DOCSLIB.ORG

Bibliographie

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bibliographie Bibliographie Die Bibliographie gibt Hinweise zu ausgewahlten, nen Filmen des Jahres< genannt sind. Hilfreich bei selbstandigen Veraffentlichungen, die fur eine der Zusammenstellung war die Nutzung der Bi­ vertiefende Beschaftigung mit der deutschen bliothek der Deutschen Film- und Femsehaka­ Filmgeschichte herangezogen werden kannen. demie Berlin. Oft enthalten die genannten Publikationen ihrer­ seits weiterfuhrende Bibliographien. Urn die Ori­ entierung zu erleichtem, wurden die Biicher 30 Bereichen zugeordnet: Lexika/Handbiicher Lexika/Handbucher Frank Amau (Hg.): Universal Filmlexikon. 1932. Filmgeschichtsschreibung - Alfred Bauer: Deutscher Spiel film Almanach Internationale Filmgeschichte 1929-1950. 1950. - Deutscher Spielfilm Alma­ Deutsche Filmgeschichte nachoBand 2: 1946-1955. Miinchen 1981. - Liz­ Fruhzeit Anne Bawden (Hg.), Wolfram Tichy (dt. Aus­ Weimarer Republik gabe): Buchers Enzyklopadie des Films. 1977. Exil Erweiterte Ausgabe in 2 Banden: Munchen, Lu­ Nationalsozialismus zem 1983. Als Taschenbuch: rororo Film Lexi­ Nachkriegszeit kon. 6 Bande. Reinbek: Rowohlt 1978. - Herbert Neuer deutscher Film Birett (Red.): Die Deutsche Filmliteratur DDR 1940-1960. Frankfurt/Main: Filmstudio an der Dokumentarfilm Johann Wolfgang Goethe-Universitat 1962. - Her­ Experimentalfilm bert Birett: Verzeichnis in Deutschland gelaufener Kritik Filme. Entscheidungen der Filmzensur Kritiken/Aufsiitte einzelner Autoren 1911-1920. Munchen u.a.: Saur 1980. - Herbert Anthologien (verschiedene Autoren) Birett: Das Filmangebot in Deutschland Theorie 1895-1911. 1991. - Hans-Michael Bock (Hg.): Kirche/Bildung CineGraph. 1984 (Ereignis). Loseblattsamm­ Soziologie/Psychologie lung; bis Ende 1994 erschienen 24 Lieferungen. - Wirtschaft Klaus Brune (Red.): 6000 Filme. 1959. Klaus Zensur/Filmrecht Brune CRed.): Lexikon des Intemationalen Films. Kinogeschichte 1987. Erganzungsbande: 1987/88, 1989/90, Filmgeschichte einzelner Stiidte 1991/92: Reinbek 1989, 1991, 1994. Neuaus­ Regisseure: Monographien gabe 1995. - Felix Bucher: Germany. 1970. - Autoren, Kameraleute, Produzenten Gunther Dahlke, Gunther Karl (Hg.): Deutsche Architektur, Ausstattung, Kostume Spielfilme von den Anfangen bis 1933. 1988. Musik Oberarbeitete Neuausgabe 1993. - Benjamin S. Drehbuch Eichsfelder: Filmgeschichte in Stichworten. LiteraturlTheater und Film 1951. - Lotte H. Eisner, Heinz Friedrich (Hg.): GestaltunglTechnik Film, Rundfunk, Femsehen. 1958. - Filme in der DDR 1945-1986. 1987. Filme in der DDR Innerhalb der Bereiche sind die Titel alphabetisch 1987-1990. Kritische Notizen aus 4 Kinojahren. nach Verfassem, Herausgebem oder Redakteuren KOIn 1991. - Johann Glenzdorf: Glenzdorfs Inter­ geordnet, bei den Monographien der Regisseure nationales Film-Lexikon. 