The Sound of Rubinstein Foreign Rights 2018 2 RIJKSMUSEUM RIJKSMUSEUM 3

Total Page:16

File Type:pdf, Size:1020Kb

The Sound of Rubinstein Foreign Rights 2018 2 RIJKSMUSEUM RIJKSMUSEUM 3 the sound of Rubinstein Foreign Rights 2018 2 RIJKSMUSEUM RIJKSMUSEUM 3 A unique reconstruction SPECIAL EDITION of the establishment of Rembrandt’s masterpiece. Golden Bookje THE GOLDEN WEDDING Not to miss! Laureates JAN PAUL SCHUTTEN Marten and Oopjen and MARTIJN VAN La niña del make their own pretty vestido dorado DER LINDEN have JAN PAUL SCHUTTEN Marten en Oopjen go marry! En than they have to look made a magnificent ILUSTRACIONES MARTIJN VAN DER LINDEN good. Zo gaan ze allebei on path om de sjiekste kleren te La niña Little Golden Book in del vestido dorado buyen. Oopjen wil telkens het mooiste van het mooiste. En Marten? Die wil het duurste van het duurste… collaboration with the Los miembros de la milicia están nerviosos porque van a ser retratados en un cuadro por Rembrandt, el pintor más talentoso y más famoso del país. Rijksmuseum about ¿Quién estará adelante en el cuadro? ¿El más valiente, el más listo o el más divertido? Gouden Griffel winnaar Jan Paul Schutten en Gouden Ana, la niña del vestido dorado, descubrirá the High Society of que para el gran maestro lo importante es aquello que no se ve a simple vista. Penseel winnaar Martijn van der Linden maken in samen- werking met het Rijksmuseum een prachtig Gouden the Golden Age. With www.panamericanaeditorial.com ISBN 978-958304478-6 ISBN 978-958-30-4478-6 Boekje over de High Society van de Gouden Eeuw met atmospheric drawings sfeervolle teke ningen die grotendeels geïnspireerd zijn which are inspired 9789583044786 op de werken van de grote meesters uit het Rijksmuseum. by the big masters of the Rijksmuseum, this book could be seen as Девочка по имени Агнес заходит в гости к Рембрандту как a masterpiece. Their раз когда тот собирается нарисовать королевских стрел- ков. Да тут же целая толпа людей! Как они все поместят- ся на одной картине? Кого художник поставит впереди, а кто будет стоять сзади? Может быть, это будет самый previous Little Golden умный стрелок? Или самый храбрый? А, может быть, са- Девочка мый смешной? Картина Рембрандта «Ночной дозор» - одно из самых за- ISBN 9789047625339 Book The Girl With гадочных полотен XVII века. Она была написана по зака- зу Стрелкового общества — отряда гражданского опол- чения Нидерландов, и должна была стать классическим в золотом платье парадным портретом. Но художник решил изменить пра- а в золотом платье вилам и все на картине пришло в движение: барабанщик К The Golden Dress отбивает дробь, прапорщик разворачивает знамя, собака лает. К тому же, на картине, помимо самих стрелков, по- явились никому неизвестные персонажи. И самая таин- ственная из них - девочка в золотом платье. Девоч got awarded and got Издательство «Пешком в историю» – это детские книги, настольные игры, подарочные наборы, карнавальные ко- стюмы и праздники, посвященные различным историче- ским эпохам. translated into multiple Серия «ИДЁМ В МУЗЕЙ» расскажет вам о том, какие бывают музеи и что в них можно найти, а ещё – как самому собрать languages. коллекцию или создать шедевр. Книги со всего мира про самые интересные музеи! www.peshkombooks.ru +7 495 787 05 30 The Girl gb-oopjen-cover-eng.inddin the 1 The golden wedding 28-02-18 15:00 Golden Dress WRITTENBY JANPAULSCHUTTEN ILLUSTRATEDBY MARTIJNVANDERLINDEN WRITTENBY JANPAULSCHUTTEN ILLUSTRATEDBY MARTIJNVANDERLINDEN Rembrandts famous paintings featuring Marten and Oopjen play the main role in this beautiful picture book. They are getting married! And of course This is Netty. She wears her finest clothes. Netty’s mother combed her they have to look all dressed up. hair for hours and the neighbor has put a beautiful little golden crown on her head. But why does she look so beautiful? They are both going out to go and find the fanciest outfits in the country. Oopjen desires the most beautiful