Download File

Total Page:16

File Type:pdf, Size:1020Kb

Download File Inclusive National Belonging Intercultural Performances in the “World-Open” Germany Bruce Snedegar Burnside Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 Bruce Snedegar Burnside All Rights Reserved Abstract Inclusive National Belonging Intercultural Performances in the “World-Open” Germany Bruce Snedegar Burnside This dissertation explores what it means to belong in Berlin and Germany following a significant change in the citizenship laws in 2000, which legally reoriented the law away from a “German” legal identity rooted in blood-descent belonging to a more territorially-based conception. The primary goal is to understand attempts at performing inclusive belonging by the state and other actors, with mostly those of “foreign heritage” at the center, and these attempts’ pitfalls, opportunities, challenges, and strange encounters. It presents qualitative case studies to draw attention to interculturality and its related concepts as they manifest in a variety of contexts. This study presents a performance analysis of a ceremony at a major national museum project and utilizes a discursive analysis of the national and international media surrounding a unique controversy about soccer and Islam. The study moves to a peripheral neighborhood in Berlin and a marginal subject, a migration background Gymnasium student, who featured prominently in an expose about failing schools, using interviews and a text analysis to present competing narratives. Finally it examines the intimate, local view of a self-described “intercultural” after- school center aimed at migration-background girls, drawing extensively on ethnographic interviews and media generated by the girls.These qualitative encounters help illuminate how an abstract and often vague set of concepts within the intercultural paradigm becomes tactile when encountering those for whom it was intended. Table of Contents Acknowledgements………………………………………………………………………….……ii Dedication……………………………………………………………………………………..…iv Chapter 1: Introduction……………………………………………………………………………1 Chapter 2: Humboldt Forum………………………………………………………………….….43 Chapter 3: A Fatwa for German Soccer……………………………………………………….…77 Chapter 4: Narratives of Neukölln…………………………………………………………..…113 Chapter 5: MÄDEA: After-School Center……………………………………………………..165 Chapter 6: Conclusion……………………………………………………………………….…210 Bibliography……………………………………………………………………………………227 Appendices: A. Methods………………………………………………………….……………………….…245 B. Map of Central Berlin…………………………………………………………………….…256 C. Berlin Boroughs Map……………………………………………………………………..…257 D. Fatwa for the Soccer Player - Arabic Version……………………………………………….258 E. Fatwa for the Soccer Player - German Version……………………………………………… 260 i Acknowledgments I would like to thank all the many people in Germany who participated in my study. I am grateful because they shared their time, perspectives and patience with me. Their willingness to speak with me and share their stories and lives made this dissertation possible. Thank you to the Humboldt University’s European Ethnography department and Technical University of Berlin’s Center for Metropolitan Studies for welcoming as a guest and offering me suggestions and support. I am deeply grateful to my advisor Dr. Katherine Ewing for her guidance and knowledge over the course of this project. It was her work which originally helped inspire me to become an anthropologist and I have endeavored to live up to that dream. I thank Dr. Hervé Varenne for sharing his knowledge with me and his leadership in our program. Thank you to Dr. Lesley Bartlett for her mentorship during my first years at Teachers College. I would also like to thank Dr. Petra Kuppinger for sharing her insights with me and showing me a corner of Stuttgart. I would also like to thank Dr. Lila Abu-Lughod and Dr. Claudio Lomnitz for their guidance as I took my first steps as a graduate student and their on- going support as I continued. Thank you to Dr. Paige West for her critical support of me as a teacher at Barnard College. I am also grateful to Dr. Hope Leichter and Dr. Nicholas Limerick for their thoughtful readings of this manuscript. I am fortunate to have had many readers and supporters. Thanks to Jill Siegel for hearing out my