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I predatori dell’arca perduta P0415 catalogo in ordine di regista A AA.VV. 11 SETTEMBRE 2001 (11’09’’01 - SEPTEMBER 11) • P0985 FR,GB,GIA 2002, 135’ CARICA DEI 101, LA (ONE HUNDRED AND ONE DALMATIANS) • P1670 USA 1961, 79’ FERNGULLY. CUCCIOLI DA SALVARE (FERNGULLy 2: THE MAGIcAL REScUE) • MA59 USA 1998, 98’ JFK - IL SOGNO AMERICANO (JFK) • P1210 USA 2006, 100’ MEMORIES • P2196 JAP 1995, 110’ ROMA CITTÀ APERTA • P1544 ITA 1945, 100’ SMITHS - YOU GOT EVERYTHING NOW, THE • P1517 GB 1985, 65’ TUO SIMPATICO AMICO WILLY IL COYOTE, IL • P1629 USA 1949, 105’ WALT DISNEY TREASURES - PLUTO VOLUME 1 • P1677 USA 1931, 250’ WALT DISNEY TREASURES - SEMPLICEMENTE PAPERINO 1 • P1678 USA 1934, 275’ WALT DISNEY TREASURES - SEMPLICEMENTE PAPERINO 2 • P1679 USA 1939, 250’ WALT DISNEY TREASURES - SEMPLICEMENTE PAPERINO 3 • P1680 USA 1947, 198’ WALT DISNEY TREASURES - TOPOLINO IN BIANCO E NERO • P1674 USA 1938, 256’ WALT DISNEY TREASURES - TOPOLINO STAR A COLORI • P1675 USA 1939, 345’ WHY WE FIGHT 1: DVD 1/4 (WHy WE FIGHT) P0496/9 USA 1945, 90’ cA WHY WE FIGHT 2: DVD 1/4 (WHy WE FIGHT) P0492/5 USA 1945, 90’ cA ABRAMS, J.J. STAR TREK • P1895 USA 2009, 126’ SUPER 8 • P2315 USA 2011, 112’ AcHAFFNER, FRANKLIN J. PAPILLON • P1101 FRA, USA 1973, 150’ ADETUyI, Robert THIS IS BEAT – SFIDA DI BALLO • P2439 CAN 2011, 91’ AFFLEcK, BEN ARGO • P2210 USA 2012, 120’ GONE BABY GONE • P 1 4 7 1 USA 2007, 114’ TOWN, THE • P 1872 + P2298 USA 2010, 123’ AGNÈS, JAOUI GUSTO DEGLI ALTRI, IL (GOÛT DES AUTRES, LE) • P1541 FRA 2000, 112’ AGNIESZKA, HOLLAND EUROPA EUROPA • P1611 FRA 1990, 115’ AKIN, FATIH SOUL KITCHEN • P1811 GER 2009, 99’ SPOSA TURCA, LA (GEGEN DIE WAND) • P1267 GER, TUR 2004, 121’ AKIyAMA, KATSUHIKO KUJAKU L’ESORCISTA – PETALI DI FOLLIA (KUJAKU) • P1771 GIA 1991, 50’ AJA, ALEXANDRE COLLINE HANNO GLI OCCHI, LE (HILLS HAVE EyES, THE) • P1879 USA 2006, 107’ AL MANSOUR, HALIFAA BICICLETTA VERDE,LA (WADJDA) • P2400 ARA,GE 2012, 93’ ALDRIcH, ROBERT ASSASSINIO DI SISTER GEORGE, L’ (KILLING OF SISTER GEORGE, THE) • P1259 