Tlhingan Hol Dajatlh'a' (Do You Speak Klingon) Language Is Something We Take for Granted
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Skype Translator: Breaking Down Language and Hearing Barriers A Behind the Scenes Look at Near Real-Time Speech Translation William D. Lewis Microsoft Research One Microsoft Way Redmond, WA 98125 [email protected] Abstract In the Skype Translator project, we set ourselves the ambitious goal of enabling successful open-domain conversations between Skype users in different parts of the world, speaking different languages. Build- ing such technology is more than just stitching together the component parts; it also requires work in allowing the parts to talk with one another. In addition to allowing speech communication between us- ers who speak different languages, these technologies also enable Skype communication with another class of users: those who have deafness or hard of hearing. Accommodating these additional users re- quired design changes that benefited all users of Skype Translator. Not only does Skype Translator promise to break down language barriers, it also promises to break down the hearing barrier. 1 Introduction In 1966, Star Trek introduced us to the notion of the Universal Translator. Such a device al- lowed Captain Kirk and his crew to communicate with alien species, such as the Gorn, who did not speak their language, or even converse with species who did not speak at all (e.g., the Com- panion from the episode Metamorphosis). In 1979, Douglas Adams introduced us to the “Babelfish” in the Hitchhiker’s Guide to the Galaxy which, when inserted into the ear, allowed the main character to do essentially the same thing: communicate with alien species who spoke different languages. Although flawless communication using speech and translation technol- ogy is beyond the current state of the art, major improvements in these technologies over the past decade have brought us many steps closer. -
Inventors and Devotees of Artificial Languages
From SIAM News, Volume 43, Number 5, June 2010 Inventors and Devotees of Artificial Languages In the Land of Invented Languages: Esperanto Rock Stars, Klingon Poets, Loglan Lovers, and The Mad Dreamers Who Tried to Build a Perfect Language. By Arika Okrent, Spiegel and Grau, New York, 2009, 352 pages, $26.00. In the Land of Invented Languages is a remarkably entertaining historical survey of artificial languages and their inventors, from the Lingua Ignota of Hildegard von Bingen in the 12th century through Esperanto and, more recently, Klingon. The depth of the research is impressive. The author, Arika Okrent, attended conferences in Esperanto, Loglan, and Klingon, among others; hunted up obscure self-published tomes available only in a few rare book rooms; worked through scores of these languages in enough depth to translate BOOK REVIEW passages into them; and interviewed hundreds of people, both language inventors and enthusiasts, getting to know many By Ernest Davis of them well. One of the book’s two appendices lists 500 artificial languages; the other offers translations of the Lord’s Prayer into 17 languages and of the Story of Babel into another 11. The text contains samples from many more languages, carefully explained and analyzed. Nonetheless, the book wears its learning very lightly; it is delightfully personal, and as readable as a novel. It is in fact as much about the histories of the inventors and devotees of the languages as about the languages themselves; these histories are mostly strange and often sad. Invented languages can be categorized by the purposes of their inventors. -
Star Trek (#08) – “World Without End” Bantam Books | February 1979
Star Trek (#08) – “World Without End” Bantam Books | February 1979 Back Cover: Chatalia... a fantastic artificial world, inhabited by furry winged creatures with awesome powers. Here Kirk, Spock and their Enterprise mates, trapped, face terrifying death. And if by some miracle they escape, they will confront the roving killers of the Klingon Empire! Summary: The Enterprise, nearing the end of a benchmark survey of Sector 3, is treated to a rare sight - the occulting of Deneb by Antares. For an instant, red and blue fires of the two brightest stars in the galaxy appear as one. While this event brightened up the crew's morning, the rest of the day had thus far been uneventful; therefore, Kirk joins Spock and Lt. Larousse in the officer's lounge, where they are engaged in a word game - placing the sound "op" in front of each vowel. Lt. Larousse attempts to trip the Vulcan by making him pronounce "uranium hexafluoride" and Spock does so - "Opuropanopiopum hopexopaflopuoporopide" without skipping a beat. Their reverie is interrupted when Uhura's voice pages a yellow alert. On the bridge, a remarkable discovery is made after the ship crosses an extremely strong magnetic field: an unknown space vehicle the size of a large asteroid (some 217 km in diameter). When scans report sentient beings inside, a team of over 20 science and engineering specialists are called to an emergency meeting in the briefing room. Discussing their findings of the new world, it is determined to be a hollow planetoid that spins to create its own artificial gravity, and operates on a Bussard ramscoop drive system. -