ideas and offering her feedback through the many iterations of this project. Thank you to ii Sarah Montgomery-Glinski, Darlene Dubuisson, and Prashanth Kuganathan for their support in and out of the classroom. Thank you to Melanie Hibbert, Damian Harris, and my parents, Barbara and Robert, for their unwavering support and enthusiasm. Thank you most of all to my wife Julie, it would not have been possible without her. iii For Julie, Nader, and Gwendolyn Marie iv Chapter 1: Introduction The Mitte neighborhood of Berlin, Germany has the happy fortune of containing many of the nation’s most distinguished and famous museums: the Bode, the Altes and Neues Museums, and the Pergamon as well as the construction site of future Humboldt Forum (a topic of this study). However, in the northern reaches of the quarter where it borders the neighborhood of Wedding one can visit the humble Mitte Museum. It is a museum devoted to the borough itself. Since Mitte combined with its smaller sister neighborhoods of Wedding and Tiergarten in 2001 into the larger super borough (also known as Mitte)1, the museum graciously includes all of these neighborhoods in its subtitle and, of course, in its exhibits and collections. During the early days of my fieldwork in a Wedding after-school center (which features in the final chapter), I was getting to know the neighborhood and visited the small museum. It is located on the busy Pankstrasse in a former nineteenth-century yellow-brick school building, somewhere between austere and charming. Though the museum was very much devoted to the Mitte borough (with its newer additions), it was a borough that had been located relatively recently in the crossroads of history. The Berlin Wall ran a few blocks away (the school building was located on the Western side, within Wedding), which alone left the small museum with no shortage of material and ideas to display to the public. The old Mitte neighborhood had sat within the communist German Democratic Republic and Soviet sphere. However, its newer additions of Wedding and Tiergarten belonged to the Federal Republic and the Allies. In its current super form, it includes the massive 1 Please see Appendix A and B for maps of central Berlin and its boroughs. 1 Tiergarten park, the federal government borough, the Brandenburg Gate, Unter den Linden, Potsdamer Platz and even Checkpoint Charlie at its southern edge. All the same, the schoolhouse neighborhood museum remained relatively restrained. It dutifully displayed its collections of swords, scythes, Prussian helmets and black and white photos of long-destroyed buildings that originated in its days as a so-called Heimat, or hometown, museum. It even reserved a room as a mock-up of one of the building’s former classrooms with wooden desks and charming pedagogical wall-hangings of a Chinese tea farm operation and a North African oasis. Nevertheless, it also could not resist the occasional lengthy textual explanation of the borough to its inhabitants and visitors. One such text was titled “Immigration” (Zuwanderung), which drew me in, as immigrants were what had drawn me to the after-school girls center in the neighborhood initially and remained a keystone as I moved through different case studies considered throughout this work. The text, running to a couple of thousand words, made some expected and unexpected claims. In the expected column, it began with the platitude that “Berlin is a city of immigrants” and continued by pointing out that “about 26% of the residents [of the enlarged Mitte Borough] were as of December 2000 of foreign heritage.” This proportion was within the well- acknowledged statistics of Berlin’s make-up. However, it was tinged with slightly awkward politically (somewhat)-correct language, with its reclassification of a quarter of its residents from the charged status of “foreigner,” as might be found elsewhere, to the slightly more palatable of “foreign heritage.” However, the next two sentences of the text are unexpected. We learn that “those not born locally [Nicht am Ort Geborene] always played a significant role in Berlin. Even the city’s 2 founders were Rhenish or Flemish merchants.” This assertion referring to the late 12th-century founding of the city by merchants is hardly controversial, but positioning