USA 1968, 138’ BACIO E UNA PISTOLA, UN (KISS ME DEADLy) • P1062 USA 1955, 105’ CHE FINE HA FATTO BABY JANE? (WHAT EVER HAPPENED TO BABy JANE?) • P0716 USA 1962, 132’ IMPERATORE DEL NORD, L’ • P1919 USA 1973, 118’ PIANO... PIANO, DOLCE CARLOTTA (HUSH... HUSH, SWEET cHARLOTTE) • P1422 USA 1964, 135’ QUELLA SPORCA ULTIMA META (LONGEST yARD, THE) • P1004 USA 1974, 122’ ULTIMO APACHE, L’ • P1934 USA 1954, 91’ ALFREDSON, DANIEL RAGAZZA CHE GIOCAVA CON IL FUOCO, LA (FLIcKAN SOM LEKTE MED ELDEN) • P1666 SW 2009, 129’ REGINA DEI CASTELLI DI CARTA, LA (LUFTSLOTTET SOM SPRÄNGDES) • P1667 SW,DA,GE 2009, 148’ ALFREDSON, TOMAS LASCIAMI ENTRARE (LÅT DEN RÄTTE KOMMA IN) • P1465 SW 2008, 114’ ALIPRANDI, MARcELLO SUSSURRO NEL BUIO, UN • P1968 ITA 1976, 100’ ALLEN, WOODY ALICE • P1175 USA 1990, 106’ ALTRA DONNA, UN’ (ANOTHER WOMAN) • P0679 USA 1988, 88’ AMORE E GUERRA (LOVE AND DEATH) • P0758 USA 1975, 85’ ANYTHING ELSE • P0680 USA 2002, 108’ COMMEDIA SEXY IN UNA NOTTE DI MEZZA ESTATE, UNA (MIDSUMMER NIGHT’S SEX cOMEDy, A) • P0678 USA 1982, 98’ CRIMINI E MISFATTI (cRIMES AND MISDEMEANORS) • P0682 USA 1989, 107’ DITTATORE DELLO STATO LIBERO DI “BANANAS”, IL • P0870 USA 1971, 82’ DORMIGLIONE, IL (SLEEPER) • P0231 + P0860 USA 1973, 88’ HANNAH E LE SUE SORELLE (HANNAH AND HER SISTERS) • P0154 USA 1986, 103’ HOLLYWOOD ENDING • P 0 7 2 5 USA 2002, 114’ INTERIORS • P0856 USA 1978, 93’ IO E ANNIE (ANNIE HALL) • P0134 USA 1977, 94’ MANHATTAN • P0146 USA 1979, 96’ MATCH POINT • P1324 USA, GB 2005, 124’ MELINDA E MELINDA (MELINDA AND MELINDA) • P0980 USA 2004, 100’ MIDNIGHT IN PARIS • P2207 ESP, USA 2011, 100’ MISTERIOSO OMICIDIO A MANHATTAN (MANHATTAN MURDER MySTERy) • P0726 USA 1993, 107’ PRENDI I SOLDI E SCAPPA (TAKE THE MONEy AND RUN) • P0121 USA 1969, 86’ PROVACI ANCORA, SAM (PLAy IT AGAIN, SAM) • P0724 USA 1972, 90’ ROSA PURPUREA DEL CAIRO, LA (PURPLE ROSE OF cAIRO, THE) • P0149 USA 1985, 84’ indice per autore - 2 << ALLEN, WOODY STARDUST MEMORIES • P0683 USA 1980, 85’ TUTTO QUELLO CHE AVRESTE VOLUTO SAPERE SUL SESSO MA NON AVETE MAI OSATO CHIEDERE (EVERyTHING yOU ALWAyS WANTED TO KNOW ABOUT SEX BUT WERE AFRAID TO ASK) • P0681 USA 1972, 89’ ZELIG • P1717 USA 1983, 72’ ALMODOVAR, PEDRO ABBRACCI SPEZZATI, GLI • P1966 ESP 2009, 127’ DONNE SULL’ORLO DI UNA CRISI DI NERVI (MUJERES AL BORDE DE UN ATAQUE DE NERVIOS) • P1191 SPA 1988, 88’ MALA EDUCACIÓN, LA • P0110 SPA 2004, 105’ LÉGAMI! (¡ATAME!) • P0171 SPA 1990, 111’ LEGGE DEL DESIDERIO, LA (LA LEy DEL DESEO) • P2257 + P2408 SPA 1987, 102’ PARLA CON LEI (HABLE cON ELLA) • P0166 SPA 2002, 112’ PELLE CHE ABITO, LA • P1947 ESP 2011, 117’ TUTTO SU MIA MADRE (TODO SOBRE MI MADRE) • P0772 SPA 1999, 101’ VOLVER - TORNARE • P1704 SPA 2006, 120’ ALTMAN, ROBERT COMPARI, I (MccABE & MRS. MILLER) • P0887 USA 1971, 122’ FOLLIA D’AMORE (FOOL FOR LOVE) • P0688 USA 1985, 107’ GANG (THIEVES LIKE US) • P0684 USA 1974, 123’ LUNGO ADDIO, IL (LONG GOODByE, THE) • P0687 USA 1973, 112’ MASH • P0296 + P0686 USA 1970, 116’ MATRIMONIO, UN (WEDDING, A) • P1713 USA 1978, 125’ QUINTET • MA74 USA1974, 114’ TRE DONNE (THREE WOMEN) • P0685 USA 1977, 130’ ALVART, cHRISTIAN PANDORUM - L’UNIVERSO PARALLELO (PANDORUM) • P1553+P2369 USA, GER 2009, 108’ AMADEI, AURELIANO 20 SIGARETTE • P1714 ITA 2010, 91’ AMELIO, GIANNI LAMERICA • P0200 ITA 1994, 125’ PRIMO UOMO, IL (LE PREMIER HOMME) • P2326 FR,IT,AL 2011, 100’ STELLA CHE NON C’È, LA • P1588 IT,FR,cH 2006, 104’ AMENABAR, ALEJANDRO APRI GLI OCCHI (ABRE LOS OJOS) • P1005 SPA 1997,117’ OTHERS, THE (LOS OTROS) • P0298 FRA, SPA 2001, 95’ AMENDOLA, MARIO PREPOTENTI, I • P2062 ITA 1958, 84’ ANDERS, OSTERGAARD BURMA VJ: REPORTER I ET LUKKET LAND • P1577 DAN 2008, 84’ ANDERSON, BRAD UOMO SENZA SONNO, L’ (MAcHINIST, THE) • P1374 SPA 2004, 90’ ANDERSON, MIcHAEL GIRO DEL MONDO IN 80 GIORNI, IL (AROUND THE WORLD IN 80 DAyS) • P0814 USA,GE,IR 2004, 120’ ANDERSON, PAUL THOMAS BOOGIE NIGHTS - L’ALTRA HOLLYWOOD (BOOGIE NIGHTS) • P0491 USA 1997, 153’ MAGNOLIA • P1200 USA 1999, 188’ PETROLIERE, IL (THERE WILL BE BLOOD) • P1572 USA 2007, 158’ PUNTO DI NON RITORNO (EVENT HORIZON) • P1226 USA, GB 1997, 92’ UBRIACO D’AMORE (PUNcH-DRUNK