DOCSLIB.ORG

Night of Artists 2017 ART SALE & EXHIBITION

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Night of Artists 2017 ART SALE & EXHIBITION The Briscoe Western Art Museum presents Night of Artists 2017 ART SALE & EXHIBITION Night of Artists ART SALE AND EXHIBITION April 2 - May 14, 2017 FRONT COVER CREDITS, CLOCKWISE: MARK KOHLER, Standing Wave, Watercolor, 31” x 22”| CURT MATTSON, Dealin’ with the Bolter, Bronze, 35” x 25” x 23” | KIM WIGGINS, Wild Horses in the Canyonlands, Oil, 30” x 40” BACK COVER CREDITS, CLOCKWISE: BILLY SCHENCK, The Old Mission Gate, Oil, 24” x 20” | JAN MAPES, Relic, Bronze, 9” x 10” x 6.5” | 210 W. Market Street, San Antonio, TX 78205 | 210.229.4499 | BriscoeMuseum.org XIANG ZHANG Eight Miles to Red River, Oil on linen, 32” x 40” Director’s Letter Dear Friends, Night of Artists Founded in 2001 by the National Western Art Foundation, this year marks the 16th anniversary of Night of Artists. Your generous support of this event benefits Welcome to San Antonio, home of the Briscoe Western Art Museum and its signature event, Night of Artists the Briscoe Western Art Museum’s dynamic exhibitions and programs. 2017. Celebrating its 16th year, this exhibition and sale benefit the museum by bringing together leading contemporary Western artists and discerning collectors from across the country. The 2017 exhibition features more than 270 works from 73 artists. By purchasing art at this event, you become an active participant Mission Statement Through the preservation of the art, history and culture of the American West, in elevating the future of the Briscoe, providing important funding that directly impacts exhibitions and the Briscoe Western Art Museum inspires and educates the public with engaging exhibitions, programs as the Museum continues to grow. eeducationalducational proprograms,grams, anandd ppublicublic events reflective of the reregion’sgion’s rich traditions and shared heritheritage.age. I wish to extend a heartfelt thanks to the dozens of volunteers, artists, board members, and Museum staff who went to great lengths to ensure a memorable Night of Artists. A most grateful appreciation goes to the 2017 Night of Artists Committee chaired by Jessica Erin Elliott, Nancy Loeffler, and Debbie Montford, who have worked tirelessly to make this year’s event the best yet. Without their dedication, none of what we do would be possible. Of course, we could not do it without YOU. By joining us, you are part of bringing the lure of the West to San Antonio. The West is here, my friends, and we can think of no better place to celebrate than the Night of Artists. So let’s have some fun! Michael Duchemin, Ph.D. President & CEO 4 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 5 PRESENTING SPONSORS Janey Briscoe Marmion and Briscoe Ranch, Inc. El Bigote Ranch in memory of Tex Elliott McLean Bowman Family in memory of Ruth McLean Bowman Bowers COMMITTEE PLATINUM SPONSORS 2017 Night of Artists Gloria and Fully Clingman General Motors Company Mays Family Foundation EVENT CHAIRS: Jessica Erin Elliott Nancy Loeffler Debbie Montford Debbie and John T. Montford / Plum Foundation Silver Eagle Distributors / Texas Capital Bank Dan Briggs Robert A. Dullnig Jack Guenther Valerie Guenther Janell Kleberg Mike Kreager Cliff Logan Jane Macon Shirley Mahony Marianne Malek GOLD SPONSORS Rob McClane Rita Stich Sara Stumberg-Walker Barbara Woodman Argo Group Avalon Advisors, LLC Capital Group Valerie and Jack Guenther Lindsay and Jack Guenther, Jr. David B. Elliott Karen and Tim Hixon IBC Bank BOARD OF DIRECTORS Gates Mineral Company, Ltd. Abigail and George A. Kampmann, Jr. San Vicente Ranch, Ltd. Janey Briscoe Marmion, Honorary Chairman Courtney and Mark E. Watson, Jr. / Watson Foundation Whitacre Family Foundation Jessica Erin Elliott, Chair of the Board McLean Bowman Fully Clingman Robert A. Dullnig Jack Guenther SILVER SPONSORS Valerie Guenther Jose “Che” Guerra Mark Johnson Nancy Loeffler Jill and Chad Foster Janell and Stephen “Tio” Kleberg Bonnie and John Korbell Rob McClane Jane Macon Shirley Mahony