Trans-Lational Spaces, Translation in Becoming: Reflections After Antoine Berman1
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Supplementing Ricœur on Translation
An Ethics Of Discomfort: Supplementing Ricœur On Translation Lisa Foran School of Philosophy, University College Dublin Abstract: This article compares Paul Ricœur and Jacques Derrida on the theme of translation and in particular the ethical implications of the different ways in which they approach the untranslatable. While Ricœur’s account of translation as linguistic hospitality does offer a model for an ethical encounter with the other, I argue that this account does not go far enough. My central claim is that Ricœur’s treatment of translation overemphasizes the movement of appropriation and integration. While it may not be his intention, this emphasis could lead to a certain kind of complacency that would challenge the ethical claims Ricœur makes in favour of translation as a paradigm. I propose to supplement Ricœur’s hospitality with Derrida’s untranslatable, in order to create a situation of constant discomfort thereby guarding against ethical complacency. Keywords: Ricœur, Derrida, Translation, Ethics. Résumé: Cet article compare les approches que Ricœur et Derida font du thème de la traduction en abordant en particulier les implications éthiques de leurs manières différentes d’aborder la question de l’intraduisible. Si le traitement ricœurien du problème de la traduction en termes d’hospitalité langagière offre le modèle d’une rencontre éthique de l’autre, je soutiens que cette approche ne va pas assez loin. Mon argument central est que, dans son traitement de la traduction, Ricœur met exagérément l’accent sur le mouvement d’appropriation et d’intégration. Même si cette emphase n’est peut-être pas intentionnelle, elle pourrait conduire à une certaine suffisance susceptible de remettre en question le pladoyer éthique de Ricœur en faveur de la traduction comme paradigme. -
Theory and Practice in the French Discourse of Translation Richard Jacquemond
Theory and practice in the French discourse of translation Richard Jacquemond To cite this version: Richard Jacquemond. Theory and practice in the French discourse of translation. Said Faiq. Discourse in Translation, Routledge, 2018, 978-1138298163. halshs-01996727 HAL Id: halshs-01996727 https://halshs.archives-ouvertes.fr/halshs-01996727 Submitted on 6 Feb 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Theory and practice in the French discourse of translation Richard Jacquemond Aix Marseille Univ, CNRS, IREMAM, Aix-en-Provence, France Translation theory has always been intimately connected to practice. For centuries, it was mostly elaborated by translators and was always prescriptive, that is, aiming at defining the conditions for “good” translating. Actually, while it would be tempting to take the emergence of “descriptive translation studies” – to mention Gideon Toury’s (1995) most celebrated contribution to the field – as the birthmark of the study of translation as an autonomous discipline, one could argue that translation studies remain till now dependent on prescription in many ways, as remarks Lawrence Venuti (2000: 4). We find within the field of translation studies a much larger proportion of active translators than, say, the proportion of creative writers within the field of literary studies. -
Reflexive Translation Studies Literature and Translation Literature and Translation
Reflexive Translation Studies Reflexive Literature and Translation Literature and Translation In the past decades, translation studies have increasingly focused on the ethical dimension of translational activity, with an emphasis on reflexivity to assert the role of the researcher in highlighting issues of visibility, creativity and ethics. In Reflexive Translation Studies, Silvia Kadiu investigates the viability of theories that seek to empower translation by making visible its transformative dimension; for example, by championing the visibility of the translating subject, the translator’s right to creativity, the supremacy of human translation or an autonomous study of translation. Inspired by Derrida’s deconstructive thinking, Kadiu presents practical ways of challenging theories that suggest reflexivity is the only way of developing an ethical Reflexive translation. She questions the capacity of reflexivity to counteract the power relations at play in translation (between minor and dominant languages, for example) and problematises affirmative claims about (self-)knowledge by using translation itself as a Translation process of critical reflection. In exploring the interaction between form and content, Reflexive Translation Studies promotes the need for an experimental, multi-sensory and intuitive practice, which Studies Silvia Kadiu invites students, scholars and practitioners alike to engage with theory productively and creatively through translation. Translation as Critical Reflection Silvia Kadiu is a translator and academic. -
3 Towards a Change of Perspective in Translation 280
