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Bibliographie Die Bibliographie gibt Hinweise zu ausgewahlten, nen Filmen des Jahres< genannt sind. Hilfreich bei selbstandigen Veraffentlichungen, die fur eine der Zusammenstellung war die Nutzung der Bi­ vertiefende Beschaftigung mit der deutschen bliothek der Deutschen Film- und Femsehaka­ Filmgeschichte herangezogen werden kannen. demie Berlin. Oft enthalten die genannten Publikationen ihrer­ seits weiterfuhrende Bibliographien. Urn die Ori­ entierung zu erleichtem, wurden die Biicher 30 Bereichen zugeordnet: Lexika/Handbiicher Lexika/Handbucher Frank Amau (Hg.): Universal Filmlexikon. 1932. Filmgeschichtsschreibung - Alfred Bauer: Deutscher Spiel film Almanach Internationale Filmgeschichte 1929-1950. 1950. - Deutscher Spielfilm Alma­ Deutsche Filmgeschichte nachoBand 2: 1946-1955. Miinchen 1981. - Liz­ Fruhzeit Anne Bawden (Hg.), Wolfram Tichy (dt. Aus­ Weimarer Republik gabe): Buchers Enzyklopadie des Films. 1977. Exil Erweiterte Ausgabe in 2 Banden: Munchen, Lu­ Nationalsozialismus zem 1983. Als Taschenbuch: rororo Film Lexi­ Nachkriegszeit kon. 6 Bande. Reinbek: Rowohlt 1978. - Herbert Neuer deutscher Film Birett (Red.): Die Deutsche Filmliteratur DDR 1940-1960. Frankfurt/Main: Filmstudio an der Dokumentarfilm Johann Wolfgang Goethe-Universitat 1962. - Her­ Experimentalfilm bert Birett: Verzeichnis in Deutschland gelaufener Kritik Filme. Entscheidungen der Filmzensur Kritiken/Aufsiitte einzelner Autoren 1911-1920. Munchen u.a.: Saur 1980. - Herbert Anthologien (verschiedene Autoren) Birett: Das Filmangebot in Deutschland Theorie 1895-1911. 1991. - Hans-Michael Bock (Hg.): Kirche/Bildung CineGraph. 1984 (Ereignis). Loseblattsamm­ Soziologie/Psychologie lung; bis Ende 1994 erschienen 24 Lieferungen. - Wirtschaft Klaus Brune (Red.): 6000 Filme. 1959. Klaus Zensur/Filmrecht Brune CRed.): Lexikon des Intemationalen Films. Kinogeschichte 1987. Erganzungsbande: 1987/88, 1989/90, Filmgeschichte einzelner Stiidte 1991/92: Reinbek 1989, 1991, 1994. Neuaus­ Regisseure: Monographien gabe 1995. - Felix Bucher: Germany. 1970. - Autoren, Kameraleute, Produzenten Gunther Dahlke, Gunther Karl (Hg.): Deutsche Architektur, Ausstattung, Kostume Spielfilme von den Anfangen bis 1933. 1988. Musik Oberarbeitete Neuausgabe 1993. - Benjamin S. Drehbuch Eichsfelder: Filmgeschichte in Stichworten. LiteraturlTheater und Film 1951. - Lotte H. Eisner, Heinz Friedrich (Hg.): GestaltunglTechnik Film, Rundfunk, Femsehen. 1958. - Filme in der DDR 1945-1986. 1987. Filme in der DDR Innerhalb der Bereiche sind die Titel alphabetisch 1987-1990. Kritische Notizen aus 4 Kinojahren. nach Verfassem, Herausgebem oder Redakteuren KOIn 1991. - Johann Glenzdorf: Glenzdorfs Inter­ geordnet, bei den Monographien der Regisseure nationales Film-Lexikon. 