Kenneth J. Maverick NuStar Energy, L.P. RK Group Sanger & Altgelt, LLC Diane and John Scovell Elaine Mendoza John T. Montford Richard Nunley Justin Pawl Mike Sohn Muriel F. Seibert Foundation Uhl, Fitzsimons, Jewett & Burton, PLLC Barbara and George Williams Mark E. Watson, Jr. Bradford Wyatt AWARD SPONSORS Covenant Multifamily Offices, LLC Valerie and Jack Guenther Bart Koontz ADVISORY DIRECTORS KreagerMitchell Attorneys at Law Nancy Loeffler Shirley Mahony Jean Brady J.P. Bryan Laura Gill Janell Kleberg Stanley D. Rosenberg Rebecca and Tate Ruthardt Muriel F. Seibert Foundation Dawn Jones Ricardo Romo Lionel Sosa Tracy Wolff Barbara and George Williams/Williams-Chadwick Family Charitable Fund of the San Antonio Area Foundation UNDERWRITING Kim and Richard Nunley 6 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 7 RAGAN GENNUSA, Out of the Brush, Oil, 20” x 40” Ragan Gennusa 2016 Museum Purchase Award XIANG ZHANG, Palo Duro Breeze, Oil on linen, 32” x 40” Xiang Zhang 2016 Sam Houston Award for Painting 8 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 9 MARK MAGGIORI, The Monsoon Sun, Oil on linen, 36” x 36” BILL NEBEKER, Double Trouble, Bronze, 29” x 27” x 17” Mark Maggiori Bill Nebeker 2016 William B. Travis Award for Patron’s Choice 2016 James Bowie Award for Sculpture 10 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 11 2017 Night of Artists Participating Artists JOHN MOYERS, Call of the Canyon, Oil on canvas, 36” x 36” John Moyers 2016 David Crockett Award for Artists’ Choice 12 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 13 WAYNE BAIZE Refreshing Morning Oil CYRUS ASFARY 18” x 24” Reflective Time Oil on linen 20” x 16” 14 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 15 GERALD BALCIAR Guardian Angel Bronze 12” x 15” x 12” SUZANNE BAKER Fall Color Walker Creek Acrylic on canvas 24” x 28” 16 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 17 BUCKEYE BLAKE When the Sun Sets on the Sage Oil 24” x 36” TEAL BLAKE Long Ear Watercolor 10”x 12” 18 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 19 TOM BROWNING MARY ROSS BUCHHOLZ Silent Spirits Tending to Business Oil Charcoal and graphite 20” x 18” 13” x 11” 20 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 21 NANCY BUSH Thunderstorm in the Pasture Oil on linen SHAWN CAMERON 36” x 40” At Heaven’s Door Oil on canvas 14” x 11” 22 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 23 KEN CARLSON Focused - Texas Coyote Oil 12”x 18” CAROLINE KORBELL CARRINGTON Marfa Landscape I Oil on canvas 36”x 36” 24 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 25 TIM CHERRY CLIFF CAVIN Swan Egg Spring Breeze Bronze Oil on canvas 10” x 12” x 8” 17” x 19” 26 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 27 MICHAEL COLEMAN NICHOLAS COLEMAN On the Milk River Through the Sage Oil on linen Oil on linen 14” x 20” 30” x 40” 28 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 29 JOHN DEMOTT Poker is the most popular card game played worldwide, and Texas Hold’em is the Texas Hold’em most popular version of poker played. This then raises the historical question of Oil where did Texas Hold’em come from? There is no real information in regard to 30” x 48” where the first game was played. However, according to legend, the earliest game of Texas Hold’em was played in Robstown, Texas around 1900, and it first came to Dallas in 1925. SHEILA COTTRELL High Country Pack In Oil 20” x 24” 30 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 31 MICK DOELLINGER MIKEL DONAHUE Distant Bugle Three Fingers Bronze Mixed Media 27” x 22” x 13” 20” x 25” 32 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 33 MICHAEL DUDASH The Dressmakers Oil on linen 28” x 40” BARRY EISENACH Crow Foot Bronze 25” x 10” x 13” 34 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 35 TERESA ELLIOTT Hill Country Brindle TONY EUBANKS Oil on linen Hank & Hobo 24” x 30” Oil 24” x 24” 36 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 37 LUKE FRAZIER The Old Homestead Covey Oil 24” x 36” STEVE FORBIS Tres Amigos at San Juan Colored pencil 14” x 11” 