LOVE) • P1763 USA 2002, 92’ ANDERSON, PAUL W. S. TRE MOSCHETTIERI, I (THE THREE MUSKETEERS) • P2318 USA,GB,GE 2011, 110’ ANDERSON, STEPHEN + HALL, DON WINNIE THE POOH - NUOVE AVVENTURE NEL BOSCO DEI 100 ACRI • P2392 USA 2011,97’ ANDERSON, WES AVVENTURE ACQUATICHE DI STEVE ZISSOU, LE • P2222 USA 2004, 118’ TENENBAUM, I (ROyAL TENENBAUMS, THE) • P0885 USA 2001, 108’ TRENO PER IL DARJEELING, IL • P2016 USA 2007, 91’ ANDREWS, MARK + cHAPMAN, BRENDA RIBELLE: THE BRAVE • P2049 USA 2012, 93’ ANH-HUG, TRAN CYCLO - CICLO (XIcH-LO) • P1176 USA 1995, 120’ ANNAUD, JEAN JAcQUES NEMICO ALLE PORTE, IL • P1915 USA,UK,GE,IR 2001, 131’ PRINCIPE DEL DESERTO, IL (BLAcK GOLD) • P2375 FR,IT,QU 2011,125’ ANTONIONI, MIcHELANGELO AL DI LÀ DELLE NUVOLE • P1628 FR, IT, GE 1995, 119’ AVVENTURA, L’ • P0898 IT,FR 1960, 143’ BLOW-UP • P0204 ITA, GB 1966, 110’ CRONACA DI UN AMORE VP0233 ITA 1950, 110’ DESERTO ROSSO (DESERTO ROSSO) • P0334 IT,FR 1964, 116’ ECLISSE, L’ • P 1 2 3 9 ITA 1961, 125’ GRIDO, IL • P0872 ITA 1957, 116’ NOTTE, LA • P0581 ITA, FRA 1961, 122’ PROFESSIONE: REPORTER • P0203 ITA 1974, 125’ SIGNORA SENZA CAMELIE, LA • P2127 FRA 1953, 105’ VINTI, I • P0615 ITA, FRA 1953, 110’ ZABRISKIE POINT • P1509 USA, ITA 1970, 111’ APATOW, JUDD FUNNY PEOPLE • P1851 USA 2009, 146’ APTED, MIchael CRONACHE DI NARNIA - IL VIAGGIO DEL VELIERO, LE (THE cHRONIcLES OF NARNIA: THE VOyAGE OF THE DAWN TREADER) • P2333 USA 2010, 115’ GORKY PARK • P2174 USA 1983, 128’ GORILLAS IN THE MIST: THE ADVENTURE OF DIAN FOSSEY • MA57 USA 1988, 129’ ARcAND, DENyS DECLINO DELL’IMPERO AMERICANO, IL (DÉcLIN DE L’IMPERE AMÉRIcAIN, LE) • P0654 + P0908 CAN 1987, 98’ INVASIONI BARBARICHE, LE (INVASIONS BARBARES, LES) • P0734 CAN, FRA 2003, 99’ ARcEL, NIcOLAJ ROYAL AFFAIR (EN KONGELIGE AFFAIR) • P2402 DA,SV,Rc 2010,132’ indice per autore - 3 ARcHIBUGI, FRANcEScA MIGNON È PARTITA • P1233 ITA, FRA 1988, 96’ QUESTIONE DI CUORE • P2258 ITA 2009, 102’ ARGENTO, DARIO GIALLO • P1892 IT,USA 2009, 89’ PHENOMENA • P2197 ITA, SUI 1985, 111’ PROFONDO ROSSO • P0265 + P0921 ITA 1975, 130’ SUSPIRIA • P1072 