Volume XVIII CONTENTS 2010 Outcastes and Medical
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“Iki,” the Edo Aesthetic, Seen in Bijin-Ga Prints from the Tenmei To
English Edition19 Oct.23 Fri. 2020 No.19 From the Permanent Exhibition Area From the Aesthetics of Edo Corner “Iki,” the Edo Aesthetic, Seen in Bijin-ga Prints from the Tenmei to Kansei (1781-1800) looking at her colleague who is still applying rouge to her lips. When their preparations are complete, the geisha will stroll to the dinner party at which they are to perform. eir kimono are the then-popular style with designs conned to their skirts. ey walk with bare feet in wooden clogs to aunt these iki patterns. Torii Kiyonaga depicts their Edo-ideal slender, supple bodies in a manner now labeled “Edo Venus.” is ukiyo-e captures the pride and resilience of the geisha getting ready to perform. Knowing the Sweets and bitters of Love Resting her chin on her hand, she stares into the distance, her eyes half closed. Reflective Love, from the series Anthology of Poems: e Love Section, is an okubi-e portrait. e expression on the face and gesture with the hand capture this beauty’s emotions in a manner that makes this portrait of a beauty one of Kitagawa Utamaro’s masterpieces. e clean, unadorned lines elegantly and eortlessly depict the feelings expressed in her face. Her shaved eyebrows tell us that she is a married woman, and her hair done up in a torobin shinoji mage chignon indicates that she is the wife of a commoner. She is wearing a kosode kimono with a small, komon, decorative pattern. e background color is a faintly reddish grey. Her under kimono has a yellow and black check pattern that, combined with the purple tie-dyed undergarment, enlivens the color of the hand Permanent Exhibition and face. -
Outdoor Club Japan (OCJ) 国際 アウトドア・クラブ・ジャパン Events
Outdoor Club Japan (OCJ) 国際 アウトドア・クラブ・ジャパン Events Norikuradake Super Downhill 10 March Friday to 12 March Monday If you are not satisfied ski & snowboard in ski area. You can skiing from summit. Norikuradake(3026m)is one of hundred best mountain in Japan. This time is good condition of backcountry ski season. Go up to the summit of Norikuradake by walk from the top of last lift(2000m). Climb about 5 hours and down to bottom lift(1500m) about 50 min. (Deta of last time) Transport: Train from Shinjuku to Matsumoto and Taxi from Matsumoto to Norikura-kogen. Return : Bus from Norikura-kogen to Sinshimashima and train to Shinjuku. Meeting Time & Place : 19:30 Shijuku st. platform 5 car no.1 for super Azusa15 Cost : About Yen30000 Train Shinjuku to matsumoto Yen6200(ow) but should buy 4coupon ticket each coupon Yen4190 or You can buy discount ticket shop in town price is similar. (price is non-reserve seat) Taxi about Yen13000 we will share. Return bus Yen1300 and local train Yen680. Inn Yen14000+tax 2 overnight 2 breakfast 1 dinner (no dinner Friday) Japanese room and hot spring! Necessary equipment : Skiers & Telemarkers need a nylon mohair skin. Snowboarders need snowshoes. Crampons(over 8point!) Clothes: Gore-tex jacket and pants, fleece, hut, musk, gloves, sunglasses, headlamp, thermos, lunch, sunscreen If you do not go up to the summit, you can enjoy the ski area and hot springs. 1 day lift pass Yen4000 Limit : 12persons (priority is downhill from summit) In Japanese : 026m)の頂上からの滑降です。 ゲレンデスキーに物足りないスキーヤー、スノーボーダー向き。 山スキーにいいシーズンですが、天気次第なので一応土、日と2日間の時間をとりました。 -
Peace in Vietnam! Beheiren: Transnational Activism and Gi Movement in Postwar Japan 1965-1974
