Western - Civil War- Frontier

Total Page:16

File Type:pdf, Size:1020Kb

Western - Civil War- Frontier Western - Civil War- Frontier RH 237 $15.00 Day Dress Sizes: Multisized SM-XXL PI 445 $13.00 PA 803 $16.50 Simple dress with pleating on the 1837 Day Dress Round Dress sleeves and a wide neckline. Sizes: (6-10), (12-16), (18-22) Sizes: Multisized 10-20 Optional ankle length or full An 1837 Day Dress with Popular from 1840’s to early skirts. Skirts are done by smocked sleeve and pleated 1850’s. This dress is lined and has measurements and instructions. bertha on the front. a lightly boned bodice PA 806 $21.00 PI 447 $12.00 PI 443 $14.00 Lowell Mill Dress 1845 Day Dress 1828 Lady's Daydress Sizes: Multisized 10-20 Sizes: (6-10), (12-16), (18-22) Sizes: (6-10), (12-16), (18-22) This dress was worn by Mary An 1845 Day Dress with sloping Gathered bodice, slightly high Gregg Butler. The original appears vertical pleats that narrow the look of waisted dress with moderately to have been made the waist. puff sleeves fitted at the waist. in the late 1820’s or early 1830’s PI 442 $16.50 PI 440 $12.50 1837 Robe Front Dress 1830's Day Dress PA 003 $15.00 Sizes: (6-10), (12-16), (18-22) Sizes: (6-10), (12-16), (18-22) 1830-1836 Full High Gown The silhouette of this day dress Simple high waisted bodice and Sizes: Multisized 10-20 implies it’s use during and between gigot sleeve is covered with a large Copied from an original in the pregnancies, maybe gathered in collared pelerine. Hermitage clothing collection with an apron or sash SEE BACK OF CATALOG FOR ORDERING AND SHIPPING INFORMATION G01 Western - Civil War- Frontier PH 1857 $23.00 PI 448 $15.00 PI 453 $13.00 1857 Promenade Dress Modified Fan Front Daydress 1850's-1860's Work Dress Sizes: (8-12) or (14-18) Sizes: (6-10), (12-16), (18-22) Sizes: (6-10) (12-16) (18-22) Worn over a full round hoop skirt, Basic day dress with pleats to imitate (24-28) this afternoon costume is a two- the fan front look skirt large enough Simple unlined gathered bodice piece dress with pagoda for a small hoop or without hoop for with cartridge-pleated skirt; full- sleeves. Includes instructions for a camp impression. cuffed sleeves can be rolled up collar and under sleeves. for doing chores. PI 450 $13.50 Day or Camp Dress RH 264 $16.50 Sizes: (6-10), (12-16), (18-22) RH 265 $16.50 1860's Day Dress The basic dress for daywear. It Civil War Era Ballgown Sizes: Multisized SM-XL may be plain or lavishly trimmed for Sizes: (10-14), (16-20), (22-26) Simple front opening dress with a tea dress. Gored skirt Dropped shoulder lines with flanges. full skirt. Can be made as a maybe made to fit over hoops, or Short sleeves and full skirts. dress or skirt and bodice narrow for a camp impression AG 1461 $32.50 AG 1435 $8.25 1870 Gray Walking Dress AG 1129 $29.75 1868 Polonaise or Redingote Sizes: 34 Bust - 24 Waist Only 1875 Gray Mohair Dress Sizes: 32 Bust Only This walking dress consists of a Sizes: 38" Bust - 28" Waist Only This was originally made of brown skirt, tunic and blouse waist of This gray mohair dress consists of taffetas, lined with silk, and trimmed gray mohair. Embroidery a skirt, overskirt, vest, and waist. in bias silk folds of the same color. It design included. The skirt was trimmed with side- can be made in different lengths. pleated ruffles. SEE BACK OF CATALOG FOR ORDERING AND SHIPPING INFORMATION G02 Western - Civil War- Frontier AG 1434 $29.50 PA 903 $21.00 1868 Dress with Mantilla & PH 1874 $22.00 Late 1880's-1892 Daydress Fichu 1874 Bustled Dinner Gown Sizes: Multisized 10-20 Sizes: 29 Bust - 18 Waist Only Sizes: (8-12) or (14-18) Full skirt gathered into a flattering This dress has a high neck and . Pattern includes bodice, skirt, and point at the waist front and back. overskirt. close sleeves PW Burgundy $33.50 PW Portieres $27.50 The Burgundy Dress PW BPD $23.30 Portieres Dress Sizes: Multisized 10-20 Barbeque Party Dress Sizes: Multisized 10-20 Scarlett O’Hara’s infamous Sizes: Multisized 10-20 Scarlett O'Hara's famous green burgundy dress from Gone with Scarlett O'Hara's famous Barbecue velvet dress made from her mother's the Wind. This pattern is the Party Dress Gone With the Wind. curtains at Tara, to seduce Rhett only officially authorized Includes sources for original fabric Butler. Original authorized pattern to recreation pattern to make a for a perfect recreation make an exact replica perfect replica of the original. TV 243 $8.00 1843 Tablier Skirt