dress, shoes and jewelry. And Marten? For The Girl in the Golden Dress both Jan Paul Schutten and Martijn van He only wants the most expensive… der Linden did thorough research into the Nightwatch and the living and painting in the 17th century. This pays off in a beautiful book filled with facts about the world famous civic guard and refers to several famous paintings from Rembrandt’s time. Pages: 28 Age: 4+ Pages: 32 Rights sold to Japan, South America and Russia Age: 4+ 4 THE MOUSE MANSION THE MOUSE MANSION 5 NEW! The harbour is the newest book in world wide bestselling book series ‘Mouse Mansion’ Book rights sold to: THE harbour Also in this series • Australia • Austria CREATEDBY STUDIOSCHAAPMAN • Brasil • Catalunya Sam and Julia are visiting Grandpa the sailor after school. He’s working in the • China port. There is so much going on because is ‘the week of the port’. This means • Czech Republic that a lot of ships bring back their harvest from all parts of the world. To . Finland celebrate the safe homecoming a festive boat race is being organised. Grandpa • France and Uncle John help Sam and Julia so they can join the race. While wandering • Friesland • Germany through the Mouse Mansion they find lots • Italy of usefull things to build a fantasic boat! . Iran • Japan The boat seems to float perfectly but • Korea during the race something go wrong. • Netherlands But Julia never gives up and Sam has • New Zealand a solution for every problem… but if • Poland winning is still an option? • Russia • Spain The fifth big Mouse Mansion book • South-Africa • Switzerland has spectacular pictures and is a • Turkey beautiful story about perseverance • Ukraine and friendship. • Vietnam Pages: 64 Size: 24,5 x 28,5 cm Age: 4+ 6 NEW PICTURE BOOKS NEW PICTURE BOOKS 7 FROM THE SAME ILLUSTRATOR MARK HAAYEMA writes children’s books about contemporary themes like dementia, homosexuality and in this case xenophobia. Without being moralistic through his books he inspires people to talk about these subjects. MEDY OBERENDORFF is an immensely patient illustrator; she zooms in on the flora and fauna around us and illustrates it with incredible detail. the Most Beautiful She shows natures Pete the parakeet beauty by her refined About strange birds with odd feathers Sound In The World and detailed style. She WRITTENBY PAULIENCORNELISSE earlier illustrated the WRITTENBY MARKHAAYEMA ILLUSTRATEDBY EMANUELWIEMANS acclaimed success: ILLUSTRATEDBY MEDYOBERENDORFF The wondrous insect With her usual humor Niko loves to play the triangle because it makes the most beautiful sound book. George built a beautiful aviary from netting and wood. The aviary has and well-chosen in the world. PING. But then the peace gets disturbed by a man who is enough room for a hundred birds. At least. But he doesn’t have that much words PAULIEN coming his way with a bassoon. VOMP. When a girl also arrives with a birds. Not yet. He has one. A parakeet called Pete. CORNELISSE creates kettledrum and two ladies emerge with violins it creates Pete gets used to his home quite easily. But then new birds come to live in a beautiful story which a cacophony of sound. PING, VOMP, ZWIE, DOEM. It FROM THE SAME AUTHOR show the importance doesn’t sound good at all, until Niko suggests to play ‘his’ aviary and he doesn’t like it one bit. Is this also something you can get of music and playing together. And then an orchestra arises, and oh does it used to? Is it possible to become friends with these strange birds with odd together. The sound beautiful! feathers and habits? beautiful and hilarious illustrations are by EMANUEL WIEMANS. Pages: 28 Age: 3+ Pages: 40 Size: 23,1 x 28,7 cm Age: 3+ 8 PICTURE BOOKS, ILLUSTRATED BY NOËLLE SMIT NEW PICTURE BOOK, ILLUSTRATED BY NOËLLE SMIT 9 Rico, the brave Erik van Os – Noëlle Smit Sock Monkey WRITTENBY FIONAREMPT ILLUSTRATEDBY NOËLLESMIT Rico is a monkey with extremely long arms and legs. He’s the bravest monkey in the