Sinclair Lewis Society Newsletter VOLUME TWENTY, NUMBER ONE FALL 2011
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UNIVERSIDADE FEDERAL DE SANTA CATARINA Departamento De-Língua E Literatura Estrangeiras SINCLAIR! LEWIS: the NOBLE BARBARIAN A
UNIVERSIDADE FEDERAL DE SANTA CATARINA Departamento de-Língua e Literatura Estrangeiras SINCLAIR! LEWIS: THE NOBLE BARBARIAN A Study of the Conflict of European and American Values in the Life and Fiction of Sinclair Lewis Tese submetida à Universidade Federal de Santa Catarina para a i obtençãoí do grau de Mestre em Letras Hein Leonard Bowles Novembro - 1978 Esta Tese foi julgada adequada para a obtenção do título de MESTRE EM LETRAS Especialidade Língua Inglesa e Literatura Correspondente e aprovada em sua forma final pelo Programa de PÓs-Graduação Pro John Bruce Derrick, PhD Orientador Z&L- Prof. Hilário^hacio Bohn, PhD Integrador do Curso Apresentada perante a Comissão Examinadora composta do; professores: Prof. John Bruce Derrick, PhD Para Dirce, Guilherme e Simone Agradecimentos À Universidade Federal de Santa Catarina À Universidade Estadual de Ponta Grossa À Fundação Faculdade Estadual de Filosofi de Guarapuava Ao Prof. Dr. John B. Derrick Ao Prof. Dr. Arnold Gordenstein ABSTRACT In Sauk Centre, a fairly new and raw midwestern American town in the first years of our century, a solitary youth reads Kipling, Scott, Tennyson and Dickens and becomes enchanted with Europe: its history, traditions and people. Seeing the monotonous and endless extensions of prairie land, the rustic farmer cottages and the haphazard design of his hometown, he imagines the superior graces of. a variegated European landscape; historical cities, old structures, castles and mansions that hint of aristocratic generations. And his people, engaged in the routine of their daily activities; their settled forms of behavior, conversation and clothing, become ; quite uninspiring for him as contrasted to his idealization of a romantic, exotic and stirring European world wherein cultured gentlemen and gracious ladies abound. -
The Films of Raoul Walsh, Part 1
Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema .................... -
American Life in the “Roaring Twenties” 1919 - 1929 Overview
American Life in the “Roaring Twenties” 1919 - 1929 Overview • Americans turned inward after activism of World War I – Attacked communism, radicalism, un- Americanism, foreigners, free trade • Prosperity – New technology, consumer products, leisure and entertainment – Veneer over wide gap between rich and poor Economic Expansion, 1920–1929 Seeing Red • 1919 – 1920 – “Red Scare” in US – 1917 – Bolsheviks took power in Russia – Tiny Communist party formed in US – Unionism and strikes of late 1910s • General strike in Seattle, Boston police – June 1919 – bomb exploded at Palmer’s home – September 1920 – bomb blast on Wall St. killed 38 people The State of the World One National Strike He Didn’t Plan All They Want in Our Flag Too Slow For Me Seeing Red • Attacks in civil liberties – Palmer Raids • Attorney General A. Mitchell Palmer arrested 5,000 suspected communists on flimsy evidence and with no warrants – December 1919 – shipload of 249 alien radicals deported to USSR – State laws outlawed mere advocacy of violence for social change IWW Headquarters in New York After Palmer Raid, 1919 It is More Blessed to Give Than Receive Deporting the Reds Seeing Red • Business attacks on unions – IWW and other union members attacked through law – “closed” (all-union) shop attacked as “Sovietism in disguise” • “open” shop called “the American plan” Seeing Red • Sacco and Vanzetti – Nicola Sacco (shoe-factory worker) and Batrolomeo Vanzetti (fish peddler) – 1921 – convicted of murdering a Massachusetts shoe factory paymaster and his guard, and stealing -
GUARDIANS of AMERICAN LETTERS Roster As of February 2021