1960. - Peter Hasen­ nach den Namen der behandelten Personen. Mit berg u.a.: Religion im Film. Lexikon mit Kurl­ dem fett gedruckten Erscheinungsjahr wird spe­ kritiken und Stichworten zu 1200 Kinofilmen. ziell auf die Publikationen verwiesen, die in der Kaln: Katholisches Institut fur Medieninformation Chronik unter der Rubrik ,Filmbiicher< kommen­ 1992. - Hermann Herlinghaus u.a. (Hg.): Film­ tiert sind. Nicht in die Bibliographie aufgenom­ und Femsehliteratur der DDR. Eine annotierte men wurden Biicher, die in der Chronik unter Bibliographie. 1946-1982.2 Bande. Berlin/DDR: den Stichworten ,Ober das Jahr< und ,Zu einzel- Hochschule fur Film und Femsehen der DDR 423 Bibliographie 1983. Band 3: Erganzungsband. 1946-1983. Prinzler: Film in der Bundesrepublik Deutschland. Berlin/DDR 1984. Band IV und V: Diplom- und 1979. Erweiterte Neuausgabe 1992. - Hans Hel­ AbschluBarbeiten der Hochschule fUr Film und mut Prinzler, Dorothea Gebauer, Walther Seidler Fernsehen der DDR. Berlin/DDR 1984. - Herbert (Red.): Verleihkatalog Nr. 1. Frankfurt/Main, Holba, Giinter Knorr, Peter Spiegel: Reclams deut­ Wiesbaden, Berlin: Deut~ches Institut fUr Film­ sches Filmlexikon. 1984. - Hermann J. Huber kunde/Stiftung Deutsche Kinemathek 1986. (Ma­ (Red.): Langen Miiller's Schauspieler-Lexikon der terialien zu 160 deutschen Filmen und 18 The­ Gegenwart. Miinchen, Wien: Langen Miiller 1986. men). - Joachim Reichow, Michael Hanisch: Film­ (Texte zu rund 1.000 lebenden deutschsprachi­ schauspieler A-Z. Berlin/DDR: Henschel 1989 (7. gen Schauspielern). - Christoph Hiinermann u.a. Auflage). - Charles Reinert: Kleines Filmlexikon. (Red.): Die Chronik des Films. 1994. - Alexan­ 1946. Oberarbeitete Teilausgabe: Wir vom Film. der Jason (Hg.): Handbuch der Filmwirtschaft. 1300 Kurzbiographien. Freiburg: Herder 1960. - Berlin: Verlag fUr Presse, Wirtschaft und Politik Patrick Robertson: Das neue Guiness Buch Film: 1930-1932. 3 Bande. - Christiane Kaltenbach StudioS, Stars & Sensation en - Stories aus der u.a. (Red.): FrauenFilmHandbuch. Berlin: Ver­ Welt des Films. Frankfurt/Main, Berlin: Ullstein band der Filmarbeiterinnen 1983. (Loseblatt­ 1993. - Hanns-Georg Rodeck, Piet Hein Honig: sammlung). - Achim Kliinder, Hans Wilhelm La­ 100 001 - Die Showbusiness-Enzyklopadie des vies: Fernsehspiele in der ARD 1952-1972. 2 20. Jahrhunderts. Villingen-Schwenningen: Bande. Frankfurt/Main: Deutsches Rundfunkar­ Showbiz Data 1992. - Georg Roeber, Gerhard chiv 1978. Achim Kliinder: Die Fernsehspiele Jacoby: Handbuch der filmwirtschaftlichen Medi­ 1973-1977. 2 Bande. Frankfurt/Main: Deutsches enbereiche. 1973. - Klaus M. und Ingrid Schmidt Rundfunkarchiv 1986. Lexikon der Fernsehspiele (Hg.): Lexikon Literaturverfilmungen. Deutsch­ 1978-1987. 3 Bande. Miinchen u.a.: Saur 1991. sprachige Literaturverfilmungen 1945-1990. Lexikon der Fernsehspiele 1988, 1989, 1990, Stuttgart, Weimar: J. B. Metzler 1995. - Giinter 1991, 1992. 5 Bande. Miinchen u.a. 1992ff. - Schulz (Red.): Defa-Spielfilme 1946-1964. Fil­ GUnter Knorr: Deutscher Kurz-Spielfilm mografie. Berlin/DDR: Staatliches Filmarchiv der 1929-1940. 