Berlin's New Cultural Heart
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Lange Nacht Der Museen JUNGE WILDE & ALTE MEISTER
31 AUG 13 | 18—2 UHR Lange Nacht der Museen JUNGE WILDE & ALTE MEISTER Museumsinformation Berlin (030) 24 74 98 88 www.lange-nacht-der- M u s e e n . d e präsentiert von OLD MASTERS & YOUNG REBELS Age has occupied man since the beginning of time Cranach’s »Fountain of Youth«. Many other loca- – even if now, with Europe facing an ageing popula- tions display different expression of youth culture tion and youth unemployment, it is more relevant or young artist’s protests: Mail Art in the Akademie than ever. As far back as antiquity we find unsparing der Künste, street art in the Kreuzberg Museum, depictions of old age alongside ideal figures of breakdance in the Deutsches Historisches Museum young athletes. Painters and sculptors in every and graffiti at Lustgarten. epoch have tackled this theme, demonstrating their The new additions to the Long Night programme – virtuosity in the characterisation of the stages of the Skateboard Museum, the Generation 13 muse- life. In history, each new generation has attempted um and the Ramones Museum, dedicated to the to reform society; on a smaller scale, the conflict New York punk band – especially convey the atti- between young and old has always shaped the fami- tude of a generation. There has also been a genera- ly unit – no differently amongst the ruling classes tion change in our team: Wolf Kühnelt, who came up than the common people. with the idea of the Long Night of Museums and The participating museums have creatively picked who kept it vibrant over many years, has passed on up the Long Night theme – in exhibitions, guided the management of the project.We all want to thank tours, films, talks and music. -
Circling Opera in Berlin by Paul Martin Chaikin B.A., Grinnell College
Circling Opera in Berlin By Paul Martin Chaikin B.A., Grinnell College, 2001 A.M., Brown University, 2004 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program in the Department of Music at Brown University Providence, Rhode Island May 2010 This dissertation by Paul Martin Chaikin is accepted in its present form by the Department of Music as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date_______________ _________________________________ Rose Rosengard Subotnik, Advisor Recommended to the Graduate Council Date_______________ _________________________________ Jeff Todd Titon, Reader Date_______________ __________________________________ Philip Rosen, Reader Date_______________ __________________________________ Dana Gooley, Reader Approved by the Graduate Council Date_______________ _________________________________ Sheila Bonde, Dean of the Graduate School ii Acknowledgements I would like to thank the Deutsche Akademische Austauch Dienst (DAAD) for funding my fieldwork in Berlin. I am also grateful to the Institut für Musikwissenschaft und Medienwissenschaft at Humboldt-Universität zu Berlin for providing me with an academic affiliation in Germany, and to Prof. Dr. Christian Kaden for sponsoring my research proposal. I am deeply indebted to the Deutsche Staatsoper Unter den Linden for welcoming me into the administrative thicket that sustains operatic culture in Berlin. I am especially grateful to Francis Hüsers, the company’s director of artistic affairs and chief dramaturg, and to Ilse Ungeheuer, the former coordinator of the dramaturgy department. I would also like to thank Ronny Unganz and Sabine Turner for leading me to secret caches of quantitative data. Throughout this entire ordeal, Rose Rosengard Subotnik has been a superlative academic advisor and a thoughtful mentor; my gratitude to her is beyond measure. -
Information Infos About Rental
