DOCSLIB.ORG

Akira Togawa Papers, 1921-1980

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

http://oac.cdlib.org/findaid/ark:/13030/tf309nb20p No online items Finding Aid for the Akira Togawa Papers, 1921-1980 Processed by Yuji Ichioka and Makato Arakaki; machine-readable finding aid created by Caroline Cubé UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2001 The Regents of the University of California. All rights reserved. Note Area, Interdisciplinary, and Ethnic Studies--Asian American StudiesHistory--United States and North American HistoryArts and Humanities--Literature--Literature General Finding Aid for the Akira Togawa 1711 1 Papers, 1921-1980 Finding Aid for the Akira Togawa Papers, 1921-1980 Collection number: 1711 UCLA Library, Department of Special Collections Manuscripts Division Los Angeles, CA Contact Information Manuscripts Division UCLA Library, Department of Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific Time) Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ Processed by: Yuji Ichioka and Makoto Arakaki, 1993 Encoded by: Caroline Cubé Text converted and initial container list EAD tagging by: Apex Data Services Online finding aid edited by: Amy Shung-Gee Wong, March 2001 Funding: This online finding aid has been funded in part by a grant from the Library Services and Technology Act (LSTA). © 2001 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Akira Togawa Papers, Date (inclusive): 1921-1980 Collection number: 1711 Creator: Togawa, Akira, 1903- Extent: 55 boxes (27.5 linear ft.)3 oversize boxes Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Abstract: Akira Togawa was born July 5, 1903. He came to the United States in 1923 and married his wife, Kimi, who was a kibei, in 1929, and they had five children. Before World War II, Togawa was employed by the M.S. Miura Company. During the war he was interned at Poston, Arizona, and after the war, he operated the Brooklyn & Ford Market in East Los Angeles. Active in various literary groups, including the Posuton Bungei, the Nanka Bungei, and the Sounsha he also wrote two poetry anthologies: Shishu (1932) and Mitsubachi no Uta (1962). He frequently contributed to local Japanese newspapers and poetry anthologies. The collection consists of diaries, correspondence, publications, which include a complete set of the Nanka Bungei, and newspaper clippings. Also includes copies of the works of other Japanese poets and writers. The entire collection is in Japanese. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Language: English. Restrictions on Use and Reproduction Finding Aid for the Akira Togawa 1711 2 Papers, 1921-1980 Property rights to the physical object belong to the UCLA Library, Department of Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Advance notice required for access. Additional Physical Form Available A copy of the original version of this online finding aid is available at the UCLA Department of Special Collections for in-house consultation and may be obtained for a fee. Please contact: Public Services Division UCLA Library, Department of Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific Time) Email: [email protected] Provenance/Source of Acquisition Gift of Glenn Noboru Togawa, 1993. Funding This online finding aid has been funded in part by a grant from the Library Services and Technology Act (LSTA). Preferred Citation [Identification of item], Akira Togawa Papers (Collection 1711). Department of Special Collections, Charles E. Young Research Library, University of California, Los Angeles. UCLA Catalog Record ID UCLA Catalog Record ID: 3222544 Biography Akira Togawa was born July 5, 1903; he came to the United States in 1923; married his wife, Kimi, who was a kibei, in 1929, and they had five children; before World War II, Togawa was employed by the M.S. Miura Company; during the war, interned at Poston, Arizona; after the war, he operated the Brooklyn & Ford Market in East Los Angeles; he was active in various literary groups, including the Posuton Bungei, the Nanka Bungei, and the Sounsha; wrote two poetry anthologies: Shishu (1932) and Mitsubachi no Uta (1962); he frequently contributed to local Japanese newspapers and poetry anthologies; died in 1980. Additional Biographical Narrative Note [characters] indicates Japanese characters included in the print version of this online finding aid, available for consultation at the UCLA Library, Department of Special Collections. Togawa Akira [characters]. 