NETSUKE: SITTING KIRIN Japan | Edo Period

Total Page:16

File Type:pdf, Size:1020Kb

NETSUKE: SITTING KIRIN Japan | Edo Period ASIAN ART 7.12.2017 亚洲古董珍玩 2017年12月7日 Auktionstermine Herbst 2017 Asian Art Europäisches Kunstgewerbe 16. November 2017 Schmuck und Uhren 17. November 2017 Alte Kunst 17. November 2017 Vorbesichtigung: 10.– 14. November 2017 Asiatische Kunst Modern 29. November 2017 Post War 29. November 2017 Contemporary 29. November 2017 Vorbesichtigung: 24.– 27. November 2017 7.12.2017 Rheingold 6. Dezember 2017 Discoveries 6. Dezember 2017 Vorbesichtigung: 2.– 4. Dezember 2017 Asiatische Kunst 7. Dezember 2017 Vorbesichtigung: 2.– 6. Dezember 2017 Preview Auktionstermine Vorbesichtigung Frühjahr 2018 Dekorative Kunst 31. Jan. + 1. Feb. 2018 2. – 6.12.2017 Vorbesichtigung: 27. – 29. Januar 2018 Europäisches Kunstgewerbe 16. Mai 2018 Schmuck und Uhren 17. Mai 2018 Alte Kunst 18. Mai 2018 Vorbesichtigung: 11. – 14. Mai 2018 亚洲古董珍玩 Modern 30. Mai 2018 Post War 30. Mai 2018 Contemporary 30. Mai 2018 第406屆拍卖会 Vorbesichtigung: 25. – 28. Mai 2018 Discoveries 6. Juni 2018 2017年12月7日 Vorbesichtigung: 1. – 5. Juni 2018 Asiatische Kunst 7. Juni 2018 Vorbesichtigung: 1. – 5. Juni 2018 預展時間 2017年12月2日–6日 Einlieferungen von Sammlungen, Nachlässen und Einzel­ Abbildung Titel: stücken sind bis zwei Monate vor den Auktionen möglich. Nr. Nr. 2242 NETSUKE: SITTING KIRIN Japan | Edo period. 18th c. Kyôto Unsere Experten informieren Sie gerne über die aktuelle Marktsituation und geben Ihnen kostenlose Einschätzungen Abbildung Rückseite: für Ihre Kunstwerke. Wir freuen uns auf Ihren Anruf, Ihre Nr. 2000 IMPORTANT FEMALE BODHISATTVA E­Mail bzw. Ihre Post. China | Ming dynasty Unsere Experten Unser Service Our Specialists Our Service Christoph Bouillon Katalogbestellungen Geschäftszeiten nach der Auktion Live bieten Auktion Vorbesichtigung Katalogredaktion Nicole Burkhard Business hours after the sale Über unsere Website können Sie sich Sale Preview Tel. +49 (221) 925862-32 Tel. +49 (221) 925862-13 Montag bis Freitag 10 bis 17 Uhr zu den Auktionen anmelden und live [email protected] [email protected] Samstag 10 bis 13 Uhr mitbieten. Alle Infos finden Sie auf: Donnerstag, 7. Dezember 2017 2. bis 6. Dezember 2017 www.van-ham.com/kaufen/wie-biete-ich ab 10.00 Uhr Samstag 10 bis 16 Uhr Natalie Alfers Schriftliche / Telefonische Gebote Adresse Sammlung Graf-Pfaff 2000 – 2015 Sonntag 11 bis 16 Uhr Tel. +49 (221) 925862-85 Anja Bongartz address Auktionen live mitverfolgen China 2016 – 2085 Montag 10 bis 18 Uhr [email protected] Tel. +49 (221) 925862-17 Van Ham Kunstauktionen Wenn Sie die Auktion nur live mitver- Buddhistische Kunst 2086 – 2134 Dienstag 10 bis 18 Uhr [email protected] Hitzelerstraße 2 folgen möchten, benötigen Sie keine Sammlung Rosen 2135 – 2171 Mittwoch 10 bis 18 Uhr Walter Bruno Brix 50968 Köln Anmeldung. Südostasien 2172 – 2195 Tel. +49 (221) 925862-28 Versand Tel.: +49 (221) 925862-0 Japan 2196 – 2241 [email protected] Anja Bongartz Fax: +49 (221) 925862-4 Tel. +49 (221) 925862-17 [email protected] ab 14.00 Uhr Iris Hekeler [email protected] www.van-ham.com LIVE AUKTION Netsuke & Inro 2242 – 2433 Tel. +49 (221) 925862-21 Sammlung Braunbehrens 2434 – 2442 [email protected] Warenausgabe Am Ende des Kataloges finden Sie Asiatische Kunst, Part II 2443 – 2645 Tobias May You will find at the end of the Hua Yan Tel. +49 (221) 925862-23 catalogue: Tel. +49 (221) 925862-80 [email