In the best of company Deutsche Bank’s forum for art, culture and sports – your next event venue Welcome Go from the past to the PalaisPopulaire, Deutsche Bank’s forum for art, culture and sports in the heart of Berlin. to the present by taking just a few steps through the entrance Choose this premium location and thrill your Situated in the tradition-steeped Prinzessinnenpalais, doors of the Palais, which was built in 1733. It guests. The representative building with its on Unter den Linden boulevard, the PalaisPopulaire was expanded in the nineteenth century and vibrant history full of spectacular moments, offers you a unique space for encounters with your reconstructed in the 1960s after being damaged coupled with the contemporary interior design, guests. in the war, whereupon it housed the Opera Café, offers you a stage for unforgettable events. a popular meeting place. Behind the historic You will be in the best of company, in the immediate façade, bright, modern rooms now encourage vicinity of the State Opera, the German Historical encounters. Museum, Humboldt University, the Museum Island, Humboldt Forum in the Berlin Palace, and the Brandenburg Gate. Left: Wilhelm Brücke, The PalaisPopulaire is as vibrant, cosmopolitan, diverse, Parade in front of the Royal Palace, 1839, and changeable as the metropolis itself, offering you Oil on canvas, an inspiring framework for your individual event. Märkisches Museum, Berlin (the Prinzessinnenpalais is in the background on the right) In a central location and distinctive spaces, you can also Right: PalaisPopulaire in enjoy exhibitions from the Deutsche Bank Collection the Prinzessinnenpalais, and international partner institutions, as well as concerts, Unter den Linden 5, Bebelplatz readings, expert panel discussions, and sports work- shops. -
Staatliche Museen Zu Berlin September 24–29, 2017 September, 2017
Staatliche Museen zu Berlin September 24–29, 2017 September, 2017 Dear PREP Participants Welcome back to PREP and Willkommen in Berlin! It is wonderful to have you all here. We hope the coming week will be as interesting and insightful as the week we spent in New York in February. Over the coming days, we aim to introduce you to the key re- sources Berlin has to offer to researchers studying art losses in the Nazi-Era and also to other colleagues here in Berlin who are involved in provenance research in a variety of ways. We would also like to make you familiar with some of the institutions that are part of the Staatliche Museen zu Berlin and give you an idea of the work they are doing with regard to provenance research. Most of all, however, we would like to provide the setting in which you can continue the conversations you began in New York and carry on building the network that is PREP. We have asked you to contribute to quite a few of the events – thank you all for your many ideas and suggestions! We have tried to build PREP around the participants and your expertise and input are crucial to the success of the program. This applies not only to the coming week, but also to the future develop- ment of the PREP-Network. There are two ways in which we hope you will contribute to the long term success of PREP. One of these is that we hope you will all keep in touch after you leave Berlin and continue supporting each other in the impor- tant work you do. -
60 Incoherent Renovation in Berlin: Is There a Way
New Design Ideas Vol.3, No.1, 2019, pp.60-78 INCOHERENT RENOVATION IN BERLIN: IS THERE A WAY FORWARD? Malcolm Millais Independent researcher, Porto, Portugal Abstract. This paper briefly describes the fates of four of Berlin‟s most iconic cultural buildings. These are the Berlin Palace, the Neues Museum, the Berlin Dom (Cathedral) and the Kaiser Wilhelm Memorial Church. Using a variety of historical styles, all these buildings were built, or finished, in the nineteenth century, and all suffered serious damage due to aerial bombing in the Second World War. As all were repairable, the obvious choice might seem to reinstate them to their original condition: but this did not happen to any of them. This paper examines the incoherence of the various renovations, and briefly addresses the problem of formulating a coherent approach to renovation, particularly with reference to the 1964 Venice Charter. Keywords: Berlin, renovation, Venice Charter, iconic buildings, war damage, monstrous carbuncle, wartime bombing, cultural destruction. Corresponding Author: Malcolm Millais, Porto, Portugal, e-mail: [email protected] Received: 4 December 2018; Accepted: 24 January 2019; Published: 28 June 2019. 1. Introduction What can be said about all four of the buildings examined here is that: All, except in some aspects the Neues Museum, were extremely solidly built, so, given routine maintenance, could have be expected to have lasted for probably hundreds of years. All were severely damaged by aerial bombing during the Second World War. All were repairable. All suffered further destruction due to various political ideologies such as Communism, Modernism and Nationalism. All have been reinstated in a variety of ways, none of which are universally accepted. -