38 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 39 RAGAN GENNUSA Shade Oil BRUCE GRAHAM 12” x 16” Path of Least Resistance Oil 30” x 24” 40 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 41 BRUCE GREENE BOB GUELICH Monarch of the Plains Roosting Circle Bronze Painted Bronze 27” x 22” x 13” 19”x 15”x 5” 42 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 43 ENRIQUE GUERRA El Coyote Bronze 14” x 8” x 6” ABIGAIL GUTTING With Strap and Stirrups Flyin’ Oil on linen 24” x 18” 44 BRISCOE WESTERN ART MUSEUM | 2017 Night of Artists 2017 Night of Artists | BRISCOE WESTERN ART MUSEUM 45 GEORGE HALLMARK It’s mid-morning on the Yucatán Peninsula, JOHN AUSTIN HANNA where at one time, this area was the sisal Bienvenido High Noon growing capital of the world.
Load more

Recommended publications
  • General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
    “A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and
    [Show full text]
  • Wallace Stegner and the De-Mythologizing of the American West" (2004)
    Digital Commons @ George Fox University Faculty Publications - Department of Professional Department of Professional Studies Studies 2004 Angling for Repose: Wallace Stegner and the De- Mythologizing of the American West Jennie A. Harrop George Fox University, [email protected] Follow this and additional works at: http://digitalcommons.georgefox.edu/dps_fac Recommended Citation Harrop, Jennie A., "Angling for Repose: Wallace Stegner and the De-Mythologizing of the American West" (2004). Faculty Publications - Department of Professional Studies. Paper 5. http://digitalcommons.georgefox.edu/dps_fac/5 This Dissertation is brought to you for free and open access by the Department of Professional Studies at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of Professional Studies by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. ANGLING FOR REPOSE: WALLACE STEGNER AND THE DE-MYTHOLOGIZING OF THE AMERICAN WEST A Dissertation Presented to The Faculty of Arts and Humanities University of Denver In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Jennie A. Camp June 2004 Advisor: Dr. Margaret Earley Whitt Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ©Copyright by Jennie A. Camp 2004 All Rights Reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. GRADUATE STUDIES AT THE UNIVERSITY OF DENVER Upon the recommendation of the chairperson of the Department of English this dissertation is hereby accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Profess^inJ charge of dissertation Vice Provost for Graduate Studies / if H Date Reproduced with permission of the copyright owner.
    [Show full text]
  • Booklist.Pdf
    Visit our website at: For Pricing and Availability Updated: 2/9/2021 williamjohnstonebooks.com Call 1‐615‐295‐2143 or E‐mail *New Titles and Release Dates Subject to Change [email protected] WESTERNS Title (Series) A Town Called Fury Series Released Audio 1. A Town Called Fury Jul 2006 Yes _____ 2. Hard Country Apr 2007 Yes _____ 3. Judgment Day Nov 2007 Yes _____ 4. Redemption Jul 2011 Yes _____ Ben Savage, Saloon Ranger Series Released Audio 1. Buzzard's Bluff Aug 2020 _____ 2. The Devil's Boneyard Nov 2020 _____ Blood Bond Series Released Audio 1. Blood Bond Jul 1989 Yes _____ 2. Brotherhood of the Gun Jun 1990 Yes _____ 3. Gunsight Crossing Aug 1991 Yes _____ 4. Gunsmoke and Gold Feb 1992 Yes _____ 5. Devil Creek Crossfire Jul 1992 Yes _____ 6. Shootout at Gold Creek Jul 1993 Yes _____ 7. San Angelo Showdown Feb 1994 Yes _____ 8. Death in Snake Creek Dec 1994 Yes _____ 9. Slaughter Trail Jun 2006 Yes _____ 10. The Hanging Road Jun 2007 Yes _____ 11. Texas Gundown Feb 2008 Yes _____ 12. Ride for Vengeance Jun 2008 Yes _____ 13. Deadly Road to Yuma Apr 2009 Yes _____ 14. Moonshine Massacre Apr 2010 Yes _____ 15. Arizona Ambush Nov 2011 Yes _____ 16. A Hundred Ways to Kill Nov 2012 Yes _____ Blood Valley Series Released Audio 1. Blood Valley Feb 1988 Yes _____ 2. Six Ways from Sunday May 2009 Yes _____ 3. Savage Guns Oct 2010 Yes _____ 4. Massacre Mountain Oct 2011 Yes _____ 5.