1903-1980. Issei poet and longtime resident of Los Angeles. Born July 5, 1903. Native, Yamanashi-ken, Minami Tsuru-gun, Funatsu-son, Aza Asakawa [characters]. Arrived in the United States in 1923. Father, Teiichi [characters]; mother, Shin [characters]. Father arrived alone in San Francisco, 1907. He returned to Japan in 1922, and came back to America with his son, Akira, the following year. In 1929 Akira married his wife, Kimi [characters], a Kibei woman. The couple had five children: daughter, Akiko [characters], 1930; son, Paul Susumu [characters], 1932; daughter, May Hiroko [characters], 1937; daughter, June Tomiko [characters], 1941; and son, Glenn Noboru [characters], 1946. Before the Second World War, Akira was employed by the M.S. Miura Company [characters], a Los Angeles wholesale produce company. Interned at Poston, Arizona during the war. Operated the Brooklyn & Ford Market in East Los Angeles in the postwar period. Active in various Issei literary groups of Southern California before World War II, the Posuton Bungei [characters] during the war, and the Nanka Bungei [characters] after the war. Also member of the Sounsha [characters], a poetry society in Japan led by Ogiwara Seisensui [characters] who published the works of Issei poets. Also acquainted with many established Japanese poets and writers such as Oyama Sumita [characters], Uchijima Hokuro [characters], Yoshikawa Eiji [characters], and others. Author of two poetry anthologies: Shishu [characters], 1932, and Mitsubachi no Uta [characters], 1962 (for the latter, see the Japanese American Research Project Collection (Collection 2010), Box 364). Frequent contributor to local Finding Aid for the Akira Togawa 1711 3 Papers, 1921-1980 Japanese newspapers and poetry anthologies. The Togawa Akira Papers include diaries, 1921-1978, 57 volumes; incoming correspondence file, 1962-1980; copies of prewar, wartime, and postwar Issei literary journals, including a complete set of the Nanka Bungei, poetry anthologies, novels and essays, autobiographies and biographies, and other books; copies of the works of Ogiwara Seisensui, Oyama Sumita, Uchijima Hokuro, Yoshikawa Eiji, and many other Japanese poets and writers; and 6 oversize scrapbooks of newspaper clippings on art and literature, 1952-1978. The collection of Issei poetry anthologies is outstanding. by Yuji Ichioka and Makoto Arakaki Scope and Content Collection consists of diaries, correspondence, publications, and newspaper clippings related to the life of Akira Togawa. Diaries span 1921-78 in 57 volumes. Publications include pre-World War II, wartime, and postwar Issei literary journals, including a complete set of the Nanka Bungei. Also includes copies of the works of Ogiwara Seisensui, Oyama Sumita, Uchijima Hokuro, Yoshikawa Eiji, and other Japanese poets and writers. Oversize scrapbooks contain clippings related to art and literature, 1952-78. The entire collection is in Japanese. Organization and Arrangement Arranged in the following series: 1. Diaries and notebooks (Boxes 1-7). 2. Incoming correspondence file, 1962-80 (Boxes 8-9). 3. Prewar literary publications (Boxes 10-11). 4. Wartime journals, essays, and anthologies (Boxes 12-13). 5. Postwar publications (Boxes 14-32). 6. Works of Japanese poets and writers (Boxes 33-55). 7. Newspaper clippings albums, 1952-78 (Boxes 56-58). Indexing Terms The following terms have been used to index the description of this collection in the library's online public access catalog. Togawa, Akira, 1903- --Archives. Nanka bungei. American literature--Japanese American authors--Archival resources. Japanese American poetry--California--Los Angeles--Archival resources. Japanese Americans--Evacuation and relocation, 1942-45--Archival resources. Diaries. Related Material Title: Japanese American Research Project Collection of Material about Japanese in the United States Identifier/Call Number: (Collection 2010). Available at the Department of Special Collections, UCLA. Title: Japanese American Research Project - Fading Footsteps of the Issei Identifier/Call Number: (Collection 2010). Available at the Department of Special Collections,
Recommended publications
  • Japanese Immigration History