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/71208 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. OTHERNESS IN TRANSLATION: CONTEMPORARY GERMAN PROSE IN BRITAIN AND FRANCE Wiebke Sievers A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Translation Studies University of Warwick Centre for Translation and Comparative Cultural Studies May 2003 .. CONTENTS IN"TRODUCTION 1 1 OTHERNESS IN"TRANSLATION THEORIES I0 1.1 'SO VIELE ORDNUNGEN, SO VIELE FREMDHEITEN': BERNHARD WALDENFELS.12 1.2 'UBERSETZUNG UND ANEIGNUNG': THE NATION IN TRANSLATION 19 1.2.1 '[Der} Kreis der Obersetzermuhen': Friedrich SChleiermacher 24 1.2.2 'Enrichissement de notre langue': Antoine Berman 30 1.2.3 'A Glimpse of a Cultural Other': Lawrence Venuti 34 1.3 'A KIND OF PERMANENT EXILE': BEYOND THE NATION IN TRANSLATION 37 1.3.1 'Ober die Unverstiindlichkeit': Friedrich Schlegel 39 1.3.2 'Die Fremdheit der Sprachen': Walter Benjamin 41 1.3.3 'Les limites du concept courant de traduction': Jacques Derrida 47 1.4 RESPONDING TO OTHERNESS IN THE STUDY OF TRANSLATIONS ...••....•............. 55 2 OTHERNESS IN"TRANSLATION PRACTICE: CONTEMPORARY GERMAN PROSE IN BRITAIN AND FRANCE 60 2.1 SELLING THE OTHER: MARKET CONDITIONS AND LITERARY TRENDS ...•......... -
Schleiermacher Lawrence Venuti
Document generated on 09/30/2021 3:32 p.m. TTR Traduction, terminologie, re?daction Genealogies of Translation Theory: Schleiermacher Lawrence Venuti Traduire la théorie Volume 4, Number 2, 2e semestre 1991 URI: https://id.erudit.org/iderudit/037096ar DOI: https://doi.org/10.7202/037096ar See table of contents Publisher(s) Association canadienne de traductologie ISSN 0835-8443 (print) 1708-2188 (digital) Explore this journal Cite this article Venuti, L. (1991). Genealogies of Translation Theory: Schleiermacher. TTR, 4(2), 125–150. https://doi.org/10.7202/037096ar Tous droits réservés © TTR: traduction, terminologie, rédaction — Les auteurs, This document is protected by copyright law. Use of the services of Érudit 1991 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Genealogies of Translation Theory: Schleiermacher Lawrence Venuti The genealogical method in Nietzsche and Foucault enables the formulation of a political agenda in cultural history by abandoning two principles that govern much conventional historiography: teleology and objectivity.1 Genealogy is a form of historical representation that depicts, not a continuous progression from a unified origin, an inevitable development in which the past fixes the meaning of the present, but a discontinuous succession of division and hierarchy, domination and exclusion, which destabilize the seeming unity of the present by constituting a past with plural, heterogeneous meanings. -
517 Thinking About a Prospective Method Of
Humanitas, 2016; 4(7): 517-526 http://humanitas.nku.edu.tr ISSN: 2147-088X DOI: http://dx.doi.org/10.20304/husbd.17638 Yayın Değerlendirme THINKING ABOUT A PROSPECTIVE METHOD OF TRANSLATION CRITICISM UPON AN ANALYSIS OF BERMAN’S TOWARD A TRANSLATION CRITICISM: JOHN DONNE1 Fundagül APAK2 Antoine BERMAN What kind of method do we need in translation studies to make the proper criticism of any kind of translation or literary translations? As researchers, we 517 have been searching for a satisfying answers to this question throughout the centuries. Carol Maier (1998, p. 205) who mentions how the concept of ―criticism‖ is approached within historical periods, referring to the work of other researchers, explains the difference between the ―reviewer‖ and the ―critic‖ as such: ―The reviewer alerts a reader to new books, describing them and passing judgement as to whether they are worth reading and buying; the critic addresses books that may or may not be new, considering them in detail and usually assuming a reader‘s familiarity with them‖. 1 Bu çalıĢma; dergide her ne kadar ―review‖ baĢlığı altında verilmiĢ olsa da adı geçen kitaba gönderme yapılarak, Antoine Berman‘ın temellerini attığı bir çeviri eleĢtirisi yöntemi irdelendiği için aynı zamanda, bir ―çeviri eleĢtirisi yönteminin analizi‖ olarak dikkate alınmalıdır. Derginin ilerleyen sayılarında, Berman‘a ait bu yöntemin de içinde bulunduğu ―uygulama‖ya yönelik bir çalıĢmanın yayımlanması düĢünülmektedir. 2 Yrd. Doç. Dr. [email protected] BaĢvuru/Submitted: 08.08.2015 Kabul/Accepted: 05.11.2015 Apak, F. (2016). Thinking about a Prospective Method of Translation Criticism upon an Analysis of Berman’s Toward a Translation Criticism: John Donne. -
Erfahrung Des Fremden Oder Einübung Des Eigenen? Antoine Berman Als Leser Schleiermachers – Ein Rezeptionsgeschichtlicher Problemaufriss