world, because he is never afraid. Rico is born in a factory, like most cuddly toys. banaan Pages: 32 Age: 4+ The naughty princess ILLUSTRATEDBY NOËLLESMIT Vieze liedjes met CD Not only are ERIK VAN & stoute versjes No classic fairy tales series has ever been OS his texts cleverly depicted so extensively. Twenty five of the funny. NOELLE SMIT most loved stories by Grimm, Andersen succeeds to make a and Perault are retold and beautifully hilarious narrative illustrated in this 32-pages book series picture book through for the smallest, in cooperation with Efteling, the images, with lots of Europe’s #2 popular theme park. hidden discoveries. Pages: 32 Age: 4+ I Wish We Had A Shark WRITTENBY ERIKVANOS The shopping ILLUSTRATEDBY NOËLLESMIT cart I Wish We Had A Shark is a happy book full of dirty songs and naughty verses. A kid hides his mom’s key, so they have to stay longer at their grandparents WRITTENBY BIBIDUMONTAK place. Mommy lost her lipstick and all of a sudden all the teddy bears are ILLUSTRATEDBY NOËLLESMIT heavily made up. A little turd is afraid of leaving the toilet. And goldfish and hamsters are boring, the kids prefer a shark as a pet. There is this one question that keeps bothering the smallest shopping cart With 26 rhymes, songs and verses to enjoy! in the super market. Where do the groceries once they leave the store? One night he decides to find out! Pages: 64 Age: 4+ Pages: 32 Age: 4+ rights sold to Japan 10 PICTURE BOOKS BY YVONNE JAGTENBERG PICTURE BOOKS BY YVONNE JAGTENBERG 11 YVONNE JACHTENBERG (b 1967) has been illustrating since she graduated from art academy in Arnhem 15 years ago. During that time she worked for different Dutch and Balotje international publishers of children books. Currently Yvonne is working on “self-made” picture books.
Recommended publications
  • Jaarverslag 2005 1
    Jaarverslag 2005 1 Stichting Van Gogh Museum Van Gogh Museum Museum Mesdag Het personeel van het Van Gogh Museum gefografeerd op 31 januari 2006 met op de voorgrond, rechts van het midden scheidend directeuren John Leighton en Ruth Kervezee en links van hen Axel Rüger, de nieuwe algemeen directeur per 1 april 2006 Inhoudsopgave 3 Inleiding van de directie 4 Aanwinsten 2005 8 Collecties 10 Tentoonstellingen 12 Abramovic´ en De Châtel omlijsten tentoonstelling Egon Schiele 18 Onderzoek 20 De atelierpraktijk van Van Gogh 22 Educatie en publiekservice 25 Vrijdagavonden in het Van Gogh Museum 30 Voorlichting, PR & Fondsenwerving 33 Partners en sponsors 34 Van Gogh Museum Publicaties 35 Museum Mesdag 36 Van Gogh Museum Enterprises 40 Personeel & Organisatie 42 Bijlagen Bezoekcijfers 45 Aanwinsten 45 Restauratie en conservering 46 Tijdelijke bruiklenen aan tentoonstellingen 46 Langdurige bruikleen door het Van Gogh Museum 55 Langdurige bruikleen aan het Van Gogh Museum 55 Tentoonstellingen 56 Museumpublicaties 57 Programma vrijdagavonden 58 Activiteiten medewerkers 62 – Nevenfuncties – Lezingen – Publicaties – Overig Lijst van medewerkers 67 Organisatiestructuur 74 Financiële verslaglegging 76 Annual Report 2005: Summary 84 4 Inleiding van de directie Missie van het Van Gogh Museum Het Van Gogh Museum bewaart, bestudeert en ontwikkelt ’s werelds meest vooraanstaande kunstcollectie van Vincent van Gogh en zijn tijdgenoten teneinde een zo breed mogelijk publiek te bereiken, te inspireren en kennis te verschaffen, nu en in de toekomst. Het Van Gogh Museum vervult zijn missie door: – het verwerven, beheren en behouden van verzamelingen van werk van Vincent van Gogh en westerse kunst uit de periode van circa 1830 tot 1914; – een actief onderzoeks- en publicatieprogramma, gebaseerd op deze verzamelingen; – een programma van tentoonstellingen in het museum en elders dat de reikwijdte en aantrekkingskracht van de vaste presentaties vergroot en versterkt; – een educatief programma dat tegemoet komt aan de behoeften van een breed publiek.
    [Show full text]
  • Caspar Nieuwenhuis You Must Change Your Art!