    Japanese Immigration History

    CULTURAL ANALYSIS OF THE EARLY JAPANESE IMMIGRATION TO THE UNITED STATES DURING MEIJI TO TAISHO ERA (1868–1926) By HOSOK O Bachelor of Arts in History Colorado State University Fort Collins, Colorado 2000 Master of Arts in History University of Central Oklahoma Edmond, Oklahoma 2002 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2010 © 2010, Hosok O ii CULTURAL ANALYSIS OF THE EARLY JAPANESE IMMIGRATION TO THE UNITED STATES DURING MEIJI TO TAISHO ERA (1868–1926) Dissertation Approved: Dr. Ronald A. Petrin Dissertation Adviser Dr. Michael F. Logan Dr. Yonglin Jiang Dr. R. Michael Bracy Dr. Jean Van Delinder Dr. Mark E. Payton Dean of the Graduate College iii ACKNOWLEDGMENTS For the completion of my dissertation, I would like to express my earnest appreciation to my advisor and mentor, Dr. Ronald A. Petrin for his dedicated supervision, encouragement, and great friendship. I would have been next to impossible to write this dissertation without Dr. Petrin’s continuous support and intellectual guidance. My sincere appreciation extends to my other committee members Dr. Michael Bracy, Dr. Michael F. Logan, and Dr. Yonglin Jiang, whose intelligent guidance, wholehearted encouragement, and friendship are invaluable. I also would like to make a special reference to Dr. Jean Van Delinder from the Department of Sociology who gave me inspiration for the immigration study. Furthermore, I would like to give my sincere appreciation to Dr. Xiaobing Li for his thorough assistance, encouragement, and friendship since the day I started working on my MA degree to the completion of my doctoral dissertation.
  • Japan Between the Wars

    Japan Between the Wars

    JAPAN BETWEEN THE WARS The Meiji era was not followed by as neat and logical a periodi- zation. The Emperor Meiji (his era name was conflated with his person posthumously) symbolized the changes of his period so perfectly that at his death in July 1912 there was a clear sense that an era had come to an end. His successor, who was assigned the era name Taisho¯ (Great Righteousness), was never well, and demonstrated such embarrassing indications of mental illness that his son Hirohito succeeded him as regent in 1922 and re- mained in that office until his father’s death in 1926, when the era name was changed to Sho¯wa. The 1920s are often referred to as the “Taisho¯ period,” but the Taisho¯ emperor was in nominal charge only until 1922; he was unimportant in life and his death was irrelevant. Far better, then, to consider the quarter century between the Russo-Japanese War and the outbreak of the Manchurian Incident of 1931 as the next era of modern Japanese history. There is overlap at both ends, with Meiji and with the resur- gence of the military, but the years in question mark important developments in every aspect of Japanese life. They are also years of irony and paradox. Japan achieved success in joining the Great Powers and reached imperial status just as the territo- rial grabs that distinguished nineteenth-century imperialism came to an end, and its image changed with dramatic swiftness from that of newly founded empire to stubborn advocate of imperial privilege. Its military and naval might approached world standards just as those standards were about to change, and not long before the disaster of World War I produced revul- sion from armament and substituted enthusiasm for arms limi- tations.
  • Full Download

    Full Download

    VOLUME 1: BORDERS 2018 Published by National Institute of Japanese Literature Tokyo EDITORIAL BOARD Chief Editor IMANISHI Yūichirō Professor Emeritus of the National Institute of Japanese 今西祐一郎 Literature; Representative Researcher Editors KOBAYASHI Kenji Professor at the National Institute of Japanese Literature 小林 健二 SAITō Maori Professor at the National Institute of Japanese Literature 齋藤真麻理 UNNO Keisuke Associate Professor at the National Institute of Japanese 海野 圭介 Literature KOIDA Tomoko Associate Professor at the National Institute of Japanese 恋田 知子 Literature Didier DAVIN Associate Professor at the National Institute of Japanese ディディエ・ダヴァン Literature Kristopher REEVES Associate Professor at the National Institute of Japanese クリストファー・リーブズ Literature ADVISORY BOARD Jean-Noël ROBERT Professor at Collège de France ジャン＝ノエル・ロベール X. Jie YANG Professor at University of Calgary 楊 暁捷 SHIMAZAKI Satoko Associate Professor at University of Southern California 嶋崎 聡子 Michael WATSON Professor at Meiji Gakuin University マイケル・ワトソン ARAKI Hiroshi Professor at International Research Center for Japanese 荒木 浩 Studies Center for Collaborative Research on Pre-modern Texts, National Institute of Japanese Literature (NIJL) National Institutes for the Humanities 10-3 Midori-chō, Tachikawa City, Tokyo 190-0014, Japan Telephone: 81-50-5533-2900 Fax: 81-42-526-8883 e-mail: [email protected] Website: https//www.nijl.ac.jp Copyright 2018 by National Institute of Japanese Literature, all rights reserved. PRINTED IN JAPAN KOMIYAMA PRINTING CO., TOKYO CONTENTS
  • Japanese Hermeneutics