I Basic Information
I Basic Information Berlin’s new cultural heart Cultural stronghold and historical centre Berlin, September 2017 – Today, Berlin belongs to one of Europe’s leading centres of culture – and its heart beats strongest directly in the old historical city. For centuries, Berlin’s city centre has been home to a unique concentration of outstanding cultural institutions constructed on the ground where the medieval city of Berlin was founded. The modern Mitte district does not just boast the UNESCO World Heritage Site of the Museum Island, but also two opera houses and six major theatres, as well as museums, innumerable galleries and arts venues. Now, this cultural ensemble is gaining a new dimension with many new major cultural projects located here, just a few minutes’ walk apart. You can find an overview of the main on-going and planned landmark projects below. Pierre Boulez Saal Opened in March 2017, the new Pierre Boulez Saal is a major international concert hall. Initiated by Daniel Barenboim, General Music Director of the Staatsoper Unter den Linden, the hall was developed by American architect Frank Gehry and with globally acclaimed acoustician Yasuhisa Toyota creating the impeccable acoustics. Lined with light Canadian cedarwood, the Pierre-Boulez-Saal offers a flexible design allowing the auditorium’s seating as well as the stage to be arranged in various constellations for a wide spectrum of events. The concert hall is also the public face of the Barenboim-Said Akademie, not only serving as its home venue but also a space where young musicians from conflict zones in the Middle East can practice under the guidance of their mentors. -
The Berlin Palace Becomes the Humboldt Forum
THE BERLIN PALACE BECOMES THE HUMBOLDT FORUM The Reconstruction and Transformation of Berlin’s City Centre Manfred Rettig THE BERLIN PALACE BECOMES THE HUMBOLDT FORUM The Reconstruction and Transformation of Berlin’s City Centre Manfred Rettig Chief Executive Officer and spokesperson for the Berlin Palace—Humboldt Forum Foundation The Berlin Palace—Humboldt Forum (Berliner Schloss— Now, with the Berlin Palace—Humboldt Forum, the centre of Humboldtforum) will make this historic locality in the centre of Berlin’s inner city will be redesigned and given a new archi- the German capital a free centre of social and cultural life, tectural framework. This is not merely a makeshift solution – open to all, in a democratic spirit. Here, with the rebuilding it is a particularly ambitious challenge to create this new of the Berlin Palace, visitors can experience German history cultural focus in the skin of an old building. There are many in all its event-filled variety. The Humboldt Forum makes the lasting and valid justifications for this approach, and the Palace part of a new ensemble looking to the future. matter has been discussed for almost twenty years. Not only The building was commissioned and is owned by the will the project restore the reference point, both proportion- Berlin Palace—Humboldt Forum Foundation, founded in ally and in terms of content, for all the surrounding historic November 2009 by the German government. A legally respon- buildings – the Protestant state church with the cathedral sible foundation in civil law, it is devoted directly and exclu- (Berliner Dom), and Prussian civic culture with the Museum sively to public interests in promoting art and culture, educa- Island (Museumsinsel) – but, more importantly, the historic tion, international orientation, tolerance in all fields of culture centre of Berlin will be recognised as such and taken more and understanding between nations, and to the preservation seriously, after its almost complete destruction as a conse- and curating of historic monuments. -
In the Best of Company