them as the first “immigrants” is an unexpected strategic maneuver. The presumably German-speaking merchants are (according to the text’s logic) merely the beginning of a cascading cast of arrivals from elsewhere. The text goes on in its eleven paragraphs to describe the arrival of “immigrants” through the centuries, including “Hollanders,” “Jews,” “Huguenots,” “Flemings” (again), “Hollanders” (again), Bohemians,” “Swiss.” Others came from the “German regions” of Wurttemberg, Saxony and Mecklenburg, Vogtland, Brandenburg, Silesia, Pomerania, Saxony (again), and also Russian Poland and Austrian Galicia. The October Revolution gave “immigration” from Russia a new boost with the arrival of 360,000 refugees, and “immigration” had always included many “Jews” from other parts of the country and abroad. The “National- Socialist dictatorship” brought slave labor (not “true immigration” in the text’s wording)
Recommended publications
  • Press Release Berlin, 15 February 2019
    Press Release Berlin, 15 February 2019 Schlüter’s colossal sculptures have arrived in the Humboldt Forum The eight surviving colossal sculptures from the workshop of the famous sculptor and architect Andreas Schlüter have returned to the Schlossplatz – their place of origin. The sandstone figures, which are all on loan from the Staatliche Museen zu Berlin – Stiftung Preußischer Kulturbesitz, were recently transported from the Bode Museum and the Palace Workshop to the Humboldt Forum, where they have been put on display in the Sculpture Hall. When the Humboldt Forum opens at the end of this year, visitors will be able to see these marvellous sculptures, united once more as an intrinsic part of the history of the location. Schlüter’s eight sandstone sculptures originally stood in the Berlin Palace courtyard that bears his name – the Schlüterhof. They were among the few sculptures that were fortunately salvaged from the ruins of the Palace before its demolition in 1950. With the exception of the nineteenth-century copy of Antinous, they were all made in the seventeenth century. Six of the sculptures originally crowned the columns in front of the great courtyard portal, where, at over three metres high, they served as dignified ornamentation for the palace courtyard. They represent a canon of the ideal virtues of a ruler. Meleager, for example, stands for heroism and the protection of his subjects, Apollo symbolizes the nurturing of art and science, whilst Mercury represents the promotion of trade and the economy. The other two[NM1], the robed [ERJ2]female figures Industry and Harmony, adorned the interior wall of Gateway 1.
    [Show full text]
  • Berlin - Wikipedia
    Berlin - Wikipedia https://en.wikipedia.org/wiki/Berlin Coordinates: 52°30′26″N 13°8′45″E Berlin From Wikipedia, the free encyclopedia Berlin (/bɜːrˈlɪn, ˌbɜːr-/, German: [bɛɐ̯ˈliːn]) is the capital and the largest city of Germany as well as one of its 16 Berlin constituent states, Berlin-Brandenburg. With a State of Germany population of approximately 3.7 million,[4] Berlin is the most populous city proper in the European Union and the sixth most populous urban area in the European Union.[5] Located in northeastern Germany on the banks of the rivers Spree and Havel, it is the centre of the Berlin- Brandenburg Metropolitan Region, which has roughly 6 million residents from more than 180 nations[6][7][8][9], making it the sixth most populous urban area in the European Union.[5] Due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. Around one- third of the city's area is composed of forests, parks, gardens, rivers, canals and lakes.[10] First documented in the 13th century and situated at the crossing of two important historic trade routes,[11] Berlin became the capital of the Margraviate of Brandenburg (1417–1701), the Kingdom of Prussia (1701–1918), the German Empire (1871–1918), the Weimar Republic (1919–1933) and the Third Reich (1933–1945).[12] Berlin in the 1920s was the third largest municipality in the world.[13] After World War II and its subsequent occupation by the victorious countries, the city was divided; East Berlin was declared capital of East Germany, while West Berlin became a de facto West German exclave, surrounded by the Berlin Wall [14] (1961–1989) and East German territory.
