Styles Architectureaux

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Styles Architectureaux STYLES ARCHITECTUREAUX Style Dates Roi Où à Angkor Caractéristiques principales PRE-ANGKORIEN Sambor Prei 610-650 Isanavarman I, Colonnettes rondes et simples avec des Kuk Bhavavarman II chapiteaux incorporant un bulbe. Prei Kmeng 635-700 Jayavarman Des chefs-d'œuvre de la sculpture, cependant une architecture limitée. Colonnettes plus larges avec beaucoup de décoration. Déclin général de qualité Kompong 700-800 Divers AkYum Plus d'anneaux décoratifs sur les colonnettes Preah qui restent cylindrique. Une continuation de construction en brique TRANSITOIRE Kulen 825-875 Jayavarman Continuation du style pré-angkorien, mais toutefois une période d'innovation et d'emprunts, comme les temples cham. Des tours généralement carrées et assez hautes. Utilisation de brique, avec des murs en latérite, et du grès pour les portes. Des colonnettes carrées et octogonales apparaissent. ANGKORIEN Preah Ko 877-886 Preah Ko, Bakong, Des plans simples: une ou plusieurs tours Lolei carrées en brique sur la même base. Première apparition d'enceintes concentriques, de gopuras et de «bibliothèques». Les «palais volants» ont été remplacés par des dvarapalas et devatas dans des niches. Premier temple- montagne important à Bakong. Bakheng 889-923 Yasovarman I, Bakheng, Phnom Krom, Développement des temple-montagnes. Le grès Harshavarman I Phnom Bok, est plus utilisé, surtout pour les temples Baksei Chamkrong importants; plus de sculptures décoratives en (trans.) pierre. Koh Ker 921 -944 Jayavarman IV L'échelle diminue vers le centre. La brique reste la matière principale, mais le grès est aussi utilisé. Prè Rup 944-968 Râjendravarman Prè Rup, Mébon oriental, Transition entre Koh Ker et Banteay Srei. Des Bat Chum, Kutisvara halles longues entourent partiellement le sanctuaire. Les derniers monuments importants en briques plâtrées; plus d'utilisation du grès. Banteay Srei 967-1000 JayavarmanV Banteay Srei Richement orné, frontons superposés, sweeping gable ends, des sculptures riches et profondément gravées. La brique plâtrée est remplacée par le grés et la latérite. Apparition de scènes sur les frontons. Devatas voluptueuses aux expressions douces. Khleang 968-1010 JayavarmanV Ta Keo, les Khleang, Apparition de galeries. Des gopuras Phimeanakas, Palais royal cruciformes ; des colonnettes. octogonales. Sculpture décorative simple Baphûon 1050-1080 Udayadityavarman II Baphûon, Mébon Retour aux sculptures très détaillées: motifs occidental floraux, ainsi que des scènes sur les linteaux Nôga sans couronnes. Les bas-reliefs apparaissent à Baphûon, gravés en scènes animées dans des petits panneaux, souvent en séquences narratives. Angkor Vat 1080-1175 Jayavarman VI, Angkor Vat, Banteay Style classique élevé de l'architecture khmer. Sûryavarman II, Samré, Thommanon, Des tours coniques pleinement développées Yaçovarman II Chau Say Tevoda, une avec des profils courbés. Des galeries plus partie de Preah Pithu larges avec des demi-galeries d'un côté. Des (Phimai et Phnom Rung enceintes concentriques jointes par des au nord; Beng Mealea galeries axiales. Des nôga couronnés; des à l'est nôgc-balustrades surélevées. Invention des terrasses cruciformes. Linteaux richement sculptés, b3s-reliefs, opsoros Bayon 1181-1243 Jayavarman VII, Ta Prohm, Preah Khan, Le dernier style important. Construction Indravarman II Jayatataka bàrây, rapide, souvent en latérite; sculptures moins Neak Pean, Ta Som, élégantes. Des plans complexes; des temples Ta Nei, Angkor Thom, énormes. Des tours à visage; des bas-reliefs Prasats Chrung, Bayon, aux récits historiques. Trois périodes: Terrasse des Éléphants, 1. des temples grands et complexes sur un Ta Prohm Kel, niveau ; Chapelle de l'Hôpital, 2. des tours à visages et avenues de géants; Krol Ko, 3. déclin des standards, les dcvotas portent Prasats Suor Prat des diadèmes du style d'Angkor Vat. (et Banteay Chhmar au nord-ouest) Post Bayon 1243- Jayavarman VIII Terrasse du Roi lépreux, Utilisation des chaussées élevées sur des XVème s. et successeurs Preah Pithu, colonnes, basses ou hautes, Preah Palilay (modifications d'ailleurs) .
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