Vardis Fisher: the Frontier and Regional Works
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cutting Patterns in DW Griffith's Biographs
Cutting patterns in D.W. Griffith’s Biographs: An experimental statistical study Mike Baxter, 16 Lady Bay Road, West Bridgford, Nottingham, NG2 5BJ, U.K. (e-mail: [email protected]) 1 Introduction A number of recent studies have examined statistical methods for investigating cutting patterns within films, for the purposes of comparing patterns across films and/or for summarising ‘average’ patterns in a body of films. The present paper investigates how different ideas that have been proposed might be combined to identify subsets of similarly constructed films (i.e. exhibiting comparable cutting structures) within a larger body. The ideas explored are illustrated using a sample of 62 D.W Griffith Biograph one-reelers from the years 1909–1913. Yuri Tsivian has suggested that ‘all films are different as far as their SL struc- tures; yet some are less different than others’. Barry Salt, with specific reference to the question of whether or not Griffith’s Biographs ‘have the same large scale variations in their shot lengths along the length of the film’ says the ‘answer to this is quite clearly, no’. This judgment is based on smooths of the data using seventh degree trendlines and the observation that these ‘are nearly all quite different one from another, and too varied to allow any grouping that could be matched against, say, genre’1. While the basis for Salt’s view is clear Tsivian’s apparently oppos- ing position that some films are ‘less different than others’ seems to me to be a reasonably incontestable sentiment. It depends on how much you are prepared to simplify structure by smoothing in order to effect comparisons. -
General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
“A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and -
Wallace Stegner and the De-Mythologizing of the American West" (2004)
Digital Commons @ George Fox University Faculty Publications - Department of Professional Department of Professional Studies Studies 2004 Angling for Repose: Wallace Stegner and the De- Mythologizing of the American West Jennie A. Harrop George Fox University, [email protected] Follow this and additional works at: http://digitalcommons.georgefox.edu/dps_fac Recommended Citation Harrop, Jennie A., "Angling for Repose: Wallace Stegner and the De-Mythologizing of the American West" (2004). Faculty Publications - Department of Professional Studies. Paper 5. http://digitalcommons.georgefox.edu/dps_fac/5 This Dissertation is brought to you for free and open access by the Department of Professional Studies at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of Professional Studies by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. ANGLING FOR REPOSE: WALLACE STEGNER AND THE DE-MYTHOLOGIZING OF THE AMERICAN WEST A Dissertation Presented to The Faculty of Arts and Humanities University of Denver In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Jennie A. Camp June 2004 Advisor: Dr. Margaret Earley Whitt Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ©Copyright by Jennie A. Camp 2004 All Rights Reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. GRADUATE STUDIES AT THE UNIVERSITY OF DENVER Upon the recommendation of the chairperson of the Department of English this dissertation is hereby accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Profess^inJ charge of dissertation Vice Provost for Graduate Studies / if H Date Reproduced with permission of the copyright owner. -
Booklist.Pdf
Visit our website at: For Pricing and Availability Updated: 2/9/2021 williamjohnstonebooks.com Call 1‐615‐295‐2143 or E‐mail *New Titles and Release Dates Subject to Change [email protected] WESTERNS Title (Series) A Town Called Fury Series Released Audio 1. A Town Called Fury Jul 2006 Yes _____ 2. Hard Country Apr 2007 Yes _____ 3. Judgment Day Nov 2007 Yes _____ 4. Redemption Jul 2011 Yes _____ Ben Savage, Saloon Ranger Series Released Audio 1. Buzzard's Bluff Aug 2020 _____ 2. The Devil's Boneyard Nov 2020 _____ Blood Bond Series Released Audio 1. Blood Bond Jul 1989 Yes _____ 2. Brotherhood of the Gun Jun 1990 Yes _____ 3. Gunsight Crossing Aug 1991 Yes _____ 4. Gunsmoke and Gold Feb 1992 Yes _____ 5. Devil Creek Crossfire Jul 1992 Yes _____ 6. Shootout at Gold Creek Jul 1993 Yes _____ 7. San Angelo Showdown Feb 1994 Yes _____ 8. Death in Snake Creek Dec 1994 Yes _____ 9. Slaughter Trail Jun 2006 Yes _____ 10. The Hanging Road Jun 2007 Yes _____ 11. Texas Gundown Feb 2008 Yes _____ 12. Ride for Vengeance Jun 2008 Yes _____ 13. Deadly Road to Yuma Apr 2009 Yes _____ 14. Moonshine Massacre Apr 2010 Yes _____ 15. Arizona Ambush Nov 2011 Yes _____ 16. A Hundred Ways to Kill Nov 2012 Yes _____ Blood Valley Series Released Audio 1. Blood Valley Feb 1988 Yes _____ 2. Six Ways from Sunday May 2009 Yes _____ 3. Savage Guns Oct 2010 Yes _____ 4. Massacre Mountain Oct 2011 Yes _____ 5. -