Sizes: Multisized 2-26 PA 800 $19.50 The upper section, or "tablier", of the Single and Flounced Skirt skirt has four rounded points. The PA 700 $15.50 Sizes: Multisized 10-20 shaped flounce adds 1850-1862 Fashionable Skirt Instructions include flounce enough fullness to fit over a hoop Sizes: Multisized 10-20 variations illustrated in Godey’s Skirt can be gathered, flounced, Lady’s Book. knife pleated, or box pleated. SEE BACK OF CATALOG FOR ORDERING AND SHIPPING INFORMATION G03 Western - Civil War- Frontier TV 244 $11.00 PI 604 $11.00 PI 602 $13.00 1859 Double Skirt Cartridge Pleated Skirt Flounced Skirt Sizes: Multisized 2-26 Sizes: (6-10), (12-16), or (18- Sizes: (6-10), (12-16), (18-22) This skirt has two layers, just as the 22) Late 1850’s flounced skirt for over name implies. The skirt lining has a Easy period method to pleat the hoop, can be used with Tea flounce added to give plenty fabric onto a waistband. Proper dress or Ball Gown bodice. of fullness over a hoop. The upper for camp, Day, or Ball gowns skirt covers the lining and the top of the flounce. TV 246 $8.00 PI 601 $11.00 1851 Petal Ballgown Skirt 1860's Gored Skirt TV 240 $9.00 Sizes: Multisized 2-26 Sizes: (6-10), (12-16), (18-22) 1860's Ball Gown Skirt A beautiful Pre-Hoop skirt. The This gored skirt is a good basic Sizes: Multisized 2-26 upper "petals" fall gracefully over the over the hoop pattern. It can be This very elegant hoop skirt with a skirt. The very deep lower flounce trimmed as simply or lavishly as top skirt falling in swags over a adds enough fullness to go over a desired specially pleated ruffle. Fits over hoop, if desired. 120”, 135”, and 150” hoops. AG 1195 $19.00 AG 1204 $12.25 1868 Muslin Underskirt 1868 Flannel Skirt with Knitted with Train Border FW 206 $16.00 Sizes: Size Medium Only Sizes: Medium Only Quilted Prairie Skirt A muslin skirt with a train, a flounce This skirt was of white flannel. The Sizes: Multisized 6-16 set in; designed to be worn with under edge was finished with a frill This quilted petticoat was a trained dresses. It supports the knitted of red wool in imitation of treasured item in an 18th- bottom of the dress and causes crimping. century wardrobe it to hang gracefully. SEE BACK OF CATALOG FOR ORDERING AND SHIPPING INFORMATION G04 Western - Civil War- Frontier PI 603 $11.00 Overskirts Sizes: Multisized all sizes in one package. A long or short version AG 1467 $4.00 used to dress up a plain skirt. It 1870 Basque Belt with Lace may be made of expensive lace for AG 1466 $4.00 Trimming use over a ball gown or a 1870 Lilac Cashmere Basque Belt Sizes: Size Medium Only complimentary fabric for over a Tea Sizes: Size Medium Only This basque belt was originally dress This fashionable basque was made of silk trimmed with originally made of lilac cashmere. Bruges lace TV 301 $6.50 AG 1529 $8.25 1870's Tie-Apron Overskirt 1870 Lilac Pongee Basque Sizes: Multisized 2-26 Belt AG 1528 $7.75 The apron is flat in front, and has Sizes: Size Medium Only 1870 Violet Basque Belt wide sashes that tie over the bustle This basque was originally of Sizes: Size Medium Only and hand down the back. This lilac pongee. It was trimmed This basque belt was originally overskirt is suitable for a casual day with lilac fringe and lilac silk made of violet Poult de Soie and dress and fits over a bustle. piping. trimmed with black lace. AG 1473 $14.25 AG 1469 $6.50 AG 1427S $12.50 1870 Violet China Crape 1870 Embroidered Granite 1870 Grey Mohair Basque Belt Basque Belt Poplin Basque Belt Sizes: Size Medium Only Sizes: Size Medium Only Sizes: Size Medium Only This basque belt was originally made This basque belt was originally The outer edge of this basque belt of gray mohair. made of a dyed crepe shawl. was originally trimmed with a ruffle, The trimming consisted of which was embroidered with red netted fringe, which was knotted split worsted. to the outer edge of the peplum. SEE BACK OF CATALOG FOR ORDERING AND SHIPPING INFORMATION G05 Western - Civil War- Frontier TV 303 $8.50 1872 Side Drape Overskirt Sizes: Multisized 2-26 The apron is lightly swaged in front AG 1463 $5.25 with pleats at 1870 Gray Foulard Basque Belt the side seam Sizes: Size Medium Only MM 188020 $17.75 This basque belt was trimmed with 1870-1890 Apron bias strips of foulard, each Overskirt/Waterfall lengthwise edge of which was Sizes: Multisized XS-X-Large piped with the same and trimmed This overskirt is designed to with gray crimped fringe.