1960. - Peter Hasen­ nach den Namen der behandelten Personen. Mit berg u.a.: Religion im Film. Lexikon mit Kurl­ dem fett gedruckten Erscheinungsjahr wird spe­ kritiken und Stichworten zu 1200 Kinofilmen. ziell auf die Publikationen verwiesen, die in der Kaln: Katholisches Institut fur Medieninformation Chronik unter der Rubrik ,Filmbiicher< kommen­ 1992. - Hermann Herlinghaus u.a. (Hg.): Film­ tiert sind. Nicht in die Bibliographie aufgenom­ und Femsehliteratur der DDR. Eine annotierte men wurden Biicher, die in der Chronik unter Bibliographie. 1946-1982.2 Bande. Berlin/DDR: den Stichworten ,Ober das Jahr< und ,Zu einzel- Hochschule fur Film und Femsehen der DDR 423 Bibliographie 1983. Band 3: Erganzungsband. 1946-1983. Prinzler: Film in der Bundesrepublik Deutschland. Berlin/DDR 1984. Band IV und V: Diplom- und 1979. Erweiterte Neuausgabe 1992. - Hans Hel­ AbschluBarbeiten der Hochschule fUr Film und mut Prinzler, Dorothea Gebauer, Walther Seidler Fernsehen der DDR. Berlin/DDR 1984. - Herbert (Red.): Verleihkatalog Nr. 1. Frankfurt/Main, Holba, Giinter Knorr, Peter Spiegel: Reclams deut­ Wiesbaden, Berlin: Deut~ches Institut fUr Film­ sches Filmlexikon. 1984. - Hermann J. Huber kunde/Stiftung Deutsche Kinemathek 1986. (Ma­ (Red.): Langen Miiller's Schauspieler-Lexikon der terialien zu 160 deutschen Filmen und 18 The­ Gegenwart. Miinchen, Wien: Langen Miiller 1986. men). - Joachim Reichow, Michael Hanisch: Film­ (Texte zu rund 1.000 lebenden deutschsprachi­ schauspieler A-Z. Berlin/DDR: Henschel 1989 (7. gen Schauspielern). - Christoph Hiinermann u.a. Auflage). - Charles Reinert: Kleines Filmlexikon. (Red.): Die Chronik des Films. 1994. - Alexan­ 1946. Oberarbeitete Teilausgabe: Wir vom Film. der Jason (Hg.): Handbuch der Filmwirtschaft. 1300 Kurzbiographien. Freiburg: Herder 1960. - Berlin: Verlag fUr Presse, Wirtschaft und Politik Patrick Robertson: Das neue Guiness Buch Film: 1930-1932. 3 Bande. - Christiane Kaltenbach StudioS, Stars & Sensation en - Stories aus der u.a. (Red.): FrauenFilmHandbuch. Berlin: Ver­ Welt des Films. Frankfurt/Main, Berlin: Ullstein band der Filmarbeiterinnen 1983. (Loseblatt­ 1993. - Hanns-Georg Rodeck, Piet Hein Honig: sammlung). - Achim Kliinder, Hans Wilhelm La­ 100 001 - Die Showbusiness-Enzyklopadie des vies: Fernsehspiele in der ARD 1952-1972. 2 20. Jahrhunderts. Villingen-Schwenningen: Bande. Frankfurt/Main: Deutsches Rundfunkar­ Showbiz Data 1992. - Georg Roeber, Gerhard chiv 1978. Achim Kliinder: Die Fernsehspiele Jacoby: Handbuch der filmwirtschaftlichen Medi­ 1973-1977. 2 Bande. Frankfurt/Main: Deutsches enbereiche. 1973. - Klaus M. und Ingrid Schmidt Rundfunkarchiv 1986. Lexikon der Fernsehspiele (Hg.): Lexikon Literaturverfilmungen. Deutsch­ 1978-1987. 3 Bande. Miinchen u.a.: Saur 1991. sprachige Literaturverfilmungen 1945-1990. Lexikon der Fernsehspiele 1988, 1989, 1990, Stuttgart, Weimar: J. B. Metzler 1995. - Giinter 1991, 1992. 