The Ghostmodern: Revisionist Haunting in Turn-Of-The-Century American Literature (1887-1910)
THE GHOSTMODERN: REVISIONIST HAUNTING IN TURN-OF-THE-CENTURY AMERICAN LITERATURE (1887-1910) by MATH TRAFTON B.A., University of Colorado, 2003 B.S., University of Colorado, 2003 M.A., University of Colorado, 2005 M.A., University of Colorado, 2008 A dissertation submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Comparative Literature 2013 This dissertation titled: The Ghostmodern: Revisionist Haunting in Turn-of-the-Century American Literature (1887-1910) written by Math Trafton has been approved for the Department of Comparative Literature Dr. Karen Jacobs, committee chair Dr. Mark Leiderman Dr. Eric White Dr. Sue Zemka Date The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Trafton, Math (Ph.D., Comparative Literature) The Ghostmodern: Revisionist Haunting in Turn-of-the-Century American Literature (1887- 1910) Dissertation directed by Associate Professor Karen Jacobs This project attempts to identify and explain numerous significant transformations in the genre of the literary ghost story in the period roughly contemporary with the earliest emergence of literary Modernism. Through a detailed examination of the literary encounters with invisibility in pivotal American ghost stories from the end of the twentieth century, the project considers the rich literary trope of ghostly haunting according to its capacity to provoke an engagement with marginalized, liminal spaces. In traditional ghost stories, however, as ghosts are ultimately overcome and order is restored, normative structures resume, and such engagements are trivialized. -
The Summons of Death on the Medieval and Renaissance English Stage
The Summons of Death on the Medieval and Renaissance English Stage The Summons of Death on the Medieval and Renaissance English Stage Phoebe S. Spinrad Ohio State University Press Columbus Copyright© 1987 by the Ohio State University Press. All rights reserved. A shorter version of chapter 4 appeared, along with part of chapter 2, as "The Last Temptation of Everyman, in Philological Quarterly 64 (1985): 185-94. Chapter 8 originally appeared as "Measure for Measure and the Art of Not Dying," in Texas Studies in Literature and Language 26 (1984): 74-93. Parts of Chapter 9 are adapted from m y "Coping with Uncertainty in The Duchess of Malfi," in Explorations in Renaissance Culture 6 (1980): 47-63. A shorter version of chapter 10 appeared as "Memento Mockery: Some Skulls on the Renaissance Stage," in Explorations in Renaissance Culture 10 (1984): 1-11. Library of Congress Cataloging-in-Publication Data Spinrad, Phoebe S. The summons of death on the medieval and Renaissance English stage. Bibliography: p. Includes index. 1. English drama—Early modern and Elizabethan, 1500-1700—History and criticism. 2. English drama— To 1500—History and criticism. 3. Death in literature. 4. Death- History. I. Title. PR658.D4S64 1987 822'.009'354 87-5487 ISBN 0-8142-0443-0 To Karl Snyder and Marjorie Lewis without who m none of this would have been Contents Preface ix I Death Takes a Grisly Shape Medieval and Renaissance Iconography 1 II Answering the Summon s The Art of Dying 27 III Death Takes to the Stage The Mystery Cycles and Early Moralities 50 IV Death -
South Korean Cinema and the Conditions of Capitalist Individuation
The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation By Jisung Catherine Kim A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kristen Whissel, Chair Professor Mark Sandberg Professor Elaine Kim Fall 2013 The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation © 2013 by Jisung Catherine Kim Abstract The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation by Jisung Catherine Kim Doctor of Philosophy in Film and Media University of California, Berkeley Professor Kristen Whissel, Chair In The Intimacy of Distance, I reconceive the historical experience of capitalism’s globalization through the vantage point of South Korean cinema. According to world leaders’ discursive construction of South Korea, South Korea is a site of “progress” that