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Youngest son
The Child and the Fairy Tale: the Psychological Perspective of Children’S Literature
Character Roles in the Estonian Versions of the Dragon Slayer (At 300)
Defining and Subverting the Female Beauty Ideal in Fairy Tale Narratives and Films Through Grotesque Aesthetics
The Father-Wound in Folklore: a Critique of Mitscherlich, Bly, and Their Followers Hal W
The Bald Boy Keloğlan and the Most Beautiful Girl in the World
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Morphology of the Folktale This Page Intentionally Left Blank American Folklore Society Bibliographical and Special Series Volume 9/Revised Edition/1968
The Spirit of Play in Two Fairy Tales
What Happened After Stories
Archetypal Patterns in Fairy Tales Studies in Jungian Psychology by Jungian Analysts
Propp's Morphology As Narrative DNA: the 29-Function Plot Genotype of “The Robber Bridegroom”
Wuxia Film: a Qualitative Perspective of Chinese Legal Consciousness
A Fairy Godmother of Her Own in 17Th Century France: Subversive Female Agency in Madame D'aulnoy's “The White Cat”
"Dragon, Dragon" Story
The Social Contract and Symbolic Structure in Three Vietnamese Tales of the “Last Born”
Beauty and the Beast” Tales
SFU Thesis Template Files
A Fairly Creative Guide to Telling Tales an Introduction to Creative Writing
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Mhtml:File://S:\Shared\Library\Fairy Tales\The Deception Motif
The Psychosocial Implications of Disney Movies
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Bluebeard’ Dream – the Affinity Between Female Dream Narratives and Fairy Tales
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Failed Mothers, Monster Sons. Reading Shakespeare's
Why the Force Is Still with Us Thirty Years After the Release of Star Wars
Vladímir Propp MORPHOLOGY of the FOLK TALE 1928 Translation ©1968, the American Folklore Society and Indiana University