PEACE IN VIETNAM! BEHEIREN: TRANSNATIONAL ACTIVISM AND GI MOVEMENT IN POSTWAR JAPAN 1965-1974 A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN POLITICAL SCIENCE AUGUST 2018 By Noriko Shiratori Dissertation Committee: Ehito Kimura, Chairperson James Dator Manfred Steger Maya Soetoro-Ng Patricia Steinhoff Keywords: Beheiren, transnational activism, anti-Vietnam War movement, deserter, GI movement, postwar Japan DEDICATION To my late father, Yasuo Shiratori Born and raised in Nihonbashi, the heart of Tokyo, I have unforgettable scenes that are deeply branded in my heart. In every alley of Ueno station, one of the main train stations in Tokyo, there were always groups of former war prisoners held in Siberia, still wearing their tattered uniforms and playing accordion, chanting, and panhandling. Many of them had lost their limbs and eyes and made a horrifying, yet curious, spectacle. As a little child, I could not help but ask my father “Who are they?” That was the beginning of a long dialogue about war between the two of us. That image has remained deep in my heart up to this day with the sorrowful sound of accordions. My father had just started work at an electrical laboratory at the University of Tokyo when he found he had been drafted into the imperial military and would be sent to China to work on electrical communications. He was 21 years old. His most trusted professor held a secret meeting in the basement of the university with the newest crop of drafted young men and told them, “Japan is engaging in an impossible war that we will never win. -
Japanese Native Speakers' Attitudes Towards
JAPANESE NATIVE SPEAKERS’ ATTITUDES TOWARDS ATTENTION-GETTING NE OF INTIMACY IN RELATION TO JAPANESE FEMININITIES THESIS Presented in Partial Fulfillment of the Requirements for The Degree Master of Arts in the Graduate School of The Ohio State University By Atsuko Oyama, M.E. * * * * * The Ohio State University 2008 Master’s Examination Committee: Approved by Professor Mari Noda, Advisor Professor Mineharu Nakayama Advisor Professor Kathryn Campbell-Kibler Graduate Program in East Asian Languages and Literatures ABSTRACT This thesis investigates Japanese people’s perceptions of the speakers who use “attention-getting ne of intimacy” in discourse in relation to femininity. The attention- getting ne of intimacy is the particle ne that is used within utterances with a flat or a rising intonation. It is commonly assumed that this attention-getting ne is frequently used by children as well as women. Feminine connotations attached to this attention-getting ne when used by men are also noted. The attention-getting ne of intimacy is also said to connote both intimate and over-friendly impressions. On the other hand, recent studies on Japanese femininity have proposed new images that portrays figures of immature and feminine women. Assuming the similarity between the attention-getting ne and new images of Japanese femininity, this thesis aims to reveal the relationship between them. In order to investigate listeners’ perceptions of women who use the attention- getting ne of intimacy with respect to femininity, this thesis employs the matched-guise technique as its primary methodological choice using the presence of attention-getting ne of intimacy as its variable. In addition to the implicit reactions obtained in the matched- guise technique, people’s explicit thoughts regarding being onnarashii ‘womanly’ and kawairashii ‘endearing’ were also collected in the experiment. -
Japanese Hermeneutics
JAPANESE HERMENEUTICS CURRENT DEBATES ON AESTHETICS AND INTERPRETATION EDITED BY MICHAEL F. MARRA JAPANESE HERMENEUTICS JAPANESE HERMENEUTICS CURRENT DEBATES ON AESTHETICS AND INTERPRETATION EDITED BY MICHAEL F. MARRA University of Hawai‘i Press Honolulu © 2002 University of Hawai‘i Press All rights reserved Printed in the United States of America 07 06 05 04 03 02 654321 Library of Congress Cataloging-in-Publication Data Japanese hermeneutics : current debates on aesthetics and interpretation / edited by Michael F. Marra. p. cm. Includes index. ISBN 0-8248-2457-1 (cloth : alk. paper) 1. Aesthetics, Japanese. 2. Hermeneutics. 3. Japanese literature— History and criticism. I. Marra, Michele. BH221.J3 J374 2000 111Ј.85Ј0952—dc21 2001040663 University of Hawai‘i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by Carol Colbath Printed by The Maple-Vail Book Manufacturing Group Volano gli angeli in Paradiso Che adornano con il sorriso Nel ricordo di Gemmina (1960 –2000) CONTENTS Acknowledgments ix Abbreviations xi Introduction Michael F. Marra 1 HERMENEUTICS AND JAPAN 1. Method, Hermeneutics, Truth Gianni Vattimo 9 2. Poetics of Intransitivity Sasaki Ken’ichi 17 3. The Hermeneutic Approach to Japanese Modernity: “Art-Way,” “Iki,” and “Cut-Continuance” O¯ hashi Ryo¯suke 25 4. Frame and Link: A Philosophy of Japanese Composition Amagasaki Akira 36 5. The Eloquent Stillness of Stone: Rock in the Dry Landscape Garden Graham Parkes 44 6. Motoori Norinaga’s Hermeneutic of Mono no Aware: The Link between Ideal and Tradition Mark Meli 60 7. Between Individual and Communal, Subject and Object, Self and Other: Mediating Watsuji Tetsuro¯’s Hermeneutics John C. -