protected] Erläuterungen zum Katalog [email protected] Einliefererverzeichnis Buchhaltung Geschäftsbedingungen Di Xing Birgit Uttendörfer Impressum Chinesische Katalogtexte Tel. +49 (221) 925862-58 Tel. +49 (221) 925862-85 [email protected] Explanations to the catalogue [email protected] List of Consignors Sekretariat Conditions of sale Eva Seidel Nicole Burkhard Legal notice 拍賣流程: Tel. +49 (221) 925862-85 Tel. +49 (221) 925862-13 2017年12月7日週四 [email protected] [email protected] 上午10點開始 Trudel Klefisch Rechnungen 圖錄第一部分 預展時間: Netsuke aus einer Olga Patriki 蔡彩麗 和 奧斯卡 格拉夫-法夫 2017年12月2日-6日 italienischen Privatsammlung Tel. +49 (221) 925862-15 Cäcilie & 12月2日 10 – 16點 Tel. +49 (221) 925862-21 [email protected] Oscar Graf-Pfaff 收藏 2000 – 2015號 12月3日 11 – 16點 [email protected] 中國藝術品 2016 – 2085號 12月4日-6日 10 – 18點 佛教藝術 2086 – 2134號 迪特里夫 柔曾 拍賣會後營業時間: Auktionatoren Detlef Rosen 收藏 2135 – 2171號 週一至週五 10 – 17點 Markus Eisenbeis, öffentl. best. 東南亞藝術 2172 – 2195號 週六 10 – 13點 und vereidigter Kunst versteigerer 日本藝術品 2196 – 2241號 Reinhard Singer, öffentl. best. 德國科隆 VAN HAM(範∙漢姆) und vereidigter Kunst versteigerer 下午2點開始 藝術拍賣公司 根附 和 印籠 2242 – 2433號 Hitzeler Str. 2, Cologne, Germany 漢斯 馮 布勞恩貝倫斯 教授 電話:+49 (221) 925862-0 Braunbehrens 收藏 2434 – 2442號 傳真:+49 (221) 925862-4 郵箱:[email protected] 圖錄第二部分 2443 – 2645號 網址:www.van-ham.com Our Specialists Unsere Experten Asian Art, Part I v.r.n.l. Christoph Bouillon Hua Yan Natalie Alfers Walter Bruno Brix Iris Hekeler The Cäcilie and Oscar Graf­Pfaff Collection Alongside painting, Oscar Graf (1873 – 1958) also mastered Neben seiner Malerei beherrschte Oscar Graf (1873 – 1958) various techniques of etching and lithography. Especially regar- meisterhaft verschiedene Techniken der Radierung und Lithogra- ding the difficult art of aquatint he performed outstandingly. phie. Besonders in der schwierigen Kunst der Aquatinta leistete In 1904, he participated in the first exhibition organised by the er Hervorragendes. 1904 nahm er an der ersten, vom Deutschen Deutscher Künstlerbund (German Artists Association). He was Künstlerbund organisierten Ausstellung teil. Vom Hause Wit- named ‚Royal Professor‘ by the House of Wittelsbach. For his telsbach wurde er zum ‚Königlichen Professor‘ ernannt. Für sein art print ‘Pietà‘ he was awarded the Golden Medal and later Kunstblatt ‚Pietà‘ erhielt er die goldene Medaille und später die the Goethe Medal. Goethemedaille. 1902 heiratete er die bekannte Künstlerin Cäci- In 1902, he married well-known artist Cäcilie Bader-Pfaff lie Bader-Pfaff (1868 – 1939), die sich danach Graf-Pfaff nannte. (1868 – 1939), who then changed her name to Graf-Pfaff. She Sie war eine ebenso bekannte Malerin, die sich als Grafikerin was an equally renowned painter, who distinguished herself as und Illustratorin auszeichnete. Während ihres Studiums an der graphic artist and illustrator. During her studies at Akademie Akademie der bildenden Künste lernte sie den Japaner Harada der bildenden Künste she met Japanese artist Harada Naojirô Naojirô (1863 – 1899) kennen. Von diesem lernte Cäcilie Graf- (1863 – 1899). He thought her the techniques of Japanese ink Pfaff die Technik der japanischen Tuschmalerei. Seitdem sammel- painting. She would collect Japanese and East Asian art ever te sie japanische und ostasiatische Kunst und konnte auch Oscar since and could also interest Oscar Graf in it. Writer Mori Ôgai Graf dafür interessieren. Zu dem Bekanntenkreis der beiden (1862 – 