GUARDIANS OF AMERICAN LETTERS roster as of February 2021 An Anonymous Gift in honor of those who have been inspired by the impassioned writings of James Baldwin James Baldwin: Collected Essays In honor of Daniel Aaron Ralph Waldo Emerson: Collected Poems & Translations Charles Ackerman Richard Wright: Early Novels Arthur F. and Alice E. Adams Foundation Reporting World War II, Part II, in memory of Pfc. Paul Cauley Clark, U.S.M.C. The Civil War: The Third Year Told By Those Who Lived It, in memory of William B. Warren J. Aron Charitable Foundation Richard Henry Dana, Jr.: Two Years Before the Mast & Other Voyages, in memory of Jack Aron Reporting Vietnam: American Journalism 1959–1975, Parts I & II, in honor of the men and women who served in the War in Vietnam Vincent Astor Foundation, in honor of Brooke Astor Henry Adams: Novels: Mont Saint Michel, The Education Matthew Bacho H. P. Lovecraft: Tales Bay Foundation and Paul Foundation, in memory of Daniel A. Demarest Henry James: Novels 1881–1886 Frederick and Candace Beinecke Edgar Allan Poe: Poetry & Tales Edgar Allan Poe: Essays & Reviews Frank A. Bennack Jr. and Mary Lake Polan James Baldwin: Early Novels & Stories The Berkley Family Foundation American Speeches: Political Oratory from the Revolution to the Civil War American Speeches: Political Oratory from Abraham Lincoln to Bill Clinton The Civil War: The First Year Told By Those Who Lived It The Civil War: The Second Year Told By Those Who Lived It The Civil War: The Final Year Told By Those Who Lived It Ralph Waldo Emerson: Selected -
SINCLAIR LEWIS' Fiction
MR, FLANAGAN, who is professoT of American literature in. the University of Illinois, here brings to a total of fifteen his mafor contributions to this magazine. The article's appearance appropriately coincides with the seventy-fifth anniversary of Lewis' birth and the fortieth of the publication of Main Street. The MINNESOTA Backgrounds of SINCLAIR LEWIS' Fiction JOHN T. FLANAGAN SINCLAIR. LEWIS 'was once questioned his picture of Gopher Prairie and Minne about the autobiographical elements in sota and the entire Middle W^est became Main Street by a friend 'whose apartment both durable and to a large extent accurate. he 'was temporarily sharing. The novelist A satirist is of course prone to exaggeration. remarked to Charles Breasted that Dr. 'Will Over-emphasis and distortion are his stock Kennicott, the appealing country physician in trade. But despite this tilting of the in his first best seller, 'was a portrait of his balance, his understanding of places and father; and he admitted that Carol, the doc events and people must be reliable, other tor's 'wife, 'was in many respects indistin wise he risks losing touch with reality com guishable from himself. Both "Red" Lewis pletely, Lewis was born in Minnesota, he and Carol Kennicott were always groping spent the first seventeen years of his life in for something beyond attainment, always the state, and he returned on frequent visits, dissatisfied, always restless, and although which sometimes involved extensive stays both were frequently scornful of their im in Minneapolis, St, Paul, or Duluth, A num mediate surroundings they nevertheless ber of his early short stories and six of his lacked any clear vision of what could or twenty-two novels are localized wholly or should be done. -
3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie
1. ANNIE HALL (1977) 11. THIS IS SPINAL Tap (1984) Written by Woody Allen and Marshall Brickman Written by Christopher Guest & Michael McKean & Rob Reiner & Harry Shearer 2. SOME LIKE IT HOT (1959) Screenplay by Billy Wilder & I.A.L. Diamond, Based on the 12. THE PRODUCERS (1967) German film Fanfare of Love by Robert Thoeren and M. Logan Written by Mel Brooks 3. GROUNDHOG DaY (1993) 13. THE BIG LEBOWSKI (1998) Screenplay by Danny Rubin and Harold Ramis, Written by Ethan Coen & Joel Coen Story by Danny Rubin 14. GHOSTBUSTERS (1984) 4. AIRplaNE! (1980) Written by Dan Aykroyd and Harold Ramis Written by James Abrahams & David Zucker & Jerry Zucker 15. WHEN HARRY MET SALLY... (1989) 5. TOOTSIE (1982) Written by Nora Ephron Screenplay by Larry Gelbart and Murray Schisgal, Story by Don McGuire and Larry Gelbart 16. BRIDESMAIDS (2011) Written by Annie Mumolo & Kristen Wiig 6. YOUNG FRANKENSTEIN (1974) Screenplay by Gene Wilder and Mel Brooks, Screen Story by 17. DUCK SOUP (1933) Gene Wilder and Mel Brooks, Based on Characters in the Novel Story by Bert Kalmar and Harry Ruby, Additional Dialogue by Frankenstein by Mary Wollstonecraft Shelley Arthur Sheekman and Nat Perrin 7. DR. STRANGELOVE OR: HOW I LEARNED TO STOP 18. There’s SOMETHING ABOUT MARY (1998) WORRYING AND LOVE THE BOMB (1964) Screenplay by John J. Strauss & Ed Decter and Peter Farrelly & Screenplay by Stanley Kubrick and Peter George and Bobby Farrelly, Story by Ed Decter & John J. Strauss Terry Southern 19. THE JERK (1979) 8. BlaZING SADDLES (1974) Screenplay by Steve Martin, Carl Gottlieb, Michael Elias, Screenplay by Mel Brooks, Norman Steinberg Story by Steve Martin & Carl Gottlieb Andrew Bergman, Richard Pryor, Alan Uger, Story by Andrew Bergman 20. -