    [Show full text]
  • World War I Posters from the Newark Public Library
    World War I Posters from the Newark Public Library 1 For Home and Country: World War I Posters from the Newark Public Library September 11 – December 13, 2017 University Galleries William Paterson University Inside front cover Clockwise from top left Exhibition checklist 1, 2, 3, 6, 9, 10 2 polished publication. He was patient and diligent while Introduction offering fresh perspectives on these historical prints. Special thanks go to William Paterson University Kristen Evangelista Director, University Galleries President Dr. Kathleen Waldron, Provost and Senior Vice President of Academic Affairs Dr. Warren Sandmann, Associate Provost for Academic Affairs Dr. Sandra Hill, former Associate Provost for Academic Affairs Dr. Stephen Hahn, Dean of the College of the Arts and Communication Daryl J. Moore, Associate Dean of the College of the Arts ome of our nation’s most iconic First and foremost, I would like to thank WP Professor of and Communication Loretta McLaughlin Vignier, and Chair images were created as propaganda History George Robb for his unwavering cooperation, vision, of the Art Department Professor Lauren Razzore. during World War I. From 1917-1918, and dedication to realizing this exhibition and publication. I would like to especially thank the entire gallery staff S several hundred artists worked This significant undertaking reflects his astute judgment, for their hard work and commitment to all that we do. diligently in concert with government focused scholarship, and curatorial expertise. Emily Johnsen adeptly coordinated numerous aspects agencies to design posters that supported the nation, We received indispensable guidance from Professor of the exhibition and publication with a constant eye for upheld values of liberty, and promoted participation in Alejandro Anreus and Professor Thomas Uhlein in the re- detail.
    [Show full text]
  • Exhibition & Art Sale March 23
    EXHIBITION & ART SALE MARCH 23 - MAY 6, 2018 Z.S. Liang, Grizzly Bear Man, Oil on linen canvas, 44” x 26” 2018 Night of Artists 2 BRISCOE WESTERN ART MUSEUM 2018 Night of Artists 3 BRISCOE WESTERN ART MUSEUM 2018 Night of Artists COMMITTEE Marianne Malek, 2018 Night of Artists Chair April Bonds • Missie Bowman • Margaret & D.B. Briscoe Linda Gail & Robert Dullnig • Jessica Erin Elliott, 2017 Board Chair Tyler Lyda Gates • Triana & Brandon Grossman Jose “Che” Guerra, 2018 Board Chair Nicole & Rob McClane, 2019 Night of Artists Chairs Brooke Harrell Urban BOARD OF DIRECTORS Janey Briscoe Marmion, Honorary Chairman Jose “Che” Guerra, Chair of the Board McLean Bowman • Jay Clingman • Robert A. Dullnig • Jessica Erin Elliott Brandon Grossman • Jack Guenther • Valerie Guenther • Barry Hendler Mark Johnson • Nancy Loeffler • Rob McClane • Jane Macon Kenneth J. Maverick • John T. Montford • Richard Nunley Mike Sohn • Mark E. Watson, Jr. • Bradford Wyatt ADVISORY DIRECTORS Jean Brady • J.P. Bryan • Fully Clingman • Laura Gill Janell Kleberg • Debbie Montford • Ricardo Romo • Lionel Sosa PRESENTING SPONSORS El Bigote Ranch in memory of Tex Elliott WESTERN ART PATRON Briscoe Ranch, Inc. • Valerie and Jack Guenther • Mays Family Foundation Debbie and John T. Montford | Plum Foundation Scott Petty Family Foundation • Silver Eagle Distributors | Texas Capital Bank WESTERN ART COLLECTOR Argo Group • Avalon Advisors, LLC • Mr. and Mrs. Marrs McLean Bowman • David B. Elliott Gates Mineral Company, Ltd. • Laura and Barry Hendler • Karen and Tim Hixon IBC Bank • Jefferson Bank | Sanger & Altgelt, LLC • Bonnie and John Korbell Lincoln Heights Animal Hospital • Luther King Capital Management • Ruth and Johnny Russell Muriel F.