Sino-Japanese Interactions Through Rare Books
Timelines and Maps Sino-Japanese Interactions Through Rare Books English Version © Keio University Timelines and Maps East Asian History at a Glance Books are part of the flow of history. But it is not only about Japanese history. Many books travel over the sea time to time for several reasons and a lot of knowledge and information comes and go with books. In this course, you’ll see books published in Japan as well as ones come from China and Korea. Let’s take a look at the history in East Asia. You do not have to remember the names of the historical period but please refer to this page for reference. Japanese History Overview This is a list of the main periods in Japanese history. This may be a useful reference as we proceed in the course. Period Name of Era Name of Era - mid-3rd c. CE Yayoi 弥生 mid-3rd c. CE - 7th c. CE Kofun (Tomb period) 古墳 592 - 710 Asuka 飛鳥 710-794 Nara 奈良 794 - 1185 Heian 平安 1185 - 1333 Kamakura 鎌倉 Nanboku-chō 1333 - 1392 (Southern and Northern Courts period) 南北朝 1392 - 1573 Muromachi 室町 1573 - 1603 Azuchi-Momoyama 安土桃山 1603 - 1868 Edo 江戸 1868 - 1912 Meiji 明治 Era names (Nengō) in Edo Period There were several era names (nengo, or gengo) in Edo period (1603 ~ 1868) and they are sometimes used in the description of the old books and materials, especially Week 2 and Week 4. Here is the list of the era names in Edo period for your convenience; 1 SINO-JAPANESE INTERACTIONS THROUGH RARE BOOKS KEIO UNIVERSITY © Keio University Timelines and Maps Start Era name English Start Era name English 1596 慶長 Keichō 1744 延享 Enkyō -
Religious Studies in Japan
Religious Studies in Japan volume 5, 2020 contents 1 Foreword Hoshino Seiji 3 Those Who Sell the Sacred Sites: The Economic Development of Contemporary Tibet and Popular Religious Spaces Bessho Yūsuke 29 Kumazawa Banzan’s Ideas Regarding the “Great Way” and “Shinto” Iseki Daisuke 53 The Successors of Hirata Theology Mitsumatsu Makoto reviews 81 Takahashi Norihito 高橋典史, Shirahase Tatsuya 白波瀬達也, and Hoshino Sō 星野壮, eds., Gendai Nihon no shūkyō to tabunka kyōsei: Imin to chiiki shakai no kankeisei o saguru『現代日本 の宗教と多文化共生―移民と地域社会の関係性を探る』 Kato Masato 87 Nagaoka Takashi 永岡崇, Shinshūkyō to sōryoku sen: Kyōso igo o ikiru 新宗教と総力戦―教祖以後を生きる Adam Lyons Religious Studies in Japan volume 5: 1–2 Hoshino Seiji Editor’s Foreword We are proud to present the fifth volume ofReligious Studies in Japan (RSJ). RSJ was established in 2012 as the English-language journal of the Japanese Associa- tion for Religious Studies (JARS). We have finally reached our fifth outing with this issue, and over time there have been slight changes in the character of the periodical. Accordingly, I want to take this occasion to explain a little bit about what that character is at present as well as our basic orientation. First, the journal was founded to serve as a medium through which the mem- bers of JARS could present the fruits of their research in English. For that reason, from the very start it has accepted article submissions from the membership. The articles that appear in the journal have been peer reviewed and deemed to be of sufficient value to be published. Unfortunately, not many articles that go through this process reach publication, but in any case, I still wish to reempha- size that this journal is positioned to serve as a venue through which JARS mem- bers can put their research findings before the public eye. -
Guts and Tears Kinpira Jōruri and Its Textual Transformations