    Caspar Nieuwenhuis You must change your art! Performative dramaturgy in the twenty-first century PART 1 TIDES Who in heaven’s name has stopped our swift ship out at sea as she was making port? Only a moment ago she was in full view. (Homer, The Odyssey1) The dramaturgy of this age You must change your art! Heed this imperative!2 Let it resound through tiered theatres and flat- floored theatres. Let it echo through the corridors of broadcasting companies and teaching departments. Let it ring through parliaments and policy bureaus. Let it buzz on film sets, at festivals and in design studios. Let it reverberate on your type areas and music scores. You must change your art! This era requires it. But what is it, ‘this era’? As Jan Rotmans, Erasmus University Rotterdam’s Professor of Transitions and Transition Management, grandly summarises it: ‘We are not in an age of change, but a change of age.’3 As far as he is concerned, it is more than change that is taking place; this era is mutating on an evolutionary scale.4 The change is taking place in every dimension of our society, at the micro and macro levels of the economy. It is a system change, a paradigm shift, a slow transition from one value system to another. It is like the ‘deflation’ of the standard kilo: a gradual process with fundamental consequences.5 Consequences that combine to produce a crisis in the units of measure.6 In this age of the digital revolution, Rotmans and other futurist romanticists see the same characteristics as the Industrial Revolution at the end of the nineteenth century.
    [Show full text]
  • Tom Poes En De Jakkerjekker Gratis Epub, Ebook
    TOM POES EN DE JAKKERJEKKER GRATIS Auteur: Marten Toonder Aantal pagina's: 50 pagina's Verschijningsdatum: none Uitgever: none EAN: 9789492904027 Taal: nl Link: Download hier softcover Tom Poes en de jakkerjekker Wat nu? Tom Poes in zwart leer gestoken als niets en niemand ontziende motorduivel? De schrik van Rommeldam en omstreken? De altijd zo oppassende jonge vriend die nu Heer Bommel tot wanhoop brengt? Is het hem in zijn bol geslagen of ligt het soms aan dat eigenaardige leren kledingstuk, de zogenaamde Jakker-jekker? Wij bieden je de mogelijkheid om op de hoogte gehouden te worden bij het verschijnen van nieuwe, of door je gezocht uitgaven. Je dient hiervoor ingelogd te zijn. Ulgersmaweg 14 BS Groningen Tel. Openingstijden winkel: Do. Hiervoor sturen wij u een afhaal uitnodiging. Klik hier voor een routebeschrijving naar onze winkel. Inhoud Wat nu? Tom Poes en het klerenkoffertje. Mijn zoeklijst Wij bieden je de mogelijkheid om op de hoogte gehouden te worden bij het verschijnen van nieuwe, of door je gezocht uitgaven. Klik hier om in te loggen of te registreren. Tom Poes en de schatscherven. Tom Poes en de tik van Joost. Tom Poes en de tegendeler. Tom Poes en de Tere Heer. Tom Poes en de woelwater. Tom Poes en de reis naar de Schemerbergen. Tom Poes en het monster van de Hopvallei. Tom Poes en de meesterhand. Tom Poes en het geheim van het Nevelmoeras. Tom Poes en de toverparaplu. Tom Poes en de wonderlijke boedel. Tom Poes en de ijzige heinen. Tom Poes en de bombardonder. Tom Poes en de ijzervreters en De trollebol.
    [Show full text]
  • Grand Palais 11 Octobre 2017 - 22 Janvier 2018
    L’ALCHIMISTE Grand Palais 11 octobre 2017 - 22 Janvier 2018 « Gauguin l’alchimiste » se propose d’explorer la capacité de Gauguin à transformer les matériaux par une approche décloisonnée et expérimentale des disciplines. Si son œuvre de peintre est connu, ses autres productions (céramiques, bois, gravures) ont été moins regardées et souvent dépréciées. Son "bibelotage", comme le désignait Camille Pissaro, révèle pourtant un aspect majeur du processus créateur de Gauguin : par la manipulation, la reprise, l’association de matériaux, l’accident, cet autodidacte s’engage dans une voie inédite. En 1889, il évoque dans une lettre à Émile Bernard une « terrible démangeaison d’inconnu qui me fait faire des folies ». Son désir d'explorer l’inconnu est l’une des lignes directrices de son art et de sa vie. Sans cesse en quête du lieu où son art pourra fructifier et où il trouvera son identité, il s'intéresse aux sociétés extra-occidentales et à l'art primitif. Au fil de ses changements de résidence (Bretagne, Martinique, Arles, Tahiti, îles Marquises), Gauguin poursuit ainsi sa quête d’un moi sauvage et barbare. #ExpoGauguin TÉLÉCHARGEZ L'APPLICATION DE L'EXPOSITION http://tinyurl.com/appgauguin maîtrise toutes les étapes, du façonnage LE LABORATOIRE DES FORMES 1. traditionnel au colombin jusqu’à la cuisson, et invente pour cette nouvelle pratique le terme Employé chez un agent de change, Gauguin de « sculpture céramique ». Gauguin est fasciné pratique le dessin puis la peinture pendant par le grès, un matériau modeste transformé ses loisirs. Au contact des impressionnistes, par la cuisson qu’il assimile au feu de l’enfer.
