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OBJECTS:USA THE JOHNSON COLLECTION OF CONTEMPORARY CRAFTS

ACC/RESEARCH & EDUCATION DcPT. SLIDE STUDY COLLECTION Mr. and Mrs. Samuel C. Johnson discuss silversmithing with artist-craftsman, Arthur Smith, at a press conference held to announce plans for OBJECTS:USA at Lincoln Center, New York.

287. The purpose of OBJECTS: USA is. to expose through a tour of exhibitions the objects being created today by artists in materials which have been traditionally called 'craft media,' such as clay, , fiber, wood. The timing of this survey could not be more appropriate, for during the past two years connoisseurs have been seriously reassessing the value labels normally assigned to the crafts. Placing and into a convenient 'fine arts' category, and objects—whether functional or non-functional—into a craft category no longer sustains any aesthetic validity. The 'presence' of many an object made in clay or wrought in is as satisfying as a sculpture in or a in oil. This exhibition will allow a wider audience to judge whether or not many of the creators of these objects should be designated artists • It was not until the post World War II period that serious younger artists in numbers turned to craft media, but now virtually all college art departments offer courses on these subjects. In fact, a good number of University art departments (especially in California and Wisconsin) expect their students to work in oil, clay, glass, , plastic —in other words, to be able to express themselves in all materials in true renaissance . During the past twenty years the interaction between the once separate worlds of painting-sculpture and crafts has become so intimate that separating the expressions into 'major' or 'fine' and 'minor' or 'decorative' can now only be done on a quality level, not on a media one. That is, when one puts a contemporary painting beside a contemporary object in glass, the painting may well be deemed the 'decorative' object and the work in glass the 'fine' one * This exhibition was designed as a survey of the work being created in the field today. It represents all the media currently in use and most of the techniques; it represents works by artists from all parts of the nation; it represents examples from all age groups; and finally it represents a wide range of aesthetic approaches. It does not-due to space limitations—represent all of the fine artists working in craft media. It would require as many objects shown here to represent properly the artists in clay alone • The exhibition comprises 308 objects, and behind the vitality of each work is a dedicated artist. Probably he has worked with little or no attention for a good number of years, but he gained his dignity by working with his hands, by being able to fashion an object from start to finish. He and the others of his persuasion have humanized the object once more, given meaning and enduring values to the 'things' we touch, use and live with in our intimate environments. In a world in which most objects are fabricated with a built- in obsolescence, are made to be thrown away, these artists have created objects which, because of their aesthetic presences, may be protected by their owners, and hopefully last through the years to one day tell a future century of the culture of our time -' These craftsmen often—but not often enough—work in conjunction with industry as designers, giving our mass-produced objects a batter look; they work as production craftsmen, particularly those dealing in functional objects, setting up shops to turn out teapots, lengths of handwoven materials, rings, each work not unique, but each made by hand; and finally they work in studios creating unique works. Most of the objects in this collection fall into the latter category, the category of the artist, although a few production craftsmen have been included to illustrate the superior quality of their objects over those that are mass-pro- duced • Despite the creative vitality of these artists few of them are yet shown in galleries, fewer are in museums and critics have seldom given them proper attention. This is particu- larly evident in New York, presently the world's art center, where the all too few craft media exhibitions are usually covered by articles on the women's pages. But then the movement toward craft media is not New York centered. It was initially rural and isolated, then it spread to cities such as Detroit, Cleveland and Seattle where craft schools opened, and now is largely University oriented, as many of the leading artists in the field have taken teaching positions * It is a credit to the foresight of Mr. and Mrs. H. F. Johnson that John- son Wax has recognized so early the creative power in this new field, and that the company is bringing these objects to the public's attention with this tour. Samuel C. Johnson, the new young President and Chairman of the company, states, 'As a businessman, one of my special interests is in individual creativity. It has always been the feeling of my father, Herbert F. Johnson, and our company that business has the responsibility to provide mean- ingful support of the arts in order to encourage excellence in the cultural aspects of our society... .The artistic efforts of America's craftsmen have long been overlooked as a vital part of the nation's cultural heritage. We hope that this collection will stimulate widespread interest in this special field of individual creativity.' Johnson Wax has not only bought all of these objects from the artists (thereby assisting them financially), but the company will, when the extensive tours are completed, give the collection to public museums so that the artists will be ensured of prestigious and lasting exposure of their works • OBJECTS: USA is dedicated to the artists who have elevated the attitudes toward 'craft media', have given dignity to clay and fiber, glass and metal by creating objects in them which reflect the more noble aspects of our age.

LEE NORDNESS

186. Lee Nordness, New York art dealer shown above, was commissioned by Johnson's Wax to acquire OBJECTS:USA. Recently he has completed a book for Viking Press centered around the collection. Titled OBJECTS:USA, the book consists of 360 pages with biographies and articles on each artist, and with 48 color plates and over 500 black and whites.

