University Microfilms International 300 N

Total Page:16

File Type:pdf, Size:1020Kb

University Microfilms International 300 N INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. Requests can be made to our Dissertations Customer Services Department. 5. Some pages in any document may have indistinct print. In all cases we have filmed the best available copy. University Microfilms International 300 N. ZEEB ROAD, ANN ARBOR, Ml 48106 18 BEDFORD ROW, LONDON WC1R 4EJ, ENGLAND 8022290 HILSON, JEFF FAULKNER, III THE REFLECTIVE USE OF NOVELS TO FOCUS ON CONTROVERSIAL ISSUES IN-AMERICAN HISTORY The Ohio State University PH.D. 1980 University Microfilms International 300 N. Zeeb Road, Ann Arbor, MI 48106 18 Bedford Row, London WC1R 4EJ, England Copyright by HILSON, JEFF FAULKNER, III All Rights Reserved THE REFLECTIVE USE OF NOVELS TO FOCUS ON CONTROVERSIAL ISSUES IN AMERICAN HISTORY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jeff Faulkner Hilson III, B.A., B.Ed., M.Ed. The Ohio State University 1980 Reading Committee: Approved By Raymond H. Muessig Robert E. Jewett Robert H. Bremner Adviser ACKNOWLEDGMENTS I wish to thank my adviser, Dr. Raymond H. Muessig, for all of his guidance and understanding. Special appreciation goes to my father and mother, Jeff and Jean Hilson, for a life­ time of support and care. And to my wife, Margie Hilson, goes my greatest respect and admiration, for without her direction, this work would not have been possible. ii VITA November 17, 1946, Born - Columbus, Ohio 1970 .......... B.A., Capital University, Columbus, Ohio 1973 .......... B .Ed., The Ohio State University, Columbus, Ohio 1975 ............ M.Ed., The Ohio State University, Columbus, Ohio 1976-1977 . Teaching Associate, Educational Humanities, The Ohio State University, Columbus, Ohio FIELDS OF STUDY Major Field: Education Studies in social studies. Professor Raymond H. Muessig Robert E. Jewett Studies in American intellectual and social thought. Robert H. Bremner iii TABLE OF CONTENTS Page ACKNOWLEDGMENTS....................................... ii VITA ........................ iii LIST OF T A B L E S ................................................ vi CHAPTER I. INTRODUCTION ..................................... 1 Statement of the Problem ......................... 2 Objectives ....................................... 2 Assumptions....................................... 3 Limitations....................................... 3 Plan of Study......................... f. ......... 4 II. REVIEW OF THE LITERATURE......................... 7 Introduction ..................................... 7 A Survey of the Relationship Between History and Literature ............................... 8 Definition of a Novel............................... 14 The Adolescent Novel ............................. 18 The Biographical Novel ........................... 25 The Detective Novel................................. 27 The Historical Novel ............................. 29 The Psychological Novel............................. 33 The Political Novel................................. 35 The Realistic Novel................................. 38 The Regional/Sectional Novel ..................... 43 The Romantic N o v e l ................................. 45 The Science Fiction Novel........................... 47 Using Novels to Animate Historical Understanding . 53 A View of Existing Textbooks in American History . 55 A Survey of Some Current Attempts to Increase Historical Understanding by Using Literature. 57 Teaching History Through Novels: High School. 59 Teaching History Through Novels: College............. 70 The Use of Novels to Teach Reading in the Social Studies Classroom . .................. 73 Controversial Issues as Vehicles for Reflection........................................ 76 iv Page III. METHOD OF STUDY 8 0 Introduction......................................... 80 Criteria For Selection of Source Books............. 81 Criteria and Selection Process for Novels ........ 85 Selection of Five Chronological Periods in American History...................................87 Development of Controversial Issues ............... 89 Category I (1763-1830): Controversial Issues . 90 Category I (1763-1830): Listing of Books and Plot Summaries..................................... 91 Category II (1830-1870): Controversial Issues. 98 Category II (1830-1870): Listing of Books and Plot Summaries................ 100 Category III (1870-1920): Controversial Issues . .107 Category III (1870-1920): Listing of Books and Plot Summaries.................................... 109 Category IV (1920-1945): Controversial Issues. .116 Category IV (1920-1945): Listing of Books and Plot Summaries.................................... 118 Category V (1945-Present): Controversial Issues. .128 Category V (1945-Present): Listing of Books and Plot Summaries.................................... 131 IV. CONCLUSION ........................................ 138 Summary of Study................................... 