    [Show full text]
  • HUF-10P-Formatiert-Final-1-150316 EN LA Ab LA
    The Humboldt-Forum is ► an international meeting point and forum for the world The Humboldt-Forum aims to improve our understanding of the globalised world in which we live by raising questions and also searching for solutions. It is our goal to promote interaction between different cultures and to increase mutual understanding. In today’s mediated world, geographical distances / dimensions are less and less determining factors for many people. However, this change has not been accompanied by an increase in genuine understanding for one another, so it is all the more important to support this understanding, and to highlight developments in relationships between cultures and societies. The forum seeks to illuminate the tasks with which we are faced – in our cultures, societies, economies, and politics. ► a new home for equal rights, tolerance and democracy The Berlin Palace and the square where it is situated look back on a turbulent history. Even as the palace conjures notions of the building’s historical identity, the reconstructed palace will primarily serve as the home of the Humboldt-Forum; and thus help foster a respectful and equitable world community founded on the principle of diversity. History, however, will not be buried in the process: a number of freely accessible areas will address the palace’s history and reveal traces of the past. ► a historical, present, and future obligation Following in the spirit of Alexander and Wilhelm von Humboldt, the brothers who give the Humboldt-Forum its name and conceptual ideas, the forum is characterised by its cosmopolitan worldview and democratic consciousness. Actors and partners of the Humboldt-Forum committed to this tradition include the Stiftung Preussischer Kulturbesitz (Prussian Cultural Heritage Foundation) with its two National Museums, the Berlin State, with especially the Humboldt-Universität zu Berlin, as well as the Stiftung Berliner Schloss – Humboldt Forum (Berlin Palace – Humboldt Forum Foundation).
    [Show full text]
  • 13 • 2/2020 • 13
    Aisthesis Pratiche, linguaggi e saperi dell'estetico Aisthesis Reading Philosophy Through Archives and Manuscripts 13 • 2/2020 edited by Fabrizio Desideri Benedetta Zaccarello 13 • 2/2020 FIRENZE ISSN 2035-8466 PRESSUNIVERSITY www.fupress.net FUP di libro pagata - Piego Tassa Italiane spa - Poste 072/DCB/FI1/VF del 31.03.2005 n. Aut. Aisthesis Pratiche, linguaggi e saperi dell'estetico Reading Philosophy Through Archives and Manuscripts Edited by Fabrizio Desideri, Benedetta Zaccarello Vol 13, No 2 (2020) Firenze University Press Published with the financial support of C.E.F.R.E.S. (Centre Français d’Etudes en Sciences Sociales, Prague, U.S.R. 3138 C.N.R.S./M.E.A.E.) and the Department of Lettere e Filosofia of the University of Florence. Firenze University Press Aisthesis www.fupress.com/aisthesis What can we learn from philosophical manuscripts and archives? Citation: B. Zaccarello (2020) What can we learn from philosophical manu- scripts and archives?. Aisthesis 13(2): 3-8. doi: 10.13128/Aisthesis-12379 Benedetta Zaccarello Copyright: © 2020 B. Zaccarello. This is Senior researcher at C.N.R.S., Institut des Textes et Manuscrits Modernes (I.T.E.M., an open access, peer-reviewed article UMR 8132, C.N.R.S./E.N.S., Paris) published by Firenze University Press E-mail: [email protected] (http://www.fupress.com/aisthesis) and distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distri- bution, and reproduction in any medi- um, provided the original author and Manuscripts became more accessible items only in very recent source are credited.