181. Mr. and Mrs. H. F. Johnson photographed after receiving the Grand of the City of Paris during European tour ofART.-USA. The Johnson Collection of Contemporary American Painting was presented to the National Collection of Fine Arts of the Smithsonian Institution in 1968. NOTE: All measurements are height (x) width fx) depth, unless otherwise indicated

ENAMEL , 1. AMES, ARTHUR: Brown & Blue; wall construction of on : ll"x 11" (with frame ^"x^"): 1968 \ • • 2. BATES, KENNETH F.: Blue Spots: bowl, plique-a-jour enamel: W high x 41/4" diam.: 1969 3. BATES, KENNETH F.; Penetration: sgraffito enamel plate on copper: IW diam.: 1968 4. HELWIG, HAROLD B.: Angelic Devils: grisaille matte enamel plate: 11" diam.; 1968 5. HULTBERG, PAUL; Johnson Together: enamel mural: 48"x 84": 1969 6. KOOS, VIVIAN: Red and Black: vitreous enamel on tray: 17%" diam.: 1958 7. SANDERSON, J. ORMOND, JR.: Box: rosewood with blue-gold basse taille enamel: 3%" high x 31A" diam. (enamel medallion 2Vn" diam.): 1968 8. SCHWARCZ, JUNE: Oval Bowl: enamel with etched oyster shell design: 21/4"x71/4": 1968 9. SCHWARCZ, JUNE: Bowl: enamel with electroplating: 6%" diam.: 1968 ; 10. WOOLLEY, ELLAMARIE: Now Emblem: two-s^ded construction of enamel on copper with wood: 241/4"x371/2"x71/4": 1966 CERAMIC 11. ARNESON, ROBERT; Alice House Wall: polychromed earthenware sculpture: 72"x96": 1967 12. ARNESON, ROBERT: Pot With Flowers #3: clear glazed earthenware, sculpture with ceramic decals: 26%" high: 1967 13. ARNESON, ROBERT: Sink: white earthenware sculpture with luster; 26y2"x 20": 1966 14. AUTIO, RUDY: Pot: stoneware with slip glaze over main body of pot, opaque white and feldspathic glaze on and lid; copper luster; 421/2" high: 1966 . 15. BACERRA. RALPH: Orange Form: earthenware sculpture with chrome and , metallic overglaze: 9" high; 1968 , 16. BAILEY, CLAYTON: Lizardscape Stash Altar With Two Secret Rocks: whiteware sculpture with luster, fake stone and plastic: \Wz" high: 1968 17. BALL, F. CARLTON: Jar: wheel-thrown stoneware: 12V2" high: 1967 18. BAUER, FRED: Steam Drill-Slot Pump: painted earthenware sculpture: 65" high: 1967 19. BAUER, PATTI: Pitter-Podder: hand built earthenware sculpture with acrylic painting: 26" high: 1968 20. BROWN, CHARLES M.: Wall Hanging: raku and nylon: 86" high: 1968 21. CABAT, ROSE: Pair of Feelies: two pots: Wo," high, 3" high: 1969 22. CARTWRIGHT, ROY: Hinged Box: stoneware: 71/4"xlll/2"xll3/4": 1965 23. COHEN, MICHAEL: Mirror: stoneware, orange-brown glaze: 23"xl7%": 1968 24. CONOVER, CLAUDE: Ulua: stoneware bottle, natural white scoring: 291/2" high: 1968 25. CRUMRINE, JIM: Column: earthenware sculpture, lead glaze, yellow overglaze: 36%" high: 1969 26. GUSHING, VAL: Covered Jar: reduction fired stoneware, dipped glaze pattern: 16" high: 1968 27. DALY, STEPHEN J.: Valentine For Sabina: stoneware relffif-with higtKfire copper reduction glaze and cast aluminum: 271/4"x 19": 1969 ^ .^ . 28. de STAEBLER, STEPHEN; A Woman: high fired clay sculpture: 54" long: 1964 29. de VORE, RICHARD E.: Shrine To Gracefulness: stoneware sculpture with gilt, wood and fabric: / two plates of 13" diam. (platform 12"x 19"): 1968 . . '- •; / 30. DONER, MICHELE: Two Tatooed Baby Dolls: porcelain: 13"x 9" each: 1968 31. DUCKWORTH, RUTH; Four Goblets: porcelain: highest Ws": 1968 32. EARL, JACK: Figure With Bananas: covered jar: porcelain: 7"x8": 1968 33. ENGLE, ROBERT: Harlow Pot: stoneware, fired decals: 15%" high: 1968 34. FARRELL, BILL: Popeye With Red Stripe: sculpture: bisque ceramic,- enamel paint: 221/2" high: 1968 35. FERGUSON, KENNETH: Jar: raku: 18%" high: 1968 , ' 36. FISHBACK, KURT E.; Pair of Plates: Sunshine Bright and Milker of My Eye: painted ceramic; 14V4" diam. each: 1968 :\ ' 37. FLETCHER, SALLY: Round Form: coil construction container, stoneware, kamani ash glaze: 12i/z"x 171/2": 1968 38. FRIMKESS, MICHAEL: Things Ain't What They Used To Be: glazed-painted, Chinese-shape, covered jar: 37%" high: 1965 39. FUNK, VERNE J.: Box: stoneware, bronze luster: 12%"x 5%"x 5%": 1968 40. GILHOOLY, DAVID: Map of Africa: white earthenware sculpture, commercial glazes: 78" long: 1966 41. GLICKJOHN PARKER: Teapot With Four Tea Bowls and Sugar Bowl: stoneware: teapot 9" high: 1969 42. GRONBORG, ERIK: Halfplate; stoneware with lead glazes and lusters: 20'/2" high: 1968 43. GROTELL, MAIJA: Bowl: stoneware with blue-green glaze inlaid in brown: Wa," high: 1955 44. HIGBY, WAYNE: Storage Jar: Egyptian paste & earthenware: 13%" high: 1968 •: 45. HUI, KA KWONG: Form; earthenware sculpture, lead, and colemanite glaze with yellow and • black overglaze: 20y4" high: 1968 .