138 Implications of the S t u d y ......................... 140 FOOTNOTES .................................................... 146 APPENDIXES A. Listing of Controversial Issues by Historical Period and Corresponding Books Alphabetically by Authors' Last N a m e ......................... 155 B. Appropriate Books Listed Alphabetically Within Thematic Groupings..............................169 SELECTED BIBLIOGRAPHY.......................................... 178 v LIST OF TABLES Table Page 1. Structural Types of Novels . ................. 52 2. Source Books for Tentative List of Novels. 83 3. Ten Criteria for Selection of Novels ........... 86 4. American History Textbooks Surveyed to Delineate Five Chronological Periods in American History ......................... 88 5. A Listing of Controversial Issues by Historical Period and Corresponding Books Alphabetically by Authors' Last Name........ 155 6. Appropriate Books Listed Alphabetically Within Thematic Groupings ................... 170 vi CHAPTER I INTRODUCTION Some strange commotion Is in his brain: he bites his lip, and starts; Stops on a sudden, looks upon the ground, Then lays his finger on his temple; straight Springs out into fast gait; then stops again, Strikes his breast hard, and anon he casts His eyes against the moon. Shakespeare, Henry VIII Act iii, sc. 2, 1, 112 At some time or another, all history teachers have seen such behavior in a student who has just been assigned to read an article, to take notes from a lecture, or to answer a chapter question. Even Sir Robert Walpole (1676-1745), First Earl of Oxford and Prime Minister from 1721-1742, upon his deathbed when asked by his secretary what he wished him to read, is purported to have said, "Oh, do not read history, for that I know must be false."'*' It seems that history, especially in the public schools, has a bad reputation for being nothing more than dusty indigestable bits of ghostly happenings of some past age holding little or no meaning for the present day. But, in fact, history as a discipline is not this at all. As Cicero stated, "To be ignorant of what happened before you were born is to be ever a child. For what is man's lifetime unless the memory of past events is woven with those of earlier times?" Schiller (1759-1805) stated, "The world's history is the 9 world's judgment." 1 2 And so it would seem that an alternative method might be used for teaching history, especially in the secondary social studies classroom, that would keep that "strange commotion" out of the brains of students and their eyes, not "against the moon," but upon the world around them. Statement of the Problem As a graduate student attending history classes in which professors assigned novels as supplemental readings and as a social studies teacher in both an inner-city and suburban en­ vironment, this writer has experienced how novels can bring an historical period to life for students. There seems to be
Recommended publications
  • COPYRIGHTED by RUTH BELI, GOBER 1957
    COPYRIGHTED by RUTH BELI, GOBER 1957 THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE AMERICAN NOVELIST INTERPRETS THE STUDENT OF HIGHER EDUCATION A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY In partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION BY RUTH BELL GOBER Norman, Oklahoma 1956 THE AMERICAN NOVELIST INTERPRETS THE STUDENT OF HIGHER EDUCATION APPROVED BY ÎSIS COMMITTEE TABLE OF CONTENTS Chapter Page I. INTRODUCTION..................................... 1 II. F. SCOTT FITZGERALD.............................. 8 III. WILLA CATHER..................................... 46 IV. SINCLAIR LEWIS........................ 68 V, GEORGE SANTAYANA................................. Il8 VI. THOMAS WOLFE..................................... 142 VII. FINDINGS.......................................... 191 BIBLIOGRAPHY.............................................. 204 iv THE AMERICAN NOVELIST INTERPRETS THE STUDENT OF HIGHER EDUCATION CHAPTER I INTRODUCTION "For a century and a half, the novel has been king of 1 Western literature." It has both mirrored and influenced popular thought as it has found readers throughout the West­ ern world. "The drama and the poetry, but chiefly the novel, of America have risen to a position of prestige and of influ- 2 ence abroad seldom equaled in history." Consequently, the content of the novel is of concern to educators. The present study is concerned with the interpretation of the student of higher education in the United States as found in the work of certain prominent American novelists of the twentieth century. The procedure used in selecting the five literary writers included an examination of annotated bibliographies of the American novels published during the twentieth century. The formidable number of writers who have used student 1------------------------------------------------------------- Henri Peyre, The Contemporary French Novel (New York: Oxford University Press, 1955]> 3. ^Ibid., 263.