Lingua Ex Machina: Computer-Mediated Communication and the Tower of Babel
Copyright © 1999 The Johns Hopkins University Press and the Society for Literature and Science. All rights reserved. Configurations 7.1 (1999) 61-89 Lingua ex Machina: Computer-Mediated Communication and the Tower of Babel David J. Gunkel We've finally reversed the damage done by the Tower of Babel, and God, no doubt, is wondering what we're going to do for an encore. 1 The "Tower of Babel" (Genesis 11:1-9) provides an account of the plurality of languages as having issued from an original and apparently universal tongue. The first line of the fable reads: "And all the earth was one lip and there was one language to all." This mythic loss of an original universality and the subsequent attempts to reestablish it by overcoming the confusio linguarum already constitute a kind of universal idiom: "The story of the confusion of tongues, and of the attempt to redeem its loss through the rediscovery or invention of a language common to all humanity, can be found in every culture." 2 The computer and the technologies of computer-mediated communication manifest the most recent version of this supposedly universal endeavor. According to numerous popular and technical discourses, the computer promises to supply a technological solution to the linguistic cacophony that has been the legacy of Babel. In this manner, computer technology participates in an old and apparently universal obsession, one that situates universality as both its origin and its purpose. [End Page 61] In this paper I will undertake an examination of the Babelian information that currently circulates through cyberculture and determines the general significance of networked computer systems. -
Origins of Grammar Ebook Free Download
ORIGINS OF GRAMMAR PDF, EPUB, EBOOK Martin Edwardes | 194 pages | 22 Sep 2010 | Continuum Publishing Corporation | 9781441114389 | English | New York, United States Origins of Grammar PDF Book Explaining the difference 'Ferment' vs. In the second he considers how far the evolution of grammar depended on biological or cultural factors. The complimentary version includes the majority of the features of Premium apart from an innovative checker, a plagiarism detector and some vocabulary improvement recommendations. Origins of Language James R. The Origins of Meaning James R. The parent tongue, called Proto- Indo-European, was spoken about 5, years ago by nomads believed to have roamed the southeast European plains. Many have been designed to aid human communication such as Esperanto or the intercultural, highly logic-compatible artificial language Lojban or created as part of a work of fiction such as the Klingon language and Elvish languages. Each of these artificial languages has its own grammar. Thank you for this English knowledge. They did not limit their inquiry to literary languages but included dialects and contemporary spoken languages as well. VII, This is a delightful and thought-provoking read All seven chapters are written with clarity and felicity of style, supported by the right number of well- designed tables and figures. Below is the Control panel premium version. Online Learning. English language , West Germanic language of the Indo- European language family that is closely related to the Frisian , German , and Dutch in Belgium called Flemish languages. Noting their emphasis on linguistic universals, the contemporary linguist Noam Chomsky called the Port-Royal group the first transformational grammarians. -
Constructed Languages and Their Role in Drama
University of New Hampshire University of New Hampshire Scholars' Repository Honors Theses and Capstones Student Scholarship Spring 2019 Constructed Languages and Their Role in Drama Emelie Vandenberg University of New Hampshire Follow this and additional works at: https://scholars.unh.edu/honors Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Television Commons Recommended Citation Vandenberg, Emelie, "Constructed Languages and Their Role in Drama" (2019). Honors Theses and Capstones. 449. https://scholars.unh.edu/honors/449 This Senior Honors Thesis is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Honors Theses and Capstones by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Constructed Languages and Their Role in Drama By Emelie Vandenberg Advised by: Prof. David Richman Prof. Deborah Kinghorn 12/14/2018 Dialect is the “distinctive vocabulary and grammar of someone’s use of language” that creates a sound so unique to that person that their character and language become one (Crystal and Crystal, 2014, pg. 16). In the recent production of Brian Friel’s masterpiece, Dancing at Lughnasa, at the University of New Hampshire, we see dialect play a significant role in the differentiation between characters, how it shapes them, bonds them, and how it separates them from each other (Friel, 2013). From the ideolects of the sisters to the changed dialect of their brother, Father Jack, and the Welshman hiding from himself, Gerry Evans, we see that character is influenced by dialect and dialect reflects character. -