5 Bande. Miinchen u.a. 1992ff. - Schulz (Red.): Defa-Spielfilme 1946-1964. Fil­ GUnter Knorr: Deutscher Kurz-Spielfilm mografie. Berlin/DDR: Staatliches Filmarchiv der 1929-1940. 1977. - Gerd G. Kopper: Medien­ DDR 1989. - Giinter Peter Straschek: Handbuch und Kommunikationspolitik der Bundesrepublik wider das Kino. 1975. - Rolf Thissen: 100 Jahre Deutschland. Ein chronologisches Handbuch Film. Zahlen, Fakten, My then. Miinchen: Heyne 1944 bis 1988. Miinchen u.a.: Saur 1992. - 1995. - Michael Toteberg (Hg.): Metzler Film­ Thomas Kramer (Hg.): Reclams Lexikon des lexikon. Stuttgart, Weimar: J. B. Metzler 1995. - deutschen Films. Stuttgart, Leipzig: Reclam 1995. Hans Traub, Hanns Wilhelm Lavies: Das deutsche - Alfred Krautz (Hg.): International Directory of Filmschrifttum. 1940. -llermann Treuner (Hg.): Cinematographers, Set- and Costume Designers in Filmkiinstler. 1928. - Rune Waldekranz, Verner Film. Vol. 1: German Democratic Republic Arpe: Knaurs Buch vom Film. 1956. - Albert (1946-1978). Vol. 4: Germany (from the begin­ Wilkening, Heinz Baumert, Klaus Lippert (Hg.): nings to 1945). Mitarbeit: Eberhard Spiess. Miin­ Kleine Enzyklopadie. Film. 1966. - Hans Jiirgen chen u.a.: Saur 1981 und 1984. - Dieter Krusche Wultf (Hg.), Karl-Dietmar Moller, Jan-Christopher (Hg.), Jiirgen Labenski (Mitarbeit): Reclams Film­ Horak (Mitarbeit): Bibliographie der Filmbiblio­ fUhrer. 1973. Neubearbeitungen und Erweiterun­ graphien/ Bibliography of Film Bibliographies. gen bis in die 90er Jahre. - Ulrich Kurowski: Miinchen u.a.: Saur 1987. Lexikon Film. 1972. Erweiterte Neuausgabe: Miinchen: Goldmann 1976. - Ulrich Kurowski (Hg.): Lexikon des internationalen Films. 1975. - Gerhard Lamprecht: Deutsche Stummfilme Filmgesch ichtsschreibung 1903-1930. 1967 (Ereignis). - Kurt Miihsam, Egon Jacobsohn: Lexikon des Films. 1926. - Lorenz Engell: Sinn und Industrie. EinfUhrung in Egon Netenjakob: TV-Filmlexikon. 1994. - Ingo die Filmgeschichte. Frankfurt/Main, New York: Petzke (Hg.): Das Experimentalfilm-Handbuch. Campus 1992. - Helmut Farber: Baukunst und 1989. - Hans Giinther Pflaum, Hans Helmut Film. 1977. - Jean-Luc Godard: Einfiihrung in 424 Bibliographie eine wahre Geschichte des Kinos. 1981. - Knut Hans Lohmann, Horst Schneider (Red.): Beitrage Hickethier (Hg.): Filmgeschichte schreiben. zur deutschen Filmgeschichte. Berlin/DDR: Insti­ 1989. - James Monaco: Fihn verstehen. 1980. tut fur Fihnwissenschaft an der Deutschen Hoch­ Oberarbeitete Neuausgabe 1995. - Peter Nau: Zur schule fur Filmkunst 1965. - Manfred Behn Kritik des Politischen Films. 1978. - Rainer Ro­ (Hg.): Schwarzer Traum und weiBe Sklavin. ther (Hg.): Bilder schreiben Geschichte. 1991. - Deutsch-danische Fihnbeziehungen 1910-1930. Enno Patalas: Sozialgeschichte der Stars. 1958. - Miinchen: edition text + kritik 1994. - Hans­ Paul Virilio: Krieg und Kino. 1986. - Kristin Michael Bock, Michael Toteberg (Hg.): Das Ufa­ Thompson, David Bordwell: Film History. An In­ Buch. 1992. - Hans Borgelt: Die Ufa - ein troduction. New York u.a.: McGraw-Hill 1994. Traum. 