    Japanese Hermeneutics

    JAPANESE HERMENEUTICS CURRENT DEBATES ON AESTHETICS AND INTERPRETATION EDITED BY MICHAEL F. MARRA JAPANESE HERMENEUTICS JAPANESE HERMENEUTICS CURRENT DEBATES ON AESTHETICS AND INTERPRETATION EDITED BY MICHAEL F. MARRA University of Hawai‘i Press Honolulu © 2002 University of Hawai‘i Press All rights reserved Printed in the United States of America 07 06 05 04 03 02 654321 Library of Congress Cataloging-in-Publication Data Japanese hermeneutics : current debates on aesthetics and interpretation / edited by Michael F. Marra. p. cm. Includes index. ISBN 0-8248-2457-1 (cloth : alk. paper) 1. Aesthetics, Japanese. 2. Hermeneutics. 3. Japanese literature— History and criticism. I. Marra, Michele. BH221.J3 J374 2000 111Ј.85Ј0952—dc21 2001040663 University of Hawai‘i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by Carol Colbath Printed by The Maple-Vail Book Manufacturing Group Volano gli angeli in Paradiso Che adornano con il sorriso Nel ricordo di Gemmina (1960 –2000) CONTENTS Acknowledgments ix Abbreviations xi Introduction Michael F. Marra 1 HERMENEUTICS AND JAPAN 1. Method, Hermeneutics, Truth Gianni Vattimo 9 2. Poetics of Intransitivity Sasaki Ken’ichi 17 3. The Hermeneutic Approach to Japanese Modernity: “Art-Way,” “Iki,” and “Cut-Continuance” O¯ hashi Ryo¯suke 25 4. Frame and Link: A Philosophy of Japanese Composition Amagasaki Akira 36 5. The Eloquent Stillness of Stone: Rock in the Dry Landscape Garden Graham Parkes 44 6. Motoori Norinaga’s Hermeneutic of Mono no Aware: The Link between Ideal and Tradition Mark Meli 60 7. Between Individual and Communal, Subject and Object, Self and Other: Mediating Watsuji Tetsuro¯’s Hermeneutics John C.
  • UCLA Electronic Theses and Dissertations

    UCLA Electronic Theses and Dissertations

    UCLA UCLA Electronic Theses and Dissertations Title Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries Permalink https://escholarship.org/uc/item/90w6w5wz Author Carter, Caleb Swift Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Caleb Swift Carter 2014 ABSTRACT OF THE DISSERTATION Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries by Caleb Swift Carter Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2014 Professor William M. Bodiford, Chair This dissertation considers two intersecting aspects of premodern Japanese religions: the development of mountain-based religious systems and the formation of numinous sites. The first aspect focuses in particular on the historical emergence of a mountain religious school in Japan known as Shugendō. While previous scholarship often categorizes Shugendō as a form of folk religion, this designation tends to situate the school in overly broad terms that neglect its historical and regional stages of formation. In contrast, this project examines Shugendō through the investigation of a single site. Through a close reading of textual, epigraphical, and visual sources from Mt. Togakushi (in present-day Nagano Ken), I trace the development of Shugendō and other religious trends from roughly the thirteenth through mid-nineteenth centuries. This study further differs from previous research insofar as it analyzes Shugendō as a concrete system of practices, doctrines, members, institutions, and identities.
  • Writing As Aesthetic in Modern and Contemporary Japanese-Language Literature

    Writing As Aesthetic in Modern and Contemporary Japanese-Language Literature

    At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2021 Reading Committee: Edward Mack, Chair Davinder Bhowmik Zev Handel Jeffrey Todd Knight Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2021 Christopher J Lowy University of Washington Abstract At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy Chair of the Supervisory Committee: Edward Mack Department of Asian Languages and Literature This dissertation examines the dynamic relationship between written language and literary fiction in modern and contemporary Japanese-language literature. I analyze how script and narration come together to function as a site of expression, and how they connect to questions of visuality, textuality, and materiality. Informed by work from the field of textual humanities, my project brings together new philological approaches to visual aspects of text in literature written in the Japanese script. Because research in English on the visual textuality of Japanese-language literature is scant, my work serves as a fundamental first-step in creating a new area of critical interest by establishing key terms and a general theoretical framework from which to approach the topic. Chapter One establishes the scope of my project and the vocabulary necessary for an analysis of script relative to narrative content; Chapter Two looks at one author’s relationship with written language; and Chapters Three and Four apply the concepts explored in Chapter One to a variety of modern and contemporary literary texts where script plays a central role.
  • Kigo-Articles.Pdf