In the best of company Deutsche Bank’s forum for art, culture and sports – your next event venue Welcome Go from the past to the PalaisPopulaire, Deutsche Bank’s forum for art, culture and sports in the heart of Berlin. to the present by taking just a few steps through the entrance Choose this premium location and thrill your Situated in the tradition-steeped Prinzessinnenpalais, doors of the Palais, which was built in 1733. It guests. The representative building with its on Unter den Linden boulevard, the PalaisPopulaire was expanded in the nineteenth century and vibrant history full of spectacular moments, offers you a unique space for encounters with your reconstructed in the 1960s after being damaged coupled with the contemporary interior design, guests. in the war, whereupon it housed the Opera Café, offers you a stage for unforgettable events. a popular meeting place. Behind the historic You will be in the best of company, in the immediate façade, bright, modern rooms now encourage vicinity of the State Opera, the German Historical encounters. Museum, Humboldt University, the Museum Island, Humboldt Forum in the Berlin Palace, and the Brandenburg Gate. Left: Wilhelm Brücke, The PalaisPopulaire is as vibrant, cosmopolitan, diverse, Parade in front of the Royal Palace, 1839, and changeable as the metropolis itself, offering you Oil on canvas, an inspiring framework for your individual event. Märkisches Museum, Berlin (the Prinzessinnenpalais is in the background on the right) In a central location and distinctive spaces, you can also Right: PalaisPopulaire in enjoy exhibitions from the Deutsche Bank Collection the Prinzessinnenpalais, and international partner institutions, as well as concerts, Unter den Linden 5, Bebelplatz readings, expert panel discussions, and sports work- shops. -
Download File
Inclusive National Belonging Intercultural Performances in the “World-Open” Germany Bruce Snedegar Burnside Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 Bruce Snedegar Burnside All Rights Reserved Abstract Inclusive National Belonging Intercultural Performances in the “World-Open” Germany Bruce Snedegar Burnside This dissertation explores what it means to belong in Berlin and Germany following a significant change in the citizenship laws in 2000, which legally reoriented the law away from a “German” legal identity rooted in blood-descent belonging to a more territorially-based conception. The primary goal is to understand attempts at performing inclusive belonging by the state and other actors, with mostly those of “foreign heritage” at the center, and these attempts’ pitfalls, opportunities, challenges, and strange encounters. It presents qualitative case studies to draw attention to interculturality and its related concepts as they manifest in a variety of contexts. This study presents a performance analysis of a ceremony at a major national museum project and utilizes a discursive analysis of the national and international media surrounding a unique controversy about soccer and Islam. The study moves to a peripheral neighborhood in Berlin and a marginal subject, a migration background Gymnasium student, who featured prominently in an expose about failing schools, using interviews and a text analysis to present competing narratives. Finally it examines the intimate, local view of a self-described “intercultural” after- school center aimed at migration-background girls, drawing extensively on ethnographic interviews and media generated by the girls.These qualitative encounters help illuminate how an abstract and often vague set of concepts within the intercultural paradigm becomes tactile when encountering those for whom it was intended. -
17/0183 22.02.2012 17
Drucksache 17/0183 22.02.2012 17. Wahlperiode Vorlage – zur Beschlussfassung – Entwurf des Bebauungsplans I-219 (Humboldt-Forum) für das Gelände zwischen Schloßbrücke, Schloßplatz, Liebknechtbrücke, Spree, Rathausbrücke,Schloßplatz, Schleusenbrücke und Spreekanal sowie die Rathausbrücke, einen Abschnittder Spree und eine Teilfläche des Schloßplatzes im Bezirk Mitte, Ortsteil Mitte Der Senat von Berlin - Stadt Um II B 13 – Tel.: 9025-2109 An das Abgeordnetenhaus von Berlin über Senatskanzlei – G Sen – Vorblatt Vorlage – zur Beschlussfassung – über den Entwurf des Bebauungsplans I-219 (Humboldt-Forum) für das Gelände zwischen Schloßbrücke, Schloßplatz, Liebknechtbrücke, Spree, Rathausbrü- cke, Schloßplatz, Schleusenbrücke und Spreekanal sowie die Rathausbrücke, einen Abschnitt der Spree und eine Teilfläche des Schloßplatzes im Bezirk Mitte, Ortsteil Mitte A. Problem Die gegenwärtige städtebauliche Situation im Plangebiet wird der besonderen Bedeu- tung des Ortes nicht gerecht. Auf der Grundlage der entsprechenden Beschlüsse des Deutschen Bundestages und des Landes Berlin sollen die planungsrechtlichen Voraus- setzungen für den