    [Show full text]
  • 7.Castrillo-Echart
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Dadun, University of Navarra Pablo Castrillo Towards a narrative definition of [email protected] PhD Candidate and Lecturer. the American political thriller film University of Navarra. Spain. Pablo Echart Abstract [email protected] Senior Lecturer in The Hollywood political thriller is a film genre of unique Screenwriting. University of relevance in the United States, often acting as a reflection of the Navarra. Spain. fears and anxieties of its historical times. At the same time, however, the definition of its identity and boundaries still leaves Submitted room for further specification, perhaps due to the frequent June 4, 2015 consideration of the political thriller as part of the broader Approved September 30, 2015 categories of either thriller narratives or political films. By revising the available literature and filmography and analyzing the narrative features of the classical political thriller, this © 2015 Communication & Society article proposes a deeper definition of the genre that takes into ISSN 0214-0039 account the nature of the broader ‘thriller’ category of films E ISSN 2386-7876 springing from a specific mode of crime fiction that focuses on a doi: 10.15581/003.28.4. 109-123 www.communication-society.com victim or threatened individual as its protagonist, depicts and conveys intense emotional states, portrays an unbalanced and highly existentialist worldview, and travels into the 2015 – Vol. 28(4), pp. 109-123 extraordinary while at the same time holding on to very concrete expectations of verisimilitude. The political thriller How to cite this article: specifies this broader form of narration and links it to dramatic Castrillo, P.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Beil & Howell Iniormation Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313,761-4700 800,521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
    [Show full text]
  • Alabama Literary Review 2011
    Alabama Literary Review 2011 volume 20 number 1 TROY UNIVERSITY Alabama Literary Review Editor William Thompson Fiction Editors Jim Davis Theron Montgomery Poetry Editor Patricia Waters Webmaster Ben Robertson Cover Design Heather Turner Alabama Literary Review is a state literary medium representing local and national submissions, supported by Troy University and Troy University Foundation. Published once a year, Alabama Literary Review is a free service to all Alabama libraries and all Alabama two- and four-year insti- tutions of higher learning. Subscription rates are $10 per year, $5 for back copies. Rates are subject to change without notice. Alabama Literary Review publishes fiction, poetry, and essays. Pays in copies. Pays honorarium when available. First Serial Rights returned to author upon publication. Manuscripts and editorial or business correspon- dence should be addressed to Alabama Literary Review, 254 Smith Hall, Troy University, Troy, Alabama 36082. Submissions will not be returned nor queries answered unless accompanied by a stamped, self-addressed envelope. Please allow two or three months for our response. 2010 Alabama Literary Review. All rights reserved. ISSN 0890-1554. Alabama Literary Review is indexed in The American Humanities Index and The Index of American Periodic Verse. CONTENTS Daniel Tobin from From Nothing . .1 April Lindner Seen From Space . .6 Robert B. Shaw Back Home . .8 Loren Graham Country Boy . .18 Octobers . .19 Letters . .20 Zakia Khwaja Nastaliq . .21 Robert B. Shaw Dinosaur Tracks . .22 “Pity the Monsters!” . .23 Stephen Cushman The Red List . .25 Enrique Barrero Rodríguez / John Poch Hoy quisiera, por fin, sobre el desbrozo . .55 Today I wanted, finally, beyond the removal .