-. 46. HUI, KA KWONG: Vase: stoneware sculpture, fritted white glaze with red, yellow and blue . overglazes: 19V4" high: 1968 : '. 47. KALTENBACH, STEPHEN; Four Unit Module: earthenware sculpture with commercial glazes: 22 W long: 1965 48. KANEKO, JUN: Sanbonashi: earthenware sculpture, slab-made, colored slip with transparent glaze: 30" high: 1967 49. KARNES, KAREN: Pair of Garden Seats: stoneware: highest 18": 1968 50. KEMENYFFY, STEPHEN: Large Triangle and Small Triangle: stoneware sculpture, salt glaze: one 451/4" high; other 41V2" high: 1968 51. KOTTLER, HOWARD: Mondo Reflecto: earthenware sculpture with lusters: Wn" high: 1968 52. KOTTLER, HOWARD: (sticks) (stones) > (Bones): porcelain blank plate with ceramic decals: WA" diam.: 1968 ed. 1/10 53. LANE, DOYLE: Landscape #9: clay painting, slab and glaze technique: 15%"x 16%": 1967 54. LANG, RODGER: The Beatle Cups: stoneware with low fired glazes and lusters; highest 4%": 1967 55. LA VERDIERE, BROTHER BRUNO; Pair of Bottles: stoneware, coil construction, one oxide painting underglaze, other gold leaf overglaze: highest 41": 1968 56. LEEDY, JAMES: All-American Boy Trophy: hand buiit glazed stoneware sculpture: ?.Wz" high: 1968 57. LOLOMA, OTELLIE; The Bird Girl: stained stoneware sculpture: 17" high: 1969 58. LUCERO, FRED: Creation of Life: clay and free blown glass sculpture: 23" long: 1967 59. MARIA and POPOVOI: Bowl with Feather Design: terra cotta, black matte glaze: \Ws.'' diam.: 1968 60. MASON, JOHN: Wall,--ceramic , stoneware with low fire glazes' 84"x 108": 1959 61. MASON, JOHN: Vertical Sculpture: glazed stoneware: 55" high: 1963 ^_62. McCORMICK, PATRICK F.: Table Sculpture: two pjece earthenware with gold luster: 201/2" high: 1968 63. MclNTOSH, HARRISON: Blue Egg: stoneware scurpture; 6" high (without base): 1968 64. MELCHERT, JAMES: Leg Pot 1: stoneware sculpture with lead and cloth inlay, slab and thrown forms combined: 3?Vt" long: 1962 65. MELCHERT, JAMES: Game On Black Field: construction of cast earthenware objects on painted plywood boards, transparent glazes: board 72"x72": 1968 66. NAGLE, RON: Cup: ceramic with wood and plastic box: cup 3" high: 1968 67. NATZLER, GERTRUD & OTTO: Teardrop: earthenware vase, sang-mariposa reduction glaze: 221/4" high: 1964 68. NATZLER GERTRUD & OTTO: Bowl; earthenware, crater glaze: 141/2" high x 18i/>" diam.: 1956 69. NG, WIN: Two Sides of Three Blocks "3: block construction sculpture, stoneware: 48%" high; 1967 70. POOR, HENRY VARNUM: Still Life: stoneware plate: 12" diam.: 1968 71. PRICE, KENNETH: S. G. White: fired and painted clay sculpture: 9" iong: 1966 72. PUGLIESE, JOSEPH A.: Harry: earthenware and enamel sculpture: 43/4"x 121/2": 1968 73. REITZ, DONALD: Ex-Voto ;-1: sculpture: salt glaze: IWz" high: 1969 74. RHODES, DANIEL: Vessel: unglazed stoneware sculpture: 42V2"x 23": 1967 75. SANDERS, HERBERT H.: Paddle Bottle; grey-green porcelain with blue crystals: 11" high: 1968 76. SAX, BILL; Platter: stoneware: 23V2" diam.: 1968 77. SAX; BILL: Place Setting: (five pieces): stoneware: plate, lOVz" diam.; wine cup, Wz" high: 1969 78. SCHEIER, EDWIN & MARY: Yellow Bowl: earthenware: 1W high: 1955 79. SCHLANGER, JEFF: My Own Bone: glazed stoneware sculpture; 471'/2" high: 1967 80. SHAW, RICHARD: Couch and Chair with Landscape and Cows: earthenware sculpture painted with acrylics: couch 91/2"x 18y2"x Wi."; chair 9"x 10"x SV2": 1966-67 81. SHORES, KEN: Feather Fetish #3: sculpture, clay, feathers, mirror in plastic box: object 