1922) also ranked among their acquaintances. gehörte auch der Schriftsteller Mori Ôgai (1862 – 1922). Owing to their extensive network of important collectors and art Aufgrund ihrer weitreichenden Kontakte zu wichtigen Samm- dealers, the artist couple could organise an impressive exhibition lern und Kunsthändlern gelang es dem Künstlerpaar 1909 eine titled ‚Japan und Ostasien in der Kunst‘ (Japan and East Asia in beeindruckende Ausstellung mit dem Titel ‚Japan und Ostasien the Arts) in 1909 in Munich. The elegant poster designed by in der Kunst‘ in München zu organisieren. Oscar Graf (1873 – 1958) Cäcilie Graf-Pfaff (1868 – 1939) Oscar Graf uses a Japanese woodcut. Covering 18 halls at Das elegante, von Oscar Graf entworfene Plakat verwendet the exhibition park at Theresienhöhe, the exhibition im- einen japanischen Holzschnitt. Die Ausstellung in 18 Sälen des pressed and inspired many artists. Largely written by Cäcilie Ausstellungsparks auf der Theresienhöhe beeindruckte und in- Graf-Pfaff, the informative catalogue displays her tremendous spirierte viele Künstler. Der informative, größtenteils von Cäcilie interest in Japanese art. In 1925, she and Oscar Graf pub- Graf-Pfaff verfasste Katalog zeigt ihre intensive Beschäftigung lished the now widely appreciated ‚Japanisches Gespenster- mit der japanischen Kunst. Zusammen mit Oscar Graf gab sie buch‘ (Japanese Ghost Book), which was issued as a facsimile 1925 die heute als hervorragend gerühmte Publikation ‚Japa- reprint in 2010. nisches Gespensterbuch‘ heraus, die 2010 als Faksimile-Nach- druck erschien. In seinen Privaträumen umgab sich das Paar In their private apartments the couple lived amid a collection of mit einer Sammlung ausgesuchter Kunst aus Ostasien. Fotos selected artworks from East Asia. Photographs clearly convey vermitteln deutlich die Freude, sich mit ostasiatischer Kunst zu the pleasure derived from being surrounded by East Asian art. umgeben. In dieses Bild passt auch die Sammlung von Masken, The collection of masks in the photographs perfectly fits into die auf den Fotos zu finden ist. Aus dieser Sammlung sind in this picture. From this very collection three women’s masks are der Auktion drei Frauen-Masken (Kat. Nr. 2008) aufgelistet. listed in the auction (cat. no. 2008). As well as a collection of Zudem eine Sammlung von Miniaturmasken nach historischen miniature masks based on historical models (cat. no. 2007). Vorbildern (Kat. Nr. 2007). Hochbedeutend ist die große chine- Highly important is the large Chinese Buddhist sculpture (cat. sische buddhistische Skulptur (Kat. Nr. 2000). Diese stand eben- no. 2000). As photographs show, it was likewise in the apart- falls in den Wohnräumen, wie Fotos zeigen. Dort hing auch das ment. This was also where the Chinese scroll painting (cat. no. chinesische Rollbild (Kat Nr. 2001), das dem berühmten Maler 2001) was hung, which is attributed to famous Ming dynasty der Ming-Dynastie Cui Zizhong (1574 – 1644) zugeschrieben painter Cui Zizhong (1574 –1644). From the same private coll- werden konnte. Ebenfalls aus der privaten Sammlung stammen ection are a tea bowl (chawan) of Oribe stoneware, a tea caddy eine Teeschale (chawan) aus Oribe-Steinzeug, eine Teedose für for powdered tea (chaire) of Bizen ceramic and various objects Pulvertee (chaire) aus Bizen-Keramik und verschiedene Gegen- made of Japanese lacquer (cat. no. 2009 – 2015) as well as stände aus japanischem Lack (Kat.