    [Show full text]
  • Sinclair Lewis Society Newsletter VOLUME TWENTY, NUMBER ONE FALL 2011
    The SINCLAIR LEWIS SOCIETY NEWSLETTER VOLUME TWENTY, NUMBER ONE FALL 2011 LANCELOT TODD: A CASE FOR FICTIONAL INDEPENDENCE Samuel J. Rogal Illinois Valley Community College In a neat package of a single paragraph containing a summarization of Lewis’s Lancelot Todd, Mark Schorer de- termined that Lewis’s pre-1920s version of the present-day public relations agent run wild represented a relatively simple “ANOTHER PERFECT DAY”: WEATHER, instrument of his creator’s satire and farce. Schorer labeled MOOD, AND LANDSCAPE IN SINCLAIR Todd “a suave immoralist” and “swindler” who threads his LEWIS’S MINNESOTA DIARY way through a series of short stories with plots that hold no “real interest” and whose principal fictional function focuses Frederick Betz upon Lewis’s preparations for the larger worlds of George Southern Illinois University–Carbondale Babbitt and Elmer Gantry (Schorer 239). Although few critical commentators of twenty-first-century American fiction seem- Sinclair Lewis’s Minnesota Diary, 1942–46, superbly ingly have possessed the stamina or willingness to challenge introduced and edited by George Killough, “offers an inside Schorer’s generalized characterization of Todd, there lies suf- view of a very public person,” a “strangely quiet and factual” ficient evidence in the stories themselves to allow for at least diarist, who “keeps meticulous notes on weather, writes ap- a defense of Todd as a character who might somehow stand preciative descriptions of scenery, mentions hundreds of people independent of the likes of Babbitt and Gantry. he is meeting, and chronicles exploratory trips around Min- Lancelot Todd appears in seven Lewis stories published nesota” (15).
    [Show full text]
  • Courtesy of Theyood Family TABLE of CONTENTS
    Courtesy of TheYood Family TABLE OF CONTENTS Introduction 3 MIGRATIONS 4 Daniel Soyer: Goldene Medine, Treyfene Medine: Judaism Survives Migration to America 5 Deborah Dash Moore: The Meanings of Migration: American Jews, Eldridge Street and Neighborhoods 9 PRACTICE 13 Riv-Ellen Prell: A Culture of Order: Decorum and the Eldridge Street Synagogue 14 Jeffrey Gurock: Closing the Americanization Gap between the Eldridge Street Synagogue’s Leaders 19 and Downtown’s Rabbis ENCOUNTERS 23 Jeffrey Shandler: A Tale of Two Cantors: Pinhas Minkowski and Yosele Rosenblatt 24 Tony Michels: The Jewish Ghetto Meets its Neighbors 29 PRESERVATION 34 Samuel Gruber: The Choices We Make: The Eldridge Street Synagogue and Historic Preservation 35 Marilyn Chiat: Saving and Praising the Past 40 MUSEUM AT ELDRIDGE STREET | ACADEMICANGLES 3 he Eldridge Street Synagogue is a National Historic Landmark, the first major house of worship built by East European Jews in America. When it opened in September of 1887 it was an experiment, a response to the immigrants’desire to practice Orthodox Judaism, and to do so in America, their new Promised Land. Today the Eldridge Street Synagogue is Tthe only building on the Lower East Side—once the largest Jewish city in the world—earmarked for broad and public exploration of the American Jewish experience. The Museum at Eldridge Street researches the history of the building, uncovering new ways and stories to bring the building and its history to life. Learning about the congregants and their history ties us to broader trends on the Lower East Side and in American history. To help explore these trends, the Museum at Eldridge Street asks leading scholars to lend their expertise.