Recommended publications
  • Clothing of Kansas Women, 1854-1870
    CLOTHING OF KANSAS WOMEN 1854 - 1870 by BARBARA M. FARGO B. A., Washburn University, 1956 A MASTER'S THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF SCIENCE Department of Clothing, Textiles and Interior Design KANSAS STATE UNIVERSITY Manhattan, Kansas 1969 )ved by Major Professor ACKNOWLEDGMENTS The author wishes to express sincere appreciation to her adviser, Dr. Jessie A. Warden, for her assistance and guidance during the writing of this thesis. Grateful acknowledgment also is expressed to Dr. Dorothy Harrison and Mrs. Helen Brockman, members of the thesis committee. The author is indebted to the staff of the Kansas State Historical Society for their assistance. TABLE OP CONTENTS PAGE ACKNOWLEDGMENT ii INTRODUCTION AND PROCEDURE 1 REVIEW OF LITERATURE 3 CLOTHING OF KANSAS WOMEN 1854 - 1870 12 Wardrobe planning 17 Fabric used and produced in the pioneer homes 18 Style and fashion 21 Full petticoats 22 Bonnets 25 Innovations in acquisition of clothing 31 Laundry procedures 35 Overcoming obstacles to fashion 40 Fashions from 1856 44 Clothing for special occasions 59 Bridal clothes 66 SUMMARY AND CONCLUSIONS 72 REFERENCES 74 LIST OF PLATES PLATE PAGE 1. Bloomer dress 15 2. Pioneer woman and child's dress 24 3. Slat bonnet 30 4. Interior of a sod house 33 5. Children's clothing 37 6. A fashionable dress of 1858 42 7. Typical dress of the 1860's 47 8. Black silk dress 50 9. Cape and bonnet worn during the 1860's 53 10. Shawls 55 11. Interior of a home of the late 1860's 58 12.
    [Show full text]
  • Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
    Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern
    [Show full text]
  • Volume 2, Issue 3, Autumn 2018
    The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit.
    [Show full text]
  • The Morgue File 2010
    the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves.
    [Show full text]
  • The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
    Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography.........................................
    [Show full text]
  • Press Kit the History of French Lingerie at the Sagamore Hotel Miami Beach
    LINGERIE FRANCAISE EXHIBITION PRESS KIT THE HISTORY OF FRENCH LINGERIE AT THE SAGAMORE HOTEL MIAMI BEACH Continuing its world tour, the Lingerie Francaise exhibition will be presented at the famous Sagamore Hotel Miami Beach during the Art Basel Fair in Miami Beach from November 29th through December 6th, 2016. Free and open to all, the exhibition showcases the ingeniousness and creativity of French lingerie which, for over a century and a half, has been worn by millions of women worldwide. The exhibition is an immersion into the collections of eleven of the most prestigious French brands: AUBADE, BARBARA, CHANTELLE, EMPREINTE, IMPLICITE, LISE CHARMEL, LOU, LOUISA BRACQ, MAISON LEJABY, PASSIONATA and SIMONE PÉRÈLE. With both elegance and playfulness, the story of an exceptional craft unfolds in a space devoted to contemporary art. The heart of this historic exhibition takes place in the Game Room of the Sagamore Hotel. Beginning with the first corsets of the 1880’s, the presentation documents the custom-made creations of the 1930’s, showcases the lingerie of the 1950’s that was the first to use nylon, and culminates with the widespread use of Lycra® in the 1980’s, an epic era of forms and fabrics. This section focuses on contemporary and future creations; including the Lingerie Francaise sponsored competition’s winning entry by Salima Abes, a recent graduate from the university ESMOD Paris. An exclusive collection of approximately one hundred pieces will be exhibited, all of them emblematic of a technique, textile, and/or fashion innovation. A selection of landmark pieces will trace both the history of intimacy and the narrative of women’s liberation.