1993. - Wilfried von Bredow, Rolf Zurek (Hg.): Film und Gesellschaft in Deutschland. Hamburg: Hoffmann und Campe 1975. - Ilona Brennicke, Joe Hembus: Klassiker des Deutschen Internationale Stumm films. 1983. - Paul Coates: The Gorgon 's Filmgesch ichte Gaze. German Cinema, Expressionism, and the Image of Horror. Cambridge u. a.: Cambridge Uni­ Helga Belach, Wolfgang Jacobsen (Red.): Kalter versity Press 1991. - Axel Geiss (Hg.): Fihnstadt Krieg. 1991. - Werner Faulstich, Helmut Korte Babelsberg. 1994. - Roland Giinter, Paul Hof­ (Hg.): Fischer Filmgeschichte. Band 1: mann, Janne Giinter: Das Ruhrgebiet im Film. 2 1895-1924. Frankfurt/Main: Fischer 1994. Band Bande. Oberhausen: Westdeutsche Kurzfilmtage 2: 1925-1944. 1991. Band 3: 1945-1960. 1978. - Fritz Giittinger: Der Stummfihn im Zitat 1990. Band 4: 1961-1976. 1992. Band 5: der Zeit. 1984. - Heike
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  • AN ANGEL in HELL: ARTUR BRAUNER and the ATTEMPT to MAKE a GERMAN OSKAR- SCHINDLER-BIOPIC Peter Krämer

    AN ANGEL in HELL: ARTUR BRAUNER and the ATTEMPT to MAKE a GERMAN OSKAR- SCHINDLER-BIOPIC Peter Krämer

    AN ANGEL IN HELL: ARTUR BRAUNER AND THE ATTEMPT TO MAKE A GERMAN OSKAR- SCHINDLER-BIOPIC Peter Krämer University of East Anglia, UK Abstract Film Studies tends to deal only with film projects that have been completed and pays particular attention to the work of directors, thus largely ignoring the fact that the vast majority of attempts to make movies fail, and marginalising the crucial role played by scriptwriters and producers in the initiation and development of flm projects. To counter this tendency, this essay examines the unsuccessful attempt, between the 1970s and the early 1990s, of Artur Brauner, one of the leading producers in postwar (West) Germany, to make a biopic about Oskar Schindler. Like the Jewish workers rescued by Schindler, Brauner is a Jewish Holocaust survivor from Poland whose career as a producer has combined mainstream entertainment movies with flms about the Third Reich and especially about the Holocaust. The essay explores the full range of his activities as a producer on the Schindler biopic – ranging from script development and fnancing to negotiations with actors and directors; highlights their transnational dimensions (through the involvement of personnel and co- production partners from France, the UK, Israel, the US, Poland, and the Soviet Union); and explores the refusal of (West) German funding bodies to support this project. Keywords: Artur Brauner, Oskar Schindler, unrealised flm projects, pro- ducers, flm funding. Bu çalışma 18 Aralık 2017 tarihinde sinecine dergisine ulaşmış; 06 Mart 2018 tarihinde kabul almıştır. Krämer, P. (2018). An Angel in Hell: Artur Brauner and The Attempt to Make a German Oskar-Schindler-Biopic.