    [Show full text]
  • BTC Catalog 172.Pdf
    Between the Covers Rare Books, Inc. ~ Catalog 172 ~ First Books & Before 112 Nicholson Rd., Gloucester City NJ 08030 ~ (856) 456-8008 ~ [email protected] Terms of Sale: Images are not to scale. All books are returnable within ten days if returned in the same condition as sent. Books may be reserved by telephone, fax, or email. All items subject to prior sale. Payment should accompany order if you are unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions will be billed to meet their requirements. We accept checks, VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PayPal. Gift certificates available. Domestic orders from this catalog will be shipped gratis via UPS Ground or USPS Priority Mail; expedited and overseas orders will be sent at cost. All items insured. NJ residents please add 7% sales tax. Member ABAA, ILAB. Artwork by Tom Bloom. © 2011 Between the Covers Rare Books, Inc. www.betweenthecovers.com After 171 catalogs, we’ve finally gotten around to a staple of the same). This is not one of them, nor does it pretend to be. bookselling industry, the “First Books” catalog. But we decided to give Rather, it is an assemblage of current inventory with an eye toward it a new twist... examining the question, “Where does an author’s career begin?” In the The collecting sub-genre of authors’ first books, a time-honored following pages we have tried to juxtapose first books with more obscure tradition, is complicated by taxonomic problems – what constitutes an (and usually very inexpensive), pre-first book material.
    [Show full text]
  • Mark Twain's Theories of Morality. Frank C
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1941 Mark Twain's Theories of Morality. Frank C. Flowers Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Flowers, Frank C., "Mark Twain's Theories of Morality." (1941). LSU Historical Dissertations and Theses. 99. https://digitalcommons.lsu.edu/gradschool_disstheses/99 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. MARK TWAIN*S THEORIES OF MORALITY A dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College . in. partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Prank C. Flowers 33. A., Louisiana College, 1930 B. A., Stanford University, 193^ M. A., Louisiana State University, 1939 19^1 LIBRARY LOUISIANA STATE UNIVERSITY COPYRIGHTED BY FRANK C. FLOWERS March, 1942 R4 196 37 ACKNOWLEDGEMENT The author gratefully acknowledges his debt to Dr. Arlin Turner, under whose guidance and with whose help this investigation has been made. Thanks are due to Professors Olive and Bradsher for their helpful suggestions made during the reading of the manuscript, E. C»E* 3 7 ?. 7 ^ L r; 3 0 A. h - H ^ >" 3 ^ / (CABLE OF CONTENTS ABSTRACT . INTRODUCTION I. Mark Twain— philosopher— appropriateness of the epithet 1 A.
    [Show full text]
  • Reading Practice Quiz List Report Page 1 Accelerated Reader®: Thursday, 05/20/10, 09:41 AM
    Reading Practice Quiz List Report Page 1 Accelerated Reader®: Thursday, 05/20/10, 09:41 AM Holden Elementary School Reading Practice Quizzes Int. Book Point Fiction/ Quiz No. Title Author Level Level Value Language Nonfiction 661 The 18th Emergency Betsy Byars MG 4.1 3.0 English Fiction 7351 20,000 Baseball Cards Under the Sea Jon Buller LG 2.6 0.5 English Fiction 11592 2095 Jon Scieszka MG 4.8 2.0 English Fiction 6201 213 Valentines Barbara Cohen LG 3.1 2.0 English Fiction 30629 26 Fairmount Avenue Tomie De Paola LG 4.4 1.0 English Nonfiction 166 4B Goes Wild Jamie Gilson MG 5.2 5.0 English Fiction 9001 The 500 Hats of Bartholomew CubbinsDr. Seuss LG 3.9 1.0 English Fiction 413 The 89th Kitten Eleanor Nilsson MG 4.3 2.0 English Fiction 11151 Abe Lincoln's Hat Martha Brenner LG 2.6 0.5 English Nonfiction 61248 Abe Lincoln: The Boy Who Loved BooksKay Winters LG 3.6 0.5 English Nonfiction 101 Abel's Island William Steig MG 6.2 3.0 English Fiction 13701 Abigail Adams: Girl of Colonial Days Jean Brown Wagoner MG 4.2 3.0 English Nonfiction 9751 Abiyoyo Pete Seeger LG 2.8 0.5 English Fiction 907 Abraham Lincoln Ingri & Edgar d'Aulaire 4.0 1.0 English 31812 Abraham Lincoln (Pebble Books) Lola M. Schaefer LG 1.5 0.5 English Nonfiction 102785 Abraham Lincoln: Sixteenth President Mike Venezia LG 5.9 0.5 English Nonfiction 6001 Ace: The Very Important Pig Dick King-Smith LG 5.0 3.0 English Fiction 102 Across Five Aprils Irene Hunt MG 8.9 11.0 English Fiction 7201 Across the Stream Mirra Ginsburg LG 1.2 0.5 English Fiction 17602 Across the Wide and Lonesome Prairie:Kristiana The Oregon Gregory Trail Diary..