    [Show full text]
  • (O Dick) Van. - Pittore (N
    BABUREN VAN DICK (Germania) Baburen Theodor (o Dick) van. - Pittore (n. Utrecht 1590 circa - m. 1624). Allievo di P. Moreelse in un soggiorno a Roma (1617-1620 circa), si avvicinò, con il conterraneo D. de Haen, al Caravaggio e ai caravaggeschi (Deposizione di S. Pietro in Montorio). Altre opere datate si trovano nei musei di Oslo (1622), Amsterdam (1623), Magonza, Utrecht. FILATELIA SPAGNA BUSTE POSTALI BACKER JACOB DE o BAKER (Belgio) Nato ad Anversa, 1555 circa e ivi morto, 1585 circa. Non si hanno dati precisi sulla vita di Jacob de Backer; oltretutto viene spesso confuso con il pittore fiammingo suo omonimo Jacob Adriaensz Backer. Secondo la RKD Jacob de Backer sarebbe nato ad Anversa nel 1540/45 circa e sarebbe morto nella stessa città fra il 1591 e il 1600. De Backer da ragazzo è stato abbandonato dal padre. Carel van Mander afferma che Jacob de Backer fu allievo di Antonio van Palermo ed Hendrik van Steenwijk il Vecchio. Sebbene sia considerato un pittore manierista e siano visibili influssi di Giorgio Vasari, non sembra sia mai stato in Italia. Il ciclo dei Sette vizi capitali fu acquistato da Cosimo Masi, segretario del cardinale Alessandro Farnese il Giovane nel 1594 ed è conservato nel Museo di Capodimonte a Napoli. FILATELIA GABON Anno 2012, SPAGNA Anno 2013 Busta postale 1 BADALOCCHIO SISTO ROSA (Italia) Nato a Parma, 28 giugno 1585 e ivi morì nel 1647 circa. Pittore e incisore, Badalocchio lavorò prima con Agostino Carracci a Bologna, poi con Annibale Car- racci a Roma. Nel 1609 si trasferì a Parma. La sua opera più conosciuta come incisore è la serie della Bibbia di Raffaello, che creò insieme a Giovanni Lanfranco.
    [Show full text]
  • PRIX EUROPA Television Fiction Franz Fuchs
    PRIX Television EUROPA Fiction Franz Fuchs - A Patriot 01 Franz Fuchs - Ein Patriot Entering organisation: Österreichischer Rundfunk - ORF Contact: Susanne Spellitz When the terrorist Franz Fuchs committed suicide Email: [email protected] in 2000, it seemed as if Austria had buried a painful chapter of its past. Elisabeth Scharang has taken another Author/s: Elisabeth Scharang look at the case. This programme reveals new facets Director: Elisabeth Scharang that go beyond the actual criminal case. Camera: Helmut Wimmer A feature documentary film, this psychogram of a lone Commissioning editor: Klaus Lintschinger perpetrator interwoven with documentary sequences Production company: epo-film produktionsges.m.b.h. and archival material, becomes the first film to tackle Producer: Dieter Pochlatko this subject comprehensively, questioning the political Co-Producer/s: ORF, Austrian Television Fund, climate in Austria and Europe as well. It is the story Cine Styria Kunst of an exceptionally talented person who ended up becoming a terrorist instead of a nuclear physicist. Length: 89’ Total budget: €1,000,000.- Production format: Super 16 Date of production: September 2007 First broadcast: 20:15, 2 October 2008, ORF Screened on: Monday, 20 October 2008 AUSTRIA Television PRIX Fiction EUROPA 02 The Intruder De Indringer Entering organisation: episode 1/3 Vlaamse Radio- en Televisieomroep - VRT Contact: Franky Audenaerde Tom Vansant, a 40-year-old doctor in Brussels, is Email: [email protected] desperately searching for traces of his daughter Louise who disappeared 18 months ago. In his search, he Author/s: Ward Hulselmans comes across another 16-year-old runaway who left Director: Frank Van Mechelen her hometown in the Ardennes at about the same time Camera: Lou Bergmans as Louise disappeared.
