I Tsonga Musical Performance in Cultural Perspective (South Africa) 771
IM LXX t S-& ' J97~S, f?p I 1 1 Tsonga Musical Performance in Cultural Perspective (South Africa) T h o m as F. J o h n sto n The Tsonga, or Shangana-Tsonga, are a Bantu-speaking people number ing about 1,200,000 in Mozambique and 700,000 in the Northern Transvaal. They grow maize and, to a certain extent, keep cattle, practise polygyny, and worship ancestor-spirits. I studied their musical system 1968-70 in order to fill gaps in the southern African ethnomusicological chart. Previous studies were, in time order, P e r c iv a l K i r b y ’ s study of the instruments 1934, H ugh T r a c e y ’ s study of Chopi xylophone orchestras 1948, D a v id R y c r o f t ’ s study of Swazi and Zulu music 1954, Y v o n n e H u s k is s o n ’s study of Pedi music 1958, A n d r e w T r a c e y ’s study of Rhodesian mbiras 1961, J ohn B l a c k in g ’s study of Venda music 1962, Ch r is t o p h e r B a l l a n t in e ’ s study of Tswana reed-pipe melody 1965, N ic h o la s E n g l a n d ’ s study of Bushman music 1967, D ie d r e H a n s e n ’s study of Xhosa music 1968, and R o b e r t K a u f f m a n ’ s study of Shona harmony in 1971.
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