsébet Mongol–Tibeti Nyelvi Kölcsönhatások 2008
+ DOKTORI (PHD) DISSZERTÁCIÓ TÓTH ERZSÉBET MONGOL–TIBETI NYELVI KÖLCSÖNHATÁSOK 2008 TothErzsebet_PhD-dissz.doc i 2008.10.02. + Eötvös Loránd Tudományegyetem Bölcsészettudományi Kar Nyelvtudományi Doktori Iskola Mongol Nyelvészeti Program Vezetęje: Vezetęje: PROF. DR. BAĔCZEROWSKI JANUSZ DR. BIRTALAN ÁGNES egyetemi tanár habil. egyetemi docens DOKTORI (PHD) DISSZERTÁCIÓ TÓTH ERZSÉBET MONGOL–TIBETI NYELVI KÖLCSÖNHATÁSOK Témavezetę: DR. SÁRKÖZI ALICE, kandidátus A bíráló bizottság Elnöke: PROF. DR. FODOR SÁNDOR, egyetemi tanár Titkára: DR. SZILÁGYI ZSOLT, PhD Tagja: DR. PORCIÓ TIBOR, PhD Póttagja: DR. BALCHIG KATUU, akadémiai doktor Hivatalosan felkért bírálók: PROF. DR. KARA GYÖRGY, akadémikus DR. FEHÉR JUDIT, kandidátus 2008 TothErzsebet_PhD-dissz.doc ii 2008.10.02. + Tartalom Köszönetnyilvánítás ....................................................................................................... iii 1. Bevezetés ..................................................................................................................... 1 2. A mongol–tibeti kapcsolatok történeti háttere ....................................................... 2 2.1. A mongol–tibeti politikai kapcsolatok áttekintése ................................................ 2 2.1.1. A mongol kor elętt .............................................................................................. 2 2.1.2. A mongol birodalom idején (12–14. sz.) ............................................................ 3 2.1.3. A mongol széttagoltság idején (15–17. sz.) ....................................................... -
Tibetan Medicine : Illustrated in Original Texts
Tibetan Medicine Illustrated in Original Texts Presented and translated by % the YEN. 1 i*i:/ iiiixt /: invi)/w in Tibetan Medicine Thi 8 One R7PR-ZWN-XA Tibetan Medicine illustrated in original texts presented and translated by the Ven. Rechung Rinpoche Jampal Kunzang UNIVERSITY OF CALIFORNIA PRESS Berkeley and Los Angeles Copyrighted material UNIVERSITY OF CALIFORNIA PRESS Berkeley and Los Angeles, California ISBN: 0-520-03048-6 Library of Congress Catalog Card Number: 72-85513 © The Wellcome Trust, 1973 California Paperback Edition, 1976 This work is also published in the United Kingdom by the Wellcome Institute of the History of Medicine Printed in the United States of America Contents Preface vii Introduction 3 History of Tibetan Medicine 8 Tibetan Medicine (from the Second and Fourth Books of the rGyud-bzhi) 29 Bibliography of European Works on Tibetan Medicine 98 Illustrations 104 The Life of the Great Physician-Saint gYu-thog the Elder 141 Glossary 328 Index of Medical Topics 331 Copyrighted m aterial Preface The chief part of this book is a translation of the biography of the Elder gYu-thog Yon-tan mGon-po, the famous Court Physician of King Khri- sron-lde-btsan who lived during the eighth century a.d. The Elder gYu-thog Yon-tan mGon-po visited India three times. He met and had discussions with many learned Pandits, and thus widened his knowledge of Buddhism and especially of medicine. On his return to Tibet he spread medical science throughout the country and shared his knowledge with many. For the preservation of our Tibetan culture I had the great desire to translate books on Tibetan Medicine, as well as to translate the Biography of the Elder gYu-thog Yon-tan mGon-po, and thus approached Dr.