    [Show full text]
  • Gauguin by June Hargrove
    Belinda Thomson book review of Gauguin by June Hargrove Nineteenth-Century Art Worldwide 19, no. 1 (Spring 2020) Citation: Belinda Thomson, book review of “Gauguin by June Hargrove,” Nineteenth-Century Art Worldwide 19, no. 1 (Spring 2020), https://doi.org/10.29411/ncaw.2020.19.1.11. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. License: This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License Creative Commons License. Thomson: Gauguin by June Hargrove Nineteenth-Century Art Worldwide 19, no. 1 (Spring 2020) June Hargrove, Gauguin. Paris: Éditions Citadelles-Mazenod, 2017. 432 pp.; 380 color illus.; bibliography. ISBN 978–2–85088–718 5 189 € (hardcover) It must have required considerable courage on June Hargrove’s part to undertake a new, comprehensive monograph on Paul Gauguin at this juncture, given the attention that has been focused on the artist in recent decades. Such has been the uninterrupted flow of exhibitions, books, and scholarly essays that simply processing this information represented a formidable challenge. Yet for all this activity, there are still lacunae in the Gauguin scholarly apparatus, particularly where the post–1888 work is concerned. We await the appearance, long promised, of the post–1888 volumes of the artist’s oeuvre catalogue as well as the complete revised edition of the later correspondence. This Citadelles-Mazenod monograph is a lavish publication, which joins their ongoing series heroically-dubbed “Les Phares,” perhaps best translated as “The Beacons.” In its insistence on high production values with excellent quality reproductions, often repeated as details, this French publisher is throwing down something of a défi to the recent trend of online art publishing—vide this journal—emphatically proclaiming its faith in physical and beautifully crafted books.
    [Show full text]
  • Gauguin: Artist As Alchemist
    Janet Whitmore exhibition review of Gauguin: Artist as Alchemist Nineteenth-Century Art Worldwide 16, no. 2 (Autumn 2017) Citation: Janet Whitmore, exhibition review of “Gauguin: Artist as Alchemist,” Nineteenth- Century Art Worldwide 16, no. 2 (Autumn 2017), https://doi.org/10.29411/ncaw. 2017.16.2.14. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. License: This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License Creative Commons License. Whitmore: Gauguin: Artist as Alchemist Nineteenth-Century Art Worldwide 16, no. 2 (Autumn 2017) Gauguin: Artist as Alchemist Art Institute of Chicago June 25–September 10, 2017 Grand Palais, Paris October 11, 2017–January 22, 2018 Catalogue: Gauguin: Artist as Alchemist. Gloria Groom, editor, with contributions by Dario Gamboni, Hariet K. Stratis, Ophélie Ferlier- Bouat, Claire Bernardi, Allison Perelman, Isabelle Cahn, Estelle Bégué, Nadège Horner, and Elsa Badie Modiri. New Haven, CT and London: Yale University Press, 2017. 336 pp.; 408 color and 11 b&w illus.; chronology of materials and methods; bibliography; index. $65.00 ISBN: 9780300217018 Since 1988 when the Art Institute of Chicago collaborated with the National Gallery of Art, Washington, DC, and the Musée d’Orsay on The Art of Paul Gauguin, the artist has been the subject of extensive scholarly scrutiny. Exhibitions and publications have focused on nearly every aspect of Gauguin’s life and analyzed it from every conceivable theoretical perspective. The most recent exhibition, Gauguin: Artist as Alchemist, opened in June 2017 at the Art Institute of Chicago before traveling to the Grand Palais in Paris in October.