Recommended publications
  • Lyonia 8(1) 2005
    Lyonia 8(1) 2005 Volume 8(1) July 2005 ISSN: 0888-9619 Introduction Lyonia, Volume 8(1), July 2005 Editorial Board Editor-in-Chief Rainer Bussmann Contact Information Surface mail: Lyonia Harold L. Lyon Arboretum 3860 Manoa Rd.Honolulu, HI 98622 USA Phone: +1 808 988 0456 e-mail: [email protected] Editorial Board Balslev, Henrik, University of Aarhus, Denmark Brandt, Kirsten, Denmark Bush, Marc, Florida Institure of Technology, USA Cleef, Antoine, University of Amsterdam, Netherlands Cotton, Elvira, University of Aarhus, Denmark Goldarazena, Arturo, NEIKER, Spain Geldenhuys, Coert, FORESTWOOD, South Africa Goikoetxea, Pablo G., NEIKER, Spain Gradstein, Rob, University of Goettingen, Germany Gunderson, Lance, Emory University, USA Hall, John B., University of Bangor, United Kingdom Janovec, John, BRIT, USA Joergensen, Peter, Missouri Botanical Garden, USA Kilpatrick, Alan, San Diego State University, USA Kueppers, Manfred, University of Hohenheim, Germany Lovett, Jon C., University of York, United Kingdom Lucero Mosquera, Hernan P., Universidad Tecnica Particular Loja, Ecuador Matsinos, Yiannis G., University of the Aegean, Greece Miller, Marc, Emory University, USA Navarete Zambrano, Hugo G., Pontifica Universidad Catholica Quito, Ecuador Onyango, John C., Maseno University, Kenya Pritchard, Lowell, Emory University, USA Pitman, Nigel, Duke University, USA Pohle, Perdita, University of Giessen, Germany Poteete, Amy R., University of New Orleans, USA Sarmiento, Fausto, University of Georgia, USA Sharon, Douglas, University of California
    [Show full text]
  • Abschlusspublikation Zum Herunterladen
    SONDERPROGRAMM ZENTRALASIEN ABSCHLUSSPUBLIKATION SPECIAL PROGRAMME CENTRAL ASIA FINAL PUBLICATION DIE GERDA HENKEL STIFTUNG BOT IN DEN JAHREN 2004 BIS 2013 EIN PROGRAMM ZUR FÖRDERUNG VON HERAUSRAGENDEN WISSENSCHAFTLERN AN, DIE SICH AUF DIE REGION ZENTRALASIEN KONZENTRIEREN. ZIEL DES PROGRAMMS WAR ES, FORSCHUNGSARBEITEN INSBESONDERE IM BEREICH DER ARCHÄOLOGIE UND DER KUNSTGESCHICHTE, ABER AUCH IN DEN DISZIPLINEN GESCHICHTE, HISTORISCHE ISLAMWISSENSCHAFT, ARCHITEKTUR UND KUNSTWISSENSCHAFT ANZUREGEN. BESONDERS BERÜCKSICHTIGT WURDEN WISSENSCHAFTLER AUS DER REGION ZENTRALASIEN. EBENFALLS GEFÖRDERT WURDEN KOOPERATIONSPROJEKTE ZWISCHEN WISSENSCHAFTLERN AUS DEN ZIELLÄNDERN UND EUROPÄISCHEN ZENTRALASIEN-FORSCHERN. DIE FÖRDERUNG DES WISSENSCHAFTLICHEN NACHWUCHSES WAR DABEI EIN BESONDERES ANLIEGEN DER