Dirk Weissmann Dirk Weissmann Erfahrung des Fremden oder Einübung des Eigenen? Antoine Berman als Leser Schleiermachers – ein rezeptionsgeschichtlicher Problemaufriss I. Als eines der Hauptprobleme der Rezeption deutscher Kultur in Frankreich kann die Dichotomie von Dekontextualisierung vs. Hyperkontextualisierung bezeichnet werden, wobei man das Bild von den zwei Seiten derselben Münze benutzen könnte.1 Die damit verbundenen Interpretationsansätze bewirken ei- nerseits, dass bei der Auseinandersetzung mit deutscher Literatur, Philosophie und Kunst der historische, politische und soziale Kontext oft vernachlässigt oder gar ausgeblendet wird. Bereits Heinrich Heine warnte seine französischen Zeitgenossen in seinem Buch De l’Allemagne (1833)2 vor dieser Gefahr beim Umgang mit der deutschen Romantik. Andererseits kann man ebenso häufig beobachten, wie in Frankreich geistig-künstlerische Werke aus Deutschland auf ihre geschichtlichen Entstehungsbedingungen oder politischen Implikationen bzw. Belastungen heruntergebrochen werden.3 Dieses Phänomen kann natür- lich verstärkt in Zeiten ideologischer und kriegerischer Auseinandersetzungen zwischen beiden Ländern beobachtet werden, vor allem während der Periode 1870–1945. Aber auch heute noch – ein halbes Jahrhundert nach dem deutsch- französischen Freundschaftsvertrag – prägt die Epoche des Nationalsozialismus den Blick vieler Franzosen auf Deutschland und beeinflusst maßgeblich die Rezeption deutscher Literatur, Philosophie und Kunst.4 Die hiermit aufgeworfene Frage ist die nach dem notwendigen -
Berman and Toury
Document generated on 10/02/2021 3:25 a.m. TTR Traduction, terminologie, re?daction Berman and Toury: The Translating and Translatability of Research Frameworks Berman et Toury: la traduction et la traduisibilité de deux cadres théoriques de recherche Siobhan Brownlie Controverse en traductologie Article abstract Controversy in Translation Studies An initial discussion of Kuhn, Lyotard, and Boothman offers a set of ideas on Volume 16, Number 1, 1er semestre 2003 how and to what extent one research framework can be ‘translated’ into another. Berman’s and Toury’s frameworks for translation research are then URI: https://id.erudit.org/iderudit/008558ar examined using some concepts from the above-mentioned theorists, and also DOI: https://doi.org/10.7202/008558ar concepts from interlingual translation theory. In highly significant ways Berman’s and Toury’s frameworks are incompatible because of the incommensurability of basic ideas underpinning their frameworks. There is, See table of contents however, some partial equivalence of concepts, in part brought about through evolution of the theories over time. When Berman has ‘translated’ Toury in the sense of discussing his ideas, we find phenomena analogous to those found in Publisher(s) interlingual translation: equivalence, transference, shifts, naturalizing, and mistranslation. No doubt if Toury were to ‘translate’ Berman, similar traits Association canadienne de traductologie would occur. The study supports a nuanced version of Lyotard’s theory: non-absolute incommensurability between discourses or research ISSN frameworks. 0835-8443 (print) 1708-2188 (digital) Explore this journal Cite this article Brownlie, S. (2003). Berman and Toury: The Translating and Translatability of Research Frameworks. -
Hermeneutic Turn in Antoine Berman's Philosophy Of
FILOZOFIA ___________________________________________________________________________ Roč. 68, 2013, č. 3 HERMENEUTIC TURN IN ANTOINE BERMAN’S PHILOSOPHY OF TRANSLATION: THE INFLUENCE 1 OF HEIDEGGER AND RICŒUR SEONG WOO YUN & HYANG LEE, Hankuk University of Foreign Studies, Seoul, Korea2 SEONG WOO YUN & HYANG LEE: Hermeneutic Turn in Antoine Berman’s Phi- losophy of Translation: The Influence of Heidegger and Ricœur FILOZOFIA 68, 2013, No 3, p. 205 The paper aims at explaining Antoine Berman’s “hermeneutic turn”, as exhibited in his final and posthumous publication Toward a Translation Criticism: John Donne, from the perspective of the Heideggerian and Ricœurian hermeneutics. In the first part of this paper, we deal with the overall nature of Berman’s hermeneutic turn. In the second part we try to discover the influence of Heideggerian hermeneutics on Berman’s reflection. Next, we discuss the key notions of Ricœurs’ hermeneutics, known as “post”-Heideggerian hermeneutics, with reference to the main concepts proposed by Berman for translation critiques. Finally, we reflect on the significance of Berman’s “unfinished” hermeneutic project. Keywords: Translation – Method – Epistemology – Hermeneutics – Heidegger – Ricœur I. Antoine Berman, a disciple of Heidegger and Ricœur? Antoine Berman, one of the leading French translation scholars, is also renowned for his translations of Ger- man, Spanish, and English literary works into French. He is also acknowledged as a phi- losopher of translation who brought the topic of translation to the level of philosophical reflection throughout each of his three books on the subject: The Experience of the For- 3 4 eign, La traduction et la lettre ou l’auberge du lointain, and Toward a Translation 5 Criticism: John Donne. -
Translation After Wittgenstein Philip Wilson