    [Show full text]
  • 1 Thomas Hvid Kromann “Montages Wrapped in Flong: a Material–Archaeological Investigation of Asger Jorn and Guy Debord'
    Thomas Hvid Kromann “Montages wrapped in flong: a material–archaeological investigation of Asger Jorn and Guy Debord’s Fin de Copenhague” (2015) Extended English summary "Montager svøbt i matricepap. En materialearkæologisk undersøgelse af Asger Jorn og Guy Debords Fin de Copenhague" was published in the Danish peer-reviewed journal Fund & Forskning, no. 54, 2015, pp. 587–625. Published by The Royal Library in Copenhagen. Thomas Hvid Kromann (b. 1974), PhD Researcher at the Center for Manuscripts and Rare Books, The Royal Library, Copenhagen, Denmark. [email protected] and [email protected] Aim of the article The making of Fin de Copenhague took place a couple of months before the foundation of the Situationist International movement (1957–72) and is closely linked to it. In an increasingly politicized situationist movement, Fin de Copenhague and its sequel, Mémoires, were instrumentalized as“documents” – not as art works in a book format, but rather as anti- art works. As was stated in the first issue of the bulletin Internationale Situationniste, no situationist art form could exist, only a situationist use of artistic methods. This self- perception, primarily influenced by Debord, has subsequently influenced the way the two books have been critically received. In the decades that followed their creation, relatively little attention was paid to them in the increasing amount of research into the art of Jorn, the political-avantgardist activism of Debord and the situationist movement. The “concept” behind the books was reduced to the theoretical framework of the situationist movement (corresponding to key situationist strategies such as “détournement”), while the material dimension of the concrete artefacts themselves was neglected.
    [Show full text]
  • Bommel Literatuurgids
    Klaas Driebergen & Hugo Klooster Bommel literatuurgids Een overzicht van tachtig jaar Bommelstudie aanvulling 2021 2021 Uitgeverij Klaas Driebergen Ouderkerk aan de Amstel Dit is een aanvulling bij de Bommel literatuurgids. Een overzicht van tachtig jaar Bommelstudie. Dit boek verscheen in 2020 bij uitgeverij Klaas Driebergen, Ouderkerk aan de Amstel. Deze aanvulling is alleen in digitale vorm verkrijgbaar, gratis via www.klaasdriebergen.nl. Copyright teksten © 2021 Klaas Driebergen en Hugo Klooster Copyright illustraties Marten Toonder © 2021 Stichting Het Toonder Auteursrecht Vormgeving Klaas Driebergen Inhoud Verantwoording 4 Literatuuroverzicht 5 Chronologische literatuurlijst 6 Indexen 19 Index verhalen 20 Index figuren 23 Index zaken en begrippen 25 Index personen 28 Index auteurs 30 Correcties t.a.v. de eerste editie 33 De pers over de Bommel literatuurgids 34 Verantwoording Tijdens de zomer van 2020 verscheen de Bommel literatuurgids. Een uitgeschreven, maar men komt via het klikken op de links wel belangrijke eigenschap van een naslagwerk als dit is dat het vrij meteen op de juiste pagina terecht. snel niet meer actueel is. Op het moment dat het boek uitkwam, Het is onontkoombaar dat er in een boek als de Bommel litera­ waren er namelijk alweer nieuwe titels verschenen die er niet in tuur gids foutjes sluipen. Voor zover we deze zelf ontdekten of er opgenomen waren. Zoals we ook aangaven in de inleiding ervan: door anderen op gewezen werden, hebben we deze verzameld er blijven onophoude lijk nieuwe publicaties verschijnen over het ten einde een kleine lijst van correcties aan dit document toe te werk van Marten Toon der. voegen. Omdat wij ons al tijdens het samenstellen van dit boek bewust We willen hierbij al degenen bedanken die ons na de verschij- waren van dit gegeven, waren wij toen reeds van plan om regel- ning van de Bommel literatuurgids attendeerden op mogelijke matig met aanvullingen te komen.