1977. - Gerd G. Kopper: Medien­ DDR 1989. - Giinter Peter Straschek: Handbuch und Kommunikationspolitik der Bundesrepublik wider das Kino. 1975. - Rolf Thissen: 100 Jahre Deutschland. Ein chronologisches Handbuch Film. Zahlen, Fakten, My then. Miinchen: Heyne 1944 bis 1988. Miinchen u.a.: Saur 1992. - 1995. - Michael Toteberg (Hg.): Metzler Film­ Thomas Kramer (Hg.): Reclams Lexikon des lexikon. Stuttgart, Weimar: J. B. Metzler 1995. - deutschen Films. Stuttgart, Leipzig: Reclam 1995. Hans Traub, Hanns Wilhelm Lavies: Das deutsche - Alfred Krautz (Hg.): International Directory of Filmschrifttum. 1940. -llermann Treuner (Hg.): Cinematographers, Set- and Costume Designers in Filmkiinstler. 1928. - Rune Waldekranz, Verner Film. Vol. 1: German Democratic Republic Arpe: Knaurs Buch vom Film. 1956. - Albert (1946-1978). Vol. 4: Germany (from the begin­ Wilkening, Heinz Baumert, Klaus Lippert (Hg.): nings to 1945). Mitarbeit: Eberhard Spiess. Miin­ Kleine Enzyklopadie. Film. 1966. - Hans Jiirgen chen u.a.: Saur 1981 und 1984. - Dieter Krusche Wultf (Hg.), Karl-Dietmar Moller, Jan-Christopher (Hg.), Jiirgen Labenski (Mitarbeit): Reclams Film­ Horak (Mitarbeit): Bibliographie der Filmbiblio­ fUhrer. 1973. Neubearbeitungen und Erweiterun­ graphien/ Bibliography of Film Bibliographies. gen bis in die 90er Jahre. - Ulrich Kurowski: Miinchen u.a.: Saur 1987. Lexikon Film. 1972. Erweiterte Neuausgabe: Miinchen: Goldmann 1976. - Ulrich Kurowski (Hg.): Lexikon des internationalen Films. 1975. - Gerhard Lamprecht: Deutsche Stummfilme Filmgesch ichtsschreibung 1903-1930. 1967 (Ereignis). - Kurt Miihsam, Egon Jacobsohn: Lexikon des Films. 1926. - Lorenz Engell: Sinn und Industrie. EinfUhrung in Egon Netenjakob: TV-Filmlexikon. 1994. - Ingo die Filmgeschichte. Frankfurt/Main, New York: Petzke (Hg.): Das Experimentalfilm-Handbuch. Campus 1992. - Helmut Farber: Baukunst und 1989. - Hans Giinther Pflaum, Hans Helmut Film. 1977. - Jean-Luc Godard: Einfiihrung in 424 Bibliographie eine wahre Geschichte des Kinos. 1981. - Knut Hans Lohmann, Horst Schneider (Red.): Beitrage Hickethier (Hg.): Filmgeschichte schreiben. zur deutschen Filmgeschichte. Berlin/DDR: Insti­ 1989. - James Monaco: Fihn verstehen. 1980. tut fur Fihnwissenschaft an der Deutschen Hoch­ Oberarbeitete Neuausgabe 1995. - Peter Nau: Zur schule fur Filmkunst 1965. - Manfred Behn Kritik des Politischen Films. 1978. - Rainer Ro­ (Hg.): Schwarzer Traum und weiBe Sklavin. ther (Hg.): Bilder schreiben Geschichte. 1991. - Deutsch-danische Fihnbeziehungen 1910-1930. Enno Patalas: Sozialgeschichte der Stars. 1958. - Miinchen: edition text + kritik 1994. - Hans­ Paul Virilio: Krieg und Kino. 1986. - Kristin Michael Bock, Michael Toteberg (Hg.): Das Ufa­ Thompson, David Bordwell: Film History. An In­ Buch. 1992. - Hans Borgelt: Die Ufa - ein troduction. New York u.a.: McGraw-Hill 1994. Traum. 