5" high: 1969 82. SILER, PATRICK: Pair of Boxes: laminated whiteware: one Wz" high; other 5%" high: 1968 83. SOLDNER, PAUL: Bottle: raku: WA" high: 1968 84. SOLDNER, PAUL: Beatles and Playboy: raku plate: 20" wide: 1968 85. SPERRY, ROBERT: Covered Jar: stoneware: 8i/2" high: 1968, 86. SPERRY. ROBERT: Bowl: stoneware, gold overglaze: 5"x \1W diam.: 1969 87. STAFFEL, RUDOLF: Vase: unglazed porcelain: 7"x5y2": 1968 88. SFEPHENSON, JOHN: Pedestaled Plate with News Impression; stoneware: 7%"x 22y4"; 1969 89. STOCKTON, ANN: Plate: porcelain, high fire glaze: 18V4" diam.: 1968 90. STRINI, ROBERT: Half-Trak: stoneware sculpture: lll/4"x263/4"x W/2": 1968 91. STULL, ROBERT: Vase with Lid and Loop Handle: stoneware with epoxy surface: 285/8" high: 1969 92. TAKAEZU, TOSHIKO; Inazuma: pair of porcelain plaques: 12"x 12" each: 1968 93. TAKAEZU.TOSHIKO: Form A: porcelain sculpture: 5y2" high: 1968 94. TAKEMOTO, HENRY: Bottle: hand built stoneware: 41" high: 1969 95. TEMPLE, BYRON: Pair of Storage Jars: stoneware, salt glaze: Wi" high each: 1969 96. TIMOCK, GEORGE P.: Box: raku: 18'/2" high: 1968 97. TURNER, ROBERT: Casserole: stoneware; 10V2" high: 1968 98. UNTERSEHER, CHRIS: Children and Squash Grow Up with the Country: white earthenware tray with low-temperature glazes: 10%"x 13'A": 1967 99. VANDENBERGE. PETER: Chilipepper Beans and Box: whiteware sculpture with low fire glazes: box 17" wide x 12" deep: 1969 ; •. ' :-- ^ 100. VOULKOS, PETER: Cross: stoneware sculpture with low fire glaze: SOVz"high: 1959 101. VOULKOS, PETER: Aratsa: clay vessel: 261/4" high: 1968 , 102. WIDENHOFER, ALLAN M.: Checkered Tree Pot: high fire stoneware sculpture, copper plated, china paints, luster glaze: 101/2"xl71/•'2"x5": 1968 103. WILDENHAIN, FRANS: Center-Split Vase: stoneware: 30" high: 1966 104. WILDENHAIN, MARGUERITE: Decorated Broad Bowl: stoneware: 9%" diam.: 1968 105. WILDENHAIN, MARGUERITE: Square and Textured Vase: stoneware: 11" high: 1966 106. WILLIAMS, GERRY: Copper Red Vase: porcelain: 5%" high: 1968 107. WILLIAMS, GERRY: Rendering Lorraine: stoneware sculpture: W/z"t 17i/4"x II": 1969 108. WOOD, BEATRICE: Gold Luster Bowl: red clay, reduced luster glaze:. 7" high: 1968 109. WYMAN, WILLIAM: Moving Black: glazed stoneware sculpture: 28" high: 1968 110. YAMADA, SHIGE: Bardo; raku with porcelain inlay sculpture: 6%" high x 9" long: 1968 GLASS 111. BILLECI, ANDRE G.: Light Blue Form: free blown glass: 121/2" high: 1969 112. CHIHULY, DALE: Form: blown glass, neon and argon with high frequency electronic coil: 'l2"f.l3Vt": 1968 113. CHIHULY, DALE: Wine Bottle: blown glass with gold stopper: 23" long: 1968 ^ 114. DREISBACH, C. FRITZ: Vase With Two Prunts: copper red, free blown: WA" high: 1967 115. DUDCHENKO, BORIS: ; blown giass container: 17"x 161/2": 1968 116. FRITZ, ROBERT C.: Windows: smoked glass container with clear windows and prunts; 7%" high: 1969 117. HEATON, MAURICE: Bowl With Striated Lines: molded, with enamel fused under glass: 1W diam.: 1968 118. HIGGINS, MICHAEL: Ekistic Essay: fused enameled glass plate with etched surface: 22V2" diam.: 1968 119. HOPPER, DAVID: Disc: blown glass and lacquer sculpture: 16"x 16": 1969 120. IPSEN, KENT F.: Bowl: free blown: 7" high x 12" diam.: 1968 121. LABINO, DOMINICK: Dichroic Form: free hand blown silver schmeltz glass container: IVn" high: 1968 122. LIPOFSKY, MARVIN: Glass Form: sculpture of copper luster surface, mirror, • black "L" shape base form: overall 22V4"x 12%"x WA": 1968 123. LIPOFSKY, MARVIN: Glass Form-Nineteen Dots, Eleven Stripes: silver mirrored sculpture with two knobs; 7" high: 1968 124. LITTLETON, HARVEY; Falling Blue: blown and sculpture: 211/4" high: 1969 125. LITTLETON, HARVEY: Reflections: drawn and cut glass sculpture: 34" wide: 1969 126. MARCUS, FRED; Bottle: hand blown, with reduced copper decoration: VA" high: 1968 127. MARQUIS, RICHARD: Tall Bottle: blown glass: 121/2" high: 1967 128. MARQUIS, RICHARD: Cup: 2"x51/2"x41/2" 129. McCUTCHEN, EARL: Plate: laminated glass: 10" diam.: 1965 130. McGLAUCHLIN, TOM: Pink Vase: blown glass