    [Show full text]
  • Curriculum Framework
    Curriculum Framework Education for Sustainable A contribution to the UNESCO Global Action Programme Development »Education for Sustainable Development« KMK / BMZ – Curriculum Framework Curriculum – BMZ / KMK Development Sustainable for Education ISBN 978-3-06-230062-2 ,!7ID0G2-daagcc! _218GW_9783062300622 U1+U4_SIV Benutzerdefiniert V 28.11.16 12:14 Curriculum Framework Education for Sustainable Development 2nd updated and extended edition, 2016 edited by Jörg-Robert Schreiber and Hannes Siege A contribution to the Global Action Programme Education for Sustainable Development Result of the joint project of the Standing Conference of the German Ministers of Education and Culture (KMK) and the German Federal Ministry of Economic Cooperation and Development (BMZ) Imprint On behalf of: KMK (Standing Conference of the Ministers of Education and Cultural Affairs) www.kmk.org, E-Mail: [email protected] Taubenstraße 10, D-10117 Berlin Postfach 11 03 42, D-10833 Berlin phone number: +49 (0) 30 254 18-499 Fax +49 (0) 30 254 18-450 BMZ (German Federal Ministry of Economic Cooperation and Development) www.bmz.de, E-Mail: [email protected] Work location Bonn Postfach 12 03 22, D-53045 Bonn phone number: +49 (0) 228 99 535-0 Fax +49 (0) 228 99 535-2500 Work location Berlin Stresemannstraße 94, D-10963 Berlin phone number: +49 (0) 30 18 535-0 Fax +49 (0) 30 18 535-2501 Executed by: ENGAGEMENT GLOBAL gGmbH Service für Entwicklungsinitiativen Tulpenfeld 7, D-53113 Bonn phone number: +49 (0) 228 20717-0 Fax +49 (0) 228 20717-150 www.engagement-global.de
    [Show full text]
  • Musekamp on Stangl, 'Risen from Ruins: the Cultural Politics of Rebuilding East Berlin'
    H-Urban Musekamp on Stangl, 'Risen from Ruins: The Cultural Politics of Rebuilding East Berlin' Review published on Friday, September 11, 2020 Paul Stangl. Risen from Ruins: The Cultural Politics of Rebuilding East Berlin. Stanford: Stanford University Press, 2018. 352 pp. $65.00 (cloth), ISBN 978-1-5036-0320-2. Reviewed by Jan Musekamp (University of Pittsburgh) Published on H-Urban (September, 2020) Commissioned by Alexander Vari (Marywood University) Printable Version: http://www.h-net.org/reviews/showpdf.php?id=54596 Beyond Socialist Remodeling: Rebuilding East Berlin, 1945-61 Given its tumultuous history, it is not surprising that numerous scholars focus on postwar Berlin’s changing urban landscape. This is an interdisciplinary endeavor, with architects, urban planners, historians, and art historians looking at the city from markedly different perspectives.[1] Paul Stangl is a geographer by training and adds to this growing body of scholarship on the divided city. His focus is on the twenty-five years between the end of the Second World War and the construction of the infamous Berlin Wall—a time when Germany and the entire European continent “rose from ruins,” as the GDR national anthem put it. However, the Berlin case is unique for a number of reasons. First, the former German capital quickly developed into the front city of the Cold War. Second, as a result of this geopolitical background, both East and West Berlin served as showcases of the ideologies clashing here. Third, Berlin soon became a truly divided city in both spatial and ideological ways. Here, architects and urban planners often had to make decisions that followed not only general trends in urban planning but also ideological guidelines or directives.
    [Show full text]
  • Travel with the Metropolitan Museum of Art
    BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Travel with Met Classics The Met BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB May 9–15, 2022 Berlin with Christopher Noey Lecturer BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Berlin Dear Members and Friends of The Metropolitan Museum of Art, Berlin pulses with creativity and imagination, standing at the forefront of Europe’s art world. Since the fall of the Wall, the German capital’s evolution has been remarkable. Industrial spaces now host an abundance of striking private art galleries, and the city’s landscapes have been redefined by cutting-edge architecture and thought-provoking monuments. I invite you to join me in May 2022 for a five-day, behind-the-scenes immersion into the best Berlin has to offer, from its historic museum collections and lavish Prussian palaces to its elegant opera houses and electrifying contemporary art scene. We will begin with an exploration of the city’s Cold War past, and lunch atop the famous Reichstag. On Museum Island, we
    [Show full text]
  • Berlin's New Cultural Heart
    I Research Text Berlin’s new cultural heart Cultural stronghold and historical centre Berlin, September 2017 – Today, Berlin belongs to one of Europe’s leading centres of culture – and its heart beats strongest directly in the old historical city. For centuries, Berlin’s city centre has been home to a unique concentration of outstanding cultural institutions constructed on the ground where the medieval city of Berlin was founded. The modern Mitte district does not just boast the UNESCO World Heritage Site of the Museum Island, but also two opera houses and six major theatres, as well as museums, innumerable galleries and arts venues. Now, this cultural ensemble is gaining a new dimension with many new major cultural projects located here, just a few minutes’ walk apart. You can find an overview of the main on-going and planned landmark projects below. Pierre Boulez Saal Opened in March 2017, the new Pierre Boulez Saal is a major international concert hall. Initiated by Daniel Barenboim, General Music Director of the Staatsoper Unter den Linden, the hall was developed by American architect Frank Gehry and with globally acclaimed acoustician Yasuhisa Toyota creating the impeccable acoustics. Lined with light Canadian cedarwood, the Pierre-Boulez-Saal offers a flexible design allowing the auditorium’s seating as well as the stage to be arranged in various constellations for a wide spectrum of events. The concert hall is also the public face of the Barenboim-Said Akademie, not only serving as its home venue but also a space where young musicians from conflict zones in the Middle East can practice under the guidance of their mentors.