1993. - Wilfried von Bredow, Rolf Zurek (Hg.): Film und Gesellschaft in Deutschland. Hamburg: Hoffmann und Campe 1975. - Ilona Brennicke, Joe Hembus: Klassiker des Deutschen Internationale Stumm films. 1983. - Paul Coates: The Gorgon 's Filmgesch ichte Gaze. German Cinema, Expressionism, and the Image of Horror. Cambridge u. a.: Cambridge Uni­ Helga Belach, Wolfgang Jacobsen (Red.): Kalter versity Press 1991. - Axel Geiss (Hg.): Fihnstadt Krieg. 1991. - Werner Faulstich, Helmut Korte Babelsberg. 1994. - Roland Giinter, Paul Hof­ (Hg.): Fischer Filmgeschichte. Band 1: mann, Janne Giinter: Das Ruhrgebiet im Film. 2 1895-1924. Frankfurt/Main: Fischer 1994. Band Bande. Oberhausen: Westdeutsche Kurzfilmtage 2: 1925-1944. 1991. Band 3: 1945-1960. 1978. - Fritz Giittinger: Der Stummfihn im Zitat 1990. Band 4: 1961-1976. 1992. Band 5: der Zeit. 1984. - Heike
Load more

Recommended publications
  • Copyrighted Material
    Index Academy Awards (Oscars), 34, 57, Antares , 2 1 8 98, 103, 167, 184 Antonioni, Michelangelo, 80–90, Actors ’ Studio, 5 7 92–93, 118, 159, 170, 188, 193, Adaptation, 1, 3, 23–24, 69–70, 243, 255 98–100, 111, 121, 125, 145, 169, Ariel , 158–160 171, 178–179, 182, 184, 197–199, Aristotle, 2 4 , 80 201–204, 206, 273 Armstrong, Gillian, 121, 124, 129 A denauer, Konrad, 1 3 4 , 137 Armstrong, Louis, 180 A lbee, Edward, 113 L ’ Atalante, 63 Alexandra, 176 Atget, Eugène, 64 Aliyev, Arif, 175 Auteurism , 6 7 , 118, 142, 145, 147, All About Anna , 2 18 149, 175, 187, 195, 269 All My Sons , 52 Avant-gardism, 82 Amidei, Sergio, 36 L ’ A vventura ( The Adventure), 80–90, Anatomy of Hell, 2 18 243, 255, 270, 272, 274 And Life Goes On . , 186, 238 Anderson, Lindsay, 58 Baba, Masuru, 145 Andersson,COPYRIGHTED Karl, 27 Bach, MATERIAL Johann Sebastian, 92 Anne Pedersdotter , 2 3 , 25 Bagheri, Abdolhossein, 195 Ansah, Kwaw, 157 Baise-moi, 2 18 Film Analysis: A Casebook, First Edition. Bert Cardullo. © 2015 John Wiley & Sons, Inc. Published 2015 by John Wiley & Sons, Inc. 284 Index Bal Poussière , 157 Bodrov, Sergei Jr., 184 Balabanov, Aleksei, 176, 184 Bolshevism, 5 The Ballad of Narayama , 147, Boogie , 234 149–150 Braine, John, 69–70 Ballad of a Soldier , 174, 183–184 Bram Stoker ’ s Dracula , 1 Bancroft, Anne, 114 Brando, Marlon, 5 4 , 56–57, 59 Banks, Russell, 197–198, 201–204, Brandt, Willy, 137 206 BRD Trilogy (Fassbinder), see FRG Barbarosa, 129 Trilogy Barker, Philip, 207 Breaker Morant, 120, 129 Barrett, Ray, 128 Breathless , 60, 62, 67 Battle
    [Show full text]
  • Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette
    www.ssoar.info Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette Veröffentlichungsversion / Published Version Monographie / monograph Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Kester, B. (2002). Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933). (Film Culture in Transition). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/ urn:nbn:de:0168-ssoar-317059 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933.