ITA 1976, 98’ TENEBRE • P0638 ITA 1982, 110’ UCCELLO DALLE PIUME DI CRISTALLO, L’ • P1264 + P1663 ITA, GER 1970, 96’ ARGENTO, DARIO + ROMERO, GEORGE DUE OCCHI DIABOLICI • P1906 ITA, USA 1990, 115’ ARMSTRONG, GILLIAN PICCOLE DONNE (LITTLE WOMEN) • P1751 USA 1994, 114’ ARMSTRONG, MIcHAEL TORTURA DELLE VERGINI, LA • P2013 GER 1970, 98’ ARNOLD, JAcK DESTINAZIONE TERRA • P 2 0 2 2 USA 1953, 81’ MOSTRO DELLA LAGUNA NERA, IL (cREATURE FROM THE BLAcK LAGOON) • P0100 + P1529 USA 1954, 79’ RADIAZIONI B X: DISTRUZIONE UOMO (INcREDIBLE SHRINKING MAN, THE) • MA05 USA 1957, 81’ RUGGITO DEL TOPO, IL (MOUSE THAT ROARED, THE) • P1400 GB 1959, 83’ TARANTULA • M A 2 6 USA 1955, 80’ ARONOFSKy, DARREN ALBERO DELLA VITA, L’ (THE FOUNTAIN) • P1860 USA 2006, 96’ CIGNO NERO, IL (BLAcK SWAN, THE) • P1729 USA 2010, 104’ REQUIEM FOR A DREAM • P1053 USA 2000, 102’ TEOREMA DEL DELIRIO, IL (PI) • P1115 USA 1998, 90’ WRESTLER, THE • P1893 USA 2008, 112’ ARZNER, DOROTHY FALENA D’ARGENTO, LA (cHRISTOPHER STRONG) • P0287 USA 1933, 78’ ASBURy, KELLy GNOMEO & GIULIETTA (GNOMEO & JULIET) • P2426 GB, 2011, 84’ ASHBy, HAL HAROLD E MAUDE (HAROLD AND MAUDE) • P1133 USA 1971, 93’ OLTRE IL GIARDINO (BEING THERE) • P1167 USA,GB,GI 1979, 130’ ULTIMA CORVÈ, L’ (LAST DETAIL, THE) • P0553 + P0702 USA 1973, 103’ ASIF, KAPADIA SENNA • P1709 GB 2010, 107’ ATTENBOROUGH, RIcHARD GANDHI • P1057 GB,USA,IN 1982, 188’ GREY OWL - GUFO GRIGIO • MA85 GB, cAN 1999, 108’ MAGIC - MAGIA • P0845 USA 1978, 107’ AUDIARD, JAcQUES PROFETA, IL (UN PROPHÈTE) • P 1 8 9 6 FRA 2009, 155’ TUTTI I BATTITI DEL MIO CUORE (DE BATTRE MON cOEUR S’EST ARRETÉ) • P1526 FRA 2005, 107’ AVATI, PUPI CASA DALLE FINESTRE CHE RIDONO, LA • P0646 ITA 1976, 110’ CAVALIERI CHE FECERO L’IMPRESA, I • P1360 ITA,FRA 2001, 147’ CUORE ALTROVE, IL (cUORE ALTROVE, IL) • P1376 ITA 2003, 107’ MA QUANDO ARRIVANO LE RAGAZZE? • P2031 ITA 2005, 105’ REGALO DI NATALE • P1380 ITA 1986, 101’ RIVINCITA DI NATALE, LA • P1359 ITA 2004, 99’ SECONDA NOTTE DI NOZZE, LA • P1455 + P2344 ITA 2005, 103’ ZEDER • P0051 ITA 1983, 100’ AVILDSEN, JOHN G.