    [Show full text]
  • Al Azhar - Study Exchange Programme
    Al Azhar - Study Exchange Programme Egypt and England – a significant study exchange: Christians and Muslims learning about each other’s faith A significant development and strengthening of the relationship between the Anglican Communion and Al Azhar Al Sharif, the centre of Islamic learning in Cairo, Egypt, has taken place during November through two significant study visits. The first is that of the Grand Mufti of Egypt, His Eminence Dr Ali Gomaa, who delivered a talk at the University of Cambridge during the first week of November. A longer stay for study, of a month’s duration, was made by three younger Muslim scholars (El Sayed Mohamed Abdalla Amin, Farouk Rezq Bekhit Sayyid, Sameh Mustafa Muhammad Asal, graduate teaching assistants at the Faculty of Languages and Translation, Department of Islamic Studies in English, Al Azhar University) to Ridley Hall Theological College, Cambridge, England, November 1-29. Ridley Hall is well-known as a training centre for future Anglican clergy. Study exchange linked to Anglican Communion Al Azhar dialogue This double visit, of both Dr Gomaa, an eminent international Muslim scholar, and of three future Muslim religious leaders, is linked to the study exchange agreement signed by the Anglican Communion and Al Azhar Al Sharif in September 2005 at Lambeth Palace and ratified in the presence of Sheikh Al Azhar, Dr Mohamed Tantawy, at a meeting held at Al Azhar in September 2006. This process of study exchange has been developed to further the aims of the initial agreement between the Anglican Communion
    [Show full text]
  • Lange Nacht Der Museen JUNGE WILDE & ALTE MEISTER
    31 AUG 13 | 18—2 UHR Lange Nacht der Museen JUNGE WILDE & ALTE MEISTER Museumsinformation Berlin (030) 24 74 98 88 www.lange-nacht-der- M u s e e n . d e präsentiert von OLD MASTERS & YOUNG REBELS Age has occupied man since the beginning of time Cranach’s »Fountain of Youth«. Many other loca- – even if now, with Europe facing an ageing popula- tions display different expression of youth culture tion and youth unemployment, it is more relevant or young artist’s protests: Mail Art in the Akademie than ever. As far back as antiquity we find unsparing der Künste, street art in the Kreuzberg Museum, depictions of old age alongside ideal figures of breakdance in the Deutsches Historisches Museum young athletes. Painters and sculptors in every and graffiti at Lustgarten. epoch have tackled this theme, demonstrating their The new additions to the Long Night programme – virtuosity in the characterisation of the stages of the Skateboard Museum, the Generation 13 muse- life. In history, each new generation has attempted um and the Ramones Museum, dedicated to the to reform society; on a smaller scale, the conflict New York punk band – especially convey the atti- between young and old has always shaped the fami- tude of a generation. There has also been a genera- ly unit – no differently amongst the ruling classes tion change in our team: Wolf Kühnelt, who came up than the common people. with the idea of the Long Night of Museums and The participating museums have creatively picked who kept it vibrant over many years, has passed on up the Long Night theme – in exhibitions, guided the management of the project.We all want to thank tours, films, talks and music.