    [Show full text]
  • Index of Authors
    Index of Authors Abel, Richard 19, 20, 134, 135, 136, Alexander, David 441 Andre, Marle 92 Aros (= Alfred Rosenthal) 196, 225, 173 Alexander, lohn 274 Andres, Eduard P. 81 244, 249, 250 Abel, Viktor 400 Alexander, Scott 242, 325 Andrew, Geoff 4, 12, 176, 261,292 Aros, Andrew A. 9 Abercrombie, Nicholas 446 Alexander, William 73 Andrew, 1. Dudley 136, 246, 280, Aroseff, A. 155 Aberdeen, l.A. 183 Alexowitz, Myriam 292 330, 337, 367, 368 Arpe, Verner 4 Aberly, Rache! 233 Alfonsi, Laurence 315 Andrew, Paul 280 Arrabal, Fernando 202 About, Claude 318 Alkin, Glyn 393 Andrews, Bart 438 Arriens, Klaus 76 Abramson, Albert 436 Allan, Angela 6 Andrews, Nigel 306 Arrowsmith, William 201 Abusch, Alexander 121 Allan, Elkan 6 Andreychuk, Ed 38 Arroyo, lose 55 Achard, Maurice 245 Allan, Robin 227 Andriopoulos, Stefan 18 Arvidson, Linda 14 Achenbach, Michael 131 Allan, Sean 122 Andritzky, Christoph 429 Arzooni, Ora G. 165 Achternbusch, Herbert 195 Allardt-Nostitz, Felicitas 311 Anfang, Günther 414 Ascher, Steven 375 Ackbar, Abbas 325 Allen, Don 314 Ang, Ien 441, 446 Ash, Rene 1. 387 Acker, Ally 340 Allen, Jeanne Thomas 291 Angelopoulos, Theodoros 200 Ashbrook, lohn 220 Ackerknecht, Erwin 10, 415, 420 Allen, lerry C. 316 Angelucci, Gianfranco 238 Ashbury, Roy 193 Ackerman, Forrest }. 40, 42 Allen, Michael 249 Anger, Cedric 137 Ashby, lustine 144 Acre, Hector 279 Allen, Miriam Marx 277 Anger, Kenneth 169 Ashley, Leonard R.N. 46 Adair, Gilbert 5, 50, 328 Allen, Richard 254, 348, 370, 372 Angst-Nowik, Doris ll8 Asmus, Hans-Werner 7 Adam, Gerhard 58, 352 Allen, Robert C.
    [Show full text]
  • The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
    Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author
    [Show full text]
  • Centrespread Centrespread 15 OCTOBER 23-29, 2016 OCTOBER 23-29, 2016
    14 centrespread centrespread 15 OCTOBER 23-29, 2016 OCTOBER 23-29, 2016 As the maximum city’s cinephiles flock to the 18th edition of the Mumbai Film Festival (October 20-27), organised by the Mumbai Academy of Moving Image, ET Magazine looks at some of its most famous counterparts across the world and also in India Other Festivals in IndiaInddia :: G Seetharaman International Film Festivalstival of Kerala Begun in 1996, the festivalstival is believed to be betterter curated than its counterparts in thee Cannes Film Festival (Cannes, France) Venice Film Festival (Italy) country. It is organisedanised by the state governmenternment STARTED IN: 1946 STARTED IN: 1932 TOP AWARD: Palme d’Or (Golden Palm) TOP AWARD: Golden Lion and held annually in Thiruvananthapuram NOTABLE WINNERS OF TOP AWARD: Blow-Up, Taxi Driver, Apocalypse Now, Pulp Fiction, Fahrenheit 9/11 NOTABLE WINNERS OF TOP AWARD: Rashomon, Belle de jour, Au revoir les enfants, Vera Drake, Brokeback Mountain ABOUT: Undoubtedly the most prestigious of all film festivals, Cannes' top awards are second only to the Oscars in their Internationalnal FilmF Festival of India cachet. Filmmakers like Woody Allen, Wes Anderson and Pedro Almodovar have premiered their films at Cannes, which is ABOUT: Given Italy’s great filmmaking tradition — think Vittorio de Sica, as much about the business of films as their aesthetics; the distribution rights for the best of world cinema are acquired by Federico Fellini and Michelangelo Antonioni — it is no surprise that the Run jointly by the information and giants like the Weinstein Company and Sony Pictures Classics, giving them a real shot at country hosts one of the finest film festivals in the world.