Star Trek: Inquisition #2 Full Script / 22 Pages First Draft: November 14, 2011
CHRISTOPHER PRIEST Star Trek: Inquisition #2 Full Script / 22 Pages First Draft: November 14, 2011 Synopsis: On a training exercise as part of his evaluation for promotion to full Commander, Worf abandons his mission to capture an enigmatic Romulan terrorist leader. Meanwhile, Worf’s former Enterprise crewmates question the fairness of Starfleet’s testing procedure, and openly worry Starfleet is deliberately trying to fail Worf through an unfair and unwinnable set of contrived circumstances. Continuity: Non-canonical. This story takes place somewhere between Star Trek: Nemesis and the Star Trek: Titan series from Pocket Books. Reference: Worf’s parents, Star Trek: Nemesis uniforms, Sovereign Class Enterprise-E, Intrepid-Class (starship Voyager) design specs and bridge layout, Luna-Class U.S.S. Titan. Cover Suggestion Picard and Martok back-to-back, Bat’leths in hand, as deadly Targs close in. STAR TREK and all related characters Copyright © ® CBS Paramount. All Rights Reserved. _____________________________________________ Legend: SPLASH = splash page, usually a full page shot / INSET = a panel within a larger image (often a splash page). Insets are usually small-ish panels / BIG PANEL = payoff shot, money shot. Make a big deal out of these shots (I wouldn’t usually put more than one on a given page), and budget the page so this is the biggest shot on the page / EST = Establishing Shot / EXT = Exterior / INT = Interior / FULL FIGURE = complete figure, head to toe / MED = Medium, usually waist up / MCU or MED C/U = Medium Close-Up, usually -
UC Berkeley Recent Work
UC Berkeley Recent Work Title You don't know what you're saying. A language story (in Klingon). Permalink https://escholarship.org/uc/item/4q09w22g Author Rolens, Samuel Copeland Publication Date 2016-02-23 Peer reviewed eScholarship.org Powered by the California Digital Library University of California You don’t know what you’re saying A language story (in Klingon) By Sam Rolens It’s a familiar story, maybe the most well known in English literature. It’s about capitalism and happiness and it starts like this: “Marley was dead, to begin with. There could be no doubt. His death howl had been sung.” And if that doesn’t give it away, you’d know it by man on the shallow stage of this Chicago playhouse in a heartbeat. There he is, sitting sour in his counting house; his little desk piled with gold, his nephew effervescent and obnoxious; his hapless clerk idly sharpening a dagger in the corner. You guessed it, it’s Scrooge: miser, jerk, failed warrior, Klingon. I’ll admit, I’m having a hard time as the lights come up on A Klingon Christmas Carol. The problem is, these are my people. Star Trek: The Next Generation came out when I was three years old and it has never not mattered to me. But a life of loving Star Trek teaches you skepticism to navigate a world of fan films, pulp novels and bad tattoos. And in these bumpy heads and billowing wigs, all I see is me: the 11- year-old under a rubber Halloween mask that came in a kit with a wig and brown pigment this close to blackface. -
Fictional Language”
Conversation Pieces By Deniz Şallı-Çopur [email protected] With Stephen Krashen on “Fictional Language” When I thought of choosing a topic for my informal interview with Stephen Krashen, the co-founder of the Natural Approach and I+1, as the guest for my Conversation Pieces, it was not easy for me to find the right one. I suggested some to him, but he came up with “exo-linguistics” (defined in Wikipedia as “the study of the hypothetical language of alien species”), which I didn’t have a clue about. So I did an internet search and found that exo-linguistics was not that alien to me because I’m into watching science- fiction movies. I became more aware of the fact that alien language has been very interesting for science-fiction authors/script writers and some have even created languages for their characters (such as Klingon in Star Trek and Na’vi in Avatar); others have proposed translation devices like the universal translator, or have created universal languages for all species. As we exchanged our ideas, “Fictional Language” made itself the most dominant piece of our conversation. He started the interview asking me what books I had read recently while we were walking along a conference hall corridor to find a quiet place to hide and chat. I mentioned two-three books I read/listened to and he continued… Stephan Krashen: I always have a book with me in another language. This is my most recent reading adventure (showing me a children’s book). This is in Chinese and is published by "Ignite Chinese," a company that is easy to find on the internet. -
Me Nem Nesa: Investigating the Reception of Constructed Languages in Different Age Groups