    [Show full text]
  • Dress Code Is a Presentation of Who We Are.” 1997-98 Grand Officers
    CLOTHING GUIDELINES: MEMBERS AND ADULTS (Reviewed annually during Grand Officer Leadership; changes made as needed) Changes made by Jr. Grand Executive Committee (November 2016) “A dress code is a presentation of who we are.” 1997-98 Grand Officers One of the benefits of Rainbow is helping our members mature into beautiful, responsible young women - prepared to meet challenges with dignity, grace and poise. The following guidelines are intended to help our members make appropriate clothing choices, based on the activities they will participate in as Rainbow girls. The Clothing Guidelines will be reviewed annually by the Jr. Members of the Grand Executive Committee. Recommendations for revisions should be forwarded to the Supreme Officer prior to July 15th of each year. REGULAR MEETINGS Appropriate: Short dress, including tea-length and high-low length, or skirt and blouse or sweater or Nevada Rainbow polo shirt (tucked in) with khaki skirt or denim skirt. Vests are acceptable. Skirt length: Ideally, HEMS should not be more than three inches above the knee. Skirts, like pencil skirts that hug the body and require “adjustment” after bowing or sitting, are unacceptable. How to tell if a skirt has a Rainbow appropriate length? Try the “Length Test”, which includes: When bowing from the waist, are your undergarments visible, or do you need to hold your skirt - or shirt - down in the back? If so, it's too short for a Rainbow meeting. Ask your mother or father to stand behind you and in front of you while you bow from the waist. If she/he gasps, the outfit is not appropriate for a Rainbow meeting.
    [Show full text]
  • 1914 Girl's Afternoon Dress Pattern Notes
    1914 Girl's Afternoon Dress Pattern Notes: I created this pattern as a companion for my women’s 1914 Afternoon Dress pattern. At right is an illustration from the 1914 Home Pattern Company catalogue. This is, essentially, what this pattern looks like if you make it up with an overskirt and cap sleeves. To get this exact look, you’d embroider the overskirt (or use eyelet), add a ruffle around the neckline and put cuffs on the straight sleeves. But the possibilities are as limitless as your imagination! Styles for little girls in 1914 had changed very little from the early Edwardian era—they just “relaxed” a bit. Sleeves and skirt styles varied somewhat over the years, but the basic silhouette remained the same. In the appendix of the print pattern, I give you several examples from clothing and pattern catalogues from 1902-1912 to show you how easy it is to take this basic pattern and modify it slightly for different years. Skirt length during the early 1900s was generally right at or just below the knee. If you make a deep hem on this pattern, that is where the skirt will hit. However, I prefer longer skirts and so made the pattern pieces long enough that the skirt will hit at mid-calf if you make a narrow hem. Of course, I always recommend that you measure the individual child for hem length. Not every child will fit exactly into one “standard” set of pattern measurements, as you’ll read below! Before you begin, please read all of the instructions.
    [Show full text]
  • Diana's Favorite Things
    Diana’s Favorite Things By Trail End State Historic Site Curator Dana Prater; from Trail End Notes, March 2000 “Girls in white dresses with blue satin sashes ... “ Although we didn’t find a blue satin sash, we recently discovered something even better. While cataloging items from the Manville Kendrick Estate collection, we had the pleasure of examining some fantastic dresses that belonged to Manville’s wife, Diana Cumming Kendrick. Fortunately for us, Diana saved many of her favorite things, and these dresses span almost sixty years of fashion history. Diana Cumming (far right) and friends, c1913 (Kendrick Collection, TESHS) Few things reveal as much about our personalities and lifestyles as our clothing, and Diana Kendrick’s clothes are no exception. There are two silk taffeta party dresses dating from around 1914-1916 and worn when Diana was a young teenager. The pink one is completely hand sewn and the rounded neckline and puffy sleeves are trimmed with beaded flowers on a net background. Pinked and ruched fabric ribbons loop completely around the very full skirt, which probably rustled delightfully when she danced. The pale green gown consists of an overdress with a shorter skirt and an underdress - almost like a slip. The skirt of the slip has the same pale green fabric and extends out from under the overskirt. Both skirt layers have a scalloped hem. A short bertha (like a stole) is attached at the back of the rounded neckline and wraps around the shoulders, repeating the scalloped motif and fastening at the front. This dress even includes a mini-bustle of stiff buckram to add fullness in the back.