Bau des künftigen Humboldt-Forums in der Kubatur des früheren Schlosses geschaffen und der Standort für ein Freiheits- und Einheitsdenkmal - unter Be- rücksichtigung des denkmalgeschützten Sockels des ehemaligen Nationaldenkmals - gesichert werden. Das Plangebiet übernimmt im Rahmen seiner Funktion als Standort für eines der bedeu- tendsten kulturellen Bauvorhaben Deutschlands, mit dem Nutzungszweck des sonstigen Sondergebietes für Kultur, Bildung und Forschung, eine besondere öffentliche Aufgabe, die allein über die Regelungen der Zulässigkeit von Vorhaben nach § 34 BauGB nicht zu sichern ist. Auch ist die gegenwärtig nach § 34 BauGB zu beurteilende Zulässigkeit von Vorhaben unzureichend, um die städtebauliche Zielsetzung der Reurbanisierung des Plangebiets unter Berücksichtigung des Wettbewerbsergebnisses umzusetzen. Dies ist nur mit dem Instrument des Bebauungsplans möglich. -
101 Berlin Geheimtipps Und Top-Ziele
IWANOWSKI’S Insider-Tipps von Berlin-Experten 11 Ausflüge in die Umgebung „Anregende Tipps, die neugierig machen und informieren.“ Eine Leserin Tipps für individuelle Entdecker 101 BERLIN GEHEIMTIPPS UND TOP-ZIELE Mit vielen Karten Iwanowski 101 Berlin Karte U1 237 x 180 mm 19.09.2016 Stendaler Lehrter Str. Chausseestr. 24 101 48 16 Heide- str. Naturkunde- F Str. Nord- Veteranen- eh Berlin Innenstadt Invaliden- A. Brunnen- str. rb e museum e e Metzer Birkenstr.Birkenstr. Nordbf. Volkspark l l Kruppstr. friedhof l l Schifffahrtskanal bf. in Ackerstr. am e Birken- Wils-str. Scharnhorststr. r ASenefel- str. Str. Invali- Garten- den- str. Bergstr.str. Str. Z Str. Wein- Hamburger Mus. f. Weinb.-wegeh Lottum- str. r derpl. str. d S r. Rathenower Str. Habersaathstr. berg en tr e S t Wiclefstr. B ic . s a S und Lehrter Naturkunde Rosen- ke Christinenstr. u ar Post- o r a b r S h . rü Fritz- Invaliden- s Schröder- thaler Pl. t n b ck nacker stadion i str. r. Containerbf. Chausseestr. g ö ß e park 60 a r Hess. N - h r Bandelstr. MO ABIT Torstr. c t S Perleberger Str. o S t Waldenser- str. Schloß- Str. v Torstr. S r Tieck- a str.s R . l t Linienstr. Mus. f. i r s . o Linienstr. RRosa-Luxemburg-Pl.osa-Luxemburg-Pl. s Große Hamburger Str. Dreysestr. Hannoversc t 32 s Park Gegenwart h 40 r e . e n . ner Lehrter Str. Invaliden- str. t r Torstr.49 Emde- Linienstr. Luisenstr. S h t r Torstr. Mulackstr. s Bremer Str. -
City Guide Berlin Und Potsdam 8. Auflage
CityGuide „Tipps für jede Generation und Interessenlage“ Potsdam GEO Spezial mit Potsdam BERLIN mit im KaDeWe Seite 236 Das bunteste Gedrängel im Kiez: Kristine Jaath der Türkenmarkt am Maybachufer Seite 266 BERLIN Handbuch für die neue, alte Hauptstadt Berlin: eintauchen und entdecken 001-011b.qxd 29.07.2009 11:14 Seite 1 Reisetipps A–Z Berlin und Bewohner Berlin-Mitte Berlin-Tiergarten 310be Foto: kj Foto: 310be Rund ums Zentrum Ausflüge Potsdam Anhang Stadtatlas 001-011b.qxd 29.07.2009 11:14 Seite 3 Kristine Jaath Berlin mit Potsdam „Ich möchte Weltbürger sein, überall zu Hause und – was noch entscheidender ist – überall unterwegs.“ Erasmus von Rotterdam 001-011b.qxd 29.07.2009 11:14 Seite 4 Impressum Kristine Jaath Berlin mit Potsdam erschienen im REISE KNOW-HOW Verlag Peter Rump GmbH Osnabrücker Straße 79, 33649 Bielefeld © Peter Rump 1999, 2000, 2001, 2003, 2005, 2006, 2008 8., neu bearbeitete und komplett aktualisierte Auflage 2009 Alle Rechte vorbehalten. Gestaltung Umschlag: M. Schömann, P. Rump (Layout); Christina Hohenhoff (Realisierung) Inhalt: Günter Pawlak (Layout); Barbara Bossinger (Realisierung) Karten: Catherine Raisin, der Verlag Umschlagklappe hinten: BVG (Berliner Verkehrsbetriebe) Fotos: Kristine Jaath (kj), Christian Prager (cp; S. 117), Umschlagfoto: www.fotolia.com © Bernd Kröger (Fahrradfahrer am Brandenburger Tor) Lektorat (Aktualisierung): Christina Hohenhoff Druck und Bindung Media Print, Paderborn ISBN 978-3-8317-1858-0 PRINTED IN GERMANY Dieses Buch ist erhältlich in jeder Buchhandlung Deutschlands, der Schweiz, Wir freuen uns über Kritik, Kommentare und Österreichs, Belgiens und der Niederlande. Verbesserungsvorschläge, gerne per E-Mail an Bitte informieren Sie Ihren Buchhändler [email protected]. über folgende Bezugsadressen: Alle Informationen in diesem Buch sind von der Deutschland Autorin mit größter Sorgfalt gesammelt Prolit GmbH, Postfach 9, und vom Lektorat des Verlages gewissenhaft D-35463 Fernwald (Annerod) bearbeitet und überprüft worden.