    [Show full text]
  • Towards a Comparative Montage of the Female Portrait
    Gonzalo de Lucas Translated by Alejandra Rosenberg TOWARDS A COMPARATIVE MONTAGE OF THE FEMALE PORTRAIT. THE THEATRE OF THE BODY: FICTIONAL TEARS AND REAL TEARS One of the many ways of approach- a more realistic image, thereby eroding ing film history—and probably one the distant, ideal image constructed in of the most neglected— is to examine the studio: a transition from an iconic how filmmakers portray actresses: the image to an indexical image, in which distances, relationships, and stories the effects of reality and the passing of which, behind the main plot, are cap- time on the body are made visible. In tured between the one filming and the the 1960s, filmmakers such as Bergman one being filmed. In cinema, unlike lit- or Cassavetes would take these signs to erature or painting, a character is not the absolute extreme, stripping the ac- only an imaginary being, but also a real tress of all but her condition as a per- person who inscribes his or her voice, son or a mask. gestures and gazes into the experience An actress usually portrays cry- of the film; this occurs “in the world ing as a fictitious and depersonalised and with the world, with real creatures dramatic moment of her private life. as raw material, before the intervention However, when modern filmmakers of language” (BERGALA, 2006: 8). transformed the cinematic forms of In this article, I will explore this the female portrait, in an effort to ex- work with corporeal matter, the signs pand the limits of everyday realism, inscribed as real presences, through they sought to make tears evoke or the tears of actresses in performances reveal something that belonged to the filmed by D.
    [Show full text]
  • Film Front Weimar’ 30-10-2002 14:10 Pagina 1
    * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. These films shed light on the way Ger- many chose to remember its recent past. A body of twenty-five films is analysed. For insight into the understanding and reception of these films at the time, hundreds of film reviews, censorship re- ports and some popular history books are discussed. This is the first rigorous study of these hitherto unacknowledged war films. The chapters are ordered themati- cally: war documentaries, films on the causes of the war, the front life, the war at sea and the home front. Bernadette Kester is a researcher at the Institute of Military History (RNLA) in the Netherlands and teaches at the International School for Humanities and Social Sciences at the University of Am- sterdam. She received her PhD in History FilmFilm FrontFront of Society at the Erasmus University of Rotterdam. She has regular publications on subjects concerning historical representation. WeimarWeimar Representations of the First World War ISBN 90-5356-597-3
    [Show full text]
  • Feature Films
    Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Things I Hate About You DVD-0812 27 Dresses DVD-8204 1000 Eyes of Dr. Mabuse DVD-0048 28 Days Later DVD-4333 10th Victim DVD-5591 DVD-6187 12 DVD-1200 28 Weeks Later c.2 DVD-4805 c.2 12 and Holding DVD-5110 3 Women DVD-4850 12 Angry Men DVD-0850 3 Worlds of Gulliver DVD-4239 12 Monkeys DVD-3375 3:10 to Yuma DVD-4340 12 Years a Slave DVD-7691 30 Days of Night DVD-4812 1776 DVD-0397 300 DVD-6064 1900 DVD-4443 35 Shots of Rum DVD-4729 1984 (Hurt) DVD-4640 39 Steps DVD-0337 DVD-6795 4 Little Girls DVD-0051 1984 (Obrien) DVD-6971 400 Blows DVD-0336 2 Autumns, 3 Summers DVD-7930 42 DVD-5254 2 or 3 Things I Know About Her DVD-6091 50 First Dates DVD-4486 20 Million Miles to Earth DVD-3608 500 Years Later DVD-5438 2001: A Space Odyssey DVD-0260 61 DVD-4523 2010: The Year We Make Contact DVD-3418 70's DVD-0418 2012 DVD-4759 7th Voyage of Sinbad DVD-4166 2012 (Blu-Ray) DVD-7622 8 1/2 DVD-3832 21 Up South Africa DVD-3691 8 Mile DVD-1639 24 Season 1 (Discs 1-3) DVD-2780 Discs 9 to 5 DVD-2063 25th Hour DVD-2291 9.99 DVD-5662 9/1/2015 9th Company DVD-1383 Adventures of Ozzie and Harriet DVD-0831 A.I.