    [Show full text]
  • 60 61 Chronologische Literatuurlijst | 1975 1976
    Godthelp, Rob: Heer Bommel en de functie van de ironie (Den Haarlems Dagblad 13 december 1975. (de Kleine Club) ‘Vroeger’, Haagse Post 5 april 1975. (vroege verhalen, De berg- Haag: Panda, 1975), 63 p. Plantema, G.: ‘Marten Toonder en de vreemde gang van za- mensen) Hattum, M. van (‘M.v.H.’): ‘Mondria’s Bommelbibliografie’, ken’, De Gelderlander 8 augustus 1975. (vroege verhalen; Tom Werkman, Hans: ‘Zeg nu zelf…’, Nederlands Dagblad 5 april Spektator. Tijdschrift voor Neerlandistiek jrg. 4 nr 9-10 (juni Poes geleidelijk overschaduwd door heer Bommel) 1975. (rec. Zeg nu zelf…; De killers) 1975), p. 642-643. ‘P.S.’: ‘Bommel op de literatuurlijst’, Zwolse Courant 10 april Zijp, Frank: ‘Toen had Bommel nog vier vingers’, Het Parool 3 Hayer, J.E.: ‘Krachtverkeer moet verdwijnen, wil behoorde’, 1975. (rec. Wat enigjes; De gezichtenhandel) mei 1975. (uitgave van oudere verhalen; De bergmensen, De Nieuwsblad van het Noorden 8 augustus 1975. (stukje in Prl- ‘Schicht-huwelijk’, Zwolse Courant 8 augustus 1975. (Oude Drakenburcht) 1976 | Chronologische literatuurlijst wytzkofski-stijl over verkeersplan Groningen) Schicht van het bruidspaar Bouwman-Van Leussen, Dalf- ‘Heer Bommel op het eindexamen’, Trouw 22 april 1975. (car- sen) 1976 toon; ruitjesjas) Smit, Loes (1): ‘Bommel op het eindexamen’, Trouw 17 april Hoef, Kees van der (‘KvdH’): ‘Bommel, je bent erbij! Hoe is 1975. (vroege verhalen) Berge, Domien ten: De stripkunst van Marten Toonder. Den je naam?’, Nieuwsblad van het Noorden 14 maart 1975. (vroege Smit, Loes (2): ‘Jong talent in Tom Poes-blad’, Trouw 9 decem- Haag: Panda, 1976. 136 p. (Bommelkunde; rec. Engelander verhalen; legale en illegale uitgaven) ber 1975.
    [Show full text]
  • Blending Idioms in ​De Bommel Saga Joosje Wessels S1531425 Thesis
    Een denkraam - Blending idioms in de Bommel saga ​ ​ Joosje Wessels s1531425 Thesis MA Linguistics Leiden University 2018-2019 Supervisor: Dr. A.T.P.G van Engelenhoven Assessor: Prof.dr. M.P.G.M. Mous Table of Contents Figures and pictures 2 Introduction to this thesis 3 1. General information 4 Introduction 4 1.1 The Bommel saga: a literary comic series 5 1.2 Marten Toonder: the man 8 1.3 Dutch: an overview 12 2. Theoretical background 14 Introduction 14 2.1 Mental spaces and conceptual blending 15 2.2 The Bommodel 20 2.3 Semiotics, semiosis, and mental spaces - an alternative approach 24 3. An analysis of ten quotes from the Bommel saga 35 4. Conclusions 56 References 58 1 Figures and pictures Figure 1: The Buddhist Monk Figure 2: Burning one’s candle at both ends Figure 3: My candle burns at both ends Figure 4: A nested network Figure 5: The Bommodel Figure 6: Meandertale Figure 7: General scheme for the compression of an outer-space relation to an inner-space relation Figure 8: The Mindful Pronghorn Figure 9: En zijn pols doet het ook nog ​ Figure 10: (...) waarin de dagen zich aaneenrijgen als de kralen van een vermolmd snoer ​ Figure 11: De kunst wordt altijd aan de zolen gelapt, makker ​ Figure 12: De ellende is Bommel in de erwt geslagen ​ Figure 13: Zou ik niet teveel hooi op mijn tere schouders hebben genomen? ​ Figure 14: (...) dat de kwade dampen me op de lever geslagen zijn ​ Figure 15: Jouw galligheid slaat me op de maag! ​ Figure 16: oogscherm ​ Figure 17: (...) zodat ik de zon in het water zag schijnen zonder de put te dempen ​ Figure 18: (...) zal je vanzelf de lichtjes zien ​ Map 1: The Netherlands Picture 1: Marten Toonder Picture 2: Not-so-subtle foreshadowing 2 Introduction to this thesis In this MA thesis, I argue that conceptual blending of mental spaces (as described by Fauconnier and Turner (2002), and Brandt and Brandt (2005)) enables the understanding of metaphors and imagery.
    [Show full text]