with volutes: 1W high: 1967 131. MYERS, JOEL PHILIP: Decanter With Five Goblets: free blown glass: decanter \W high, highest goblet 17": 1968 132. MYERS, JOEL PHILIP: Form A: lead crystal blown glass container with silver lead reduction, and point drawing on surface: 13" high x 9" diam.: 1968 133. NEWCOMB, KIM: Hot Dogs and Potato Chips: blown glass sculpture: tray W^IW-.IWS' 134. PEISER, MARK C.: Vase: hand blown glass: 11%" high: 1968 ' 135. RADAKOVICH, SVETOZAR: Window: leaded , bronze cast grill, set in sculptured magnesite: 46" high: 1969 136. SOWERS, ROBERT: Panel: leaded stained glass window: 50"x 64": 1968 137. TANNER, JAMES: Red Plate: blown glass; widest measurement 133/4": 1968 138. WAYNE, JAMES M.: Old Blue: blown glass sculpture, cast bronze: 17" long x 5" wide: 1968 139. WIENER, JR., SAMUEL: Whirl: panel of leaded mirror, , antique and commercial glass: 96"x24": 1969 140. APODACA, JOE REYES, JR.: Candelabrum: raised : 11V2" long: 1966 141. BAMBAS, THOMAS R.: Pitcher: raised and chased sterling silver with 14k green, red and gold panels: WA" high: 1968 142. CHRISTENSEN, HANS: Bowl: raised sterling silver: 10" diam.: 1969 143. CHRISTENSEN, HANS: Chalice with Paten: sterling silver: 8" high: 1969 144. EELTEN, FRANCES: Canister: with plique-a-jour enamel by Margaret Seeler: 41/2" high: 1968 . 145. FENSTER, FRED: Kiddush Cup: sterling silver, raised, cast, fabricated: 7" high: 1969 146. KING, ROBERT J.: Flatware Place Setting: six pieces silver and enamel: longest 9", shortest 61/4": 1955 147. KINGTON, BRENT: Air Machine: forged mild iron and cast bronze sculpture: 511/4" long: 1969 148. KINGTON, BRENT: A-Way-We-Go: cast sterling sculpture: 13" long: 1967 149. LYNN, THOMAS: Chair With Back: cast aluminum: 561/2" high; 1968 150. MARSHALL, JOHN C.: Chalice: sterling silver, lower cruet section raised and chased, top chalice bowl stretched; 13V2" high: 1967 151. MILLER, FREDERICK A.: Bottle: raised sterling silver and 23k gold: 7Vi" high: 1969 152. MOORE, HELLYN: Box: bronze with black plexiglass and goethite crystal: tVz" high: 1967 153. PEARSON, RONALD HAYES: Hanging Light: forged copper; 74" high: 1969 154. PEARSON, RONALD HAYES: Candelabra: forged iron with chain: 72"x34" diam.: 1968 155. PECK, LEE BARNES: Pot; electroformed copper: Wn" high: 1968 156. PRIP, JOHN; Pair of Decanters: fabricated pewter: 91/4" high each: 1968 157. PRIP, JOHN: Vessel: raised pewter: 10" high x 15" widest point: 1968 158. RADAKOVICH, SVETOZAR: Unfilled: bronze sculpture: 38" wide: 1968 159. SIPANTZi, ZAVEN ZEE: Coffee Set: hand raised sterling silver: coffee pot 10" high, creamer 4"x4", sugarbowl yA"^Wi": 1965 160. SOLERI, PAOLO: Bell Assembly: one large aluminum bell; three bronze bells, aluminum links all sand cast; large aluminum links of lost styrofoam technique: 90"x48"x24": 1968 161. UNDERHILL, WILLIAM: Cloud Pot: bronze sculpture: 28" high: 1962 162. UNDERHILL, WILLIAM: Unfilled Vessel: bronze sculpture: 24" high: 1963 163. VOULKOS, PETER: Taranta: bronze sculpture: 96"x 72"x 48": 1968-69 JEWELRY 164. APODACA, JOE REYES, JR.: : 14k gold with rutilated : top 1" square: 1966 165. BRANDT, MICHAEL: : gold plate on copper: 2%"x 1%": 1969 166. BRYNNER, IRENA: Chain: 18k gold: 34V2" long: 1968 167. BRYNNER, IRENA: : 18k gold: 3y8"x 3" each: 1967 168. CORY, KEN; Pin: copper and plexiglass: Z'^Wt": 1968 169. GRAVER, MARGARET: Eclosion Pin: en resille enamel mounted in 18k gold: 2l/4"x23/4": 1967 170. EIKERMAN,ALMA: : sterling silver, formed and constructed: l^x 3" widest measurement: 1968 171. ENGLE, BARBARA: *2: forged silver, ceramic beads, bones, silver tubing: 8%" high: 1968 172. FIKE, PHILLIP: Earrings: 14k white and yellow gold: 3%" long: 1968 173. FISCH, ARLINE: Body : silver: approx. 