    [Show full text]
  • RELIGIOUS PEACE a Precious Treasure RELIGIOUS PEACE a Precious Treasure
    RELIGIOUS PEACE A Precious Treasure RELIGIOUS PEACE A Precious Treasure Studies in Inter-Religious Relations in Plural Societies (SRP) Programme Editors: Salim Mohamed Nasir and M Nirmala Copyright © 2015 ISBN: 978-981-09-4915-0 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without prior written permission of the S Rajaratnam School of International Studies, Nanyang Technological University. Printed by Future Print Pte Ltd 10 Kaki Bukit Road 1,#01-35 KB Industrial Building, Singapore 416175 Tel: 6842 5500 Email: [email protected] Studies in Inter-Religious Relations in Plural Societies (SRP) Programme S Rajaratnam School of International Studies, Nanyang Technological University Block S4, Level B4, Nanyang Avenue, Singapore 639798 Tel: (65) 6592 1680 Email: [email protected] Website: www.rsis.edu.sg A PRECIOUS RELIGIOUS TREASURE PEACE RELIGIOUS PEACE, RELIGIOUS PEACE Contents A PRECIOUS TREASURE A Precious Treasure 05 Message by PM Lee Hsien Loong 07 Foreword INTRODUCTION 10 About SRP 13 Profiles 22 Reclaiming Our Common Humanity - Role of Religion amidst Pluralism 32 Theological and Cultural Foundations for Strong and Positive Inter-Religious Relations 42 Theological and Cultural Foundations for an Inclusivist View of the Religious ‘Other’ in Islamic Tradition 60 Inter-Religious Relations in Singapore 76 Hinduism, Peace-building and the Religious ‘Other’ 91 Annexes 112 Acknowledgements RELIGIOUS RELIGIOUS PEACE, PEACE A PRECIOUS TREASURE RELIGIOUS PEACE, A PRECIOUS TREASURE 03 Meeting with Singapore’s Prime Minister Lee Hsien Loong. (MCI photo by Terence Tan) Singapore Prime Minister Lee Hsien Loong met Sheikh Dr Ali Gomaa and Most Rev Dr Mouneer Hanna Anis at the Istana on 6 June 2014.
    [Show full text]
  • Circling Opera in Berlin by Paul Martin Chaikin B.A., Grinnell College
    Circling Opera in Berlin By Paul Martin Chaikin B.A., Grinnell College, 2001 A.M., Brown University, 2004 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program in the Department of Music at Brown University Providence, Rhode Island May 2010 This dissertation by Paul Martin Chaikin is accepted in its present form by the Department of Music as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date_______________ _________________________________ Rose Rosengard Subotnik, Advisor Recommended to the Graduate Council Date_______________ _________________________________ Jeff Todd Titon, Reader Date_______________ __________________________________ Philip Rosen, Reader Date_______________ __________________________________ Dana Gooley, Reader Approved by the Graduate Council Date_______________ _________________________________ Sheila Bonde, Dean of the Graduate School ii Acknowledgements I would like to thank the Deutsche Akademische Austauch Dienst (DAAD) for funding my fieldwork in Berlin. I am also grateful to the Institut für Musikwissenschaft und Medienwissenschaft at Humboldt-Universität zu Berlin for providing me with an academic affiliation in Germany, and to Prof. Dr. Christian Kaden for sponsoring my research proposal. I am deeply indebted to the Deutsche Staatsoper Unter den Linden for welcoming me into the administrative thicket that sustains operatic culture in Berlin. I am especially grateful to Francis Hüsers, the company’s director of artistic affairs and chief dramaturg, and to Ilse Ungeheuer, the former coordinator of the dramaturgy department. I would also like to thank Ronny Unganz and Sabine Turner for leading me to secret caches of quantitative data. Throughout this entire ordeal, Rose Rosengard Subotnik has been a superlative academic advisor and a thoughtful mentor; my gratitude to her is beyond measure.
    [Show full text]