STIFTUNG. FROM 2004 TO 2013, THE GERDA HENKEL FOUNDATION OFFERED A PROGRAMME TO SUPPORT OUTSTANDING SCHOLARS, WHOSE RESEARCH IS FOCUSED ON CENTRAL ASIA. THE PROGRAMME AIMED TO STIMULATE ACADEMIC RESEARCH PROJECTS IN THE AREAS OF ARCHAEOLOGY AND ART HISTORY AS WELL AS PROJECTS IN THE FIELDS OF HISTORY, HISTORIC ISLAMIC STUDIES, ARCHITECTURE, AND THE FINE ARTS. SCIENTISTS FROM CENTRAL ASIAN COUNTRIES WERE INVITED TO APPLY FOR THIS PROGRAMME. MOREOVER, IT SUPPORTED PROJECTS THAT IDEALLY WERE BASED ON COOPERATION BETWEEN SCHOLARS FROM THE TARGETED REGION AND EUROPEAN EXPERTS SPECIALIZED IN CENTRAL ASIA. A SPECIAL CONCERN OF THE FOUNDATION WAS THE ADVANCEMENT OF POSTGRADUATES. VORWORT FOREWORD Seit ihrer Gründung im Jahr 1976 unterstützt die Gerda Henkel
    [Show full text]
  • Through the Case of Izumo Taishakyo Mission of Hawaii
    The Japanese and Okinawan American Communities and Shintoism in Hawaii: Through the Case of Izumo Taishakyo Mission of Hawaii A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʽI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AMERICAN STUDIES MAY 2012 By Sawako Kinjo Thesis Committee: Dennis M. Ogawa, Chairperson Katsunori Yamazato Akemi Kikumura Yano Keywords: Japanese American Community, Shintoism in Hawaii, Izumo Taishayo Mission of Hawaii To My Parents, Sonoe and Yoshihiro Kinjo, and My Family in Okinawa and in Hawaii Acknowledgement First and foremost, I would like to express my deep and sincere gratitude to my committee chair, Professor Dennis M. Ogawa, whose guidance, patience, motivation, enthusiasm, and immense knowledge have provided a good basis for the present thesis. I also attribute the completion of my master’s thesis to his encouragement and understanding and without his thoughtful support, this thesis would not have been accomplished or written. I also wish to express my warm and cordial thanks to my committee members, Professor Katsunori Yamazato, an affiliate faculty from the University of the Ryukyus, and Dr. Akemi Kikumura Yano, an affiliate faculty and President and Chief Executive Officer (CEO) of the Japanese American National Museum, for their encouragement, helpful reference, and insightful comments and questions. My sincere thanks also goes to the interviewees, Richard T. Miyao, Robert Nakasone, Vince A. Morikawa, Daniel Chinen, Joseph Peters, and Jikai Yamazato, for kindly offering me opportunities to interview with them. It is a pleasure to thank those who made this thesis possible.