    [Show full text]
  • American West
    ART OF THE AMERICAN WEST Front, top to bottom: FREDERIC SACKRIDER REMINGTON TOM LOVELL A Mexican Buccaroo - In Texas, circa 1890 The Raven Followers,1975 , (detail) Oil on canvas. 21-1/2 x 17-1/2 in. Oil on board. 19 x 32 in. Sold for: $233,025, May 2010 Sold for: 131,450, November 2011 HA.com/5044*67122 HA.com/5085*70050 JOSEPH HENRY SHARP This page: Bawling Deer, circa 1924 -1946 WILLIAM ROBINSON LEIGH Oil on canvas, 16 x 13 in. Renegade at Bay, 1941 (detail) Sold for: $143,400, May 2007 Oil on canvas. 24 x 29 in. HA.com/652*24010 Sold for: $388,375, November 2011 HA.com/5085*70041 WILLIAM HENRY HOLMES Mount of the Holy Cross, 1873 Watercolor and gouache on buff paper Paper: 18-1/4 x 11-1/4 in. Sold for: $22,705, May 2011 HA.com/5062*64229 WHY CONSIGN YOUR WESTERN ART COLLECTION TO HERITAGE? You’ve spent years, even decades, putting your collection together and maybe the time has come to sell. Perhaps you've inherited some Art of the American West as part of an estate. Whatever your situation, whatever your reason, you have one goal in mind: to realize the very best prices for each and every piece. Heritage, the world's third largest auction house, can help you accomplish that. WILLIAM ROBINSON LEIGH Home, Sweet Home, 1932 (detail) Oil on canvas. 40 x 60 in. Sold for: $1,195,000, November 2011 HA.com/5085*70040 YOUR CONSIGNMENT DECISION Heritage knows that educating yourself is the most important step in the process of selecting your auctioneer and we want to make sure you know absolutely everything you need to in order to make an educated decision.
    [Show full text]
  • The Burg | 1 Community Publishers
    09.14 | The Burg | 1 Community Publishers As members of Harrisburg’s business community, we are proud to support TheBurg, a free publication dedicated to telling the stories of the people of greater Harrisburg. Whether you love TheBurg for its distinctive design, its in-depth reporting or its thoughtful features about the businesses and residents who call our area home, you know the value of having responsible, community-centered coverage. We’re thrilled to help provide greater Harrisburg with the local publication it deserves. Realty Associates, Inc. Wendell Hoover ray davis 2 | The Burg | 09.14 CoNTeNTS |||||||||||||||||||||||||||||||||||||||||||||||||||| General and leTTers NeWS 2601 N. FroNT ST., SuITe 101 • hArrISBurg, PA 17110 WWW.TheBurgNeWS.CoM 9. puBlisHers Column ediTorial: 717.695.2576 10. neWs DigesT ad SALES: 717.695.2621 11. CHuCkleBurg 12. CiTy vieW PuBLISher: J. ALeX hArTZLer 14. state sTreeT [email protected] COVER arT By: JonaTHan Frazier eDITor-IN-ChIeF: LAWrANCe BINDA www.JonaTHanFrazier.CoM [email protected] IN The Burg "Looking Down the hill from reservoir Park" oil on Linen. SALeS DIreCTor: LAureN MILLS 16. CHAriTy for All [email protected] 22. CiTy folk SeNIor WrITer: PAuL BArker leTTer FroM THe ediTor 26. BriDging DiviDes [email protected] 27. Doing gooD When I was a kid, September meant one AccouNT eXeCuTIve: ANDreA Black thing—back to school. even my first days of [email protected] college didn’t start until after Labor Day. Today, most students begin school well ConTriBUTors: Burg latino before the sweltering days of August are TArA Leo AuChey, Today’S The day hArrISBurg done.