Guts and Tears Kinpira Jōruri and Its Textual Transformations Janice Shizue Kanemitsu In seventeenth-century Japan, dramatic narratives were being performed under drastically new circumstances. Instead of itinerant performers giving performances at religious venues in accordance with a ritual calendar, professionals staged plays at commercial, secular, and physically fixed venues. Theaters contracted artists to perform monthly programs (that might run shorter or longer than a month, depending on a given program’s popularity and other factors) and operated on revenues earned by charging theatergoers admission fees. A theater’s survival thus hinged on staging hit plays that would draw audiences. And if a particular cast of characters was found to please crowds, producing plays that placed the same characters in a variety of situations was one means of ensuring a full house. Kinpira jōruri 金平浄瑠璃 enjoyed tremendous though short-lived popularity as a form of puppet theater during the mid-1600s. Though its storylines lack the nuanced sophistication of later theatrical narra- tives, Kinpira jōruri offers a vivid illustration of how theater interacted with publishing in Japan during the early Tokugawa 徳川 period. This essay begins with an overview of Kinpira jōruri’s historical background, and then discusses the textualization of puppet theater plays. Although Kinpira jōruri plays were first composed as highly masculinized period pieces revolving around political scandals, they gradually transformed to incorporate more sentimentalism and female protagonists. The final part of this chapter will therefore consider the fundamental characteristics of Kinpira jōruri as a whole, and explore the ways in which the circulation of Kinpira jōruri plays—as printed texts— encouraged a transregional hybridization of this theatrical genre. -
Kigo-Articles.Pdf
Kigo Articles Contained in the All-in-One PDF 1) Kigo and Seasonal Reference: Cross-cultural Issues in Anglo- American Haiku Author: Richard Gilbert (10 pages, 7500 words). A discussion of differences between season words as used in English-language haiku, and kigo within the Japanese literary context. Publication: Kumamoto Studies in English Language and Literature 49, Kumamoto University, Kumamoto, Japan, March 2006 (pp. 29- 46); revised from Simply Haiku 3.3 (Autumn 2005). 2) A New Haiku Era: Non-season kigo in the Gendai Haiku saijiki Authors: Richard Gilbert, Yûki Itô, Tomoko Murase, Ayaka Nishikawa, and Tomoko Takaki (4 pages, 1900 words). Introduction to the Muki Saijiki focusing on the muki kigo volume of the 2004 the Modern Haiku Association (Gendai Haiku Kyôkai; MHA). This article contains the translation of the Introduction to the volume, by Tohta Kaneko. Publication: Modern Haiku 37.2 (Summer 2006) 3) The Heart in Season: Sampling the Gendai Haiku Non-season Muki Saijiki – Preface Authors: Yûki Itô, with Richard Gilbert (3 pages, 1400 words). An online compliment to the Introduction by Tohta Kaneko found in the above-referenced Muki Saijiki article. Within, some useful information concerning the treatments of kigo in Bashô and Issa. Much of the information has been translated from Tohta Kaneko's Introduction to Haiku. Publication: Simply Haiku Journal 4.3 (Autumn 2006) 4) The Gendai Haiku Muki Saijiki -- Table of Contents Authors: Richard Gilbert, Yûki Itô, Tomoko Murase, Ayaka Nishikawa, and Tomoko Takaki (30 pages, 9300 words). A bilingual compilation of the keywords used in the Muki Saijiki Table of Contents. -
Illustration and the Visual Imagination in Modern Japanese Literature By
Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature By Pedro Thiago Ramos Bassoe A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor in Philosophy in Japanese Literature in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Daniel O’Neill, Chair Professor Alan Tansman Professor Beate Fricke Summer 2018 © 2018 Pedro Thiago Ramos Bassoe All Rights Reserved Abstract Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature by Pedro Thiago Ramos Bassoe Doctor of Philosophy in Japanese Literature University of California, Berkeley Professor Daniel O’Neill, Chair My dissertation investigates the role of images