proves the superiority of the free market capitalist system for “developing” the so-called “Third World.” Challenging this contention, my dissertation demonstrates how recent South Korean cinema made between 1998 and the first decade of the twenty-first century rearticulates South Korea as a site of economic disaster, ongoing historical trauma and what I call impassible “transmodernity” (compulsory capitalist restructuring alongside, and in conflict with, deep-seated tradition). Made during the first years after the 1997 Asian Financial Crisis and the 2008 Global Financial Crisis, the films under consideration here visualize the various dystopian social and economic changes attendant upon epidemic capitalist restructuring: social alienation, familial fragmentation, and widening economic division. -
The Burg | 1 Community Publishers
09.14 | The Burg | 1 Community Publishers As members of Harrisburg’s business community, we are proud to support TheBurg, a free publication dedicated to telling the stories of the people of greater Harrisburg. Whether you love TheBurg for its distinctive design, its in-depth reporting or its thoughtful features about the businesses and residents who call our area home, you know the value of having responsible, community-centered coverage. We’re thrilled to help provide greater Harrisburg with the local publication it deserves. Realty Associates, Inc. Wendell Hoover ray davis 2 | The Burg | 09.14 CoNTeNTS |||||||||||||||||||||||||||||||||||||||||||||||||||| General and leTTers NeWS 2601 N. FroNT ST., SuITe 101 • hArrISBurg, PA 17110 WWW.TheBurgNeWS.CoM 9. puBlisHers Column ediTorial: 717.695.2576 10. neWs DigesT ad SALES: 717.695.2621 11. CHuCkleBurg 12. CiTy vieW PuBLISher: J. ALeX hArTZLer 14. state sTreeT [email protected] COVER arT By: JonaTHan Frazier eDITor-IN-ChIeF: LAWrANCe BINDA www.JonaTHanFrazier.CoM [email protected] IN The Burg "Looking Down the hill from reservoir Park" oil on Linen. SALeS DIreCTor: LAureN MILLS 16. CHAriTy for All [email protected] 22. CiTy folk SeNIor WrITer: PAuL BArker leTTer FroM THe ediTor 26. BriDging DiviDes [email protected] 27. Doing gooD When I was a kid, September meant one AccouNT eXeCuTIve: ANDreA Black thing—back to school. even my first days of [email protected] college didn’t start until after Labor Day. Today, most students begin school well ConTriBUTors: Burg latino before the sweltering days of August are TArA Leo AuChey, Today’S The day hArrISBurg done. -
Mountain Men on Film Kenneth Estes Hall East Tennessee State University, [email protected]
East Tennessee State University Digital Commons @ East Tennessee State University ETSU Faculty Works Faculty Works 1-1-2016 Mountain Men on Film Kenneth Estes Hall East Tennessee State University, [email protected] Follow this and additional works at: https://dc.etsu.edu/etsu-works Part of the American Film Studies Commons, and the Film and Media Studies Commons Citation Information Hall, Kenneth Estes. 2016. Mountain Men on Film. Studies in the Western. Vol.24 97-119. http://www.westernforschungszentrum.de/ This Article is brought to you for free and open access by the Faculty Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in ETSU Faculty Works by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Mountain Men on Film Copyright Statement This document was published with permission from the journal. It was originally published in the Studies in the Western. This article is available at Digital Commons @ East Tennessee State University: https://dc.etsu.edu/etsu-works/596 Peter Bischoff 53 Warshow, Robert. "Movie Chronicle: The Western." Partisan Re- view, 21 (1954), 190-203. (Quoted from reference number 33) Mountain Men on Film 54 Webb, Walter Prescott. The Great Plains. Boston: Ginn and Kenneth E. Hall Company, 1931. 55 West, Ray B. , Jr., ed. Rocky Mountain Reader. New York: E.P. Dutton, 1946. 56 Westbrook, Max. "The Authentic Western." Western American Literatu,e, 13 (Fall 1978), 213-25. 57 The Western Literature Association (sponsored by). A Literary History of the American West. Fort Worth: Texas Christian University Press, 1987. -
Summer 2017 Jackson Hole by Number: Using Primary Sources to Color Your Story