Letter of Notification for the Babbitt 345/138 Kv Station Project
Letter of Notification for the Babbitt 345/138 kV Station Project PUCO Case No. 19-2119-EL-BLN Submitted to: The Ohio Power Siting Board Pursuant to Ohio Administrative Code Section 4906- 6-05 Submitted by: AEP Ohio Transmission Company, Inc. December 18, 2019 Letter of Notification for the Babbitt 345/138 kV Station Project Letter of Notification AEP Ohio Transmission Company, Inc. (AEP Ohio Transco) Babbitt 345/138 kV Station Project 4906-6-05 AEP Ohio Transmission Company, Inc. (“AEP Ohio Transco” or the “Company”) provides the following information in accordance with the requirements of Ohio Administrative Code Section 4906-6-05. 4906-6-5(B) General Information B(1) Project Description The name of the project and applicant's reference number, names and reference number(s) of resulting circuits, a brief description of the project, and why the project meets the requirements for a Letter of Notification. The Company proposes the Babbitt 345/138 kV Station Project (“Project”), which is located in Licking County, Ohio. The Project involves expanding the existing Babbitt Station by constructing a new 345/138 kV station yard within a 70-acre parcel adjacent to the existing Babbitt Station site. The existing Babbitt Station was approved in OPSB Case Number 17-1325-EL-BLN. Map 1 shows the location of the Project in relation to the surrounding vicinity. The Project meets the requirements for a Letter of Notification because it is within the types of projects defined by Item 3 of Ohio Administrative Code Section 4906-1-01 Appendix A of the Application Requirement Matrix for Electric Power Transmission Lines. -
669031 Bk Salerni
669032-33 bk Aldridge US 27/4/11 12:51 Page 48 AMERICAN OPERA CLASSICS ROBERT ALDRIDGE Elmer Gantry Libretto by Herschel Garfein Phares • Risley • Rideout • Kelley • Buck Florentine Opera Chorus • Florentine Opera Company Milwaukee Symphony Orchestra • William Boggs 2 CDs 8.669032-33 48 669032-33 bk Aldridge US 27/4/11 12:51 Page 2 Robert Livingston ALDRIDGE (b. 1954) Elmer Gantry (2007) An Opera in Two Acts Libretto by Herschel Garfein based on the novel by Sinclair Lewis Elmer Gantry . Keith Phares Sharon Falconer . Patricia Risley Frank Shallard . Vale Rideout Eddie Fislinger . Frank Kelley Lulu Baines . Heather Buck Reverend Arthur Baines . Matthew Lau T.J. Rigg . Jamie Offenbach Mrs. Baines . Julia Elise Hardin Revival Singer . William Johnson Binch/Bully/Worker #1 . Aaron Blankfield Keely Family Singers . .Sarah Lewis Jones / Linda S. Ehlers / Paul Helm / Nathan Krueger Reporter . Peter C. Voigt Revival Worker/Worker #2 . Scott Johnson Ice Cream Vendor . Matthew Richardson Child . Katie Koester Man #1 . James Barany Woman #1 . Tracy Wildt Woman #2 . Kristin Ngchee Tour Guide . Margaret Wendt Women’s Chorus Leader . Julie Alonzo-Calteaux Florentine Opera Chorus Chorus-master: Scott Stewart Milwaukee Symphony Orchestra • William Boggs 8.669032-33 2 47 8.669032-33 669032-33 bk Aldridge US 27/4/11 12:51 Page 46 Director: John Hoomes • Producer/General Director: William Florescu Musical Preparation: Jamie Johns • Off-Stage Piano: Anne Van Deusen Producer and editor: Blanton Alspaugh (Soundmirror.com) Recording engineers: John Newton and Byeong-Joon Hwang Mixing/mastering engineer: Jesse Lewis Production Sponsors: Donald and Donna Baumgartner Keith Phares’s performance generously sponsored by the Marie Z. -
Bruxy Cavey and the Meeting House Megachurch: a Dramaturgical Model of Charismatic Leadership Performing “Evangelicalism for People Not Into Evangelicalism”