60" long on front and back: 1966 174. FISCH, ARLINE: Neckpiece: forged and fused silver: Wn," wide: 1967 175. FISCH, ARLINE: Medusa: hanging silver sculpture: W wide: 1967 176. GIELING, IMOGENE BAILEY: Necklace: silver gilt with Baltic ; 2.1 W long: 1966 177. GRIFFITHS, WILLIAM PERRY: Six Reflections: fabricated sterling silver pin: WY.W: 1969 178. JEFFERSON, BOB: Pendant: silver and bronze: 5%" long: 1968 179. JERRY, MICHAEL: Collar and Pendant: chased sterling silver with : 9%"x W: 1966 180. KRETSINGER, MARY: Sketch In Metal: fused and silver bracelet with ringed in matrix: 21/4"x21/'2":1969 181. LECHTZIN, STANLEY: Pendant: silver gilt, fresh water and ; electroformed: 14" high: 1967 182. LOLOMA, CHARLES: Bracelet: sterling silver with inlaid : W diam.: 1968 183. MARTIN, BILL: Pendant: forged brass: 20V2" long: 1968 184. MILLER, JOHN PAUL: Amored Polyp: gold and enamel pendant with granulation: 3" long: 1969 185. PECK, LEE BARNES: Pendant: electroformed copper, gold, silver, glass: Wt-W: 1968 186. RADAKOVICH, RUTH CLARK; Cocktail Ring: forged and cast 14k gold, rutile: 3" high: 1969 187. RADAKOVICH, SVETOZAR: Necklace; forged and cast 14k gold, carved aquamarine: Wn" wide: 1969 188. RENK, MERRY: Necklace: 14k yellow gold wire, formed and pounded, black : 7"x5": 1963 189. RENK, MERRY: Wedding : 14k yellow gold sheet, wire, cultured pearls: 2%" high x 6%" diam.: 1968 190. ROACH, RUTH SCHIRMER: Amber Tea Party: 14k gold and amber pendant: 31" long: 1968 191. SENUNGETUK, RONALD W.: Pin: cast sterling silver: Wf.ZVn": 1969 192. SHANNON, ALICE L: Necklace: sterling silver with pyrite crystals, centrifically cast: 7"x5": 1964 193. SKOOGFORS, OLAF: Pendant: gold plated sterling silver with catseye moonstone: \y/i" high: 1969 194. SMITH, ARTHUR: Neckpiece: forged sterling silver: 7y2"xl0": 1968 195. SOLBERG, RAMONA: Shaman's Necklace: silver, Alaskan , found objects: W/a," high: 1968 196. WATSON, LYNDA: Landscape Neckpiece: silver, lost wax, cast and fabricated enamel: ll"x 9": 1968 197. WEINER, ED: Ring: 18k gold with nine opals: l"x I": 1969 198. WINSTON, BOB: Ring: cast gold: l"x W: 1969 199. WOELL, J. FRED: The Good Guys: pendant of walnut, steel, copper, plastic and silver: 4" diam.: 1966 PLASTICS 200. BAILEY, CLAYTON: Hell's Angel-Vermillion, S. Dakota: latex rubber mask: 3W high: 1967 201. CASTLE, WENDELL: Table: laminated plastic: 61 W long: 1969 202. HALLMAN, TED: Screen: plastic and jute: 68"x 26": 1960 203. KOBLICK, FREDA; Column 1: cast acrylic sculpture: 50" high: 1968 ed. A/P 204. KOBLICK, FREDA: Pierced Relief Wall: four cast acrylic panels: 73"x 147": 1969 205. KRIEGMAN, CAROLYN: Necklace: plexiglass: 10" wide: 1969 206. McKINLEY, DONALD LLOYD: Chair and Ottoman: plastic: 66" long including ottoman: 1968 207. RADAKOVICH, RUTH CLARK: Door: , resin lenses, wood: 84"x36": 1969 208. STEPHENS, CURTIS: Gamma IV: lamp of scored and folded vinyl: IS'/z": 1969: ed 1/3 209. WEINRIB, DAVID: Inverted Arch: \W and 9%" 210. WOOLLEY, JACKSON: Bonus: construction of polyester on wood: \W2"-kW: 1967 211. KASUBA, ALEKSANDRA: The Book: white marble relief set on wood: 60"x72": 1968-69 212. MICHAELS, GLEN: Moon Crater: #2: black shale mosaic: 45"x 45": 1968-69 WOOD 213. BLUNK,J.B.: Seating Sculpture: redwood: 57"x36"xl20": 1968-69 214. CARPENTER, ARTHUR ESPENET: Wine Rack: walnut: ll'/z" high: 1968 215. CASTLE, WENDELL: Table-Chair-Stool: afromosia: 29"x 116"x30": 1968 216. CASTLE, WENDELL: Desk: mahogany and silver leaf: 40"x96"x72": 1967 217. ESHERICK, WHARTON: Chest-Table: walnut: 29" high: 1969 218. ESHERICK, WHARTON: Three-Step Ladder: cherry with hickory legs: 48" high: 1969 219. ESHERICK, WHARTON: Three Stools: seats of coffeewood, bird's eye maple, walnut; hickory legs: highest 25": 1969 220. KEYSER, WILLIAM A.: Liquor Cabinet: benge wood with plastic; Wz" high; 1967 221. MALOOF, SAM: Chest: rosewood: 18"x333/4"xl71/2": 1968 222. MALOOF, SAM: Cradle Cabinet; laminated walnut; 681/2"x4734"xl8": 1968 223. MALOOF, SAM: Small Drop Leaf Pedestal Table: walnut: 29"x94"x351/;'"; 1968-69 224. NAKASHIMA, GEORGE: Conoid Bench and Back: English walnut, hickory and black walnut- 311/2"x86"x38":1969 225. NOHR, HARRY: Bowl: maple burl: Wz" diam.: 1968 226. OSGOOD, JERE: Chest of Drawers: fiddleblack mahogany: 59y4"x 33"x \1Va.": 1969 .227. ROHDE, LEE M.: Carving Board: zebrawood: 19"x 14": 1968 