    Kigo-Articles.Pdf

    Kigo Articles Contained in the All-in-One PDF 1) Kigo and Seasonal Reference: Cross-cultural Issues in Anglo- American Haiku Author: Richard Gilbert (10 pages, 7500 words). A discussion of differences between season words as used in English-language haiku, and kigo within the Japanese literary context. Publication: Kumamoto Studies in English Language and Literature 49, Kumamoto University, Kumamoto, Japan, March 2006 (pp. 29- 46); revised from Simply Haiku 3.3 (Autumn 2005). 2) A New Haiku Era: Non-season kigo in the Gendai Haiku saijiki Authors: Richard Gilbert, Yûki Itô, Tomoko Murase, Ayaka Nishikawa, and Tomoko Takaki (4 pages, 1900 words). Introduction to the Muki Saijiki focusing on the muki kigo volume of the 2004 the Modern Haiku Association (Gendai Haiku Kyôkai; MHA). This article contains the translation of the Introduction to the volume, by Tohta Kaneko. Publication: Modern Haiku 37.2 (Summer 2006) 3) The Heart in Season: Sampling the Gendai Haiku Non-season Muki Saijiki – Preface Authors: Yûki Itô, with Richard Gilbert (3 pages, 1400 words). An online compliment to the Introduction by Tohta Kaneko found in the above-referenced Muki Saijiki article. Within, some useful information concerning the treatments of kigo in Bashô and Issa. Much of the information has been translated from Tohta Kaneko's Introduction to Haiku. Publication: Simply Haiku Journal 4.3 (Autumn 2006) 4) The Gendai Haiku Muki Saijiki -- Table of Contents Authors: Richard Gilbert, Yûki Itô, Tomoko Murase, Ayaka Nishikawa, and Tomoko Takaki (30 pages, 9300 words). A bilingual compilation of the keywords used in the Muki Saijiki Table of Contents.
  • Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions

    Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions

    UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance.
  • The History Problem: the Politics of War

    The History Problem: the Politics of War

    History / Sociology SAITO … CONTINUED FROM FRONT FLAP … HIRO SAITO “Hiro Saito offers a timely and well-researched analysis of East Asia’s never-ending cycle of blame and denial, distortion and obfuscation concerning the region’s shared history of violence and destruction during the first half of the twentieth SEVENTY YEARS is practiced as a collective endeavor by both century. In The History Problem Saito smartly introduces the have passed since the end perpetrators and victims, Saito argues, a res- central ‘us-versus-them’ issues and confronts readers with the of the Asia-Pacific War, yet Japan remains olution of the history problem—and eventual multiple layers that bind the East Asian countries involved embroiled in controversy with its neighbors reconciliation—will finally become possible. to show how these problems are mutually constituted across over the war’s commemoration. Among the THE HISTORY PROBLEM THE HISTORY The History Problem examines a vast borders and generations. He argues that the inextricable many points of contention between Japan, knots that constrain these problems could be less like a hang- corpus of historical material in both English China, and South Korea are interpretations man’s noose and more of a supportive web if there were the and Japanese, offering provocative findings political will to determine the virtues of peaceful coexistence. of the Tokyo War Crimes Trial, apologies and that challenge orthodox explanations. Written Anything less, he explains, follows an increasingly perilous compensation for foreign victims of Japanese in clear and accessible prose, this uniquely path forward on which nationalist impulses are encouraged aggression, prime ministerial visits to the interdisciplinary book will appeal to sociol- to derail cosmopolitan efforts at engagement.
  • The Goddesses' Shrine Family: the Munakata Through The