Beyond Philology No. 15/1, 2018 ISSN 1732-1220, eISSN 2451-1498 Me nem nesa: Investigating the reception of constructed languages in different age groups MAJA GAJEK Received 25.11.2017, received in revised form 28.06.2018, accepted 29.06.2018. Abstract The concept of artificially created languages is not new, but, owing to pop culture, it has recently received more attention. Constructed languages, or conlangs, are present in books, movies and video games, aimed at recipients of all ages. Contrary to natural languages, which emerged without conscious planning, constructed languages are designed to serve a certain purpose. There are many motives triggering the creation of new languages, from linguistic experiments and language games to making commu- nication easier. However, the most common reason behind the emer- gence of artificial languages during the last twenty years appears to be the enrichment of the world they belong to. Interestingly, the re- sponse of the audience varies depending on age. The aim of this pa- per is to examine samples of constructed languages present in recent pop culture and the effects they have on both their respective target groups and the rest of the audience. Keywords constructed language, conlang, Minionese, Atlantean, Na’vi, Dothraki 32 Beyond Philology 15/1 Me nem nesa: Badanie recepcji języków sztucznych przez różne grupy wiekowe Abstrakt Zjawisko sztucznie tworzonych języków nie jest nowe, ale dzięki pop- kulturze cieszy się ostatnio większą uwagą. Języki sztuczne, znane pod nazwą conlang, są obecne w książkach, filmach oraz grach wideo skierowanych zarówno do młodych, jak i dojrzałych odbiorców. W przeciwieństwie do języków naturalnych, które powstały bez świa- domego planowania, języki sztuczne zostały zaprojektowane przez autorów aby spełnić określony cel. -
Constructed Languages and Copyright: a Brief History and Proposal for Divorce
Harvard Journal of Law & Technology Volume 27, Number 2 Spring 2014 CONSTRUCTED LANGUAGES AND COPYRIGHT: A BRIEF HISTORY AND PROPOSAL FOR DIVORCE Michael Adelman* TABLE OF CONTENTS I. INTRODUCTION .............................................................................. 544 II. WHAT IS A CONSTRUCTED LANGUAGE? ...................................... 545 A. Classification of Constructed Languages by Their Form ........ 546 B. Classification of Constructed Languages by Their Communicative Function ....................................................... 547 III. PREVIOUS ATTEMPTS TO CONTROL CONSTRUCTED LANGUAGES VIA COPYRIGHT ....................................................... 549 A. Dr. Zamenhof Makes Esperanto the “Property of Society” .................................................................................. 550 B. Tolkien’s “Secret Vice” and Ownership of Elvish Languages .............................................................................. 551 C. Klingon and Paramount ........................................................... 553 D. The Loglan v. Lojban Dispute and a Trip to the Federal Circuit .................................................................................... 554 E. What Qualifies as Fair Use and How Does It Protect Users of Constructed Languages? ......................................... 556 IV. CONSTRUCTED LANGUAGES SHOULD BE USED FREELY AND WITHOUT FEAR OF LEGAL CONSEQUENCES ......................... 558 A. Copyright Protection Does Not Incentivize the Creation of New Constructed Languages -
In the Land of Invented Languages: Esperanto Rock Stars, Klingon Poets, Loglan Lovers, and the Mad Dreamers Who Tried to Build a Perfect Language - by Arika Okrent
In the Land of Invented Languages: Esperanto Rock Stars, Klingon Poets, Loglan Lovers, and the Mad Dreamers Who Tried to Build a Perfect Language - By Arika Okrent The MIT Faculty has made this article openly available. Please share how this access benefits you. Your story matters. Citation Graham M. Jones, review of “In the Land of Invented Languages: Esperanto Rock Stars, Klingon Poets, Loglan Lovers, and the Mad Dreamers Who Tried to Build a Perfect Language" by Arika Okrent. Journal of Linguistic Anthropology 22, no. 2 (August 4, 2012): E115- E116. As Published http://dx.doi.org/10.1111/j.1548-1395.2012.01128.x Publisher John Wiley & Sons, Inc. Version Final published version Citable link http://hdl.handle.net/1721.1/82014 Terms of Use Article is made available in accordance with the publisher's policy and may be subject to US copyright law. Please refer to the publisher's site for terms of use. bs_bs_banner Book Reviews E115 In the Land of Invented Languages: Esperanto Rock Stars, Klingon Poets, Loglan Lovers, and the Mad Dreamers Who Tried to Build a Perfect Language. Arika Okrent. New York: Spiegel & Grau, 2009. 352 pp. GRAHAM M. JONES Massachusetts Institute of Technology While it is not a scholarly work, Arika Okrent’s In the Land of Invented Languages recommends itself to linguistic anthropologists on a variety of counts. An intellectual picaresque describing the author’s historical and ethnographic forays into the imaginative worlds of language inven- tors and their followers, it offers engaging examination of shifting motivations behind the production and promotion of constructed languages (conlangs).