    [Show full text]
  • Mountain Men on Film Kenneth Estes Hall East Tennessee State University, [email protected]
    East Tennessee State University Digital Commons @ East Tennessee State University ETSU Faculty Works Faculty Works 1-1-2016 Mountain Men on Film Kenneth Estes Hall East Tennessee State University, [email protected] Follow this and additional works at: https://dc.etsu.edu/etsu-works Part of the American Film Studies Commons, and the Film and Media Studies Commons Citation Information Hall, Kenneth Estes. 2016. Mountain Men on Film. Studies in the Western. Vol.24 97-119. http://www.westernforschungszentrum.de/ This Article is brought to you for free and open access by the Faculty Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in ETSU Faculty Works by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Mountain Men on Film Copyright Statement This document was published with permission from the journal. It was originally published in the Studies in the Western. This article is available at Digital Commons @ East Tennessee State University: https://dc.etsu.edu/etsu-works/596 Peter Bischoff 53 Warshow, Robert. "Movie Chronicle: The Western." Partisan Re- view, 21 (1954), 190-203. (Quoted from reference number 33) Mountain Men on Film 54 Webb, Walter Prescott. The Great Plains. Boston: Ginn and Kenneth E. Hall Company, 1931. 55 West, Ray B. , Jr., ed. Rocky Mountain Reader. New York: E.P. Dutton, 1946. 56 Westbrook, Max. "The Authentic Western." Western American Literatu,e, 13 (Fall 1978), 213-25. 57 The Western Literature Association (sponsored by). A Literary History of the American West. Fort Worth: Texas Christian University Press, 1987.
    [Show full text]
  • Olio Volume 19 Issue 2 2002
    ~olio Volume 19 The ·po Issue 2 2002 The From the Director Norman Rockwell I am pleased to announce the formation the museum will offer of the Norman Rockwell Museum National a sampler of foods to Museum Council, upon the conclusion of our museum visitors at at Stockbridge national tour, Pictures for the American our new Terrace Cafe People. The Council will provide a forum during the summer and fall. Sip a refreshing BOARD OF TRUSTEES for the Museum's national patrons and iced tea and enjoy the view after your visit to Bobbie Crosby· President Perri Petricca • First Vice President collectors, who will serve as ambassadors our wonderful summer exhibitions. We thank Lee Williams' Second Vice President for the Museum across the nation. the Town of Stockbridge Board of Selectmen Steven Spielberg· Third Vice President James W. Ireland' Treasurer and the Red Lion Inn for being our partner in Roselle Kline Chartock • Clerk The Board of Trustees has nominated a offering hospitality to our visitors. Robert Berle Ann Fitzpatrick Brown select group of friends and supporters to Daniel M. Cain join us in the stewardship of our mission. Jan Cohn As part of the Berkshire County-wide arts Catharine B. Deely The Council is advisory to and complements festival, the Vienna Project, the museum Michelle Gillett Elaine S. Gunn the work of Norman Rockwell Museum opened Viennese illustrator Lisbeth Zwerger's Ellen Kahn Trustees and staff. Council members will Land of Oz with a Viennese coffee house, Jeffrey Kleiser Luisa Kreisberg provide national outreach and offer advice remarks by Dr.