    [Show full text]
  • Meguro Walking Map
    Meguro Walking Map Meguro Walking Map Primary print number No. 31-30 Published February 2, 2020 December 6, 2019 Published by Meguro City Edited by Health Promotion Section, Health Promotion Department; Sports Promotion Section, Culture and Sports Department, Meguro City 2-19-15 Kamimeguro, Meguro City, Tokyo Phone 03-3715-1111 Cooperation provided by Meguro Walking Association Produced by Chuo Geomatics Co., Ltd. Meguro City Total Area Course Map Contents Walking Course 7 Meguro Walking Courses Meguro Walking Course Higashi-Kitazawa Sta. Total Area Course Map C2 Walking 7 Meguro Walking Courses P2 Course 1: Meguro-dori Ave. Ikenoue Sta. Ke Walk dazzling Meguro-dori Ave. P3 io Inok Map ashira Line Komaba-todaimae Sta. Course 2: Komaba/Aobadai area Shinsen Sta. Walk the ties between Meguro and Fuji P7 0 100 500 1,000m Awas hima-dori St. 3 Course 3: Kakinokizaka/Higashigaoka area Kyuyamate-dori Ave. Walk the 1964 Tokyo Olympics P11 2 Komaba/Aobadai area Walk the ties between Meguro and Fuji Shibuya City Tamagawa-dori Ave. Course 4: Himon-ya/Meguro-honcho area Ikejiri-ohashi Sta. Meguro/Shimomeguro area Walk among the history and greenery of Himon-ya P15 5 Walk among Edo period townscape Daikan-yama Sta. Course 5: Meguro/Shimomeguro area Tokyu Den-en-toshi Line Walk among Edo period townscape P19 Ebisu Sta. kyo Me e To tro Hibiya Lin Course 6: Yakumo/Midorigaoka area Naka-meguro Sta. J R Walk a green road born from a culvert P23 Y Yutenji/Chuo-cho area a m 7 Yamate-dori Ave. a Walk Yutenji and the vestiges of the old horse track n o Course 7: Yutenji/Chuo-cho area t e L Meguro City Office i Walk Yutenji and the vestiges of the old horse track n P27 e / S 2 a i k Minato e y Kakinokizaka/Higashigaoka area o in City Small efforts, L Yutenji Sta.
    [Show full text]
  • Exceptional Works of Art 2017 PUSHKIN ANTIQUES – MAYFAIR –
    Exceptional works of art 2017 PUSHKIN ANTIQUES – MAYFAIR – At Pushkin Antiques we specialise in unique statement Each item is professionally selected and inspected pieces of antique silver as well as branded luxury items, to ensure we can give our customers a guarantee of stylish interior articles and objects d’art. authenticity and the required peace of mind when buying from us. Since the inception of our company, we’ve been at the forefront of online sales for high end, quality antiques. Our retail gallery is located on the lower floor of the world Our presence on most major platforms has allowed us famous Grays Antiques Centre in the heart of Mayfair. to consistently connect exquisite pieces with the most discerning collectors and interior decorators from all over the world with particular focus on the demands of the markets from the Far East, the Americas, Europe & Russia. www.pushkinantiques.com [email protected] We aim to provide the highest quality in every department: rare hand crafted articles, accurate item descriptions (+44) 02085 544 300 to include the history and provenance of each item, an (+44) 07595 595 079 extensive photography report, as well as a smooth buying process thus facilitating an efficient and pleasant online Shop 111, Lower Ground Floor, Grays Antiques Market. experience. 58 Davies St, London. W1K 5AB, UK. ALEX PUSHKIN OLGA PUSHKINA DUMITRU TIRA Founder & Director Managing Director Photographer Contents 6 ENGLISH SILVER 42 CHINESE SILVER 56 JAPANESE SILVER 66 INDIAN SILVER 78 BURMESE SILVER 86 CONTINENTAL SILVER 100 FRENCH SILVER 108 GERMAN SILVER 118 RUSSIAN SILVER 132 OBJECTS OF VERTU English Silver The style and technique in manufacturing silver during Hester Bateman (1708-1794) was one of the greatest this era (over 100 years) changed radically, reflecting silversmiths operating in this style, she is the most the variations in taste, society, costumes, economic and renowned and appreciated female silversmith of all time.
    [Show full text]
  • Rules and Options
    Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.).