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  • I Amor a Los Treinta Añ S Cursos De Primavera

    I Amor a Los Treinta Añ S Cursos De Primavera

    Antes del atardecer: otra gran película de I amor a los treinta añ s Cursos de primavera La crítica de cine: Definiciones en pugna por Javier Porta Fouz Miércoles 20/27 de octubre y 3110 de noviembre de 19.30 a 22.30 hs. Nouvelle Vague: Nuevo cine, nueva crítica por Leonardo M. D'Espósito Lunes 25 de octubre y 1°/8/15 de noviembre de 19.30 a 22.30 hs. Cada curso consta de cuatro clases de tres horas de duración. Se dictarán en Lavalle 1928. Arancel: 70 $ por curso. Inscripción previa. Vacantes limitadas. Informes en [email protected], llamar al 4951-6352 o consultar en www.elamante.com ~ -r-r- - - SUMARIO 150 ~DITnRIAL 2 Celebraciones: 150 números + Linklater Hicimos un balance sobre la revista en el N° SO, otro en el 100. Ahora les ofrecemos Estrenos 5 Antes del atardecer distintas miradas retrospectivas. A diez años 8 Polémica: A todo o nada de la votación de los films preferidos de El 12 Entrevista con Mike Leigh Amante, hicimos otra y encima la comenta- 13 El amor (primera parte) + Entrevista mas. También votamos y comentamos nues- 16 Chicas pesadas + El cine de SNL tras mejores tapas (gracias a Lucas, el lector de 18 La terminal Córdoba que nos dio la idea). Nada más que 20 Polémica: Primavera, verano, otoño, invieno y... primavera decir, fin del editorial. No, mentira, aprove- 22 Perfil de Kim Ki-duk chemos y hagamos un balance telegráfico. 23 Deuda ¿Qué pasó desde el N° 100 hasta hoy en El 24 El perro Amante? A nivel staff, se fueron algunos y lle- Peligrosa obsesión garon otros, hubo cambios en la organización Caterina en Roma de la redacción.
  • Written and Directed by Jean-Luc Godard

    Written and Directed by Jean-Luc Godard

    FREEDOM DOESN'T COME CHEAP WRITTEN AND DIRECTED BY JEAN-LUC GODARD France / 2010 / 101 min. / 1.78:1 / Dolby SR / In French w/ English subtitles A Lorber Films Release from Kino Lorber, Inc. 333 W. 39th St. Suite 503 New York, NY 10018 (212) 629-6880 Publicity Contact: Rodrigo Brandao Kino Lorber, Inc. (212) 629-6880 ext. 12 [email protected] Short synopsis A symphony in three movements. THINGS SUCH AS: A Mediterranean cruise. Numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... OUR EUROPE: At night, a sister and her younger brother have summoned their parents to appear before the court of their childhood. The children demand serious explanations of the themes of Liberty, Equality and Fraternity. OUR HUMANITIES: Visits to six sites of true or false myths: Egypt, Palestine, Odessa, Hellas, Naples and Barcelona. Long synopsis A symphony in three movements. THINGS SUCH AS: The Mediterranean, a cruise ship. Numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... An old man, a war criminal (German, French, American we don’t know) accompanied by his grand daughter... A famous French philosopher (Alain Badiou); A representative of the Moscow police, detective branch; An American singer (Patti Smith); An old French policeman; A retired United Nations bureaucrat; A former double agent; A Palestinian ambassador; It’s a matter of gold, as it was before with the Argonauts, but what is seen (the image) is very different from what is heard (the word). OUR EUROPE: At night, a sister and her younger brother have summoned their parents to appear before the court of their childhood.
  • JEAN-LUC GODARD Épisodes Un Et Deux

    JEAN-LUC GODARD Épisodes Un Et Deux

    JEAN-LUC GODARD ÉPISODES UN ET DEUX CONCEPTION ET MISE EN SCÈNE EDDY D’aranjo Jean-Luc Godard dans Caméra-oeil, 1967 LA COMPAGNIE Après eddy, performance documentaire semi-autobiographique, d’après les romans d’Édouard Louis, présenté au Théâtre National de Strasbourg en 2018, notre compagnie continue de sonder les possibilités d’un théâtre politique contemporain, et les moyens d’un accueil en son sein des voix mineures et des narrations marginales. Poursuivant notre étude de la notion d’auteur, nous proposons cette fois un portrait au long cours de Jean-Luc Godard - et à travers lui du second vingtième siècle, et de l’histoire de la gauche artistique française. Nous nous arrêterons, chemin faisant, sur quelques films marquants, émouvants et significatifs, où se mêlent l’humour et le chagrin, le désir et l’analyse - entre autres À bout de souffle, Le mépris, Caméra-oeil, La chinoise, Sauve qui peut (la vie), Histoire(s) du cinéma... Le passé et le pré- sent s’y regardent et s’y confrontent sans cesse, mêlant fiction, documentaire et performance, cherchant par l’art la vie plus ample, ou, au moins, le paysage de nos mélancolies héritées. Chacun des deux épisodes constitue un spectacle autonome. Ils peuvent être joués seuls, indépendemment l’un de l’autre, ou ensemble, dans une version intégrale. Le premier, Je me laisse envahir par le Vietnam (1930 - 1972), sera créé en janvier 2021, à La Commune, Centre Dramatique National d’Aubervilliers. Le second, J’attends la mort du cinéma (1973 -), au Théâtre National de Strasbourg, au cours de la saison 2021-2022.