    [Show full text]
  • Como Citar Este Artigo Número Completo Mais Informações Do
    Ensaio Pesquisa em Educação em Ciências (Belo Horizonte) ISSN: 1415-2150 Faculdade de Educação da Universidade Federal de Minas Gerais LOPEZ, FELIPE SANCHES; ORTEGA, JOSÉ LUÍS NAMI ADUM; MATTOS, CRISTIANO ENSINO DE CIÊNCIAS COMO CONTROLE DO ESTADO: O CASO DA ALEMANHA NAZISTA Ensaio Pesquisa em Educação em Ciências (Belo Horizonte), vol. 22, e19654, 2020 Faculdade de Educação da Universidade Federal de Minas Gerais DOI: https://doi.org/10.1590/21172020210126 Disponível em: https://www.redalyc.org/articulo.oa?id=129563005013 Como citar este artigo Número completo Sistema de Informação Científica Redalyc Mais informações do artigo Rede de Revistas Científicas da América Latina e do Caribe, Espanha e Portugal Site da revista em redalyc.org Sem fins lucrativos acadêmica projeto, desenvolvido no âmbito da iniciativa acesso aberto Ensaio • Pesquisa em Educação em Ciências. 2020; 22:e19654 DOI: http://dx.doi.org/10.1590/21172020210126 https://creativecommons.org/licenses/by/4.0/ ARTIGO ENSINO DE CIÊNCIAS COMO CONTROLE DO ESTADO: O CASO DA ALEMANHA NAZISTA FELIPE SANCHES LOPEZI * https://orcid.org/0000-0002-8621-5808 JOSÉ LUÍS NAMI ADUM ORTEGAI ** https://orcid.org/0000-0002-1791-543X CRISTIANO MATTOSII ** https://orcid.org/0000-0001-5927-8742 RESUMO: Neste trabalho, identificamos algumas das *Doutorando em Ensino principais mudanças educacionais promovidas pelo de Ciências. Programa de governo alemão anteriormente à II Guerra Mundial. Tais Pós-Graduação Interunidades mudanças objetivaram alterar a cultura existente no país, em Ensino de Ciências. estabelecendo uma visão de mundo unificada baseada nos Universidade de São Paulo. São Paulo, SP, Brasil. princípios nazistas, declarados antes mesmo da chegada E-mail: [email protected] do Partido Nacional-Socialista ao poder.
    [Show full text]
  • AN ANGEL in HELL: ARTUR BRAUNER and the ATTEMPT to MAKE a GERMAN OSKAR- SCHINDLER-BIOPIC Peter Krämer
    AN ANGEL IN HELL: ARTUR BRAUNER AND THE ATTEMPT TO MAKE A GERMAN OSKAR- SCHINDLER-BIOPIC Peter Krämer University of East Anglia, UK Abstract Film Studies tends to deal only with film projects that have been completed and pays particular attention to the work of directors, thus largely ignoring the fact that the vast majority of attempts to make movies fail, and marginalising the crucial role played by scriptwriters and producers in the initiation and development of flm projects. To counter this tendency, this essay examines the unsuccessful attempt, between the 1970s and the early 1990s, of Artur Brauner, one of the leading producers in postwar (West) Germany, to make a biopic about Oskar Schindler. Like the Jewish workers rescued by Schindler, Brauner is a Jewish Holocaust survivor from Poland whose career as a producer has combined mainstream entertainment movies with flms about the Third Reich and especially about the Holocaust. The essay explores the full range of his activities as a producer on the Schindler biopic – ranging from script development and fnancing to negotiations with actors and directors; highlights their transnational dimensions (through the involvement of personnel and co- production partners from France, the UK, Israel, the US, Poland, and the Soviet Union); and explores the refusal of (West) German funding bodies to support this project. Keywords: Artur Brauner, Oskar Schindler, unrealised flm projects, pro- ducers, flm funding. Bu çalışma 18 Aralık 2017 tarihinde sinecine dergisine ulaşmış; 06 Mart 2018 tarihinde kabul almıştır. Krämer, P. (2018). An Angel in Hell: Artur Brauner and The Attempt to Make a German Oskar-Schindler-Biopic.