TRANSLATION AFTER WITTGENSTEIN PHILIP WILSON Thesis submitted for the degree of Doctor of Philosophy in Literary Translation University of East Anglia School of Literature, Drama and Creative Writing August 2012 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 1 ABSTRACT In this thesis, I examine how a reading of the later philosophy of Ludwig Wittgenstein can be of use to the reflective practitioner of literary translation. Wittgenstein, whilst a key figure in twentieth-century philosophy, remains peripheral to the field of translation studies and I argue that his later work, because it deals with the nature of language and meaning, is potentially of great significance: the story that Wittgenstein tells can change the field. It can rid translators of pictures of translation that are detrimental to literary translation and can also offer tools that will facilitate the task of literary translation, such as: the language-game; the form of life; the surveyable representation. In Chapter 1, I discuss the relation between philosophy and translation studies, presenting the later work of Wittgenstein, in particular the 1953 Philosophical Investigations. In Chapters 2, 3 and 4, I relate Wittgenstein’s work to translation by examining respectively: the reading for translation of the source text; the writing of the target text; the theorising of the target text. In Chapter 5, I draw conclusions. -
Antoine Berman's Philosophical Reflections
FILOZOFIA ___________________________________________________________________________Roč. 66, 2011, č. 4 ANTOINE BERMAN’S PHILOSOPHICAL REFLECTIONS ON LANGUAGE AND TRANSLATION: THE POSSIBILITY OF TRANSLATING WITHOUT PLATONISM HYANG LEE – SEONG-WOO YUN, Hankuk University of Foreign Studies, Seoul, Korea LEE HYANG – YUN SEONG-WOO: Antoine Berman’s Philosophical Reflections on Language and Translation: The Possibility of Translating without Platonism FILOZOFIA 66, 2011, No 4, p. 336 The paper surveys the problem of language and translation in Antoine Berman’s pio- neering achievements. This French philosopher of translation was deeply influenced not only by Schleiermacher, who affirmed the unity of thought and expression, but also by Benjamin, who drew attention to the formalism of language. In Berman’s view the essence of language lies in signifiers and letters. He criticized the Platonic view of language and translation which endows non-sensual, mental, and universal elements, with a higher ontological status. Thus Berman proposed a modern theory of translation without Platonism. Meanings can be realized through and within letters not only in the source language, but also in the target language. In this sense, Ber- man’s philosophy of translation clearly reflects “the achievements of modern semio- tics” (P. Ricœur). The paper criticizes the conception of translation as trapped within the logic of identity, which ignores the differences between, and the multiplicity of, languages as a result of a deep-rooted drive to obtain a universal meaning. The paper shows that Berman’s philosophy reflects and accepts this multiplicity allowing thereby the logic of difference/otherness to flourish in translation. Keywords: Platonism – A. Berman – Translation – Language – Signifier – Signified – Letter – Sense – Multiplicity I. -
Lawrence Venuti: the Poet's Version; Or, an Ethics of Translation
Shifting Paradigms: How Translation Transforms the Humanities Abstracts Catherine Porter A Translator’s Statement Starting from the assumption that translations will increasingly be encountered in the academy as evidence of scholarly activity in the context of personnel decisions, this paper considers possible evaluation procedures for translations and proposes a model for a translator’s statement that can inform and guide evaluators who may or may not have access to the source text. Lawrence Venuti The Poet’s Version; or, An Ethics of Translation The twentieth century witnessed an unprecedented form of poetry translation practiced by poets. Variously called a “translation” or “adaptation,” an “imitation” or “version,” the resulting text may have departed so widely from its source as to constitute a wholesale revision or it may have involved a source language of which the poet-translator was ignorant, therefore requiring the use of a close rendering prepared by an academic specialist or a native informant. The poet’s version is a second-order creation that mixes translation and adaptation, and it can be illuminated by drawing on translation theory that assumes a hermeneutic model. A translation never communicates the source text itself or some invariant contained therein, but an interpretation that varies the form, meaning, and effect of that text, constrained by the translating language and culture. The translator inscribes an interpretation by applying interpretants that are formal and thematic, and that are fundamentally intertextual and interdiscursive, recontextualizing the source text by building into the translation a network of relations to the receiving culture. If translation is by definition variation, an interpretive act that submits the source text to degrees of loss and gain, a poet’s version cannot be evaluated simply by comparing it to that text, especially when revision is involved and the source language may be inaccessible to the poet.