    [Show full text]
  • A Semester to Remember Begins
    CSEAS Weekly Bulletin Center for Southeast Asian Studies at Northern Illinois University • Jan. 14, 2013 In this 1979 photo, music professor emeritus Kuo-Huang Han puts a group of gamelan students through their paces. The Center’s 50th anniversary year will culminate this semester with exhibits, films, lectures, and a gala weekend March 1-3. The official anniversary is March 5. For details on the anniversary activities, see page 5 below or go to the CSEAS website. (Photo / NIU archives) A semester to remember begins 1. Friday lecture series to resume Jan. 25 2. Apply by Feb. 1 for 2013–14 FLAS, Neher fellowships 3. Last week to sign up for spring SEAS courses 4. Sign up for SEA Studies minor or grad concentration 5. Get your paper on: SEA Club spring student conference call for abstracts Help CSEAS grow for the next 50 6. Center associates update: On the road again With Southeast Asia rising as a regional 7. Coming up on 50th Anniversary Calendar in 2013 and global player, the next 50 years for 8. NIU Thai Studies Committee offers awards for Southeast Asian Studies at NIU will students, faculty offer exciting opportunities. To keep 9. Area CSEAS conferences coming up in spring NIU’s program strong, consider making 10. Overseas language, exchange, and area studies a donation to CSEAS through the NIU programs Foundation. To contribute by phone or 11. Money for study by mail, go to the How to Make a Gift section of the NIU Foundation website. 12. Job opportunities To make a gift online, go to the Make a 13.
    [Show full text]
  • Contemporary Popular Beliefs in Japan
    Hugvísindasvið Contemporary popular beliefs in Japan Ritgerð til B.A.-prófs Lára Ósk Hafbergsdóttir September 2010 Háskóli Íslands Hugvísindadeild Japanskt mál og menning Contemporary popular beliefs in Japan Ritgerð til B.A.-prófs Lára Ósk Hafbergsdóttir Kt.: 130784-3219 Leiðbeinandi: Gunnella Þorgeirsdóttir September 2010 Abstract This thesis discusses contemporary popular beliefs in Japan. It asks the questions what superstitions are generally known to Japanese people and if they have any affects on their behavior and daily lives. The thesis is divided into four main chapters. The introduction examines what is normally considered to be superstitious beliefs as well as Japanese superstition in general. The second chapter handles the methodology of the survey written and distributed by the author. Third chapter is on the background research and analysis which is divided into smaller chapters each covering different categories of superstitions that can be found in Japan. Superstitions related to childhood, death and funerals, lucky charms like omamori and maneki neko and various lucky days and years especially yakudoshi and hinoeuma are closely examined. The fourth and last chapter contains the conclusion and discussion which covers briefly the results of the survey and what other things might be of interest to investigate further. Table of contents 1. Introduction .................................................................................................................... 3 1.1 What is superstition? ...............................................................................................
    [Show full text]
  • HIRATA KOKUGAKU and the TSUGARU DISCIPLES by Gideon
    SPIRITS AND IDENTITY IN NINETEENTH-CENTURY NORTHEASTERN JAPAN: HIRATA KOKUGAKU AND THE TSUGARU DISCIPLES by Gideon Fujiwara A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gideon Fujiwara, 2013 ABSTRACT While previous research on kokugaku , or nativism, has explained how intellectuals imagined the singular community of Japan, this study sheds light on how posthumous disciples of Hirata Atsutane based in Tsugaru juxtaposed two “countries”—their native Tsugaru and Imperial Japan—as they transitioned from early modern to modern society in the nineteenth century. This new perspective recognizes the multiplicity of community in “Japan,” which encompasses the domain, multiple levels of statehood, and “nation,” as uncovered in recent scholarship. My analysis accentuates the shared concerns of Atsutane and the Tsugaru nativists toward spirits and the spiritual realm, ethnographic studies of commoners, identification with the north, and religious thought and worship. I chronicle the formation of this scholarly community through their correspondence with the head academy in Edo (later Tokyo), and identify their autonomous character. Hirao Rosen conducted ethnography of Tsugaru and the “world” through visiting the northern island of Ezo in 1855, and observing Americans, Europeans, and Qing Chinese stationed there. I show how Rosen engaged in self-orientation and utilized Hirata nativist theory to locate Tsugaru within the spiritual landscape of Imperial Japan. Through poetry and prose, leader Tsuruya Ariyo identified Mount Iwaki as a sacred pillar of Tsugaru, and insisted one could experience “enjoyment” from this life and beyond death in the realm of spirits.