    [Show full text]
  • Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
    InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive
    [Show full text]
  • American Life in the “Roaring Twenties” 1919 - 1929 Overview
    American Life in the “Roaring Twenties” 1919 - 1929 Overview • Americans turned inward after activism of World War I – Attacked communism, radicalism, un- Americanism, foreigners, free trade • Prosperity – New technology, consumer products, leisure and entertainment – Veneer over wide gap between rich and poor Economic Expansion, 1920–1929 Seeing Red • 1919 – 1920 – “Red Scare” in US – 1917 – Bolsheviks took power in Russia – Tiny Communist party formed in US – Unionism and strikes of late 1910s • General strike in Seattle, Boston police – June 1919 – bomb exploded at Palmer’s home – September 1920 – bomb blast on Wall St. killed 38 people The State of the World One National Strike He Didn’t Plan All They Want in Our Flag Too Slow For Me Seeing Red • Attacks in civil liberties – Palmer Raids • Attorney General A. Mitchell Palmer arrested 5,000 suspected communists on flimsy evidence and with no warrants – December 1919 – shipload of 249 alien radicals deported to USSR – State laws outlawed mere advocacy of violence for social change IWW Headquarters in New York After Palmer Raid, 1919 It is More Blessed to Give Than Receive Deporting the Reds Seeing Red • Business attacks on unions – IWW and other union members attacked through law – “closed” (all-union) shop attacked as “Sovietism in disguise” • “open” shop called “the American plan” Seeing Red • Sacco and Vanzetti – Nicola Sacco (shoe-factory worker) and Batrolomeo Vanzetti (fish peddler) – 1921 – convicted of murdering a Massachusetts shoe factory paymaster and his guard, and stealing
    [Show full text]
  • Truman Capote Papers [Finding Aid]
    Truman Capote Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2011 Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms011026 LC Online Catalog record: http://lccn.loc.gov/mm81047043 Prepared by Manuscript Division Staff Collection Summary Title: Truman Capote Papers Span Dates: 1947-1965 ID No.: MSS47043 Creator: Capote, Truman, 1924-1984 Extent: 70 items ; 8 containers ; 3.2 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Author and dramatist. Chiefly literary manuscripts, including notebooks, journals, drafts, and manuscripts of prose fiction, dramas and screenplays, and other writings. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Brando, Marlon. Capote, Truman, 1924-1984. Capote, Truman, 1924-1984. Breakfast at Tiffany's; a short novel and three stories. 1958. Capote, Truman, 1924-1984. In cold blood : a true account of a multiple murder and its consequences. 1965. Capote, Truman, 1924-1984. Other voices, other rooms. 1948. Subjects American fiction. American literature. Drama. Fiction. Literature. Motion picture plays. Musicals. Short stories. Occupations Authors. Dramatists. Administrative Information Provenance The papers of Truman Capote, author and dramatist, were given to the Library of Congress by Capote in 1967-1969. Processing History The papers of Truman Capote were arranged and described in 1968 and 1997.
    [Show full text]