in shaping literary production in Japan from the 1880’s to the 1930’s as writers negotiated shifting relationships of text and image in the literary and visual arts. Throughout the Edo period (1603-1868), works of fiction were liberally illustrated with woodblock printed images, which, especially towards the mid-19th century, had become an essential component of most popular literature in Japan. With the opening of Japan’s borders in the Meiji period (1868-1912), writers who had grown up reading illustrated fiction were exposed to foreign works of literature that largely eschewed the use of illustration as a medium for storytelling, in turn leading them to reevaluate the role of image in their own literary tradition. As authors endeavored to produce a purely text-based form of fiction, modeled in part on the European novel, they began to reject the inclusion of images in their own work. -
The Making of Modern Japan
The Making of Modern Japan The MAKING of MODERN JAPAN Marius B. Jansen the belknap press of harvard university press Cambridge, Massachusetts London, England Copyright © 2000 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Third printing, 2002 First Harvard University Press paperback edition, 2002 Book design by Marianne Perlak Library of Congress Cataloging-in-Publication Data Jansen, Marius B. The making of modern Japan / Marius B. Jansen. p. cm. Includes bibliographical references and index. isbn 0-674-00334-9 (cloth) isbn 0-674-00991-6 (pbk.) 1. Japan—History—Tokugawa period, 1600–1868. 2. Japan—History—Meiji period, 1868– I. Title. ds871.j35 2000 952′.025—dc21 00-041352 CONTENTS Preface xiii Acknowledgments xvii Note on Names and Romanization xviii 1. SEKIGAHARA 1 1. The Sengoku Background 2 2. The New Sengoku Daimyo 8 3. The Unifiers: Oda Nobunaga 11 4. Toyotomi Hideyoshi 17 5. Azuchi-Momoyama Culture 24 6. The Spoils of Sekigahara: Tokugawa Ieyasu 29 2. THE TOKUGAWA STATE 32 1. Taking Control 33 2. Ranking the Daimyo 37 3. The Structure of the Tokugawa Bakufu 43 4. The Domains (han) 49 5. Center and Periphery: Bakufu-Han Relations 54 6. The Tokugawa “State” 60 3. FOREIGN RELATIONS 63 1. The Setting 64 2. Relations with Korea 68 3. The Countries of the West 72 4. To the Seclusion Decrees 75 5. The Dutch at Nagasaki 80 6. Relations with China 85 7. The Question of the “Closed Country” 91 vi Contents 4. STATUS GROUPS 96 1. The Imperial Court 97 2. -
Vegetable Production and the Diet in Rural Villages by Ayako Ehara (Professor Emeritus, Tokyo Kasei-Gakuin University)
Vegetables and the Diet of the Edo Period, Part 2 Vegetable Production and the Diet in Rural Villages By Ayako Ehara (Professor Emeritus, Tokyo Kasei-Gakuin University) Introduction compiled by Tomita Iyahiko and completed in 1873, describes the geography and culture of Hida During the Edo period (1603–1868), the number of province. It contains records from 415 villages in villages in Japan remained fairly constant with three Hida counties, including information on land roughly 63,200 villages in 1697 and 63,500 140 years value, number of households, population and prod- later in 1834. According to one source, the land ucts, which give us an idea of the lifestyle of these value of an average 18th and 19th century village, with villagers at the end of the Edo period. The first print- a population of around 400, was as much as 400 to ed edition of Hidago Fudoki was published in 1930 500 koku1, though the scale and character of each vil- (by Yuzankaku, Inc.), and was based primarily on the lage varied with some showing marked individuality. twenty-volume manuscript held by the National In one book, the author raised objections to the gen- Archives of Japan. This edition exhibits some minor eral belief that farmers accounted for nearly eighty discrepancies from the manuscript, but is generally percent of the Japanese population before and during identical. This article refers primarily to the printed the Edo period. Taking this into consideration, a gen- edition, with the manuscript used as supplementary eral or brief discussion of the diet in rural mountain reference.