    [Show full text]
  • Summer 2017 Jackson Hole by Number: Using Primary Sources to Color Your Story
    Historical Society & Museum Chronicle VOLUME XXXVII NO. 3 Summer 2017 Jackson Hole by Number: Using Primary Sources to Color Your Story by Samantha Ford, JHHSM staff This summer the museum received an inquiry about the birthplaces of the earliest homesteaders in the valley. Where did these people come from? How far had they potentially traveled to get here? At first, it might seem like a monumental task to track down and compile the birthplaces of all 651 people living in the valley during the early homesteading era (1890-1900). How many records would that entail? Would the time spent equal the benefit of having that kind of information? Both answers are simple: just one source is needed, and the information would help to create a more detailed story about the valley’s history. The United States Census is an integral member in the tool belt of the genealogist, or anyone conducting historical research. ABOUT THE CENSUS The data collected in a Census was a means to track the growth of the country. This information was used to predict future needs and to plan for sustainable town/city and territory growth. The first Census was conducted in 1790, and the most recent in 2010. The Census of 1850 included the first detailed account of social issues, city infrastructure, industrial and agricultural growth. This same year, all members of a household were listed with name, age, race, education, birthplace and occupation. The detailed information [Continued on page 4] 2 Remember: Old Bill’s Fun Run Saturday, September 9, 2017 Mission Statement Preserving and sharing the heritage of Jackson Hole Staff Morgan Albertson Executive Director Brenda Roberts Assistant Director Steve Roberts Retail, Marketing, Research Nora DeWitt-Hoeger Research Assistant Marilyn Wartig Visitor Services Alexei Cree Education & Research Intern Samantha Ford Historical Research Projects Matt Stirn JH Archaeology Initiative Rebecca Sgouros JH Archaeology Initiative Board of Directors Bill Best, President Jim Hunt, co-Vice Pres.
    [Show full text]
  • Camp Cornhusker Mountain Man Program Guide 2020
    Camp Cornhusker Mountain Man Program Guide 2020 The settling of the Western Frontier began with the Lewis and Clark Expedition in 1804. After that expedition the “Western Expansion” was greatly enhanced by the experiences and knowledge gained by the “Mountaineers” as they called themselves. Today we know them as Mountain Men, both men and women. The Trappers’ life on the frontier was one of skill and toughness. Not only was he a trapper and woodsman they were also traders, blacksmiths, cowboys, horse wranglers, teamsters, doctors, gunsmiths, tailors, explorers, packers and guides. One railroad executive commented that the western expansion would have lasted well into the Twentieth Century without the help of these experienced guides. Many of those guides had previously been Mountain Men. A Mountain Man had to be constantly alert for signs of danger and ready for immediate action. Long periods of time often passed without seeing another person, it was necessary that they were self-sufficient, able to live from what nature provided. They had to possess that spirit of adventure that makes a person wonder just what is up the river and over the mountain, then go and find out, regardless of time or danger. In today’s society a great deal of this spirit has been lost. The lifestyle for much of our populace today has changed to dependence upon others in our society being guided by the law to assist them through life. We are trying to preserve the spirit of the original Mountain Men and bring back some of what has been lost. We want individuals who are willing, at least for a short time, to step back in time and live life how it was meant to be; as free individuals, and true citizens of the wilderness.
    [Show full text]
  • A Cultural Trade? Canadian Magazine Illustrators at Home And
    A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960 A Dissertation Presented by Shannon Jaleen Grove to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor oF Philosophy in Art History and Criticism Stony Brook University May 2014 Copyright by Shannon Jaleen Grove 2014 Stony Brook University The Graduate School Shannon Jaleen Grove We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Michele H. Bogart – Dissertation Advisor Professor, Department of Art Barbara E. Frank - Chairperson of Defense Associate Professor, Department of Art Raiford Guins - Reader Associate Professor, Department of Cultural Analysis and Theory Brian Rusted - Reader Associate Professor, Department of Art / Department of Communication and Culture University of Calgary This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960 by Shannon Jaleen Grove Doctor of Philosophy in Art History and Criticism Stony Brook University 2014 This dissertation analyzes nationalisms in the work of Canadian magazine illustrators in Toronto and New York, 1880 to 1960. Using a continentalist approach—rather than the nationalist lens often employed by historians of Canadian art—I show the existence of an integrated, joint North American visual culture. Drawing from primary sources and biography, I document the social, political, corporate, and communication networks that illustrators traded in. I focus on two common visual tropes of the day—that of the pretty girl and that of wilderness imagery.
    [Show full text]