    [Show full text]
  • HUMA 1210: Chinese Women on Screen
    HUMA 1210: Chinese Women on Screen Instructor: Daisy Yan Du Associate Professor Division of Humanities Office: Room 2369 (Lift 13-15), Academic Bldg Office phone: (852) 2358-7792 E-mail: [email protected] Office hours: by appointment only Teaching Assistant: Song HAN E-mail: [email protected] Office: Room 3001 (Lift 4), Academic Bldg Office hours: by appointment only Time & Classroom: Time: 12-14:50pm, Friday, Spring 2019 Room: LTH Required Readings: • All available online at “Files,” Canvas Course Description: This course examines Chinese women as both historical and fictional figures to unravel the convoluted relationship between history and visual representations. It follows a chronological order, beginning with women in Republican China and ending with contemporary female immigrants in the age of globalization. The changing images of women on screen go hand in hand with major cinematic movements in history, including the leftist turn in the 1930s, the rise of animation in wartime Shanghai, socialist filmmaking during the Seventeen Years (1949-1966), the birth of model opera film during the Cultural Revolution (1966-1976), post-1989 underground/independent filmmaking, and the globalization of cinema in contemporary China. Approaches of film analyses and gender/sexuality theories will be introduced throughout the course. All reading materials, lectures, classroom discussions, and exams are in English. Course Objectives: By the end of this semester students should be able to: • track the changing images of women in history • track
    [Show full text]
  • Noh Theater and Religion in Medieval Japan
    Copyright 2016 Dunja Jelesijevic RITUALS OF THE ENCHANTED WORLD: NOH THEATER AND RELIGION IN MEDIEVAL JAPAN BY DUNJA JELESIJEVIC DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in East Asian Languages and Cultures in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Elizabeth Oyler, Chair Associate Professor Brian Ruppert, Director of Research Associate Professor Alexander Mayer Professor Emeritus Ronald Toby Abstract This study explores of the religious underpinnings of medieval Noh theater and its operating as a form of ritual. As a multifaceted performance art and genre of literature, Noh is understood as having rich and diverse religious influences, but is often studied as a predominantly artistic and literary form that moved away from its religious/ritual origin. This study aims to recapture some of the Noh’s religious aura and reclaim its religious efficacy, by exploring the ways in which the art and performance of Noh contributed to broader religious contexts of medieval Japan. Chapter One, the Introduction, provides the background necessary to establish the context for analyzing a selection of Noh plays which serve as case studies of Noh’s religious and ritual functioning. Historical and cultural context of Noh for this study is set up as a medieval Japanese world view, which is an enchanted world with blurred boundaries between the visible and invisible world, human and non-human, sentient and non-sentient, enlightened and conditioned. The introduction traces the religious and ritual origins of Noh theater, and establishes the characteristics of the genre that make it possible for Noh to be offered up as an alternative to the mainstream ritual, and proposes an analysis of this ritual through dynamic and evolving schemes of ritualization and mythmaking, rather than ritual as a superimposed structure.
    [Show full text]
  • Supernatural Elements in No Drama Setsuico
    SUPERNATURAL ELEMENTS IN NO DRAMA \ SETSUICO ITO ProQuest Number: 10731611 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731611 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 Supernatural Elements in No Drama Abstract One of the most neglected areas of research in the field of NS drama is its use of supernatural elements, in particular the calling up of the spirit or ghost of a dead person which is found in a large number (more than half) of the No plays at present performed* In these 'spirit plays', the summoning of the spirit is typically done by a travelling priest (the waki)* He meets a local person (the mae-shite) who tells him the story for which the place is famous and then reappears in the second half of the.play.as the main person in the story( the nochi-shite ), now long since dead. This thesis sets out to show something of the circumstances from which this unique form of drama v/as developed.
    [Show full text]