Historical Society & Museum Chronicle VOLUME XXXVII NO. 3 Summer 2017 Jackson Hole by Number: Using Primary Sources to Color Your Story by Samantha Ford, JHHSM staff This summer the museum received an inquiry about the birthplaces of the earliest homesteaders in the valley. Where did these people come from? How far had they potentially traveled to get here? At first, it might seem like a monumental task to track down and compile the birthplaces of all 651 people living in the valley during the early homesteading era (1890-1900). How many records would that entail? Would the time spent equal the benefit of having that kind of information? Both answers are simple: just one source is needed, and the information would help to create a more detailed story about the valley’s history. The United States Census is an integral member in the tool belt of the genealogist, or anyone conducting historical research. ABOUT THE CENSUS The data collected in a Census was a means to track the growth of the country. This information was used to predict future needs and to plan for sustainable town/city and territory growth. The first Census was conducted in 1790, and the most recent in 2010. The Census of 1850 included the first detailed account of social issues, city infrastructure, industrial and agricultural growth. This same year, all members of a household were listed with name, age, race, education, birthplace and occupation. The detailed information [Continued on page 4] 2 Remember: Old Bill’s Fun Run Saturday, September 9, 2017 Mission Statement Preserving and sharing the heritage of Jackson Hole Staff Morgan Albertson Executive Director Brenda Roberts Assistant Director Steve Roberts Retail, Marketing, Research Nora DeWitt-Hoeger Research Assistant Marilyn Wartig Visitor Services Alexei Cree Education & Research Intern Samantha Ford Historical Research Projects Matt Stirn JH Archaeology Initiative Rebecca Sgouros JH Archaeology Initiative Board of Directors Bill Best, President Jim Hunt, co-Vice Pres. -
Camp Cornhusker Mountain Man Program Guide 2020
Camp Cornhusker Mountain Man Program Guide 2020 The settling of the Western Frontier began with the Lewis and Clark Expedition in 1804. After that expedition the “Western Expansion” was greatly enhanced by the experiences and knowledge gained by the “Mountaineers” as they called themselves. Today we know them as Mountain Men, both men and women. The Trappers’ life on the frontier was one of skill and toughness. Not only was he a trapper and woodsman they were also traders, blacksmiths, cowboys, horse wranglers, teamsters, doctors, gunsmiths, tailors, explorers, packers and guides. One railroad executive commented that the western expansion would have lasted well into the Twentieth Century without the help of these experienced guides. Many of those guides had previously been Mountain Men. A Mountain Man had to be constantly alert for signs of danger and ready for immediate action. Long periods of time often passed without seeing another person, it was necessary that they were self-sufficient, able to live from what nature provided. They had to possess that spirit of adventure that makes a person wonder just what is up the river and over the mountain, then go and find out, regardless of time or danger. In today’s society a great deal of this spirit has been lost. The lifestyle for much of our populace today has changed to dependence upon others in our society being guided by the law to assist them through life. We are trying to preserve the spirit of the original Mountain Men and bring back some of what has been lost. We want individuals who are willing, at least for a short time, to step back in time and live life how it was meant to be; as free individuals, and true citizens of the wilderness. -
Homestead Heroism in Appalachian Fiction
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2005 Angel on the Mountain: Homestead Heroism in Appalachian Fiction Nicole Marie Drewitz-Crockett University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the English Language and Literature Commons Recommended Citation Drewitz-Crockett, Nicole Marie, "Angel on the Mountain: Homestead Heroism in Appalachian Fiction. " Master's Thesis, University of Tennessee, 2005. https://trace.tennessee.edu/utk_gradthes/4564 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Nicole Marie Drewitz-Crockett entitled "Angel on the Mountain: Homestead Heroism in Appalachian Fiction." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. Allison Ensor, Major Professor We have read this thesis and recommend its acceptance: Thomas Haddox, Dawn Coleman Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Nicole Marie Drewitz-Crockett entitled "Angel on the Mountain: Homestead Heroism in Appalachian Fiction." I have examined the final paper copy of this thesis forform and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English.