    The Goddesses' Shrine Family: the Munakata Through The

    THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA by BRENDAN ARKELL MORLEY A THESIS Presented to the Interdisciplinary Studies Program: Asian Studies and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofArts June 2009 11 "The Goddesses' Shrine Family: The Munakata through the Kamakura Era," a thesis prepared by Brendan Morley in partial fulfillment ofthe requirements for the Master of Arts degree in the Interdisciplinary Studies Program: Asian Studies. This thesis has been approved and accepted by: e, Chair ofthe Examining Committee ~_ ..., ,;J,.." \\ e,. (.) I Date Committee in Charge: Andrew Edmund Goble, Chair Ina Asim Jason P. Webb Accepted by: Dean ofthe Graduate School III © 2009 Brendan Arkell Morley IV An Abstract ofthe Thesis of Brendan A. Morley for the degree of Master ofArts in the Interdisciplinary Studies Program: Asian Studies to be taken June 2009 Title: THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA This thesis presents an historical study ofthe Kyushu shrine family known as the Munakata, beginning in the fourth century and ending with the onset ofJapan's medieval age in the fourteenth century. The tutelary deities ofthe Munakata Shrine are held to be the progeny ofthe Sun Goddess, the most powerful deity in the Shinto pantheon; this fact speaks to the long-standing historical relationship the Munakata enjoyed with Japan's ruling elites. Traditional tropes ofJapanese history have generally cast Kyushu as the periphery ofJapanese civilization, but in light ofrecent scholarship, this view has become untenable. Drawing upon extensive primary source material, this thesis will provide a detailed narrative ofMunakata family history while also building upon current trends in Japanese historiography that locate Kyushu within a broader East Asian cultural matrix and reveal it to be a central locus of cultural production on the Japanese archipelago.
  • EARLY MODERN JAPAN 2010 the Death of Kobayashi Yagobei

    EARLY MODERN JAPAN 2010 the Death of Kobayashi Yagobei

    EARLY MODERN JAPAN 2010 5 The Death of Kobayashi Yagobei since. At some point before he had reached the ©Scot Hislop, National University of Singapore pinnacle of haikai rankings, Issa wrote an account, now called Chichi no shūen nikki (父の終焉日記: Introduction A Diary of my Father’s Final Days), of his father’s illness, death, and the first seven days of the fam- It is an accident of literary history that we know ily’s mourning. anything about Kobayashi Yagobei. His death, on Chichi no shūen nikki, as it has come down to the twentieth day of the 5th month of 1801 (Kyōwa us, is a complex text. Some parts of it have been 1) in Kashiwabara village, Shinano Province,1 was discussed in English language scholarship at least 6 important to his family. But Yagobei was not John F. since Max Bickerton’s 1932 introduction to Issa Kennedy, Matsuo Bashō,2 or even Woman Wang.3 and it is often treated as a work of literature or a 7 Yagobei’s death was the quotidian demise of some- diary. This approach to Chichi no shūen nikki one of no historical importance. However his eldest owes a great deal to the work of Kokubungaku 8 son, Yatarō, became Kobayashi Issa.4 In the years (Japanese National Literature) scholars. However, following his father’s death, Issa became one of the in order to read Chichi no shūen nikki as a book two or three most famous haikai (haiku) poets of within the canon of Japanese National Literature his generation and his renown has not diminished (Kokubungaku), it must be significantly trans- formed in various ways and a large portion of it is 1 The part of Shinano Town closest to Kuro- hime train station in Nagano Prefecture.
  • University of California, San Diego

    University of California, San Diego

    UNIVERSITY OF CALIFORNIA, SAN DIEGO An Army for the People: The Self-Defense Forces and Society in Postwar Japan A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History by Tomoyuki Sasaki Committee in Charge Professor Takashi Fujitani, Co-chair Professor Stefan Tanaka, Co-chair Professor Pamela Radcliff Professor Nayan B. Shah Professor Lisa Yoneyama 2009 Copyright Tomoyuki Sasaki, 2009 All rights reserved The dissertation of Tomoyuki Sasaki is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Co-chair Co-chair University of California, San Diego 2009 iii Table of Contents Signature------------------------------------------------------------------------------------------iii Table of contents---------------------------------------------------------------------------------iv Vita-------------------------------------------------------------------------------------------------v Abstract-------------------------------------------------------------------------------------------vi Introduction Militarization in Liberal Governance----------------------------------------------------------1 Chapter One The Launch of Rearmament: Placing in the Liberal Context-----------------------------------------------------------------22 Chapter Two Military as a Welfare Institution: Recruitment and Other Activities during High-Speed Economic Growth---------------64 Chapter Three Containing Protest: Anti-SDF Litigation and the Defense Facilities Administration