Bruxy Cavey and The Meeting House Megachurch: A Dramaturgical Model of Charismatic Leadership Performing “Evangelicalism for People Not Into Evangelicalism” by Peter Schuurman A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in Religious Studies Waterloo, Ontario, Canada, 2016 © Peter Schuurman 2016 ! ! ! ! ! ! ! ! ! ! ! Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ! ii ! Abstract Megachurch pastors—as local and international celebrities—have been a growing phenomenon since the 1960s, when megachurches began to proliferate across North America. Why are these leaders and their large congregations so popular in an age of increasing “religious nones”? Commentators in both popular and academic literature often resort to characterizing the leadership with stereotypes of manipulative opportunists along the lines of Sinclair Lewis’ Elmer Gantry (1927) or narrow characterizations of savvy entrepreneurs who thrive in a competitive religious economy. Similarly, writers assume megachurch attendees are a passive audience, or even dupes. This dissertation challenges the Elmer Gantry stereotype and the religious economic perspectives by examining one particular megachurch pastor named Bruxy Cavey in the context of his “irreligious” megachurch community called -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Upper Class Women in Three Novels of the 1920S Ellen S
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1998 Daisy Buchanan, Fran Dodsworth, Kate Clephane: upper class women in three novels of the 1920s Ellen S. Protheroe Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the American Literature Commons, Literature in English, North America Commons, and the Women's Studies Commons Recommended Citation Protheroe, Ellen S., "Daisy Buchanan, Fran Dodsworth, Kate Clephane: upper class women in three novels of the 1920s" (1998). Retrospective Theses and Dissertations. 186. https://lib.dr.iastate.edu/rtd/186 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Daisy Buchanan, Fran Dodsworth, Kate Clephane: Upper class women in three novels of the 1920s by Ellen Suzanne Protheroe A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Major Professor: Mary Helen Dunlop Iowa State University Ames, Iowa 1998 11 Graduate College Iowa State University This is to certify that the Master's thesis of Ellen Suzanne Protheroe has met the thesis requirements of Iowa State University Major Professor For the Major Program For the Graduate College 111 TABLE OF CONTENTS INTRODUCTION 1 CHAPTER 1 BEAUTY /DRESS 13 CHAPTER 2 WORK 25 CHAPTER 3 MARRIAGE 40 NOTES 52 WORKS CITED 59 1 INTRODUCTION As I have immersed myself in literature of the 1920s, I have been troubled by the discontented, trivial lives of the upper class female characters. -
CTCS 464: the Romantic Comedy in Classical, Postwar, and Reactionary/Revolutionary Hollywood (1929 – 1976)
CTCS 464: The Romantic Comedy In Classical, Postwar, and Reactionary/Revolutionary Hollywood (1929 – 1976) Summer 2009 (First Session) Monday & Wednesdays 1 p.m to 5:30 p.m. Norris Theater Instructor: Dr. Drew Casper The Alma and Alfred Hitchcock Professor of American Film Course Description: An in-depth analysis the myths, conventions and iconographies of the romantic comedy genre in its Classical, Postwar and Reactionary/Revolutionary periods, this course will explore its extra-cinematic determinants (major historical events, economic situations, societal issues and other popular leisure activities) and cinematic determinants (business, technology, censorship, generic patterns, major directors, the star and the star system). Finally, this course will also examine the major theoretical issues of the genre. Teaching Assistants: Kate Fortmueller ([email protected]) & David Lerner ([email protected]). Office Hours: IMS Building, 2nd Floor, Monday and Wednesday 11:30 – 12:30pm Dr. Casper’s Office Hours: 12:00 – 1:00pm, Monday and Wednesday 323 School of Cinematic Arts Building – (213) 740-3334 If you wish to see Dr. Casper during his office hours, you must make an appointment in advance by signing up on the appointment sheet at the front desk of the Critical Studies office (SCA 320). Course Requirements: I. Attendance: Prompt and regular attendance for the full class period is of extreme importance. Missing the screening of any film will seriously limit your success in the course. NOT ALL OF THE FILMS SCREENED IN CLASS ARE AVAILABLE ON VIDEOTAPE OR DVD. It is your responsibility to make up any missed screenings and to obtain detailed notes from another student.