228. SIMPSON, THOMAS: Man Balancing A Feather On His Knows: pinewood cabinet constructed glued and pegged, painted with acrylics, inside decoration of rice : 65"x 41 ^"x 13V2": 1968 229. STOCKSDALE, BOB: Salad Bowl: black walnut: WA" diam.: 1968 230. STOCKSDALE, BOB; Tray: black walnut: 22V2" diam.: 1968 231. VALEN2A. DANIEL LOOMIS: Piggy II: walnut jewelry chest: 51/2"xll"xl3": 1968 FIBERS 232. AKERS, ADELA: Shield of a New Standard: wall hanging of woven wool, cowhair, linen: 76"x52": 1968 233. ALBERS, ANNI: Black, White, Red: double-weave silk and cotton wall hanging: 68"x 47":1927, ed.of 2, lost in war; 1965, ed.of 3 234. ALBERS, ANNI: Tikal: framed pictorial of cotton; plain weave and leno: 351/2"x291/2": 1958 235. AL-HILALI, NEDA: Rikaath: 3-dimensional hanging of wool, cotton, linen: 100" high: 1968 236. APPLETON, RACHEL: Wall Hanging: hooked, hand dyed, hand cut wool: 120"x94": 1963 237. BELFER, NANCY: Ancient Shield Notations: cloth , stretched wall hanging with stitching: 36'/2" diameter: 1969 238. BITAR, HELEN: Pair of Pillows: stitching with wool yarns: one 15"xll": other 21"x 20": 1969 239. BLUMENAU, LILI: Transparent and Opaque: wall hanging of braided ribbon and fine rayon: 84"x 33"; 1958 240. BORNT, JANICE: Double Pink Wheels: : 13"x9": 1962 241. BURGESS, ANNA KANG: Hanging Construction: wool, fur, metal, carved Wood: 62" high: 1967 242. CLAYDON, MARIAN: Garment: tritik on silk: 110"x 40": 1969 : 243. COHEN,AH2A: Arrow In Four Parts: woven tapestry of wool and rayon on cotton warp: 110"xl02": 1969 244. DAVIS, RUTH DANIELSON: Abstract: hand painted cotton panel: 121"x46": 1969 245. Di MARE, DOMINIC: Form: woven sculpture, linen, jute, wool, feathers: 70" high: 1966 246. Di MARE, DOMINIC: Mask: clay wall sculpture with linen thread and feathers: 81/4" wide: 1968 247. ELLIOTT, LILLIAN: Titanium White: card woven wall hanging, silk: 96"x461/2": 1968 248. ESHKANIAN, RUBEN: Haystack: hand woven wool rug: 135"x 61": 1962 249. FANNIN, ALLEN & DOROTHY: Stairwell: woven length of handspun flax and rayon: 216"x43". 1969 250. FUNAI, CAROL: Window: tie dye panel: 216"x441/)": 1968 251. GOO, GWEN-LIN: Semblance: framed silk screen construction: 40"x72": 1968 252. GUERMONPREZ, TRUDE: Birth of Round: woven wool and silk wall hanging: 25y2"x 87": 1968-69 253. GUERMONPREZ, TRUDE: Notes to John I and John II; pair of woven cotton framed wall hangings- 241/2"x20"each: 1966 254. HALLMAN, TED: Hammock: knotted wool and cotton: 83" long x 48" deep: 1967 255. HARVEY, VIRGINIA 1.: Wall Hanging: macrame of black brown upholsterer's linen: W/i"i. 10": 1968 256. HEIMOVICS, MARILYN: Dakotasled: construction of welded steel; feathers and hand dyed, carded and spun wool: 58"x24": 1968 257. HICKS, SHEILA: Dark Prayer Rug: wool: 116"x 67": 1968 258. HICKS, SHEILA: The Principal Wife Goes On: eleven hanging elements of linen, silk, wool, synthetic fibers, spliced and grafted: each element 180" long: 1969 259. HORNBY.ANNE: Flossa 1: flossa wool hanging: 48"x 27": 1968 ^ 260. ILLES, TERRY; Thai Spire: hanging of Thai silk, loop mohair and fine wool weaving: 92%" high: 1967 261. JENNERJAHN, ELIZABETH: Golden Lace: fabric collage wall hanging of cloth applique, cotton organdy, lace, silk pellon on natural linen; 69"x 54": 1965 262. KAUFMAN, GLEN: Nineteen-Sixty-Eight Totem: fabric construction of macrame, black and natural linen, plexiglass: 76" high; 1969 . 263. KELLY, MARIE TUICCILLO: The Parlor: cloth, string and wood construction: 14%"x 19y4"x 7y4": 1966, 264. KLEIN, JODY W.: Royal Family: four hangings, dyed cotton fabric, wool and cotton thread, yarn and beads; employing batik, and applique overall: 29"x 341/2": 1966-67 265. KRANK, WOLFRAM: Vase With Outriding Strings: woven raffia and reed: 15" high: 1969 266. KREVITSKY, NIK: Night: stitchery wall panel with applique: 30"x 30": 1966 267. KUEMMERLEIN, JANET: Construction: rope, wool, yarn. seeds, Philippine straw: 44y4" high: 1969 268. KUWAHARA, NAOKO: En ^3: double weave wall hanging with knotting: 1451/2"x37": 1969 269. LANGLET, RAGNHILD: Number One: construction of applique, vat dye painting and acrylic: IW/^'x 72": 1968-69 270. LARSEN, JACK LENOR; Chimu: length of fold dye on cotton velvet: \ZWi"^ 50": 1965 271. LESCH, ALMA W.: Bathsheba's Bedspread: stitching and applique: 98"x 80": 1968 272. LESCH, ALMA W.: Like Father, Like Son: wall hanging of fabric collage: 321/2"x321/2": 1967 273. LIEBES, DOROTHY; Panel: length of hand woven linen with gold and copper yarns: 109"x46": 1968 274. LONG, SUSAN: Earth Things With Leather ^1: wall hanging of weaving (sumak technique), leather, wood, homespun wool; 27"x 131/2": 1967 275. LONG, SUSAN: Flora's Pillow: Even the Prettiest Shoe Makes a Sorry Hat: and cloth collage; silk satin, mother's wedding lace, Old Mill cigarette print: 9"x ll'/i": 1968 276. MEREDITH, DOROTHY L: Ikat: woven linen hanging: 81"x 15": 1968 277. NEW HOLY, SOPHIE: Breast Plate Wall Hanging: quillwork: 211/2"x 12" (without straps): 1969 278. NOTTINGHAM, WALTER: Soul Touch: multiple weave wall hanging of wool, rayon, jute. linen: 114"x 60": 1968 279. PAINTER, HAL: Rouge Et Blanc: handspun wool wall tapestry: 221/2"x471/2": 1968 280. PAPENTHIEN, RUTH MARY; Columns of Vernal Light: wall hanging, hand dyed weaving: 72"x 48"; 1967 281. PAPPAS, MARILYN R.: Opera Coat: framed wall hanging, fabric collage and stitchery: 62"x45"; 1968 282. PAQUE, JOAN MICHAELS: Montage Variations: wall hanging of macrame, polished twine: 74"x W/i": 1968 • 283. PARROTT, ALICE KAGAWA: Carousel: wall hanging, wool, split wrap and rya knots: 72"x30": 1968 284. PHILLIPS, MARY WALKER: Near East #2: hand knit panel of natural linen: 108"x46": 1964 285. READE, DOROTHY: Troje: knitted stole of handspun natural black alpaca: 108"x25": 1968 286. REVOR, SISTER MARY REMY: Persian Theme: batik and black print on silk organza panel: 105"x 54":1967 287. ROSSBACH, ED: Basket with Handle: raffia over wire frame; Wi" high: 1966 288. ROSSBACH, ED: Hanging Wall: woven plastic wall hanging: 92"x 111": 1969 289. ROSSBACH, ED: New Ireland: braided plastic and twine wall hanging: 55"x47": 1965 290. SGHIRA, CYNTHIA: Ikat with Walnut: off-loom space hanging, weft-twined jute: 79"x40": 1968 291. SCHOENFELD, LAURE: Blue I Love You Blue: hand dyed, hand hooked wool yarn rug: 72"x44": 1966 292. SEKIMAKI, KAY: Nagare HI: three-dimensional hanging, woven nylon monofilament: 87" high: 1968 293. SOMEROSKI, JAMES M.: Calendar ^8: wall hanging, pan grass, handwoven by Gunewathe of Wadduwa, Ceylon: 38"x 19": 1968 294. STALNAGKER, BUDD: Magenta Cartouche; woven, wool three-dimensional hanging, mohair, acrilan; bronze: 78" high: 1968 295. STAMSTA, JEAN: Wild Sister and The Other Brother: , wool and synthethics, tube weave: one 45" high; other 58" high: 1968-69 , ^ 296. STEARNS, THOMAS: Night Image #2: sculpture, natural fiber over stainless steel: 61" high: 1964 297. TAKAEZU, TOSHIKO: Flossa Rug: Persian wool, homespun Mexican wool, silk, linen, cotton and a touch of rayon and nylon: 120"x 60": 1963 298. TAWNEY, LENORE: Cubed Cube: woven construction of linen: 132"x 132"x 132": 1969 299. TAWNEY, LENORE: Jupiter: woven tapestry of silk and wool: 53"x 41": 1959 ' 300 WALLACE, JEROME: The Sacred Aboriginal Turtle-Returns: handspun and woven silk batik: W^W/2" ' ^ 301. WEITZMAN, SUSAN: Unwoven Tapestry: handspun wool, two layers of exposed warp with differentia] of twist: 53"x53": 1969. Framed: 691/2"x571/2" 302. WELLS, GEORGE; Embers; shag hooked wool rug: 96"x 120": 1963 303. WESTPHAL, KATHERINE: A Square is a Many Splendored Thing: batik hanging with quilting: 96"x58":1967. 304. WESTPHAL, KATHERINE: Tiepolo: ceiling hanging, multi-processed-hand printing with stuffing and quilting: 96"x 56y2" 1969 305. ZAGHAI, DORIAN: Allegory of Three Men: hanging of wool, silk, rayon, wood, cotton, ceramic, metallic threads, dacron stuffing: WWf.lW^": 1962-65 306. ZACHAI, DORIAN: Woman: sculpture, woven wool and feathers: 102" high: 1968 307. ZEISLER, CLAIRE: Winter White: construction of jute, knotted and wrapped: 84" high: 1968 308. ZNAMIEROWSKI, NELL; Icarus: woven wool and linen rug; 80"x44": 1969