    [Show full text]
  • Holocaust Und Film.Pdf
    1 Meiner Mutter Renate Ehlers In Dankbarkeit 2 Inhalt Kapitelinhalt Seite Einleitung 5 1 Die Nachkriegszeit 7 1.1 Morituri (Deutschland 1948) 8 1.1.1 Entstehungsgeschichte 8 1.1.2 Inhalt 11 1.1.3 Interpretation und Resonanz 17 1.1.4 Produktionsdaten 21 1.2 Ehe im Schatten (Deutschland 1947) 22 1.2.1 Inhalt 22 1.2.2 Interpretation und Resonanz 27 1.2.3 Produktionsdaten 29 1.3 Morituri und Ehe im Schatten – ein kurzer 30 Vergleich 2 Die Zeit von 1949 bis 1979 31 2.1 Die fünfziger Jahre 31 2.1.1 Das Tagebuch der Anne Frank (USA 1959) 32 2.1.1.1 Produktionsdaten 35 2.2 Die sechziger Jahre 36 2.2.1 Zeugin aus der Hölle 36 (BR Deutschland/Jugoslawien 1965) 2.2.1.1 Produktionsdaten 40 2.3 Der „Neue Deutsche Film“ 40 2.4 Das neue Medium Fernsehen und der Holocaust 43 2.4.1 Am grünen Strand der Spree 45 (BR Deutschland 1960) 2.4.2 Ein Tag (BR Deutschland 1965) 48 2.4.2.1 Produktionsdaten 54 2.5 Die frühen siebziger Jahre 54 3 Holocaust – Die Geschichte der Familie Weiss (USA 1978) 56 3.1 Die Entstehungsgeschichte der Fernsehserie 56 Holocaust 3.2 Inhalt 61 3.3 Die Serie Holocaust im deutschen Fernsehen 65 3.4 Zur Authentizität von Holocaust 70 3.5 Auswirkungen des Medienereignisses Holocaust 72 3.6 Produktionsdaten 77 3 Kapitelinhalt Seite 4 Schindlers Liste 78 4.1 Entstehungsgeschichte 78 4.2 Inhalt 80 4.3 Interpretation und Kritik 81 4.4 Resonanz 85 4.5 Produktionsdaten 89 5 Filmkomödien über die Shoah 91 5.1 Ein kurzer Rückblick 91 5.2 Das Leben ist schön (Italien 1997) 93 5.2.1 Produktionsdaten 97 5.3 Zug des Lebens (Frankreich 1998) 97 5.3.1 Produktionsdaten 100 6 Der Holocaust im deutschen Gegenwartsfilm 101 7 Holocaustfilme und Erinnerung 105 8 Schlußbetrachtungen 108 9 Literaturverzeichnis 112 4 Einleitung Obwohl die Vergangenheit sich zeitlich immer weiter von uns entfernt, entsteht doch der Eindruck, sie rücke immer näher.
    [Show full text]
  • Hotel Berlin
    HOTEL BERLIN: THE POLITICS OF COMMERCIAL HOSPITALITY IN THE GERMAN METROPOLIS, 1875–1945 by Adam Bisno A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland December, 2017 © 2017 Adam Bisno ii Dissertation Advisor: Peter Jelavich Adam Bisno Hotel Berlin: The Politics of Commercial Hospitality in the German Metropolis, 1875–1945 Abstract This dissertation examines the institution of the grand hotel in Imperial, Weimar, and Nazi Berlin. It is a German cultural and business history of the fate of classical liberalism, which in practice treated human beings as rational, self-regulating subjects. The major shareholders in the corporations that owned the grand hotels, hotel managers, and hotel experts, through their daily efforts to keep the industry afloat amid the vicissitudes of modern German history, provide a vantage point from which to see the pathways from quotidian difficulties to political decisions, shedding light on how and why a multi-generational group of German businessmen embraced and then rejected liberal politics and culture in Germany. Treating the grand hotel as an institution and a space for the cultivation of liberal practices, the dissertation contributes to the recent body of work on liberal governance in the modern city by seeing the grand hotel as a field in which a dynamic, socially and culturally heterogeneous population tried and ultimately failed to determine the powers and parameters of liberal subjectivity. In locating the points at which liberal policies became impracticable, this dissertation also enters a conversation about the timing and causes of the crisis of German democracy.
    [Show full text]