  • Holocaust Und Film.Pdf

    Holocaust Und Film.Pdf

    1 Meiner Mutter Renate Ehlers In Dankbarkeit 2 Inhalt Kapitelinhalt Seite Einleitung 5 1 Die Nachkriegszeit 7 1.1 Morituri (Deutschland 1948) 8 1.1.1 Entstehungsgeschichte 8 1.1.2 Inhalt 11 1.1.3 Interpretation und Resonanz 17 1.1.4 Produktionsdaten 21 1.2 Ehe im Schatten (Deutschland 1947) 22 1.2.1 Inhalt 22 1.2.2 Interpretation und Resonanz 27 1.2.3 Produktionsdaten 29 1.3 Morituri und Ehe im Schatten – ein kurzer 30 Vergleich 2 Die Zeit von 1949 bis 1979 31 2.1 Die fünfziger Jahre 31 2.1.1 Das Tagebuch der Anne Frank (USA 1959) 32 2.1.1.1 Produktionsdaten 35 2.2 Die sechziger Jahre 36 2.2.1 Zeugin aus der Hölle 36 (BR Deutschland/Jugoslawien 1965) 2.2.1.1 Produktionsdaten 40 2.3 Der „Neue Deutsche Film“ 40 2.4 Das neue Medium Fernsehen und der Holocaust 43 2.4.1 Am grünen Strand der Spree 45 (BR Deutschland 1960) 2.4.2 Ein Tag (BR Deutschland 1965) 48 2.4.2.1 Produktionsdaten 54 2.5 Die frühen siebziger Jahre 54 3 Holocaust – Die Geschichte der Familie Weiss (USA 1978) 56 3.1 Die Entstehungsgeschichte der Fernsehserie 56 Holocaust 3.2 Inhalt 61 3.3 Die Serie Holocaust im deutschen Fernsehen 65 3.4 Zur Authentizität von Holocaust 70 3.5 Auswirkungen des Medienereignisses Holocaust 72 3.6 Produktionsdaten 77 3 Kapitelinhalt Seite 4 Schindlers Liste 78 4.1 Entstehungsgeschichte 78 4.2 Inhalt 80 4.3 Interpretation und Kritik 81 4.4 Resonanz 85 4.5 Produktionsdaten 89 5 Filmkomödien über die Shoah 91 5.1 Ein kurzer Rückblick 91 5.2 Das Leben ist schön (Italien 1997) 93 5.2.1 Produktionsdaten 97 5.3 Zug des Lebens (Frankreich 1998) 97 5.3.1 Produktionsdaten 100 6 Der Holocaust im deutschen Gegenwartsfilm 101 7 Holocaustfilme und Erinnerung 105 8 Schlußbetrachtungen 108 9 Literaturverzeichnis 112 4 Einleitung Obwohl die Vergangenheit sich zeitlich immer weiter von uns entfernt, entsteht doch der Eindruck, sie rücke immer näher.
  • Hotel Berlin

    Hotel Berlin

    HOTEL BERLIN: THE POLITICS OF COMMERCIAL HOSPITALITY IN THE GERMAN METROPOLIS, 1875–1945 by Adam Bisno A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland December, 2017 © 2017 Adam Bisno ii Dissertation Advisor: Peter Jelavich Adam Bisno Hotel Berlin: The Politics of Commercial Hospitality in the German Metropolis, 1875–1945 Abstract This dissertation examines the institution of the grand hotel in Imperial, Weimar, and Nazi Berlin. It is a German cultural and business history of the fate of classical liberalism, which in practice treated human beings as rational, self-regulating subjects. The major shareholders in the corporations that owned the grand hotels, hotel managers, and hotel experts, through their daily efforts to keep the industry afloat amid the vicissitudes of modern German history, provide a vantage point from which to see the pathways from quotidian difficulties to political decisions, shedding light on how and why a multi-generational group of German businessmen embraced and then rejected liberal politics and culture in Germany. Treating the grand hotel as an institution and a space for the cultivation of liberal practices, the dissertation contributes to the recent body of work on liberal governance in the modern city by seeing the grand hotel as a field in which a dynamic, socially and culturally heterogeneous population tried and ultimately failed to determine the powers and parameters of liberal subjectivity. In locating the points at which liberal policies became impracticable, this dissertation also enters a conversation about the timing and causes of the crisis of German democracy.