    [Show full text]
  • Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form
    Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form Step 1 Apply style tape to your dress form to establish the bust level. Tape from the left apex to the side seam on the right side of the dress form. 1 Module 1 – Prepare the Dress Form Step 2 Place style tape along the front princess line from shoulder line to waistline. 2 Module 1 – Prepare the Dress Form Step 3A On the back, measure the neck to the waist and divide that by 4. The top fourth is the shoulder blade level. 3 Module 1 – Prepare the Dress Form Step 3B Style tape the shoulder blade level from center back to the armhole ridge. Be sure that your guidelines lines are parallel to the floor. 4 Module 1 – Prepare the Dress Form Step 4 Place style tape along the back princess line from shoulder to waist. 5 Lesson Guide Princess Bodice Draping: Beginner Module 2 – Extract Measurements Step 1 To find the width of your center front block, measure the widest part of the cross chest, from princess line to centerfront and add 4”. Record that measurement. 6 Module 2 – Extract Measurements Step 2 For your side front block, measure the widest part from apex to side seam and add 4”. 7 Module 2 – Extract Measurements Step 3 For the length of both blocks, measure from the neckband to the middle of the waist tape and add 4”. 8 Module 2 – Extract Measurements Step 4 On the back, measure at the widest part of the center back to princess style line and add 4”.
    [Show full text]
  • SWART, RENSKA L." 12/06/2016 Matches 149
    Collection Contains text "SWART, RENSKA L." 12/06/2016 Matches 149 Catalog / Objectid / Objname Title/Description Date Status Home Location O 0063.001.0001.008 PLAIN TALK TICKET 1892 OK MCHS Building Ticket Ticket to a Y.M.C.A. program entitled "Plain Talk, No. 5" with Dr. William M. Welch on the subject of "The Prevention of Contagion." The program was held Thursday, October 27, 1892 at the Central Branch of the YMCA at 15th and Chestnut Street in what appears to be Philadelphia O 0063.001.0002.012 1931 OK MCHS Building Guard, Lingerie Safety pin with chain and snap. On Original marketing card with printed description and instructions. Used to hold up lingerie shoulder straps. Maker: Kantslip Manufacturing Co., Pittsburgh, PA copyright date 1931 O 0063.001.0002.013 OK MCHS Building Case, Eyeglass Brown leather case for eyeglasses. Stamped or pressed trim design. Material has imitation "cracked-leather" pattern. Snap closure, sewn construction. Name inside flap: L. F. Cronmiller 1760 S. Winter St. Salem, OR O 0063.001.0002.018 OK MCHS Building Massager, Scalp Red Rubber disc with knob-shaped handle in center of one side and numerous "teeth" on other side. Label molded into knob side. "Fitch shampoo dissolves dandruff, Fitch brush stimulates circulation 50 cents Massage Brush." 2 1/8" H x 3 1/2" dia. Maker Fitch's. place and date unmarked Page 1 Catalog / Objectid / Objname Title/Description Date Status Home Location O 0063.001.0002.034 OK MCHS Building Purse, Change Folding leather coin purse with push-tab latch. Brown leather with raised pattern.
    [Show full text]
  • Comparing the Basque Diaspora
    COMPARING THE BASQUE DIASPORA: Ethnonationalism, transnationalism and identity maintenance in Argentina, Australia, Belgium, Peru, the United States of America, and Uruguay by Gloria Pilar Totoricagiiena Thesis submitted in partial requirement for Degree of Doctor of Philosophy The London School of Economics and Political Science University of London 2000 1 UMI Number: U145019 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U145019 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Theses, F 7877 7S/^S| Acknowledgments I would like to gratefully acknowledge the supervision of Professor Brendan O’Leary, whose expertise in ethnonationalism attracted me to the LSE and whose careful comments guided me through the writing of this thesis; advising by Dr. Erik Ringmar at the LSE, and my indebtedness to mentor, Professor Gregory A. Raymond, specialist in international relations and conflict resolution at Boise State University, and his nearly twenty years of inspiration and faith in my academic abilities. Fellowships from the American Association of University Women, Euskal Fundazioa, and Eusko Jaurlaritza contributed to the financial requirements of this international travel.
    [Show full text]