  • February 26, 2019 (XXXVIII:5) Jean-Luc Godard: BREATHLESS/À BOUT DE SOUFFLE (1960, 90 Min.)

    February 26, 2019 (XXXVIII:5) Jean-Luc Godard: BREATHLESS/À BOUT DE SOUFFLE (1960, 90 Min.)

    February 26, 2019 (XXXVIII:5) Jean-Luc Godard: BREATHLESS/À BOUT DE SOUFFLE (1960, 90 min.) DIRECTED BY Jean-Luc Godard WRITING François Truffaut and Claude Chabrol (original scenario), Jean-Luc Godard (screenplay) PRODUCER Georges de Beauregard MUSIC Martial Solal CINEMATOGRAPHY Raoul Coutard FILM EDITING Cécile Decugis CAST Jean Seberg...Patricia Franchini Jean-Paul Belmondo...Michel Poiccard / Laszlo Kovacs Daniel Boulanger...Police Inspector Vital Henri-Jacques Huet...Antonio Berrutti Roger Hanin...Carl Zubart Van Doude...Himself Claude Mansard...Claudius Mansard play of shot-reverse shot' used in many Hollywood productions” Liliane Dreyfus...Liliane / Minouche (as Liliane David) (NewWaveFilm.com). In the article, Godard “praised the use of Michel Fabre...Police Inspector #2 shot-reverse shot as crucial to conveying a character’s mental Jean-Pierre Melville...Parvulesco the Writer point of view and their inner life.” In 1956, after returning to Jean-Luc Godard...The Snitch Paris from Switzerland and making his first two films, Godard Richard Balducci...Tolmatchoff returned to find that Cahiers du cinema, led by Francois Truffaut, André S. Labarthe...Journalist at Orly had become the leading film publication in France. Godard François Moreuil...Journalist at Orly would once again join the fray of French film enthusiasts championing the techniques of Hollywood auteurs like JEAN-LUC GODARD (b. December 3, 1930 in Paris, France) Hitchcock and Hawks, contributing articles “on some of his once said “All great fiction films tend toward documentary, just favorite auteurs such as Otto Preminger and Nicholas Ray” and as all great documentaries tend toward fiction.” Godard began his continuing “his theoretical debate with André Bazin” who film career with a short, which he directed, wrote, edited, acted “continued to commend the long take for its approximation to in, and did cinematography for.
  • Love, Death and the Search for Community in William Gaddis And

    Love, Death and the Search for Community in William Gaddis And

    Histoire(s) of Art and the Commodity: Love, Death, and the Search for Community in William Gaddis and Jean-Luc Godard Damien Marwood Submitted for the Degree of Doctor of Philosophy Discipline of English and Creative Writing The University of Adelaide December 2013 Table of Contents Abstract ................................................................................................................................................... iii Declaration............................................................................................................................................... iv Acknowledgements ................................................................................................................................... v Introduction ............................................................................................................................................... 3 Methodology ......................................................................................................................................... 7 Topography ........................................................................................................................................ 11 Godard, Gaddis .................................................................................................................................. 17 Commodity, Catastrophe: the Artist Confined to Earth ........................................................................... 21 Satanic and Childish Commerce / Art and Culture ............................................................................